Unit 4 Stage and screen（二）-2026-2027学年高中英语教材全解必修二（外研版）

Unit 4 Stage and screen 教材全解（二） emotion anger grief combine poetry explosive ⊙单元核心词汇 applaud grateful extremely overcome ballet absorbed romantic comedy documentary absolutely episode等 。单元同步语法 状语从句（时间/原因状语从句）-when /while/because等 引导 ⊙单元文章对话 重点句型讲练 教材同步词汇全解全练 重点1 单元词汇 l.explosive/k'splausIv/,adj.爆炸（式）的，爆发的 词形变化：explode(v.)爆炸；explosion(m.)爆炸；explosively(adv.)爆炸性地 搭配：explosive growth爆炸式增长；an explosive temper暴脾气 辨析：explosive强调“易爆的、爆发性的”，exploding则强调“正在爆炸的” 例句：The population has seen explosive growth in recent decades.. He has an explosive temper,so be careful. 2.gief/gi:f/n.悲痛 词形变化：grieve(v.）悲痛；grievous(adj.）令人悲痛的；gief-stricken(adj.)极 度悲痛的 搭配：come to grief失败，遭难；be overcome with grief悲痛欲绝；good grief(感 叹词)哎呀！ 辨析：gief指深沉的悲伤（常因失去）；SOITow范围更广，可指任何悲伤； sadness程度较轻 例句：She was overcome with grief at the loss of her father. The project came to grief due to lack of funds 3.combine /kem'bain/v.（使)结合，（使）组合 词形变化：combination(.)结合，组合；combined(adj.)联合的 搭配：combine.with..把…与…结合；combine to do sth.联合起来做某事 辨析：combine强调融合为一；connect强调连接不一定融合；unite强调团结统一 The new system combines traditional methods with modern technology. Several factors combined to cause the accident. 4.applaud/a'pl:d/v.为…鼓掌 词形变化：applause(m.)掌声；applaudable(adj.)值得称赞的 搭配：applaud sb.for sth.因某事称赞某人；applaud the decision支持决定 辨析：applaud侧重鼓掌动作或公开赞许；praise泛指口头或书面表扬 例句：The audience applauded the performer for his amazing skill. I applaud your decision to tell the truth. 5.grateful/'grertfl/adj.感谢的，感激的 词形变化：gratefully(adv.）感激地；gratitude(n.）感激；ungrateful(adj.)不领 情的 搭配：be grateful to sb.for sth.因某事感激某人；grateful+that从句 辨析：grateful强调内心的感激；thankful更侧重“庆幸”之意，常用于口语 例句：I am grateful to you for your help. She was grateful that no one was hurt. 6.overcome/,ouve 'kAm/v.控制（感情），克服（困难） 词形变化：overcame(过去式)；overcome(过去分词) 搭配：overcome difficulties克服困难；be overcome with/by emotion感情无法控制 辨析：overcome强调成功战胜；conquer语气更强，意味彻底征服；defeat多用于 竞争或战争 例句：She managed to overcome her fear of heights. He was overcome with sadness when hearing the news. 7.absorbed/ab'sobd/adi.专心致志的 词形变化：absorb(v.)吸收；absorption(n.)吸收，全神贯注；absorbing(adj.) 引人入胜的 搭配：be absorbed in(doing)sth.全神贯注于（做）某事 辨析：absorbed指注意力完全被吸引；engrossed语气更强烈；concentrated侧重专 注状态 例句：She was so absorbed in the book that she didn't hear the doorbell.. The children were absorbed in building a sandcastle. 8.appealing/epi:l/adj.有吸引力的，有趣的 词形变化：appeal(w.h.)吸引，呼吁；appealingly(adv.)吸引人地 搭配：appealing to sb.对某人来说有吸引力；make an appeal发出呼吁 辨析：appealing侧重“引起兴趣或好感”；attractive更强调视觉或外观上的魅力 例句：The idea of a holiday by the sea is appealing to me, The advertisement is designed to be appealing to young people. 9.definitely/definatli/.adv.确切地，肯定地 词形变化：definite(adj.)明确的；definition(n.)定义；indefinitely(adv.)无限 期地 搭配：definitely not肯定不；be definitely the best绝对是最好 辨析：definitely表示非常确定；absolutely语气更强，有“绝对”之意；certainly 常用于回答 例句：This is definitely the best film I've seen this year. "Can I borrow your book?""Definitely not!" 10.plot/plot/n.(书、电影、戏剧的)情节 词形变化：plotting(./adj.)密谋；plotter(.）策划者 搭配：the plot thickens情节变得复杂起来；a plot twist情节转折 辨析：plot指故事的整体结构；stoy可指任何一个故事；scenario常指设想的情景 例句：The plot of the novel is full of unexpected twists. The movie lost its audience because of a weak plot. ll.episode/'eprsaud/n.(电视连续剧或广播节目中的)一集 词形变化：episodic(adi.)片段的，不定期的 搭配：a pilot episode试播集；an episode of illness一次发病 辨析：episode强调连续剧中的“一集”或生活中的“一个片段”；scene强调场 景；chapter强调书的“章节” 例句：The first episode of the series attracted millions of viewers. That was an unforgettable episode in my childhood. 12.emotion/个'man/n.强烈的情感 词形变化：emotional(adj.)情绪化的，情感的；emotionally(adv.)情绪上； emotive(adi.)激起情感的 搭配：show emotion表露情感；mixed emotions百感交集 辨析：emotion泛指任何强烈情感；feeling更宽泛，可指身体感觉或情感；passion 特指强烈热爱或激情 例句：She spoke with deep emotion about her childhood, The film stirred up mixed emotions among the audience. 考点通关 单元词汇 (一)单句填空（用所给词的适当形式填空） 1.The rise in air travel led to an (explode)increase in carbon emissions 2.After the accident,the family was (grief)by the loss 3.The success of the project (combine)hard work and good luck. 4.The audience stood up and (applause)the speaker for his inspiring words 5.I am deeply (grate)to all those who supported me during tough times. 6.She tried hard to (come)her fear of speaking in public. 7.The students were so (absorb)in the experiment that they forgot the time. 8.The idea of traveling alone may not be (appeal)to everyone 9."Are you coming to the party?""Definitely not.I have a test tomorrow." 10.The novel has a complex (plot)that keeps readers guessing. 11.The latest (episode)of the drama ended with a shocking cliffhanger. 12.He couldn't hide his (emotion)when receiving the prize. 13.The two companies decided (combination)their resources to start a new project. 14.It is (grief)to see so many people lost in the disaster. 15.The children were (appeal)to their parents for more pocket money. Are you looking for a TV series with a gripping 1. I recommend The Crown. Each 2. brings out deep 3. and shows how historical events 4. with personal stories.The acting is so powerful that you may be 5. with tears.Some scenes are 6. with drama,while others are quiet and moving.I am 7. to the creators for such a masterpiece.Critics 8. the show for its accuracy and beauty.If you are not 9. in it from the start,you might not find it 10. but most viewers say it is 11. worth watching 1.explosive;2.grieved;3.combined;4.applauded;5.grateful;6.overcome; (一)单句填空 7.absorbed;8.appealing;9.Definitely;10.plot;11.episode;12.emotion;13.to combine;14.grievous;15.appealing (二)短文填空 1.plot;2.episode;3.emotion;4.combine;5.overcome;6.explosive;7.grateful; 8.applaud;9.absorbed;10.appealing;11.definitely 教材同步语法全解全练 重点2 时间状语从句与原因状语从句 时间状语从句与原因状语从句 状语从句在句中作状语，修饰主句的谓语动词或整个句子。时间状语从句 定义 说明动作发生的时间，原因状语从句说明动作发生的原因。常由when、 while、because等连词引导。 时间状语从句wh如：意为“当…时”，可表示主句动作与从句动作同时发生，或从句 动作先于主句。从句动词可以是短暂性或延续性。 例：When I arrived,.he was reading.(我到达时，他正在读书。) 注意：whe还可表示“突然…（这时）”，常用于过去进行时或 was/were about to do结构。 例：I was walking home when it started to rain.(我正走回家，突然下起雨 来。) whle:意为“在…期间”，强调主句动作发生在从句动作持续的过程 中。从句动词通常为延续性动词。 例：While he was sleeping,someone called him.(他睡觉时，有人给他打电 话。) 注意：while还可表示对比或转折，意为“而，却”。 例：I like coffee while my sister prefers tea.(我喜欢咖啡，而我妹妹更喜 欢茶。) as:意为“当…时”，常与when互换，但更强调“一边…一 边…”或“随着”。 例：She sang as she walked.(她边走边唱。) As time went by,he grew older.(随着时间的推移，他变老了。) because:意为“因为”，语气最强，直接说明原因。回答why提问时只 能用because。可放在主句前或后，但强调原因时常放后面。因为从句不 能与s0同时使用。 例：Ie didn't come because he was ill.(他没来，因为他病了。) 原因状语从句since:意为“既然，因为”，表示已知或明显的原因，语气比because 弱。常放在句首。 例：Since you're here,let's start.(既然你在这儿，我们开始吧。) s:意为“由于，因为”，语气最弱，原因通常是已知的。 例：As it was raining,.we stayed at home..(由于下雨，我们呆在家里。) when和while的区别：when后可接短暂性动词或延续性动词；while后 只能接延续性动词。 注意事项 because与so不能连用：英语中不能用because.so.o 主将从现：时间状语从句中，主句将来时，从句用一般现在时。 例：I'll call you when he arrives.(他到了我会打电话给你。) 考点通关 时间状语从句与原因状语从句 语法专练一：单项选择(8题) 1.-Why didn't you answer the phone? -I was taking a shower you called A.while B.when C.because D.as 2 it was raining hard,they still went on with the football match A.Because B.Since C.Although D.When 3.Mary was reading a book her mother was cooking in the kitchen A.when B.while C.because D.as soon as 4. he finishes his homework,he will go out to play. A.Though B.While C.When D.Since 5.I didn't attend the meeting I had a terrible headache A.because B.so C.but D.and 6.Please keep quiet others are sleeping. A.when B.while C.because D,until 7 you have known the truth,I won't hide it anymore. A.Because B.Since C.While D.When 8.He was about to leave the telephone rang. A.while B.because C.when D.as 语法专练二：语法填空(10题) 阅读下面短文，在空白处填入适当的引导词或连词（每空一词)。 I had an unforgettable experience last Sunday.I was walking in the park 1. I saw a lost little girl crying.She looked very worried,2. she couldn't find her mother.I asked her 3. she was lost,but she just kept crying.I decided to help her 4. we were waiting near the fountain,a woman ran towards us.She was the girl's mother!The mother thanked me 5. I had taken care of her daughter. 6. the girl saw her mother,she stopped crying and smiled.I felt very happy 7 I could help someone.8. you help others,you will also feel good From this experience,I learned that 9. someone is in trouble,we should offer a hand.And 10. we do something kind,we receive joy in return. 参考答案 语法专练一：单项选择 1.B;2.C,3.B;4.C;5.A;6.B;7.B;8.C 1.when;2.because;3.if;4.While;5.because;6.When; 语法专练二：语法填空 7.because;8.When;9.when;10.when A教材同步文音句型精进 重点句型 Book vs Movie 1.Many people believe that the book is always better than the movie. 结构：主语+谓语(believe./think/say/know等)+hat+陈述句 中文：很多人认为书总是比电影好。 用法：that在从句中无实际意义，只起连接作用，口语中可省略。 2.books allow us to use our imagination to create the characters and settings 结构：allow+宾语+todo(不定式) 中文：书籍让我们用自己的想象力去创造人物和场景。 用法：allow sb to do sth意为“允许某人做某事”。 注意：被动结构为be allowed to do。 3.What is important is that we judge each adaptation on its own merits. 结构：wht+从句（作主语/表语）+系动词+表语从句/名词 中文：重要的是我们要根据每部改编作品本身的价值来评判它。 用法：what在从句中充当主语、宾语或表语，意为“…的事情/东西”。 注意：不能说“That he said作主语（需视情况使用that或what)。 4.judge each adaptation on its own merits,rather than comparing it to the original book 结构：Arather than B 中文：我们应该评判电影本身，而不是把它与原书比较。 用法：1 ather than表示“而不是”，连接平行结构（名词、动名词、不定式等）。 注意：rather than后通常接动名词，也可接动词原形。 5. as long as it captures the heart of the story 结构：主句+as long as+从句（从句用一般现在时表将来） 中文：只要电影抓住了故事的核心，它就可以和书一样好。 用法：as long as意为“只要”，相当于provided that。. 6.whether you prefer the book or the movie,what matters is that you enjoy the story. 结构：whether+从句+or+从句，主句 中文：无论你更喜欢书还是电影，最重要的是你享受这个故事。 用法：whether..or.引导让步状语从句，意为“无论…还是…”。 注意：从句可用陈述语序，也可用动词原形（虚拟语气）。 考点通关 文章句型 练习一：完成句子（用所给词的适当形式填空） 1.Many people believe that the book (be)always better than the movie. 2.Books allow us (use)our imagination. 3.What (matter)most is that we enjoy the story. 4.We should judge each film on its own merits,rather than (compare)it to the book. 5.You will enjoy the movie as long as you (not expect) it to be exactly like the book. 6.Whether you (prefer)reading or watching,the story remains the same. 7.Having seen several adaptations,I (find)that some are better than others. 8.Some directors take too many liberties and (lose)the original meaning. 9.It is possible for a movie to be just as good as the book,as long as it (capture)the heart. 10.What is important is that we (judge)each adaptation fairly. 练习二：翻译句子（在横线上写出完整句子） 1.很多人认为书总是比电影好。 2.书籍让我们用自己的想象力去创造人物和场景。 3.重要的是我们要根据每部改编作品本身的价值来评判它。 4.我们应该评判电影本身，而不是把它与原书比较。 5.只要电影抓住了故事的核心，它就可以和书一样好。 6.无论你更喜欢书还是电影，最重要的是你享受这个故事。 7.我发现有些改编作品比其他作品好。 8.一些电影忠实于原著的精神，而另一些则失去了原意。 9.电影可以通过视觉效果和强大的表演将故事生动地呈现出来。 10.我允许自己每周看一部改编电影。 参考答案 1.is;2.to use;3.matters;4.comparing;5.don't expect; 练习一：完成句子 6.prefer;7.have found;8.lose;9.captures;10.judge 1.Many people believe that the book is always better than the movie.2.Books allow us to use our imagination to create the characters and settings.;3.What is important is that we judge each adaptation on its own merits.;4.We should judge the film itself,rather than comparing it to the original book.;5.A movie can be just as good as the book,as long as it captures the heart 练习二：翻译句子 of the story.;6.Whether you prefer the book or the movie,what matters is that you enjoy the story.7.I have found that some adaptations are better than others.;8.Some movies stay true to the spirit of the book,while others lose the original meaning.; 9.Movies can bring stories to life with visual effects and powerful performances.10.I allow myself to watch one film adaptation every week. A 教材同步单元练习 一、阅读理解 Passage 1 While the debate over whether the book is superior to its film adaptation remains a contentious one in literary and cinematic circles,a more nuanced question is increasingly being asked:can the visual medium of film,with its unique arsenal of tools,ever achieve the same depth of narrative and emotional resonance as the written word? Proponents of the literary original often argue that the novel's strength lies in its interiority.A book grants the reader unparalleled access to a character's inner thoughts,motivations,and moral ambiguities through techniques like stream of consciousness or free indirect discourse.When a story transitions from page to screen,this internal landscape is often externalized through dialogue or visual cues,a process that can stip away the psychological complexity that made the book so compelling.The reader is an active co-creator,building the world from the author's descriptive blueprint;the filmgoer,by contrast,is a passive recipient of a predetermined visual. However,cinema possesses a language of its own.A masterful film can achieve a synthesis of narrative elements-acting,cinematography,sound design,and editing-that no solitary reader could conjure.The silent exchange of a glance,the subtle shift in lighting,or the strategic use of a leitmotif can convey in a single moment what might take pages of prose to describe.This is not a dilution of the story but a translation of its essence into a different grammar.For instance,while a novel might describe a city's oppressive atmosphere,a film can immerse the audience in it through a cacophony of traffic,grey-tinted cinematography,and claustrophobic camera angles. Ultimately,the success of an adaptation should not be measured by its fidelity to the source material, but by its own artistic coherence.A film that "betrays"the plot of the book may still be a masterpiece if it captures the spiit of the original.The very act of adaptation is an interpretation,a conversation between two artists-the author and the director-across different eras and mediums. Rather than asking which is "better,"perhaps the more insightful approach is to appreciate how each version illuminates different facets of a single story. ()1.What is the central argument of the passage? A.Films are inherently inferior to books. B.Novels are superior due to their focus on interiority. C.Adaptations should be judged by their own artistic merits. D.Readers are more active than filmgoers. ()2.According to the author,what is one limitation of film compared to the novel? A.Films cannot create immersive atmospheres. B.Films often fail to portray characters'intemnal psychological depth. C.Film actors are less skilled than literary descriptions. D.Filmmakers intentionally simplify complex plots. ()3.The word "dilution"in paragraph 3 is closest in meaning to: A.Clarification B.Strengthening C.Weakening D.Repetition ()4.What does the author imply about a film that "betrays"the plot of the book? A.It is a flawed adaptation. B.It is likely to be a commercial failure. C.It can still be artistically successful. D.It has failed to understand the original text. Passage 2 The performing arts in China have a rich,millennia-old history,with forms like Peking Opera and Kunqu once serving as the primary source of mass entertainment.However,as global media and digital platforms proliferate,these traditional stage arts face an unprecedented challenge:how to remain relevant for a generation raised on Hollywood blockbusters,K-Pop,and social media.The solution, many argue,lies not in stubborn preservation but in creative evolution. One of the most successful strategies has been the integration of modemn technology.Contemporary productions of Kunqu are now employing sophisticated lighting,3D projection mapping,and advanced sound systems to create a more visually spectacular and immersive experience.This does not dilute the core art form;rather,it enhances its appeal by making it accessible to audiences accustomed to high- production-value entertainment.For instance,the renowned "The Peony Pavilion"has been re- staged with a digital backdrop that shifts from serene gardens to raging storms,amplifying the emotional intensity of the narrative without altering a single note of the original music. Another vital approach is narrative innovation.Traditional operas often revolve around historical or mythological themes that can feel distant to modem youth.To bridge this gap,some troupes have experimented with contemporary storylines,inspired by modem urban life or even science fiction.This creates a sense of immediacy and recognition,proving that the expressive power of these art forms is not confined to the past.The symbolic movements,vocal techniques,and costumes are used to tell new stories,engaging younger audiences in a conversation about their own lives. Finally,the educational system is undergoing a profound shift.Recognizing the risk of losing an intangible cultural heritage,the government and private institutions are funding programs to introduce these arts to schoolchildren.Workshops,youth theatre clubs,and modemized textbooks are demystifying the complex conventions of stage ait.By giving young people a hands-on experience, they are not just passive observers but potential future practitioners and lifelong patrons.The survival of stage performance does not depend on freezing it in time,but on allowing it to breathe and adapt, proving that the ancient art of the stage can still have a powerful voice in the digital age. ()1.What is the primary challenge faced by traditional Chinese stage arts according to the passage? A.Lack of government funding. B.The difficulty of the performance techniques. C.Competition from modern digital entertainment. D.A shortage of professional performers. ()2.How does the use of modem technology benefit Kunqu,as mentioned in the text? A.It simplifies the complex musical scores. B.It replaces the need for traditional costumes. C.It increases the visual appeal for modemn audiences. D.It reduces the duration of the performance. ()3.The author mentions narrative innovation as a strategy that: A.Focuses strictly on preserving original stories B.Makes stories more relevant to contemporary life. C.Replaces traditional movements with modern dance. D.Primarily focuses on science fiction themes. ()4.What is the main idea of the final paragraph? A.The goverment is the only savior of traditional art B.Schools are the only places to learn about opera C.Engaging youth is critical for the art form's survival. D.Traditional art should be preserved exactly as it is. 二、完形填空 When I was a teenager,I was deeply absorbed in a series of fantasy novels.The world-building was so detailed that I felt I was living inside the story.My imagination was constantly (1) with the vivid descriptions of dragons and magic.So,when I heard that the studio was producing a film adaptation,my expectations were sky-high. The first trailers were visually(2) promising a spectacle that would finally bring my beloved characters to life.The cast (3) some of my favorite actors,and the director was known for his loyalty to source material.I was(4) convinced that this movie would be the definitive version of the story. However,the reality was a bitter pill to swallow.The plot,while faithful to the main beats,(5) the subtle character development that made the book so beloved.The protagonist,who in the novel was a quiet and thoughtful observer,was tumned into a snappy action hero.It felt as though the director had summarized the book's themes rather than exploring them,like reading only the footnotes of a poem.I left the cinema(6)a deep sense of giief. I could not(7)my sorrow and anger.On the car ride home,I(8) my complaints, criticizing every liberty the filmmakers had taken.My parents listened patiently,but my father finally said,"Judge it as a film,not as a photocopy of the book." That comment was an(9)moment for me.I had been so focused on what the movie had taken away that I ignored what it had added.I watched the film again,this time free from the burden of comparison.I noticed the remarkable cinematography that created an atmosphere the book could only hint at.The score was magnificent,(10)my emotions in a way that the text never had. I came to (11) that the movie was not a failure of the book,but a companion piece.It didn't replace my imagination;it added a new layer to it.We often (12) the screen adaptation for changing the meaning,but sometimes,the art lies in the interpretation.(13) the book is a beautiful garden you cultivate in your mind,the film is a guided tour with a passionate expert who shows you the flowers you might have missed. This experience taught me a(n)(14) lesson:the most profound art doesn't just tell one story;it sparks a conversation.The movie didn't ruin the book for me;it made me appreciate the book even more,and it gave me a new (15) to see the story-through the eyes of a director. 1.A.combined B.exploding C.grieving D.grappling 2.A.appealing B.absorbed C.definite D.grateful 3.A.overcame B.applauded C.featured D.plotted 4.A.definitely B.partially C.hardly D.slightly 5.A.captured B.lost C.strengthened D.respected 6.A.with B.over C.without D.against 7.A.control B.express C.feel D.hide 8.A.held back B.poured out C.focused on D.kept up 9.A.explosive B.emotional C.awakening D.episode 10.A.to combine B.combining C.to overcome D.overcoming 11.A.realize B.regret C.wonder D.doubt 12.A.applaud B.blame C.recommend D.ignore 13.A.Because B.While C.But D.If 14.A.simple B.valuable C.hard D.terrible 15.A.plot B.lens C.book D.stage 三、阅读短文回答问题 Read the following passage and answer the questions in complete sentences. In the world of narrative,the stage and the screen present starkly different contracts with the audience A live theatre performance is an ephemeral act of creation.There is no second take.The actor's performance is influenced by the immediate energy of the room-a cough from the audience,a missed cue,a burst of spontaneous laughter.This fragility creates an electrifying tension.The audience is a collective participant,breathing life into the performance.The story unfolds in real time,with all its imperfections,making each showing a unique,unrepeatable artistic event. The screen,by contrast,offers permanence and perfection.A film is a captured artifact.The director can choose the perfect shot from dozens of takes,and editors can adjust the pacing with surgical precision.This allows for a polished,controlled narrative.While the audience for a film is often a solitary viewer,or a small group,the filmmaker creates an intimate,one-to-one relationship with the viewer.The close-up can capture a micro-emotion that is invisible to a theatre audience member in the back row. This fundamental difference dictates how stories are told.Plays often rely more on dialogue and soliloquy to reveal character,as they lack the visual flexibility of film.Movies can tell a story visually, using montage and image composition to convey complex ideas without a single word.The stage is the medium of the actor and the word;the screen is the medium of the image and the frame.A successful adaptation from stage to screen must recognize these inherent strengths,translating the spirit of the performance into the grammar of cinema,rather than simply filming a play. 1.What makes a live theatre performance "unrepeatable"according to the text? 2.How does the nature of the film audience differ from that of a theatre audience? 3.According to the passage,what advantage does a close-up shot give to a filmmaker? 4."The stage is the medium of the actor and the word;the screen is the medium of the image and the frame."What does this sentence imply about the strengths of each medium? 5.What is the key to a successful adaptation from stage to screen? 四、短文填空 阅读下面短文，在空白处填入1个适当的单词或括号内单词的正确形式。 I recently watched a film adaptation of a classic novel and was(1) moved.The story,already powerful on the page,came to life on the screen with an (2) energy that was hard to describe. The director managed to(3) historical accuracy with modem storytelling techniques,making it (4) to all ages.I was particularly (5) in the performance of the lead actor,who perfectly captured the character's inner(6) and struggle.When the final scene ended,the entire audience stood up and(7) for several minutes.It was (8)one of the best films I have seen this year.I am so (9) to the filmmakers for respecting the spirit of the book.They didn't just copy the (10) they translated the deep (11) of the story into a new visual language.Watching it made me (12) my initial prejudice against film adaptations.This experience taught me that a great adaptation should not just be a copy,but a creative dialogue. 2. 4. 5. 6. 7. 8. 9. 10. 11. 12. 五、写作 题目要求： 你校英文报正在开展以“Stage and Screen”为主题的征文活动。请你写一篇短文投稿，内容包 括： l.比较舞台剧(Theatre)和电影(Fm/Movie)在你眼中的主要不同之处： 2.说明你个人更偏爱其中哪一种艺术形式，并阐述理由： 3.提出一两点关于如何更好地欣赏这两种艺术形式的建议。 注意： 1.写作词数应为80左右： 2.请按以下格式在答题卡的相应位置作答。 3.可以适当增加细节，以使行文连贯。 Title:Stage vs.Screen:My Perspective 参考答案 Passage 1:1.C 2.B 3.C 4.C 一、阅读理解 Passage 2:5.C 6.C 7.B 8.C 1.B;2.A;3.C4.A;5.B;6.A;7.D:8.B;9.C;10.B;11.A;12.B;13.D;14. 二、完形填空 B;15.B 三、阅读短文1.Because the performance is influenced by the immediate energy of the room and 回答问题 requires no second take,making each showing unique. 2.The theatre audience is a collective participant,while the film audience is often a solitary viewer or part of a small group. 3.It allows the filmmaker to capture a micro-emotion that is invisible to a theatre audience member in the back row. 4.It implies that the stage relies on dialogue and acting to tell stories,while film relies on visual imagery and the composition of shots. 5.The key is to translate the spiit of the performance into the grammar of cinema, rather than simply filming a play. 1.deeply 2.explosive 3.combine 4.appealing 5.absorbed 6.grief 7.applauded 8. 四、短文填空 definitely 9.grateful 10.plot 11.emotion 12.overcome 五、写作 范文： Title:Stage vs.Screen:My Perspective In my view,stage plays offer an ireplaceable,live connection between actors and the audience, making every performance unique.Films,however,use visual effects and editing to create a polished, immersive world. Personally,I prefer watching films.I appreciate the precision of storytelling through close-ups and the ability to create complex,believable fantasy worlds.It's a more intimate and controlled experience. To better enjoy both,I suggest reading the original script or book furst for context,and keeping an open mind to appreciate the unique strengths of each medium without constant comparison Yours, Li Hua