热点时文04 文化和自然遗产日・焕活夏日传统手工艺 (阅读专练)(全国通用)2027年高考英语一轮复习时文阅读高分突破

2026-07-06
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学段 高中
学科 英语
教材版本 -
年级 高三
章节 -
类型 题集-专项训练
知识点 -
使用场景 高考复习-一轮复习
学年 2027-2028
地区(省份) 全国
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发布时间 2026-07-06
更新时间 2026-07-17
作者 微信用户
品牌系列 学科专项·阅读
审核时间 2026-07-06
下载链接 https://m.zxxk.com/soft/58670272.html
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来源 学科网

摘要:

**基本信息** 以文化遗产日为主题,融合词汇分类记忆、长句语法解析与语篇应用,构建“词汇-语法-阅读-写作”递进式训练体系,提升语言能力与文化意识。 **专项设计** |模块|题量/典例|方法提炼|知识逻辑| |----|-----------|----------|----------| |词库|课标13词+拓维8词|分类记忆法(课标词筑基+拓维词拓展)|从基础词汇到主题词汇,构建文化遗产话题词网| |长句解码|2个长句解析|分词状语/后置定语拆分法、被动语态转主动翻译技巧|语法结构→翻译策略→仿写应用,实现从理解到输出| |阅读理解|3篇(A/B/C)+七选五|细节定位、推理判断、主旨归纳|从单篇信息提取到语篇逻辑分析,培养思维品质| |语法填空|2篇|词形变化(分词/名词/形容词)、逻辑连接词运用|语境中考查语法规则,强化语言知识应用能力| |应用文写作|1篇邀请信|情境要素(时间/地点/内容)+得体表达|结合非遗宣传活动,提升跨文化沟通与写作能力|

内容正文:

热点时文04 文化和自然遗产日・焕活夏日传统手工艺 Cultural and Natural Heritage Day: Revitalize Summer Traditional Crafts 文化遗产与自然遗产日:重振夏季传统手工艺 Falling on the second Saturday of June every year, China’s Cultural and Natural Heritage Day is a national official festival designed to raise public awareness of protecting intangible and tangible cultural relics. Most ICH promotional activities are launched throughout late June to early July, forming a national summer heritage publicity campaign. 中国文化遗产日每年定于六月的第二个星期六,是一项旨在提升公众保护非物质与有形文化遗产意识的国家级法定节日。大多数文化遗产宣传活动均在六月下旬至七月初开展,共同构成全国性的夏季文化遗产宣传运动。 Unlike popular festival heritage, most displayed works during this campaign are traditional handmade craftsmanship, including silk weaving, traditional fan painting, Miao batik and bamboo weaving—typical summer handicrafts popular in hot June and July. These time-honored crafts were once marginalized due to the impact of mass industrial production. Convenient cheap industrial products replaced hand-made artwork, putting many traditional crafts inheritors in an awkward situation. 与常见的节日文化遗产不同,本次展览展出的大部分作品均为传统手工制品,包括丝绸织造、传统扇画、苗族蜡染以及竹编工艺——这些典型夏季手工艺品在炎热潮湿的六七月尤为盛行。由于大规模工业化生产的影响,这些历史悠久的手工艺曾一度被边缘化:廉价便捷的工业产品取代了手工艺术品,使得许多传统工艺传承人陷入困境。 To reverse this trend, local cultural authorities hold offline exhibition halls and open heritage workshops from June to July every year. Senior national inheritors give on-site demonstrations and teach teenagers basic handcraft skills. More importantly, many brands integrate these ICH crafts with modern fashion design. Breathable hand-woven bamboo fans and eco-friendly silk scarves become best-selling summer cultural commodities among adolescent consumers. 为扭转这一趋势,当地文化主管部门每年6月至7月都会举办线下展览活动并开设文化遗产体验工坊。国家级非遗传承人会在现场进行示范教学,向青少年传授基础手工艺技能。更重要的是,众多品牌将这些ICH传统手工艺品与现代时尚设计相结合:透气的手工竹扇和环保丝绸围巾已成为青少年消费者最青睐的夏季文化商品。 Cultural critics point out that June and July are the most suitable period to popularize traditional summer ICH crafts, for these handmade products perfectly fit people’s daily living needs against the sweltering midsummer weather. For decades, many traditional crafts were trapped in a dilemma: exquisite handiworks had high artistic value but lacked practicality and market channels, resulting in low income for most grassroots inheritors. 文化评论家指出,六月和七月是推广传统夏季ICH手工艺品的最佳时期——这些手工制品完全契合人们在酷热的仲夏时节的日常生活需求。数十年来,许多传统手工艺一直面临困境:精美的手工艺品虽具有很高的艺术价值,却缺乏实用性和市场渠道,导致大多数基层传承者收入微薄。 Thankfully, the annual summer ICH promotion campaign has broken this deadlock. Apart from offline exhibitions and handcraft workshops, cultural institutions launch online live-streaming sales to help inheritors sell their works nationwide. Short video platforms also push ICH-related short films, allowing millions of young netizens to know these obscure summer crafts. When traditional exquisite craftsmanship combines with modern daily demands and digital marketing, intangible cultural heritage will never become distant and lifeless museum exhibits. Instead, it can turn into consumable, fashionable lifestyle symbols and achieve stable long-term living inheritance among the public. 值得庆幸的是,一年一度的ICH夏季推广活动打破了这一僵局。除了线下展览和手工艺工作坊外,文化机构还推出了线上直播销售平台,帮助传承人在全国范围内销售作品。短视频平台也大力推广与ICH相关的短片,让数百万年轻网民得以了解这些鲜为人知的夏季手工艺品。当传统精湛工艺与现代生活需求及数字营销相结合时,非物质文化遗产绝不会沦为遥远而死气沉沉的博物馆展品;相反,它能转化为可消费的时尚生活方式符号,并在公众中实现稳定持久的文化传承。 【词库·筑基】——课标词汇提取 1.heritage /ˈherɪtɪdʒ/ n. 遗产;传统;文化遗产 2.fall on 降临;适逢;袭击;由…… 承担 3.intangible /ɪnˈtændʒəbl/ adj. 无形的;难以捉摸的 4.tangible /ˈtændʒəbl/ adj. 有形的;切实的 5.promotional /prəˈməʊʃənl/adj. 促销的;宣传的 6.publicity /pʌbˈlɪsəti/ n. 宣传;公众关注;曝光 7.inheritor /ɪnˈherɪtə(r)/ n. 继承人;后继者 8.revise /rɪˈvaɪz/ v. 修改;修订;复习 9.integrate /ˈɪntɪɡreɪt/ v. 融合;整合;使一体化 10.breathable /ˈbriːðəbl/ adj. 透气的;适宜呼吸的 11.popularize /ˈpɒpjələraɪz/ v. 普及;推广;使大众化 12.practicality /ˌpræktɪˈkæləti/ n. 实用性 13.grassroots /ˈɡrɑːsruːts/ adj. 基层的;草根的 n. 基层民众;草根阶层 【词库·拓维】 1. revitalize /ˌriːˈvaɪtəlaɪz/ vt. 使复兴;赋予新活力;重振 We need new policies to revitalize traditional handicrafts. 我们需要新政策来振兴传统手工艺。 2. time-honored英 adj.历史悠久的 Paper-cut is a time-honored folk art in China. 剪纸是中国一门历史悠久的民间艺术。 3. marginalize /ˈmɑːdʒɪnəlaɪz vt. 使边缘化;排斥;忽视 We should not marginalize the culture of ethnic minorities. 我们不应边缘化少数民族文化。 4. commodity /kəˈmɒdəti/ n. 商品,大宗商品; Oil is one of the world’s most important commodities. 石油是全球最重要的大宗商品之一。 5. sweltering /ˈsweltərɪŋ/ adj. 酷热难耐的;闷热的 We visited the ancient town in sweltering summer heat. 我们在酷热的盛夏游览了这座古镇。 6. exquisite /ɪkˈskwɪzɪt/ adj. 精美的;精致的 This porcelain vase is decorated with exquisite patterns. 这个瓷瓶饰有精美的纹样。 7. deadlock /ˈdedlɒk/ n. 僵局,僵持状态 The discussion on cultural protection hit a deadlock. 这场关于文化保护的讨论陷入了僵局 8.obscure /əbˈskjʊə(r)/ adj. 鲜为人知的 He studies an obscure ancient folk custom. 他研究一种鲜为人知的古老民俗。 【长句·解码】 原句1: Falling on the second Saturday of June every year, China’s Cultural and Natural Heritage Day is a national official festival designed to raise public awareness of protecting intangible and tangible cultural relics. 1.语法解析: 前置分词状语:Falling on the second Saturday of June every year 现在分词短语作原因 / 伴随状语,逻辑主语 = 主句主语 China’s Cultural and Natural Heritage Day,表主动关系(节日落在六月第二个周六)。 主句主干:China’s Cultural and Natural Heritage Day is a national official festival 主系表核心结构:主语 + be 动词 + 表语(节日) 后置定语:designed to raise public awareness of protecting intangible and tangible cultural relics 过去分词短语修饰前面的 festival,相当于定语从句 which is designed to...。 2.翻译技巧: 分词状语前置转化:英文句首分词状语中文不直译 “落在……”,调整语序改为短句独立开篇:“中国文化和自然遗产日每年定于六月的第二个星期六”; 后置定语拆分:英文长定语放名词后,中文全部前置修饰名词,“旨在提升公众保护非物质与有形文化遗产意识的”。 标准汉译:中国文化和自然遗产日每年定于六月的第二个星期六,是一项旨在提升公众保护非物质与有形文化遗产意识的国家级法定节日。 3. 仿写练习: 每年九月第三个星期六举办的全民科普日,是一个旨在增强大众科学探索热情的全国性公益活动。 ___________________________________________________________________________________________ ___________________________________________________________________________________________ ___________________________________________________________________________________________ 原句 2:For decades, many traditional crafts were trapped in a dilemma: exquisite handiworks had high artistic value but lacked practicality and market channels, resulting in low income for most grassroots inheritors. 1.语法解析: 时间状语:For decades 几十年以来 主句主干:many traditional crafts were trapped in a dilemma 被动语态:be trapped in a dilemma 陷入两难困境 冒号引导同位解释句:exquisite handiworks had high artistic value but lacked practicality and market channels 转折并列句,but 连接两组谓语:had.../lacked...,解释 dilemma 具体是什么; 句尾结果分词状语:resulting in low income for most grassroots inheritors 现在分词作结果状语,表前文 “缺实用性、销路” 带来的最终后果。 2. 翻译技巧 被动语态转主动:were trapped in a dilemma 英文被动,中文改为主动表达 “一直面临困境”,避免 “被困于两难” 生硬直译; 冒号逻辑衔接:英文冒号表解释,中文用破折号 / 逗号衔接,拆分长句,不堆砌; 抽象名词具象化:practicality(实用性)、market channels(市场渠道)保留行业固定名词;grassroots inheritors 不直译 “草根传承人”,调整为 “基层传承者”,符合官方非遗文本用词; 分词结果状语顺译:resulting in… 直接顺承译为 “导致……”,还原因果逻辑。 标准汉译:数十年来,许多传统手工艺一直面临困境:精美的手工艺品虽具有很高的艺术价值,却缺乏实用性和市场渠道,导致大多数基层传承者收入微薄。 3. 仿写练习: 长久以来,许多传统戏曲陷入发展难题:经典剧目底蕴深厚却缺少年轻受众与传播平台,造成地方戏曲从业者生存艰难。 ___________________________________________________________________________________________ ___________________________________________________________________________________________ ___________________________________________________________________________________________ 一、阅读理解 根据文章内容,从每题所给的A、B、C、D四个选项中,选出最佳选项。 Falling on the second Saturday of June every year, China’s Cultural and Natural Heritage Day is a national official festival designed to raise public awareness of protecting intangible and tangible cultural relics. Most ICH promotional activities are launched throughout late June to early July, forming a national summer heritage publicity campaign. Unlike popular festival heritage, most displayed works during this campaign are traditional handmade craftsmanship, including silk weaving, traditional fan painting, Miao batik and bamboo weaving—typical summer handicrafts popular in hot June and July. These time-honored crafts were once marginalized due to the impact of mass industrial production. Convenient cheap industrial products replaced hand-made artwork, putting many traditional crafts inheritors in an awkward situation. To reverse this trend, local cultural authorities hold offline exhibition halls and open heritage workshops from June to July every year. Senior national inheritors give on-site demonstrations and teach teenagers basic handcraft skills. More importantly, many brands integrate these ICH crafts with modern fashion design. Breathable hand-woven bamboo fans and eco-friendly silk scarves become best-selling summer cultural commodities among adolescent consumers. Cultural critics point out that June and July are the most suitable period to popularize traditional summer ICH crafts, for these handmade products perfectly fit people’s daily living needs against the sweltering midsummer weather. For decades, many traditional crafts were trapped in a dilemma: exquisite handiworks had high artistic value but lacked practicality and market channels, resulting in low income for most grassroots inheritors. Thankfully, the annual summer ICH promotion campaign has broken this deadlock. Apart from offline exhibitions and handcraft workshops, cultural institutions launch online live-streaming sales to help inheritors sell their works nationwide. Short video platforms also push ICH-related short films, allowing millions of young netizens to know these obscure summer crafts. When traditional exquisite craftsmanship combines with modern daily demands and digital marketing, intangible cultural heritage will never become distant and lifeless museum exhibits. Instead, it can turn into consumable, fashionable lifestyle symbols and achieve stable long-term living inheritance among the public. 1.When does China’s national summer heritage publicity campaign take place each year? A. On the second Saturday of July B. From late June to early July C. Throughout the whole June D. On the first Saturday of June 2.What made traditional handmade crafts fall into an awkward situation in the past? A. Young people had no interest in summer handicrafts B. Cultural authorities failed to hold related exhibitions C. Mass industrial production produced cheap convenient goods to replace handcrafts D. Traditional crafts had no artistic value for people to appreciate 3.What is the main solution to revitalize intangible cultural heritage crafts mentioned in the text? A. Only build more offline exhibition halls for craft displays B. Separate traditional craftsmanship from modern fashion design C. Combine offline activities, digital marketing and modern daily needs D. Stop producing industrial products to protect handmade artworks 4.What does the underlined phrase “broken this deadlock” in Paragraph 5 refer to? A. Solved the problem that traditional crafts lacked practicality and sales channels B. Closed down all offline craft workshops around the country C. Prevented teenagers from learning traditional handcraft skills D. Turned all handmade crafts into static museum collections 二.语法填空 阅读下面短文,在空白处填入1个适当的单词或括号内单词的正确形式。 Falling on the second Saturday of June every year, China’s Cultural and Natural Heritage Day is a national official festival 1._________ (design) to raise public awareness of protecting intangible and tangible cultural relics. Most ICH promotional activities 2.______________(launch) from late June to early July, forming a national summer heritage publicity campaign. 3.__________ popular festival heritage, most displayed works here are traditional handmade crafts, 4.__________(include) silk weaving, Miao batik and bamboo weaving—typical summer handicrafts favored in hot midsummer. These time-honored crafts were once marginalized by industrial production. Cheap, convenient industrial products replaced hand-made artwork,put many traditional craft inheritors in 5._______ awkward situation. 6.___________(revise) this trend, local cultural authorities hold offline exhibitions and heritage workshops yearly. Senior national inheritors give on-site demonstrations and teach teenagers basic craft skills. Many brands integrate these ICH crafts with modern fashion, 7._____________(make) hand-woven bamboo fans and eco-friendly silk scarves highly popular among young consumers, 8. ______ greatly boosts the inheritance of traditional handicrafts. Thankfully, the annual campaign has broken this deadlock. Cultural institutions launch live-streaming sales for nationwide product promotion, while short video platforms popularize these obscure summer crafts among young 9.___________(netizen). When traditional craftsmanship combines with modern life demands and digital marketing, intangible cultural heritage will no longer be lifeless museum exhibits. Instead, it will turn into 10._____________ (fashion) lifestyle symbols and realize sustainable public inheritance. 三.应用文写作 假定你是校学生会主席李华,你校将配合全国夏季非遗宣传活动,举办一场传统手工艺非遗体验活动。请给外教Mr. Smith写一封英文邮件,邀请他参加,内容包括: 1.活动时间、地点; 2.活动内容:非遗传承人现场展示、手工竹编/绘画体验、非遗文创产品展销; 3.表达期待。 注意: 1. 词数80左右; 2. 可以适当增加细节,使行文连贯; 3. 开头结尾已给出,不计入总词数。 Dear Smith, ________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ Yours sincerely, Li Hua 1. 阅读理解 A (原创题) Zhang Xiao, a 17-year-old senior student from Zhuhai, has long been fascinated with traditional Chinese handicrafts. This summer, he traveled to Liping County, Guizhou, the birthplace of the well-known Dong embroidery, for a special cultural experience. Upon his arrival, Zhang visited Yanting Embroidery Art and Culture Studio, founded by Lu Yongjiang, a provincial-level inheritor of Dong costume embroidery. He was deeply impressed by the studio: dazzling embroidery artworks covered the walls, and skilled Dong craftswomen in traditional ethnic costumes sewed delicately with high precision. Captivated by the unique Dong ethnic culture, Zhang started to learn basic embroidery skills under Lu’s guidance. He admitted that it was extremely challenging to sit motionless for hours to finish neat and accurate stitches. Listed as a national intangible cultural heritage in 2011, Dong embroidery is a comprehensive ethnic art combining spinning, dyeing, weaving, paper-cutting and hand embroidery. Featuring bright colors and special ethnic styles, it carries profound cultural value. Since the Dong ethnic group had no written language in ancient times, local people recorded their history, legends and folk beliefs on costumes and fabrics via embroidery. Various patterns of flowers, fish and stars perfectly preserve Dong people’s ancestral wisdom, and these handcrafts still play an important role in local people’s daily life today. Zhang once feared that this time-honored handcraft would be wiped out by machine manufacturing. However, he changed his mind after hands-on practice. Unlike repetitive machine sewing, Dong embroidery adopts diverse combinable stitches, making every handmade work unique and irreplicable. Still, this superior handicraft faces tough market difficulties. Its complicated craft leads to extremely high prices, and its main consumers are only middle-aged and elderly buyers who trust oral recommendations instead of public promotion. To save and promote this ancient heritage, Zhang took effective measures during his one-week stay. He helped the studio open a Taobao online store to expand sales channels. Besides, he put forward two practical suggestions: cooperating with daily commodity and fashion brands to make embroidered daily supplies, and launching creative cultural products for young people. He also filmed short videos about Dong embroidery and posted them on social media, winning wide praise from young netizens. Zhang hopes to bridge the gap between traditional ICH and young groups, popularize Dong embroidery among Generation Z, and help local embroiderers raise their income with modern marketing methods. 1. What did Zhang Xiao think of learning Dong embroidery? A. It was time-consuming and difficult. B. It was easy and relaxing. C. It was boring but meaningful. D. It was costly and pointless. 2. Why can machine manufacturing not replace Dong embroidery? A. It costs more raw materials. B. Its products lack individuality. C. It needs more skilled workers. D. Its color style is dull. 3. What does the underlined phrase “word-of-mouth advertising” mean? A. Social media streaming B. Online platform promotion C. Oral recommendation among people D. Official news publicity 4. What is the best title for the text? A. The History of National ICH Dong Embroidery B. A Teenager’s Efforts to Revitalize Dong Embroidery C. The Market Dilemma of Traditional Handicrafts D. Unique Culture of Guizhou Dong Ethnic Group B (原创题) TAIYUAN, June 28 (Xinhua) — 23 Hungarian artists, art educators, students and cultural professionals have completed a 12-day field discovery tour of ancient architectural heritages in Shanxi Province, China. Launching on June 17, the activity covered three major Shanxi cities: Taiyuan, Xinzhou and Datong. The group visited world-famous heritage sites, including Yungang Grottoes, Yingxian Wooden Pagoda and Pingyao Ancient Town. By means of on-site sketching, field research and original artistic creation, all participants obtained first-hand experience of Shanxi’s abundant historical and cultural treasures. Famous for exquisite timber-frame structures, traditional Chinese ancient architecture reflects ancient artisans’ wisdom, superb craftsmanship and unique aesthetic concepts. Notably, over 80 percent of China’s surviving pre-Yuan Dynasty wooden buildings are located in Shanxi. For this reason, Shanxi is widely regarded as “a museum of ancient Chinese architectural art”. Recent years have witnessed steady development of China-Hungary bilateral relations. The two countries built an all-weather comprehensive strategic partnership in 2024, greatly promoting cross-border cultural and people-to-people exchanges. As Dank Rka Tnde from the Sino-European Foundation of Chinese Culture and Education put it, art is a universal language that can break linguistic barriers to deliver emotions and cultural values. She stated that this heritage tour was a precious chance for Hungarian participants to learn about Shanxi’s profound culture. These Hungarian guests acted as cultural ambassadors rather than mere artists and visitors. Their original works would become lasting symbols of China-Hungary friendship and cultural dialogue. Most Hungarian participants were shocked by local ancient constructions. Artist Szabábel planned to integrate Chinese architectural inspiration into his future works. Student Oreg Zsofia Adel was most amazed by the nail-free building techniques of ancient wooden structures. She said local murals and architectural patterns had offered her rich creative materials. Organizers announced that outstanding works finished during this tour would be collected into a Chinese-Hungarian-English trilingual album. Besides, these artworks will be displayed on touring exhibitions in both China and Hungary to further deepen bilateral cultural communication. 5. What earned Shanxi Province the reputation of “a museum of ancient Chinese architectural art”? A. Most surviving pre-Yuan Dynasty wooden buildings of China B. Its large number of world cultural heritage sites C. Various artistic activities held all year round D. Its unique natural landscape and ancient murals 6. What can we infer about China-Hungary relations from the text? A. The two countries only focus on art cooperation B. Cultural exchange gets strong policy support C. They established partnership decades ago D. Language barrier blocks people-to-people contact 7. What does the underlined word “universal” in paragraph 4 mean? A. complicated B. professional C.widespread D. ancient 8. What is the best title for the text? A. Shanxi: Home to Valuable Ancient Wooden Pagodas B. Hungarian Artists Explore Chinese Architectural Heritages C. New Development of China-Hungary Economic Cooperation D. Classic Chinese Art Shines on International Stages C (原创题) As one of China’s most influential intangible cultural heritage (ICH) festivals, the Dragon Boat Festival falls on the fifth day of the fifth lunar month, usually landing in early or mid-June. Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2009, it is China’s first worldwide recognized festival-type intangible cultural heritage. Contrary to the common misunderstanding that it is merely in memory of the patriotic poet Qu Yuan, this festival originated from ancient Chinese midsummer plague prevention rituals. Ancient Chinese people believed that early summer was a season when germs and poisonous insects bred rampantly. They formed a set of traditional folk customs to ward off illnesses, including hanging mugwort and calamus, wearing herbal sachets, and tying five-color silk threads on children’s wrists. These customs reflect ancient Chinese people’s ecological wisdom of coexisting with nature and seasonal health management. Later, the folk gradually combined these rituals with the story of Qu Yuan, who drowned himself in the Miluo River for his broken political ideals and falling motherland. Dragon boat racing and making glutinous rice dumplings became the most iconic festival activities. What makes this ICH heritage extraordinary is that it carries double spiritual connotations: folk ecological wisdom and national patriotism. In recent years, with the promotion of China’s Cultural and Natural Heritage Day falling on June 13, this traditional festival heritage has stepped out of traditional folk customs and entered mainstream youth culture. A growing number of teenagers, once obsessed with Western summer festivals, have begun to rediscover the cultural charm of this millennia-old heritage. Creative cultural products such as cartoon-themed customized zongzi, wearable modern-style herbal sachets and dragon boat cultural peripherals have greatly lowered the barrier for young people to get access to traditional culture, making this ancient summer heritage perfectly adapt to modern social life. As cultural globalization accelerates, the Dragon Boat Festival has also spread overseas. Many overseas Chinese communities hold dragon boat races every June to carry forward traditional Chinese culture. Experts claim that the protection of such living intangible cultural heritage lies not in rigid museum preservation and textual record, but in continuous daily inheritance and innovative development among young generations. Only when the younger generation recognizes its cultural value can this time-honored midsummer heritage maintain lasting vitality across eras. 9. What can we learn about the origin of the Dragon Boat Festival? A. It was originally created in honor of Qu Yuan. B. Its earliest purpose was to prevent summer diseases and plagues. C. Qu Yuan’s story shaped its earliest folk rituals. D. It gained global recognition for plague-preventing customs. 10. What can be inferred about creative ICH cultural products from Paragraph 4? A. They completely change ancient traditional festival customs. B. They make traditional culture more accessible to teenagers. C. They are only designed and produced for young consumers. D. They gain huge economic benefits from global sales. 11. According to experts, what is the core of protecting living ICH festivals? A. Sorting out complete written historical records B. Collecting festival relics in formal museums C. Youth daily inheritance and creative upgrading D. Holding more overseas cultural promotion events 12. Which statement will the author most probably agree with? A. Western summer festivals are more popular among modern teenagers. B. The double spiritual connotations make the festival unique. C. Overseas dragon boat races mainly aim at economic profits. D. Museum collection is the best way to protect festival heritage. 2. 七选五 (原创题) 根据短文内容,从短文后的选项中选出能填入空白处的最佳选项。选项中有两项为多余选项。 The Yi People’s Torch Festival, a national-level intangible cultural heritage, is grandly celebrated from late June to early July in Yunnan, Guizhou and Sichuan, where the majority of Yi ethnic groups reside. 1___________ This 2000-year-old heritage originates from ancient Yi people’s fire worship and harvest prayer ceremonies. In Yi’s ancient civilization, fire carries sacred symbolic meaning. 2___________ Local villagers believe that lighting torches in midsummer can drive away pests, eliminate plagues(消除瘟疫) and pray for a bumper autumn grain harvest. The three-day festival contains complete traditional ethnic rituals(仪式). Villagers parade with pine torches around villages at dusk. Afterwards, locals gather around huge bonfires to sing folk songs, perform ethnic dances and play traditional ethnic musical instruments. 3 ___________ For a long time, this ethnic ICH faced narrow public influence. It was only popular in remote mountainous ethnic areas. Restricted by poor transportation and backward publicity, few outside tourists knew about this distinctive midsummer festival. 4 ___________ Local governments combine ethnic heritage display with rural summer tourism during the tourist peak season. Nowadays, countless domestic and foreign tourists flood into these mountainous areas to experience its grand bonfire parties. Local teenagers are organized at school to learn festival rituals, acting as core new-generation inheritors. The once secluded ethnic heritage has stepped onto a broader public stage. 5___________ It boosts local rural tourism, promotes sales of ethnic specialties and creates grassroots jobs for mountain residents. This cultural tourism model helps remote ethnic areas realize sustainable development without losing unique ethnic features. A. It is regarded as “the Ethnic Carnival of Southwest China”. B. It stands for purity, disaster prevention and crop prosperity. C. Traditional sports like bullfighting and horse racing are also held on this occasion. D. However, effective official measures have changed the awkward situation greatly. E. Moreover, the festival brings obvious economic and social benefits to local areas. F. Fire worship is the most simple ritual among all Yi ethnic traditions. G. Most ethnic festivals rely on local government financial support completely. 三.语法填空 (原创题) 阅读下面短文,在空白处填入1个适当的单词或括号内单词的正确形式。 Hangluo silk weaving technique, 1. ______ (list) on UNESCO’s Intangible Cultural Heritage of Humanity, is a typical seasonal traditional craft popular every June and July. Originating from Hangzhou, this ancient silk craft has over 800 years of history, perfectly 2. ______ (adapt) to hot and humid midsummer climate. Different from ordinary silk fabrics, Hangluo has a unique hollow mesh(网格)texture, 3. ______ makes it ultra-thin, breathable and heat-dissipating. It was the finest traditional fabric for ancient Chinese summer clothes and fans. Its complicated manual production process accounts for 4. ______ (it) high cultural value. The whole craftsmanship contains 28 strict working procedures, with no available modern mechanical replacement. Only 5.____________(experience) senior craftsmen can complete the whole complex weaving work. Once the most popular luxury summer fabric in the Yangtze River Delta, Hangluo 6.________(fall) into trouble in the last century. As cheap chemical fiber cloth prevailed, this sophisticated handcraft faced the risk of 7.__________(extinct). Few young locals would learn these time-consuming and strenuously weaving techniques. 8.______________(thank), national and local ICH protection policies launched in summer have saved this endangered craft. Hangzhou holds 9. ______ annual Silk Culture Exhibition to display Hangluo craftsmanship to visitors. Local vocational colleges set up related majors, providing systematic training 10. ______ craft lovers. Many designers integrate modern aesthetics into this ancient craft. This 800-year-old heritage can gain lasting new vitality if it keeps pace with contemporary public needs. 1 / 9 学科网(北京)股份有限公司 $ 热点时文04 文化和自然遗产日・焕活夏日传统手工艺 Cultural and Natural Heritage Day: Revitalize Summer Traditional Crafts 文化遗产与自然遗产日:重振夏季传统手工艺 Falling on the second Saturday of June every year, China’s Cultural and Natural Heritage Day is a national official festival designed to raise public awareness of protecting intangible and tangible cultural relics. Most ICH promotional activities are launched throughout late June to early July, forming a national summer heritage publicity campaign. 中国文化遗产日每年定于六月的第二个星期六,是一项旨在提升公众保护非物质与有形文化遗产意识的国家级法定节日。大多数文化遗产宣传活动均在六月下旬至七月初开展,共同构成全国性的夏季文化遗产宣传运动。 Unlike popular festival heritage, most displayed works during this campaign are traditional handmade craftsmanship, including silk weaving, traditional fan painting, Miao batik and bamboo weaving—typical summer handicrafts popular in hot June and July. These time-honored crafts were once marginalized due to the impact of mass industrial production. Convenient cheap industrial products replaced hand-made artwork, putting many traditional crafts inheritors in an awkward situation. 与常见的节日文化遗产不同,本次展览展出的大部分作品均为传统手工制品,包括丝绸织造、传统扇画、苗族蜡染以及竹编工艺——这些典型夏季手工艺品在炎热潮湿的六七月尤为盛行。由于大规模工业化生产的影响,这些历史悠久的手工艺曾一度被边缘化:廉价便捷的工业产品取代了手工艺术品,使得许多传统工艺传承人陷入困境。 To reverse this trend, local cultural authorities hold offline exhibition halls and open heritage workshops from June to July every year. Senior national inheritors give on-site demonstrations and teach teenagers basic handcraft skills. More importantly, many brands integrate these ICH crafts with modern fashion design. Breathable hand-woven bamboo fans and eco-friendly silk scarves become best-selling summer cultural commodities among adolescent consumers. 为扭转这一趋势,当地文化主管部门每年6月至7月都会举办线下展览活动并开设文化遗产体验工坊。国家级非遗传承人会在现场进行示范教学,向青少年传授基础手工艺技能。更重要的是,众多品牌将这些ICH传统手工艺品与现代时尚设计相结合:透气的手工竹扇和环保丝绸围巾已成为青少年消费者最青睐的夏季文化商品。 Cultural critics point out that June and July are the most suitable period to popularize traditional summer ICH crafts, for these handmade products perfectly fit people’s daily living needs against the sweltering midsummer weather. For decades, many traditional crafts were trapped in a dilemma: exquisite handiworks had high artistic value but lacked practicality and market channels, resulting in low income for most grassroots inheritors. 文化评论家指出,六月和七月是推广传统夏季ICH手工艺品的最佳时期——这些手工制品完全契合人们在酷热的仲夏时节的日常生活需求。数十年来,许多传统手工艺一直面临困境:精美的手工艺品虽具有很高的艺术价值,却缺乏实用性和市场渠道,导致大多数基层传承者收入微薄。 Thankfully, the annual summer ICH promotion campaign has broken this deadlock. Apart from offline exhibitions and handcraft workshops, cultural institutions launch online live-streaming sales to help inheritors sell their works nationwide. Short video platforms also push ICH-related short films, allowing millions of young netizens to know these obscure summer crafts. When traditional exquisite craftsmanship combines with modern daily demands and digital marketing, intangible cultural heritage will never become distant and lifeless museum exhibits. Instead, it can turn into consumable, fashionable lifestyle symbols and achieve stable long-term living inheritance among the public. 值得庆幸的是,一年一度的ICH夏季推广活动打破了这一僵局。除了线下展览和手工艺工作坊外,文化机构还推出了线上直播销售平台,帮助传承人在全国范围内销售作品。短视频平台也大力推广与ICH相关的短片,让数百万年轻网民得以了解这些鲜为人知的夏季手工艺品。当传统精湛工艺与现代生活需求及数字营销相结合时,非物质文化遗产绝不会沦为遥远而死气沉沉的博物馆展品;相反,它能转化为可消费的时尚生活方式符号,并在公众中实现稳定持久的文化传承。 【词库·筑基】——课标词汇提取 1.heritage /ˈherɪtɪdʒ/ n. 遗产;传统;文化遗产 2.fall on 降临;适逢;袭击;由…… 承担 3.intangible /ɪnˈtændʒəbl/ adj. 无形的;难以捉摸的 4.tangible /ˈtændʒəbl/ adj. 有形的;切实的 5.promotional /prəˈməʊʃənl/adj. 促销的;宣传的 6.publicity /pʌbˈlɪsəti/ n. 宣传;公众关注;曝光 7.inheritor /ɪnˈherɪtə(r)/ n. 继承人;后继者 8.revise /rɪˈvaɪz/ v. 修改;修订;复习 9.integrate /ˈɪntɪɡreɪt/ v. 融合;整合;使一体化 10.breathable /ˈbriːðəbl/ adj. 透气的;适宜呼吸的 11.popularize /ˈpɒpjələraɪz/ v. 普及;推广;使大众化 12.practicality /ˌpræktɪˈkæləti/ n. 实用性 13.grassroots /ˈɡrɑːsruːts/ adj. 基层的;草根的 n. 基层民众;草根阶层 【词库·拓维】 1. revitalize /ˌriːˈvaɪtəlaɪz/ vt. 使复兴;赋予新活力;重振 We need new policies to revitalize traditional handicrafts. 我们需要新政策来振兴传统手工艺。 2. time-honored英 adj.历史悠久的 Paper-cut is a time-honored folk art in China. 剪纸是中国一门历史悠久的民间艺术。 3. marginalize /ˈmɑːdʒɪnəlaɪz vt. 使边缘化;排斥;忽视 We should not marginalize the culture of ethnic minorities. 我们不应边缘化少数民族文化。 4. commodity /kəˈmɒdəti/ n. 商品,大宗商品; Oil is one of the world’s most important commodities. 石油是全球最重要的大宗商品之一。 5. sweltering /ˈsweltərɪŋ/ adj. 酷热难耐的;闷热的 We visited the ancient town in sweltering summer heat. 我们在酷热的盛夏游览了这座古镇。 6. exquisite /ɪkˈskwɪzɪt/ adj. 精美的;精致的 This porcelain vase is decorated with exquisite patterns. 这个瓷瓶饰有精美的纹样。 7. deadlock /ˈdedlɒk/ n. 僵局,僵持状态 The discussion on cultural protection hit a deadlock. 这场关于文化保护的讨论陷入了僵局 8.obscure /əbˈskjʊə(r)/ adj. 鲜为人知的 He studies an obscure ancient folk custom. 他研究一种鲜为人知的古老民俗。 【长句·解码】 原句1: Falling on the second Saturday of June every year, China’s Cultural and Natural Heritage Day is a national official festival designed to raise public awareness of protecting intangible and tangible cultural relics. 1.语法解析: 前置分词状语:Falling on the second Saturday of June every year 现在分词短语作原因 / 伴随状语,逻辑主语 = 主句主语 China’s Cultural and Natural Heritage Day,表主动关系(节日落在六月第二个周六)。 主句主干:China’s Cultural and Natural Heritage Day is a national official festival 主系表核心结构:主语 + be 动词 + 表语(节日) 后置定语:designed to raise public awareness of protecting intangible and tangible cultural relics 过去分词短语修饰前面的 festival,相当于定语从句 which is designed to...。 2.翻译技巧: 分词状语前置转化:英文句首分词状语中文不直译 “落在……”,调整语序改为短句独立开篇:“中国文化和自然遗产日每年定于六月的第二个星期六”; 后置定语拆分:英文长定语放名词后,中文全部前置修饰名词,“旨在提升公众保护非物质与有形文化遗产意识的”。 标准汉译:中国文化和自然遗产日每年定于六月的第二个星期六,是一项旨在提升公众保护非物质与有形文化遗产意识的国家级法定节日。 3. 仿写练习: 每年九月第三个星期六举办的全民科普日,是一个旨在增强大众科学探索热情的全国性公益活动。 Falling on the third Saturday of September every year, the National Science Popularization Day is a national public welfare event designed to boost the public’s enthusiasm for scientific exploration. 原句 2:For decades, many traditional crafts were trapped in a dilemma: exquisite handiworks had high artistic value but lacked practicality and market channels, resulting in low income for most grassroots inheritors. 1.语法解析: 时间状语:For decades 几十年以来 主句主干:many traditional crafts were trapped in a dilemma 被动语态:be trapped in a dilemma 陷入两难困境 冒号引导同位解释句:exquisite handiworks had high artistic value but lacked practicality and market channels 转折并列句,but 连接两组谓语:had.../lacked...,解释 dilemma 具体是什么; 句尾结果分词状语:resulting in low income for most grassroots inheritors 现在分词作结果状语,表前文 “缺实用性、销路” 带来的最终后果。 2. 翻译技巧 被动语态转主动:were trapped in a dilemma 英文被动,中文改为主动表达 “一直面临困境”,避免 “被困于两难” 生硬直译; 冒号逻辑衔接:英文冒号表解释,中文用破折号 / 逗号衔接,拆分长句,不堆砌; 抽象名词具象化:practicality(实用性)、market channels(市场渠道)保留行业固定名词;grassroots inheritors 不直译 “草根传承人”,调整为 “基层传承者”,符合官方非遗文本用词; 分词结果状语顺译:resulting in… 直接顺承译为 “导致……”,还原因果逻辑。 标准汉译:数十年来,许多传统手工艺一直面临困境:精美的手工艺品虽具有很高的艺术价值,却缺乏实用性和市场渠道,导致大多数基层传承者收入微薄。 3. 仿写练习: 长久以来,许多传统戏曲陷入发展难题:经典剧目底蕴深厚却缺少年轻受众与传播平台,造成地方戏曲从业者生存艰难。 For a long time, many traditional operas were trapped in a development dilemma: classic shows possess profound cultural heritage but lack young audiences and communication platforms, resulting in harsh living conditions for local opera practitioners. 一、阅读理解 根据文章内容,从每题所给的A、B、C、D四个选项中,选出最佳选项。 Falling on the second Saturday of June every year, China’s Cultural and Natural Heritage Day is a national official festival designed to raise public awareness of protecting intangible and tangible cultural relics. Most ICH promotional activities are launched throughout late June to early July, forming a national summer heritage publicity campaign. Unlike popular festival heritage, most displayed works during this campaign are traditional handmade craftsmanship, including silk weaving, traditional fan painting, Miao batik and bamboo weaving—typical summer handicrafts popular in hot June and July. These time-honored crafts were once marginalized due to the impact of mass industrial production. Convenient cheap industrial products replaced hand-made artwork, putting many traditional crafts inheritors in an awkward situation. To reverse this trend, local cultural authorities hold offline exhibition halls and open heritage workshops from June to July every year. Senior national inheritors give on-site demonstrations and teach teenagers basic handcraft skills. More importantly, many brands integrate these ICH crafts with modern fashion design. Breathable hand-woven bamboo fans and eco-friendly silk scarves become best-selling summer cultural commodities among adolescent consumers. Cultural critics point out that June and July are the most suitable period to popularize traditional summer ICH crafts, for these handmade products perfectly fit people’s daily living needs against the sweltering midsummer weather. For decades, many traditional crafts were trapped in a dilemma: exquisite handiworks had high artistic value but lacked practicality and market channels, resulting in low income for most grassroots inheritors. Thankfully, the annual summer ICH promotion campaign has broken this deadlock. Apart from offline exhibitions and handcraft workshops, cultural institutions launch online live-streaming sales to help inheritors sell their works nationwide. Short video platforms also push ICH-related short films, allowing millions of young netizens to know these obscure summer crafts. When traditional exquisite craftsmanship combines with modern daily demands and digital marketing, intangible cultural heritage will never become distant and lifeless museum exhibits. Instead, it can turn into consumable, fashionable lifestyle symbols and achieve stable long-term living inheritance among the public. 1.When does China’s national summer heritage publicity campaign take place each year? A. On the second Saturday of July B. From late June to early July C. Throughout the whole June D. On the first Saturday of June 2.What made traditional handmade crafts fall into an awkward situation in the past? A. Young people had no interest in summer handicrafts B. Cultural authorities failed to hold related exhibitions C. Mass industrial production produced cheap convenient goods to replace handcrafts D. Traditional crafts had no artistic value for people to appreciate 3.What is the main solution to revitalize intangible cultural heritage crafts mentioned in the text? A. Only build more offline exhibition halls for craft displays B. Separate traditional craftsmanship from modern fashion design C. Combine offline activities, digital marketing and modern daily needs D. Stop producing industrial products to protect handmade artworks 4.What does the underlined phrase “broken this deadlock” in Paragraph 5 refer to? A. Solved the problem that traditional crafts lacked practicality and sales channels B. Closed down all offline craft workshops around the country C. Prevented teenagers from learning traditional handcraft skills D. Turned all handmade crafts into static museum collections 【答案】 1.B 2.C 3.C 4.A 【导语】本文是一篇说明文(科普文化类)。文章客观介绍中国文化和自然遗产日夏季非遗宣传活动,讲解传统夏日手工艺的发展困境、振兴举措与发展意义,属于文化介绍类说明文。 【解析】 1. B 细节理解题 定位原文第一段:Most ICH promotional activities are launched throughout late June to early July, forming a national summer heritage publicity campaign. 句意:大部分非遗宣传活动在 6 月末至 7 月初开展,形成全国夏季遗产宣传活动。与选项B From late June to early July 符合。 A 错误:遗产日在 6 月第二个周六,不是 7 月; C 错误:不是整个六月,是六月末到七月初; D 错误:时间描述完全不符。 2. C 细节理解题 定位原文第二段:These time-honored crafts were once marginalized due to the impact of mass industrial production. Convenient cheap industrial products replaced hand-made artwork, putting many traditional crafts inheritors in an awkward situation. 句意:大规模工业化生产带来冲击,廉价便捷的工业品取代手工制品,让手工艺传承人处境艰难。选项C Mass industrial production produced cheap convenient goods to replace handcrafts (大规模工业生产制造出廉价便捷的商品,以取代手工艺品。)与其相符。 A 错误:文中未提及年轻人过去没有兴趣; B 错误:线下展览是后来挽救手艺的措施,不是过去困境的原因; D 错误:原文提到手工艺品有很高艺术价值,选项表述相反。 3. C 推理判断题 综合原文第三、五段信息:线下:展厅、非遗工坊、传承人现场教学、结合现代时尚;线上:直播带货、短视频推广(digital marketing);核心逻辑:手工品贴合现代人盛夏日常需求。 三者结合是非遗复兴的核心方案。 选项C:Combine offline activities, digital marketing and modern daily needs (融合线下活动、数字营销与现代日常生活需求)符合题意。 A 错误:only 片面,不只有线下展厅; B 错误:原文是融合传统手艺与现代设计,而非分离; D 错误:文中没有要求停止工业品生产,属于无中生有。 4. A 词义猜测题 定位第四段铺垫 + 第五段解释: 第四段困境:精美手工艺品艺术价值高,但缺少实用性、销售渠道,底层传承人收入微薄。 第五段 broken this deadlock 后文给出解决方案:线下展览、线上直播、短视频拓宽销路,解决了缺少销路、实用性不足的难题。 deadlock 本义 “僵局”,此处指传统手工艺销路窄、实用性不足的发展困境。 B 错误:文中持续开办工坊,没有关闭; C 错误:活动鼓励青少年学习手艺; D 错误:文章明确说非遗不会变成冰冷博物馆展品。 二.语法填空 阅读下面短文,在空白处填入1个适当的单词或括号内单词的正确形式。 Falling on the second Saturday of June every year, China’s Cultural and Natural Heritage Day is a national official festival 1._________ (design) to raise public awareness of protecting intangible and tangible cultural relics. Most ICH promotional activities 2.______________(launch) from late June to early July, forming a national summer heritage publicity campaign. 3.__________ popular festival heritage, most displayed works here are traditional handmade crafts, 4.__________(include) silk weaving, Miao batik and bamboo weaving—typical summer handicrafts favored in hot midsummer. These time-honored crafts were once marginalized by industrial production. Cheap, convenient industrial products replaced hand-made artwork,put many traditional craft inheritors in 5._______ awkward situation. 6.___________(revise) this trend, local cultural authorities hold offline exhibitions and heritage workshops yearly. Senior national inheritors give on-site demonstrations and teach teenagers basic craft skills. Many brands integrate these ICH crafts with modern fashion, 7._____________(make) hand-woven bamboo fans and eco-friendly silk scarves highly popular among young consumers, 8. ______ greatly boosts the inheritance of traditional handicrafts. Thankfully, the annual campaign has broken this deadlock. Cultural institutions launch live-streaming sales for nationwide product promotion, while short video platforms popularize these obscure summer crafts among young 9.___________(netizen). When traditional craftsmanship combines with modern life demands and digital marketing, intangible cultural heritage will no longer be lifeless museum exhibits. Instead, it will turn into 10._____________ (fashion) lifestyle symbols and realize sustainable public inheritance. 【答案】 1.designed 2.are launched 3.Unlike 4.including 5.an 6.To reverse 7.making 8.which 9.netizens 10.fashionable 【解析】 1. designed 【非谓语动词:过去分词】 句子主干:China’s Cultural and Natural Heritage Day is a festival 空格修饰名词 festival,festival 和 design 是被动关系 “节日被设立”,用过去分词作后置定语。 2. are launched 【动词被动语态 + 一般现在时】主语 activities(活动)和 launch(举办)是被动关系;全文介绍每年常规活动,用一般现在时。 复数主语,被动结构:are + 过去分词。 3. Unlike 【介词】句意:和大众节庆类非遗不同,展出作品多为传统手工。 unlike 介词,意为 “与…… 不同”,句首首字母大写。 4. including 【非谓语动词:介词化现在分词】including 作介词,后接列举的手工艺,表示 “包括……”。 5. an 【冠词】固定搭配:in an awkward situation 处于尴尬的处境 awkward 元音音素开头,不定冠词用 an。 6. To reverse 【非谓语动词:不定式表目的】本空位于句首,表举办展览工坊的目的:为扭转这一现状,用不定式 To do,首字母大写。 7. making 【非谓语动词:现在分词作结果状语】逗号前完整句子,无并列连词;品牌融合非遗与时尚这件事自然而然产生后面的结果,主动关系,用现在分词 making。 8. which 【定语从句关系词】逗号隔开非限制性定语从句,指代前面整件事(竹扇、丝巾深受年轻人喜爱),指代整件事只能用 which,不能用 that。 9. netizens 【名词复数】netizen 网民,可数名词;前面有 young 修饰,前面有 millions of 对应,表众多网友,变复数 netizens。 10. fashionable 【形容词】空格修饰名词词组 lifestyle symbols(生活方式符号),需把名词 fashion 变为形容词 fashionable,意为 “时尚的”。 三.应用文写作 假定你是校学生会主席李华,你校将配合全国夏季非遗宣传活动,举办一场传统手工艺非遗体验活动。请给外教Mr. Smith写一封英文邮件,邀请他参加,内容包括: 1.活动时间、地点; 2.活动内容:非遗传承人现场展示、手工竹编/绘画体验、非遗文创产品展销; 3.表达期待。 注意: 1. 词数80左右; 2. 可以适当增加细节,使行文连贯; 3. 开头结尾已给出,不计入总词数。 Dear Smith, ________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ Yours sincerely, Li Hua 【答案】 Dear Mr. Smith, I’m Li Hua, chairman of the School Student Union. I’m writing to sincerely invite you to our school’s traditional ICH handcraft experience activity. As part of the national Summer Cultural Heritage Promotion Campaign, it will be held in our school hall on June 13th, from 9 a.m. to 11:30 a.m. Renowned intangible cultural heritage inheritors will give live craft demonstrations. We can also get hands-on experience in bamboo weaving and fan painting, as well as buy delicate cultural and creative products on site. Knowing your passion for traditional Chinese culture, we’d be honored to have your presence. Looking forward to your early reply. Yours sincerely, Li Hua 1. 阅读理解 A (原创题) Zhang Xiao, a 17-year-old senior student from Zhuhai, has long been fascinated with traditional Chinese handicrafts. This summer, he traveled to Liping County, Guizhou, the birthplace of the well-known Dong embroidery, for a special cultural experience. Upon his arrival, Zhang visited Yanting Embroidery Art and Culture Studio, founded by Lu Yongjiang, a provincial-level inheritor of Dong costume embroidery. He was deeply impressed by the studio: dazzling embroidery artworks covered the walls, and skilled Dong craftswomen in traditional ethnic costumes sewed delicately with high precision. Captivated by the unique Dong ethnic culture, Zhang started to learn basic embroidery skills under Lu’s guidance. He admitted that it was extremely challenging to sit motionless for hours to finish neat and accurate stitches. Listed as a national intangible cultural heritage in 2011, Dong embroidery is a comprehensive ethnic art combining spinning, dyeing, weaving, paper-cutting and hand embroidery. Featuring bright colors and special ethnic styles, it carries profound cultural value. Since the Dong ethnic group had no written language in ancient times, local people recorded their history, legends and folk beliefs on costumes and fabrics via embroidery. Various patterns of flowers, fish and stars perfectly preserve Dong people’s ancestral wisdom, and these handcrafts still play an important role in local people’s daily life today. Zhang once feared that this time-honored handcraft would be wiped out by machine manufacturing. However, he changed his mind after hands-on practice. Unlike repetitive machine sewing, Dong embroidery adopts diverse combinable stitches, making every handmade work unique and irreplicable. Still, this superior handicraft faces tough market difficulties. Its complicated craft leads to extremely high prices, and its main consumers are only middle-aged and elderly buyers who trust oral recommendations instead of public promotion. To save and promote this ancient heritage, Zhang took effective measures during his one-week stay. He helped the studio open a Taobao online store to expand sales channels. Besides, he put forward two practical suggestions: cooperating with daily commodity and fashion brands to make embroidered daily supplies, and launching creative cultural products for young people. He also filmed short videos about Dong embroidery and posted them on social media, winning wide praise from young netizens. Zhang hopes to bridge the gap between traditional ICH and young groups, popularize Dong embroidery among Generation Z, and help local embroiderers raise their income with modern marketing methods. 1. What did Zhang Xiao think of learning Dong embroidery? A. It was time-consuming and difficult. B. It was easy and relaxing. C. It was boring but meaningful. D. It was costly and pointless. 2. Why can machine manufacturing not replace Dong embroidery? A. It costs more raw materials. B. Its products lack individuality. C. It needs more skilled workers. D. Its color style is dull. 3. What does the underlined phrase “word-of-mouth advertising” mean? A. Social media streaming B. Online platform promotion C. Oral recommendation among people D. Official news publicity 4. What is the best title for the text? A. The History of National ICH Dong Embroidery B. A Teenager’s Efforts to Revitalize Dong Embroidery C. The Market Dilemma of Traditional Handicrafts D. Unique Culture of Guizhou Dong Ethnic Group 【答案详解】 1.A 2.B 3.C 4.B 【导语】本文是一篇记叙文,讲述17岁珠海高中生张晓前往贵州学习国家级非遗侗绣的经历。他切身了解侗绣的文化价值与传承困境(工艺复杂、定价高、受众老龄化、市场萧条),主动利用电商平台、品牌联名、社交媒体短视频宣传等现代化营销手段,帮助非遗传承人拓宽销路、吸引年轻群体,助力传统侗绣非遗文化活化传承。 1. A 细节理解题 原文定位:Paragraph 2 :He admitted that it was extremely challenging to sit motionless for hours to finish neat and accurate stitches. 解析:短语 challenging(有难度的)对应题干difficult;sit motionless for hours 说明该手工艺十分耗时(time-consuming)。 错误选项排除: B:与原文难度描述完全相反; C:文中未提及boring(枯燥乏味); D:文章没有提到学习侗绣花费高昂(costly)。 2. B 推理判断题 原文定位:Paragraph 4: Dong embroidery adopts diverse combinable stitches, making every handmade work unique and irreplicable. 解析:手工侗绣每一件作品独一无二、有个性化特征;而机器刺绣工序重复标准化,产出作品没有个人特色,lack individuality(缺乏独特性),因此无法替代手工侗绣 错误选项排除: A:原文未对比原材料成本; C:机器生产不需要手工技术工人; D:文中明确说明侗绣色彩鲜艳,无色彩单调相关描述。 3. C 词义猜测题 上下文语境定位:Paragraph 4: its main consumers are only middle-aged and elderly buyers who trust oral recommendations instead of public promotion. 解析:word-of-mouth advertising 为固定习语,直译口头传播广告;结合上下文:侗绣受众以中老年人为主,依靠熟人线下口头口碑宣传,无线上和官方推广。同义替换= oral recommendation among people。 错误选项排除:A/B均为线上宣传;D为官方宣传,和语境完全相悖。 4. B 主旨归纳题 文章脉络梳理: ①开篇:17岁高中生张晓前往贵州体验侗绣; ②中间:了解侗绣文化、发现非遗市场发展困境; ③结尾:主动采取线上开店、联名品牌、短视频宣传等措施振兴侗绣。 全文核心主线:青少年为振兴非遗侗绣做出的一系列努力。 错误选项排除: A:片面选项;文章只小部分介绍侗绣历史,并非全文重点; C:以偏概全;市场困境只是文章铺垫,不是中心主旨; D:偏离主旨;文章重点不是侗族民俗文化,是非遗传承与青少年帮扶行动。 B (原创题) TAIYUAN, June 28 (Xinhua) — 23 Hungarian artists, art educators, students and cultural professionals have completed a 12-day field discovery tour of ancient architectural heritages in Shanxi Province, China. Launching on June 17, the activity covered three major Shanxi cities: Taiyuan, Xinzhou and Datong. The group visited world-famous heritage sites, including Yungang Grottoes, Yingxian Wooden Pagoda and Pingyao Ancient Town. By means of on-site sketching, field research and original artistic creation, all participants obtained first-hand experience of Shanxi’s abundant historical and cultural treasures. Famous for exquisite timber-frame structures, traditional Chinese ancient architecture reflects ancient artisans’ wisdom, superb craftsmanship and unique aesthetic concepts. Notably, over 80 percent of China’s surviving pre-Yuan Dynasty wooden buildings are located in Shanxi. For this reason, Shanxi is widely regarded as “a museum of ancient Chinese architectural art”. Recent years have witnessed steady development of China-Hungary bilateral relations. The two countries built an all-weather comprehensive strategic partnership in 2024, greatly promoting cross-border cultural and people-to-people exchanges. As Dank Rka Tnde from the Sino-European Foundation of Chinese Culture and Education put it, art is a universal language that can break linguistic barriers to deliver emotions and cultural values. She stated that this heritage tour was a precious chance for Hungarian participants to learn about Shanxi’s profound culture. These Hungarian guests acted as cultural ambassadors rather than mere artists and visitors. Their original works would become lasting symbols of China-Hungary friendship and cultural dialogue. Most Hungarian participants were shocked by local ancient constructions. Artist Szabábel planned to integrate Chinese architectural inspiration into his future works. Student Oreg Zsofia Adel was most amazed by the nail-free building techniques of ancient wooden structures. She said local murals and architectural patterns had offered her rich creative materials. Organizers announced that outstanding works finished during this tour would be collected into a Chinese-Hungarian-English trilingual album. Besides, these artworks will be displayed on touring exhibitions in both China and Hungary to further deepen bilateral cultural communication. 5. What earned Shanxi Province the reputation of “a museum of ancient Chinese architectural art”? A. Most surviving pre-Yuan Dynasty wooden buildings of China B. Its large number of world cultural heritage sites C. Various artistic activities held all year round D. Its unique natural landscape and ancient murals 6. What can we infer about China-Hungary relations from the text? A. The two countries only focus on art cooperation B. Cultural exchange gets strong policy support C. They established partnership decades ago D. Language barrier blocks people-to-people contact 7. What does the underlined word “universal” in paragraph 4 mean? A. complicated B. professional C.widespread D. ancient 8. What is the best title for the text? A. Shanxi: Home to Valuable Ancient Wooden Pagodas B. Hungarian Artists Explore Chinese Architectural Heritages C. New Development of China-Hungary Economic Cooperation D. Classic Chinese Art Shines on International Stages 【答案详解】 5.A 6.B 7.C 8.B 【导语】本文是一篇新闻报道,主要报道23名匈牙利文化从业者赴山西开展古建筑研学活动的相关事宜;介绍山西作为中国古建筑宝库的独特地位、中匈良好双边合作关系;阐明本次跨国艺术交流活动的意义,以及后续双语巡展工作,凸显艺术无国界、跨国文化交流的价值。 5.A 细节理解题 原文定位:Paragraph 3: Shanxi is home to more than 80 percent of the country's surviving timber structures built before the Yuan Dynasty (1271-1368), earning it the reputation of a "museum of ancient Chinese architectural art." 解析:山西坐拥全国80%以上遗存的元代以前木构古建筑,因此获得中国古建筑艺术博物馆的美誉。 错项逐一排除:B 范围笼统,不只是世界遗产,核心限定是元代以前木构建筑;C 文中无全年艺术活动相关描述;D 自然景观和壁画是艺术灵感,不是该称号的原因。 6. B 推理判断题 原文定位:Paragraph 4: In 2024, the two countries established an all-weather comprehensive strategic partnership for the new era, creating new opportunities for cooperation in cultural and people-to-people exchanges. 解析:中匈两国2024年建立新时代全面战略伙伴关系,为人文文化交流创造条件,说明文化交流获得官方政策强力支撑。 错项逐一排除:A 绝对化表述,only 错误,双边合作包含多领域;C 时间错误,2024年新建合作关系,并非数十年前;D 逻辑错误,艺术打破语言壁垒,语言障碍并未阻碍两国交流。 7.C 词义猜测题 语境定位:Paragraph 4: art serves as a universal language capable of conveying emotions, ideas and values beyond linguistic boundaries. 解析:句意:艺术是“通用的、广泛适用的”语言,可以跨越语言边界传递情感和价值观。universal = widespread 通用的,广泛适用的。 错项逐一排除:A 复杂的;B 专业的;D 古老的;均不符合上下文语义逻辑。 8.B 标题归纳题 行文脉络复盘:全文围绕核心事件展开:匈牙利艺术家团队赴山西研学考察中国古建筑、开展艺术创作、推动中匈文化交流;核心主体:Hungarian artists + Chinese ancient architectural heritage。 错项逐一排除:A 片面选项,只介绍山西古建筑,缺失文章核心事件:匈牙利交流团队;C 偷换主题,文章是文化交流而非经济合作;D 范围过大,本文特指古建筑交流,并非全部中国古典艺术出海。 C (原创题) As one of China’s most influential intangible cultural heritage (ICH) festivals, the Dragon Boat Festival falls on the fifth day of the fifth lunar month, usually landing in early or mid-June. Inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2009, it is China’s first worldwide recognized festival-type intangible cultural heritage. Contrary to the common misunderstanding that it is merely in memory of the patriotic poet Qu Yuan, this festival originated from ancient Chinese midsummer plague prevention rituals. Ancient Chinese people believed that early summer was a season when germs and poisonous insects bred rampantly. They formed a set of traditional folk customs to ward off illnesses, including hanging mugwort and calamus, wearing herbal sachets, and tying five-color silk threads on children’s wrists. These customs reflect ancient Chinese people’s ecological wisdom of coexisting with nature and seasonal health management. Later, the folk gradually combined these rituals with the story of Qu Yuan, who drowned himself in the Miluo River for his broken political ideals and falling motherland. Dragon boat racing and making glutinous rice dumplings became the most iconic festival activities. What makes this ICH heritage extraordinary is that it carries double spiritual connotations: folk ecological wisdom and national patriotism. In recent years, with the promotion of China’s Cultural and Natural Heritage Day falling on June 13, this traditional festival heritage has stepped out of traditional folk customs and entered mainstream youth culture. A growing number of teenagers, once obsessed with Western summer festivals, have begun to rediscover the cultural charm of this millennia-old heritage. Creative cultural products such as cartoon-themed customized zongzi, wearable modern-style herbal sachets and dragon boat cultural peripherals have greatly lowered the barrier for young people to get access to traditional culture, making this ancient summer heritage perfectly adapt to modern social life. As cultural globalization accelerates, the Dragon Boat Festival has also spread overseas. Many overseas Chinese communities hold dragon boat races every June to carry forward traditional Chinese culture. Experts claim that the protection of such living intangible cultural heritage lies not in rigid museum preservation and textual record, but in continuous daily inheritance and innovative development among young generations. Only when the younger generation recognizes its cultural value can this time-honored midsummer heritage maintain lasting vitality across eras. 9. What can we learn about the origin of the Dragon Boat Festival? A. It was originally created in honor of Qu Yuan. B. Its earliest purpose was to prevent summer diseases and plagues. C. Qu Yuan’s story shaped its earliest folk rituals. D. It gained global recognition for plague-preventing customs. 10. What can be inferred about creative ICH cultural products from Paragraph 4? A. They completely change ancient traditional festival customs. B. They make traditional culture more accessible to teenagers. C. They are only designed and produced for young consumers. D. They gain huge economic benefits from global sales. 11. According to experts, what is the core of protecting living ICH festivals? A. Sorting out complete written historical records B. Collecting festival relics in formal museums C. Youth daily inheritance and creative upgrading D. Holding more overseas cultural promotion events 12. Which statement will the author most probably agree with? A. Western summer festivals are more popular among modern teenagers. B. The double spiritual connotations make the festival unique. C. Overseas dragon boat races mainly aim at economic profits. D. Museum collection is the best way to protect festival heritage. 【答案详解】 1. B 2.B 3.C 4.B 【导语】本文是一篇说明文,本文介绍了世界级非遗端午节的起源、双重文化内涵与现当代传承现状。文章强调,青年参与和创新发展是维系活态非遗长久生命力的核心。 9. B 细节辨析题 原文定位:Paragraph 2:.... this festival originated from ancient Chinese midsummer plague prevention rituals. 解析:端午节最初起源于古代仲夏防疫祭祀活动,初衷是预防夏季疫病虫害。 强干扰项排除:A 大众误区,纪念屈原是后期融合的内涵,并非起源目的;C 因果倒置,先有民俗仪式,后融合屈原典故;D 偷换逻辑,联合国认证和防疫习俗无因果关联。 10. B 细节推理判断题 原文定位:Paragraph 4: Creative cultural products ... have greatly lowered the barrier for young people to get access to traditional culture, making this ancient summer heritage perfectly adapt to modern social life. 解析:由原文信息可推断,端午主题文创产品降低年轻人接触传统文化的门槛,让传统文化更容易被青少年接纳接触。accessible 对应原文 lower the barrier。 强干扰项排除:A 过度推断;文创只是助力传承,没有彻底改变传统民俗;C 绝对化表述,only 错误,文创产品面向全年龄段;D 无中生有,全文未提及文创产品经济效益。 11. C 观点推理题 原文定位:Paragraph 5: the protection of such living intangible cultural heritage lies not in rigid museum preservation and textual record, but in continuous daily inheritance and innovative development among young generations. 解析:专家明确指出,活态非遗保护核心:不在于馆藏、文字记录,核心是青年日常传承+创新发展。 错项排除:A、B属于作者否定的静态保护方式;D海外推广只是传播手段,不是保护核心。 12. B 态度推理题 原文定位:Paragraph 3: What makes this ICH heritage extraordinary is that it carries double spiritual connotations: folk ecological wisdom and national patriotism. 解析:作者明确表明,双重精神内涵是这项非遗与众不同的核心原因;extraordinary 同义替换 unique。 强干扰项排除:A 曲解文意,原文说青少年曾经沉迷西方节日,现在主动重拾传统文化;C 无中生有,海外赛龙舟目的是传播中华文化,未提及盈利;D 是非颠倒,作者否定博物馆静态收藏为最优方案。 2. 七选五 (原创题) 根据短文内容,从短文后的选项中选出能填入空白处的最佳选项。选项中有两项为多余选项。 The Yi People’s Torch Festival, a national-level intangible cultural heritage, is grandly celebrated from late June to early July in Yunnan, Guizhou and Sichuan, where the majority of Yi ethnic groups reside. 1___________ This 2000-year-old heritage originates from ancient Yi people’s fire worship and harvest prayer ceremonies. In Yi’s ancient civilization, fire carries sacred symbolic meaning. 2___________ Local villagers believe that lighting torches in midsummer can drive away pests, eliminate plagues(消除瘟疫) and pray for a bumper autumn grain harvest. The three-day festival contains complete traditional ethnic rituals(仪式). Villagers parade with pine torches around villages at dusk. Afterwards, locals gather around huge bonfires to sing folk songs, perform ethnic dances and play traditional ethnic musical instruments. 3 ___________ For a long time, this ethnic ICH faced narrow public influence. It was only popular in remote mountainous ethnic areas. Restricted by poor transportation and backward publicity, few outside tourists knew about this distinctive midsummer festival. 4 ___________ Local governments combine ethnic heritage display with rural summer tourism during the tourist peak season. Nowadays, countless domestic and foreign tourists flood into these mountainous areas to experience its grand bonfire parties. Local teenagers are organized at school to learn festival rituals, acting as core new-generation inheritors. The once secluded ethnic heritage has stepped onto a broader public stage. 5___________ It boosts local rural tourism, promotes sales of ethnic specialties and creates grassroots jobs for mountain residents. This cultural tourism model helps remote ethnic areas realize sustainable development without losing unique ethnic features. A. It is regarded as “the Ethnic Carnival of Southwest China”. B. It stands for purity, disaster prevention and crop prosperity. C. Traditional sports like bullfighting and horse racing are also held on this occasion. D. However, effective official measures have changed the awkward situation greatly. E. Moreover, the festival brings obvious economic and social benefits to local areas. F. Fire worship is the most simple ritual among all Yi ethnic traditions. G. Most ethnic festivals rely on local government financial support completely. 【答案详解】 1.A 2.B 3.C 4.D 5.E 【导语】本文是一篇说明文,主要介绍国家级非遗彝族火把节的起源、传统习俗与发展现状。文章指出这项少数民族非遗能够带动地方文旅经济,助力偏远民族地区可持续均衡发展。 1. A 上下文逻辑:空格前介绍彝族火把节的等级、举办时间和举办地区;空格后介绍它的历史起源。本空需要补充节日别称/地位,承上启下。 句意:它被誉为“中国西南民族狂欢节”。 排除其他选项:B侧重火的象征意义(第二段话题);C是节日活动(第二段末尾话题);D是转折对策(第三段语境);话题逻辑全部不匹配。 2. B 上下文逻辑:前一句中心句:在彝族古文明中,火拥有神圣象征意义;空格后解释点火把的民俗作用。本空承接上文,具体说明火的三大象征含义。 同义匹配:purity(洁净)、disaster prevention(防灾)、crop prosperity(作物丰收)完全对应后文 drive away pests, eliminate plagues、pray for a bumper harvest 干扰项排除:F干扰项;文中只提到拜火仪式,没有说明它是最简单的民俗仪式,无中生有,直接排除。 3. C 上下文逻辑:本段罗列火把节全套民俗活动:火把巡游、篝火歌舞、民族乐器演奏;本空需要并列补充节日传统特色活动,保持句式并列行文结构。 语境衔接:Also held 承接上文一系列节日活动,符合说明文并列列举逻辑。 排除:其余选项均和“节日民俗活动”话题无关,无法并列衔接。 4. D 上下文逻辑(高频转折考点):前文讲述火把节发展困境:地处偏远、交通闭塞、宣传落后、外界知名度低;后文讲述地方政府文旅帮扶措施。前后语义相反,需要转折过渡句。 关键词匹配:awkward situation 精准指代前文交通差、知名度低的非遗发展困境。 强干扰项G排除:G意为大多数民族节日完全依靠政府资金扶持;原文只说政府举办文旅活动,没有提及资金扶持,表述绝对且无中生有。 5. E 上下文逻辑(段落主旨句考点):本空位于段首,为本段主题句。后文全部讲述:带动旅游、特产增收、提供就业、区域均衡发展,全部属于社会经济效益。 词汇衔接:economic and social benefits 概括后文全部细节。 排除:其余选项无法统领本段经济发展核心话题。 三.语法填空 (原创题) 阅读下面短文,在空白处填入1个适当的单词或括号内单词的正确形式。 Hangluo silk weaving technique, 1. ______ (list) on UNESCO’s Intangible Cultural Heritage of Humanity, is a typical seasonal traditional craft popular every June and July. Originating from Hangzhou, this ancient silk craft has over 800 years of history, perfectly 2. ______ (adapt) to hot and humid midsummer climate. Different from ordinary silk fabrics, Hangluo has a unique hollow mesh(网格)texture, 3. ______ makes it ultra-thin, breathable and heat-dissipating. It was the finest traditional fabric for ancient Chinese summer clothes and fans. Its complicated manual production process accounts for 4. ______ (it) high cultural value. The whole craftsmanship contains 28 strict working procedures, with no available modern mechanical replacement. Only 5.____________(experience) senior craftsmen can complete the whole complex weaving work. Once the most popular luxury summer fabric in the Yangtze River Delta, Hangluo 6.________(fall) into trouble in the last century. As cheap chemical fiber cloth prevailed, this sophisticated handcraft faced the risk of 7.__________(extinct). Few young locals would learn these time-consuming and strenuously weaving techniques. 8.______________(thank), national and local ICH protection policies launched in summer have saved this endangered craft. Hangzhou holds 9. ______ annual Silk Culture Exhibition to display Hangluo craftsmanship to visitors. Local vocational colleges set up related majors, providing systematic training 10. ______ craft lovers. Many designers integrate modern aesthetics into this ancient craft. This 800-year-old heritage can gain lasting new vitality if it keeps pace with contemporary public needs. 【答案详解】 1.listed 2.adapting 3.which 4.its 5.experienced 6.fell 7.extinction 8.Thankfully 9.the 10.for 【导语】本文是一篇说明文,介绍联合国非遗杭罗织造的独特特质、曾经遭遇的发展困境以及当下的多种保护传承举措。文章表明传统手工艺只要贴合现代审美需求,就能获得长久新生。 1. listed 考查非谓语动词(过去分词作后置定语,表被动) 句意:被列入联合国人类非物质文化遗产名录的杭罗织造技艺,是一种每年六七月备受欢迎的季节性传统工艺。 解析:句子主干为Hangluo silk weaving technique is a craft,空格无并列连词,此处作后置定语;逻辑主语杭罗技艺和list(列入名录)是被动关系,“技艺被列入名录”,因此填过去分词listed。 2. adapting 考查非谓语动词(现在分词作伴随状语,表主动) 句意:这项源自杭州的古老丝织工艺拥有八百多年历史,完美适配闷热潮湿的仲夏气候。 解析:主句已有谓语has,无连词分隔;主语this ancient silk craft与adapt(适应)是主动逻辑,工艺本身适配气候,用现在分词作伴随状语,填adapting。 3. which 考查非限制性定语从句关系代词 句意:与普通丝绸面料不同,杭罗拥有独特的空心网格纹理,这使它轻薄透气、易于散热。 解析:逗号隔开,属于非限制性定语从句;空格指代前面一整句话“杭罗有独特网眼结构”这件事,指代整件事只能用关系代词which,不能用that。 4. its 考查形容词性物主代词 句意:复杂的手工制作流程造就了它极高的文化价值。 解析:空格后是名词短语high cultural value,需要形容词修饰;括号内it为主格代词,变形为形容词性物主代词its,意为“它的”,指代杭罗工艺。 5. experienced 考查词性转换(名词→形容词,定语修饰名词) 句意:只有经验丰富的资深匠人才能完成整套复杂的织造工序。 解析:空格修饰名词craftsmen(匠人),需要形容词;名词experience(经验)转化为形容词experienced,含义为“富有经验的”。 6. fell 考查一般过去时谓语动词 句意:杭罗曾是长三角最受欢迎的高端夏季面料,在上个世纪陷入发展困境。 解析:时间状语in the last century(上个世纪)为过去时间,句子缺少谓语动词;动词fall的过去式为fell,固定搭配fall into trouble 陷入困境。 7. extinction 考查词性转换(形容词/动词→名词,介词后接名词) 句意:随着化纤布料普及,这项繁复的手工艺面临消亡的风险。 解析:介词of后面必须接名词;括号内extinct是形容词“灭绝的”,名词形式extinction,the risk of extinction 消亡的风险。 8. Thankfully 考查词性转换(动词/名词→副词,副词修饰整句) 句意:所幸,国家与地方夏季出台的非遗保护政策挽救了这项濒危工艺。 解析:空格位于句首,单独修饰后面完整句子,需用副词;thank转化为副词thankfully,意为“幸运的是,所幸”。 9. the 考查定冠词the表特指 句意:杭州举办一年一度的丝绸文化展,向游客展示杭罗织造技艺。 解析:后文Silk Culture Exhibition是当地标志性、独一无二的年度固定展会,属于特指的专有展览,因此用定冠词the。 10. for 考查介词固定搭配 句意:当地职业院校开设相关专业,为手工艺爱好者提供系统化培训。 解析:固定短语provide sth. for sb. 为某人提供某物,此处搭配training for craft lovers,介词填for。 1 / 9 学科网(北京)股份有限公司 $

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热点时文04 文化和自然遗产日・焕活夏日传统手工艺 (阅读专练)(全国通用)2027年高考英语一轮复习时文阅读高分突破
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热点时文04 文化和自然遗产日・焕活夏日传统手工艺 (阅读专练)(全国通用)2027年高考英语一轮复习时文阅读高分突破
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热点时文04 文化和自然遗产日・焕活夏日传统手工艺 (阅读专练)(全国通用)2027年高考英语一轮复习时文阅读高分突破
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