2026.4.28日双语新闻练习（语法填空+音频）-2026届高三英语二轮复习专项

4.28日双语新闻 At 80, award-winning illustrator Cai Gao still draws inspiration from childhood 八旬绘梦人蔡皋：童心不老，画中有诗 With silver hair and a lifetime spent never leaving the world of childhood, 80-year-old Cai Gao, China’s first illustrator to win the Hans Christian Andersen Award, has a memory and imagination that refuse to age. 80岁的蔡皋是中国首位荣获国际安徒生奖的插画家。她虽已满头银发，却一生未曾远离童真天地，记忆力与想象力也丝毫未因岁月而衰退。 With her wild imagination, Cai describes a train ride as “unrolling a moving scroll”. She said she loves illustrating the moon because it reminds her of children’s “soft, round little faces”. Cai’s reimagining of life’s mundane moments is a gift, but it comes from observing life itself. Over the past 50 years, be it nature’s wind and stars, traditional heroes, or Chinese folklore, Cai has framed them all into stories a child can grasp. 凭借天马行空的想象力，蔡皋将乘坐火车的旅程形容为“一幅徐徐展开的流动画卷”。她表示自己喜欢画月亮，因为月亮总会让她想起孩子们“圆润柔和的小脸蛋”。蔡皋对日常生活瞬间的重新构想是一种天赋，而这份天赋源于她对生活的观察。五十多年来，无论是自然中的清风星辰、传统英雄人物，还是中国民间传说，她都将其重塑为孩子们能够理解的故事。 Opening Cai’s treasure chest reveals her early work The Fox Spirit in the Abandoned Garden, a stellar work and the one that made her a household name. It was first published in the early 1990s, and later renamed as Bao’er. The book tells the story of a child who outwits a fox to save his mother. Its original inspiration was rooted in a tale from the Qing Dynasty (1644-1912) short story collection Liaozhai Zhiyi, or Strange Tales from a Chinese Studio. 翻开蔡皋的艺术宝库，便能看到她的早期代表作《荒园狐精》，这部作品让她家喻户晓。该书于20世纪90年代初首次出版，后更名为《宝儿》，讲述了一个孩童智斗狐狸、拯救母亲的故事。其最初的创作灵感来源于清代(1644-1912)短篇小说集《聊斋志异》中的一则故事。 Cai noted that her story’s true intention goes beyond the visual as she hopes it can teach children that “fearlessness and love are ways to overcome hardship”. She has never stopped turning again and again to the classics, instead, she tries to connect ancient stories with contemporary social and cultural currents. 蔡皋表示，自己作品的真正用意远不止于视觉层面，她希望借此告诉孩子们：“勇气与爱心，是战胜困境的方法。”她不断回归经典，并致力于将古老故事与当代社会文化潮流相联结。 In The Story of Peach Blossom Spring, Cai did not follow Tao Yuanming from Eastern Jin (317-420), who portrayed his peach blossom land as a utopia that could never be found again once left. Instead, she emphasizes the beauty of nature and agrarian life, evoking in children a yearning for harmony between people and nature. By connecting Chinese classics with contemporary life, Cai’s works inspire children while also offering readers a window into traditional Chinese culture. 在《桃花源的故事》中，蔡皋并未沿袭东晋(317-420)诗人陶渊明的写法——将桃花源描绘成一旦离去便再难寻觅的世外桃源。相反，她着重展现自然之美与田园生活，唤起孩子们对人与自然和谐共生的向往。通过将中华经典与当代生活相融合，蔡皋的作品既启迪着孩童，也为读者打开了一扇了解中国传统文化的窗口。 In Cai’s books, it seems anyone can be a child, and that includes herself. Cai revealed that she painted herself into Where the Moon Goes, I Go. The book is based on a local Hunan nursery rhyme. “The moon goes, so do I, a flower basket I carry by the moon’s side,” these are some of the lines from the rhyme, and in the book, Cai is the little girl carrying the flower basket. 在蔡皋的笔下，仿佛人人都能保有童心，包括她自己。蔡皋坦言，她把自己画进了绘本《月亮走，我也走》之中。这本书取材于湖南当地的一首童谣，“月亮走，我也走，我给月亮提花篓”正是其中的歌词，而书中提着花篓的小女孩，就是蔡皋自己。 Born to a poor family, Cai still remembers that her grandmother would tuck gardenias and jasmine into her pocket when they bloomed. These memories taught Cai how to find art in life’s smallest details. She now calls this ability “discovering the power of gentle things”. “The best things should be given to childhood,” said Cai. “Everyone has a childlike heart and innocence. The question is whether you consciously protect it.” 蔡皋出身贫寒，她仍然记得，奶奶会在栀子和茉莉盛开的时候，把花儿塞进她的口袋里。这些记忆教会了蔡皋如何在生活的细微之处发现艺术之美。她如今将这种能力称作“发现温柔事物的力量”。蔡皋说：“最美好的东西应该留给童年。每个人都拥有一颗童心与一份纯真，关键在于你是否有心去守护它。” 学科网（北京）股份有限公司 $ At 80, award-winning illustrator Cai Gao still draws inspiration from childhood 八旬绘梦人蔡皋：童心不老，画中有诗 【原创-每日一听训练营】 1. How did Cai Gao interpret the story of the peach blossom land? A. She followed Tao Yuanming’s original version. B. She emphasized nature and agrarian life. C. She set the story in a modern city. 2. What is the characteristic of Where the Moon Goes, I Go? A. It is inspired by Liaozhai Zhiyi. B. It is based on a local Jiangxi nursery rhyme. C. It features Cai Gao as a character in the book. 【原创-语法填空训练营】 With silver hair and a lifetime spent never leaving the world of childhood, 80-year-old Cai Gao, China’s first illustrator to win the Hans Christian Andersen Award, has a memory and imagination that refuse to age. With her wild imagination, Cai describes a train ride 1 “unrolling a moving scroll”. She said she loves illustrating the moon because it reminds her of children’s “soft, round little faces”. Cai’s reimagining of life’s mundane moments is a gift, but it comes from observing life itself. Over the past 50 years, be it nature’s wind and stars, traditional heroes, or Chinese folklore, Cai 2 (frame) them all into stories a child can grasp. Opening Cai’s treasure chest reveals her early work The Fox Spirit in the Abandoned Garden, a stellar work 3 the one that made her a household name. It was first published in the early 1990s, and later renamed as Bao’er. The book tells the story of a child who outwits a fox to save his mother. Its original 4 (inspire) was rooted in a tale from the Qing Dynasty (1644-1912) short story collection Liaozhai Zhiyi, or Strange Tales from a Chinese Studio. Cai noted that her story’s true intention goes beyond the visual as she hopes it can teach children that “fearlessness and love are ways 5 (overcome) hardship”. She has never stopped 6 (turn) again and again to the classics, instead, she tries to connect ancient stories with contemporary social and cultural currents. In The Story of Peach Blossom Spring, Cai did not follow Tao Yuanming from Eastern Jin (317-420), who portrayed his peach blossom land as 7 utopia that could never be found again once left. Instead, she emphasizes the beauty of nature and agrarian life, evoking in children a yearning for harmony between people and nature. By connecting Chinese classics with contemporary life, Cai’s works inspire children while also offering readers a window into traditional Chinese culture. In Cai’s books, it seems anyone can be a child, and that includes herself. Cai revealed that she painted 8 (she) into Where the Moon Goes, I Go. The book is based on a local Hunan nursery rhyme. “The moon goes, so do I, a flower basket I carry by the moon’s side,” these are some of the lines from the rhyme, and in the book, Cai is the little girl carrying the flower basket. 9 (bear) to a poor family, Cai still remembers that her grandmother would tuck gardenias and jasmine into her pocket when they bloomed. These memories taught Cai how to find art in life’s smallest details. She now calls this ability “discovering the power of gentle things”. “The best things should be given to childhood,” said Cai. “Everyone has a childlike heart and 10 (innocent). The question is whether you consciously protect it.” 【写作加油站】 ·金词集锦：（标*为拓展词汇） 1. stellar* 英 /ˈstelə(r)/ 美 /ˈstelər/ adj. 主要的 2. household 英 /ˈhaʊshəʊld/ 美 /ˈhaʊshoʊld/ adj. 家喻户晓的 3. outwit* 英 /ˌaʊtˈwɪt/ 美 /ˌaʊtˈwɪt/ v. 以智取胜 4. portray* 英 /pɔːˈtreɪ/ 美 /pɔːrˈtreɪ/ v. 描绘 5. consciously* 英 /ˈkɒnʃəsli/ 美 /ˈkɑːnʃəsli/ adv. 有意识地 ·短语、句型： 1. be rooted in 根植于 2. connect… with… 与……连接 3. evoke a yearning for 唤起对……的向往 4. be based on 以……为基础 学科网（北京）股份有限公司 $At eighty, award winning illustrator tie goal still draws inspiration from childhood with silver hair and a lifetime spent never leaving the world of childhood. Eighty year old tagal, china's first illustrator to win the hands Christian Anderson award, has a memory and imagination that refused to age with her wild imagination. Time describes a train ride as unrolling, a moving scroll. SHE said he loves illustrating the moon because IT reminds her of children. Soft, round, little faces, ties. Reimagining of life's mundane e moments is a gift, but IT comes from observing life itself over the past fifty years, bit natures wind and stars, traditional heroes or chinese folk law. I has framed them all into stories. A child can grasp opening times of treasure chest reveals her early work, the fox spirit in the abandoned garden, a Stellar work, and the one that made her household name. IT was first published in the early nineteen nineties, and later we named as power. The book tells the story of a child who up waits the fox to save his mother. Its original inspiration was rooted in a tale from the shing dinnaus y short story collection leo gg, or strange tales from a chinese studio. Sir noted that her stories, true intention goes beyond the visual, as he hopes IT can teach children that fillest ness and love are ways to overcome hardship. SHE has never stopped turning again and again to the classics. Instead, he tries to connect ancient stories with contemporary social and cultural currents in the story of peach blossom s spring, thi did not follow tell you n mean from eastern gene, who portrays his peach blossom as a utopia that could never be found again once left. Instead, SHE emphasizes the beauty of nature and the gyan life, evoking in children a yearning for harmony between people and nature. By connecting chinese classics with contemporary life ties, works inspire children, while also offering readers a window into traditional chinese culture. In thes books, IT seems anyone can be a child, and that includes herself. Time revealed that SHE painted herself into whether moon goes, I go. The book is based on a local who na nursery, ryan, the moon goes, so do I, A flower basket I Carried by the moon side. These are some of the lines from the ryme and in the book tires. The little girl Carrying the flower basket born to a poor family tie still remembers that her grandmother would top gardenias and Jasmine into her pocket when they balloon. These memories taught tie how to find out in life smallest details. SHE now calls this ability discovering the power of gentle things. The best things should be given to childhood, said tie. Everyone has a child like heart and innocence. The question is whether you consciously protect IT. At 80, award-winning illustrator Cai Gao still draws inspiration from childhood 八旬绘梦人蔡皋：童心不老，画中有诗 【原创-每日一听训练营】 1. How did Cai Gao interpret the story of the peach blossom land? A. She followed Tao Yuanming’s original version. B. She emphasized nature and agrarian life. C. She set the story in a modern city. 2. What is the characteristic of Where the Moon Goes, I Go? A. It is inspired by Liaozhai Zhiyi. B. It is based on a local Jiangxi nursery rhyme. C. It features Cai Gao as a character in the book. 答案：B C 【原创-语法填空训练营】 With silver hair and a lifetime spent never leaving the world of childhood, 80-year-old Cai Gao, China’s first illustrator to win the Hans Christian Andersen Award, has a memory and imagination that refuse to age. 80岁的蔡皋是中国首位荣获国际安徒生奖的插画家。她虽已满头银发，却一生未曾远离童真天地，记忆力与想象力也丝毫未因岁月而衰退。 With her wild imagination, Cai describes a train ride as “unrolling a moving scroll”. She said she loves illustrating the moon because it reminds her of children’s “soft, round little faces”. Cai’s reimagining of life’s mundane moments is a gift, but it comes from observing life itself. Over the past 50 years, be it nature’s wind and stars, traditional heroes, or Chinese folklore, Cai has framed (frame) them all into stories a child can grasp. 凭借天马行空的想象力，蔡皋将乘坐火车的旅程形容为“一幅徐徐展开的流动画卷”。她表示自己喜欢画月亮，因为月亮总会让她想起孩子们“圆润柔和的小脸蛋”。蔡皋对日常生活瞬间的重新构想是一种天赋，而这份天赋源于她对生活的观察。五十多年来，无论是自然中的清风星辰、传统英雄人物，还是中国民间传说，她都将其重塑为孩子们能够理解的故事。 Opening Cai’s treasure chest reveals her early work The Fox Spirit in the Abandoned Garden, a stellar work and the one that made her a household name. It was first published in the early 1990s, and later renamed as Bao’er. The book tells the story of a child who outwits a fox to save his mother. Its original inspiration (inspire) was rooted in a tale from the Qing Dynasty (1644-1912) short story collection Liaozhai Zhiyi, or Strange Tales from a Chinese Studio. 翻开蔡皋的艺术宝库，便能看到她的早期代表作《荒园狐精》，这部作品让她家喻户晓。该书于20世纪90年代初首次出版，后更名为《宝儿》，讲述了一个孩童智斗狐狸、拯救母亲的故事。其最初的创作灵感来源于清代(1644-1912)短篇小说集《聊斋志异》中的一则故事。 Cai noted that her story’s true intention goes beyond the visual as she hopes it can teach children that “fearlessness and love are ways to overcome (overcome) hardship”. She has never stopped turning (turn) again and again to the classics, instead, she tries to connect ancient stories with contemporary social and cultural currents. 蔡皋表示，自己作品的真正用意远不止于视觉层面，她希望借此告诉孩子们：“勇气与爱心，是战胜困境的方法。”她不断回归经典，并致力于将古老故事与当代社会文化潮流相联结。 In The Story of Peach Blossom Spring, Cai did not follow Tao Yuanming from Eastern Jin (317-420), who portrayed his peach blossom land as a utopia that could never be found again once left. Instead, she emphasizes the beauty of nature and agrarian life, evoking in children a yearning for harmony between people and nature. By connecting Chinese classics with contemporary life, Cai’s works inspire children while also offering readers a window into traditional Chinese culture. 在《桃花源的故事》中，蔡皋并未沿袭东晋(317-420)诗人陶渊明的写法——将桃花源描绘成一旦离去便再难寻觅的世外桃源。相反，她着重展现自然之美与田园生活，唤起孩子们对人与自然和谐共生的向往。通过将中华经典与当代生活相融合，蔡皋的作品既启迪着孩童，也为读者打开了一扇了解中国传统文化的窗口。 In Cai’s books, it seems anyone can be a child, and that includes herself. Cai revealed that she painted herself (she) into Where the Moon Goes, I Go. The book is based on a local Hunan nursery rhyme. “The moon goes, so do I, a flower basket I carry by the moon’s side,” these are some of the lines from the rhyme, and in the book, Cai is the little girl carrying the flower basket. 在蔡皋的笔下，仿佛人人都能保有童心，包括她自己。蔡皋坦言，她把自己画进了绘本《月亮走，我也走》之中。这本书取材于湖南当地的一首童谣，“月亮走，我也走，我给月亮提花篓”正是其中的歌词，而书中提着花篓的小女孩，就是蔡皋自己。 Born (bear) to a poor family, Cai still remembers that her grandmother would tuck gardenias and jasmine into her pocket when they bloomed. These memories taught Cai how to find art in life’s smallest details. She now calls this ability “discovering the power of gentle things”. “The best things should be given to childhood,” said Cai. “Everyone has a childlike heart and innocence (innocent). The question is whether you consciously protect it.” 蔡皋出身贫寒，她仍然记得，奶奶会在栀子和茉莉盛开的时候，把花儿塞进她的口袋里。这些记忆教会了蔡皋如何在生活的细微之处发现艺术之美。她如今将这种能力称作“发现温柔事物的力量”。蔡皋说：“最美好的东西应该留给童年。每个人都拥有一颗童心与一份纯真，关键在于你是否有心去守护它。” 【写作加油站】 ·金词集锦：（标*为拓展词汇） 1. stellar* 英 /ˈstelə(r)/ 美 /ˈstelər/ adj. 主要的 2. household 英 /ˈhaʊshəʊld/ 美 /ˈhaʊshoʊld/ adj. 家喻户晓的 3. outwit* 英 /ˌaʊtˈwɪt/ 美 /ˌaʊtˈwɪt/ v. 以智取胜 4. portray* 英 /pɔːˈtreɪ/ 美 /pɔːrˈtreɪ/ v. 描绘 5. consciously* 英 /ˈkɒnʃəsli/ 美 /ˈkɑːnʃəsli/ adv. 有意识地 ·短语、句型： 1. be rooted in 根植于 2. connect… with… 与……连接 3. evoke a yearning for 唤起对……的向往 4. be based on 以……为基础 学科网（北京）股份有限公司 $