专题10 阅读理解记叙文-【好题汇编】5年（2020-2024）高考真题+1年模拟英语分类汇编（北京专用）

【好题汇编】五年（2020-2024）高考英语 真题分类汇编（北京专用）解析版 专题10 阅读理解记叙文 年份 主题 语境 词数 话题 考点分布 细节理解 推理 判断 主旨大意 词义猜测 2024 人与自我 354 作者重拾画油画的信心并接受了自身局限性 1 3 0 0 2023 人与自我 386 被拒绝也不是坏事，这意味着你能重新确定自己的方向。 1 3 0 0 2022 人与自然 348 参加保护自然活动治愈好了焦虑 3 1 0 0 2021 人与自我 379 第一印象不总是可信的 3 0 0 0 2020 人与自我 403 重视手工技能，将手工技能和科学结合在一起（夹叙夹议文） 2 1 1 0 【2024北京卷】 When I was a little girl, I liked drawing, freely and joyously making marks on the walls at home. In primary school, I learned to write using chalks. Writing seemed to be another form of drawing. I shaped individual letters into repeating lines, which were abstract forms, delightful but meaningless patterns. In secondary school, art was my favourite subject. Since. I loved it so much I thought I was good at it. For the art O-level exam I had to present an oil painting. I found it difficult, but still hoped to pass. I failed, with a low grade. I’d been over-confident. Now I’d been declared talentless. But other channels of creativity stayed open: I went on writing poems and stories. Still, I went to exhibitions often. I continued my habitual drawing, which I now characterised as childish doodling (乱画). In my 30s, I made painter friends and learned new ways of looking at art. However, I couldn’t let myself have a go at actually doing it. Though these new friends were abstract painters using oil paints, or were printmakers or sculptors, I took oil painting as the taboo (禁忌) high form I wasn’t allowed to practice. One night, in my early 40s, I dreamed that a big woman in red approached me, handed me a bag of paints, and told me to start painting. The dream felt so authoritative that it shook me. It was a form of energy, giving me back something I’d lost. Accordingly, I started by experimenting with water colours. Finally, I bought some oil paints. Although I have enjoyed breaking my decades-long taboo about working with oil paints, I have discovered I now prefer chalks and ink. I let my line drawings turn into cartoons I send to friends. It all feels free and easy. Un-anxious. This time around, I can accept my limitations but keep going. Becoming a successful painter calls for being resolute. I realised I was always afraid of wanting too much. That dream reminded me that those fears and desires could encourage me to take risks and make experiments. 24. How did the author feel about the result of the art exam? A. Scared. B. Worried. C. Discouraged. D. Wronged. 25. In her 30s, the author _________. A. avoided oil painting practice B. sought for a painting career C. fancied abstract painting D. exhibited child paintings 26. Which word would best describe the author’s dream? A. Confusing. B. Empowering. C. Disturbing. D. Entertaining. 27. What can we learn from this passage? A. Actions speak louder than words. B. Hard work is the mother of success. C. Dreams are the reflections of realities. D. Creative activities involve being confident. 【2023北京卷】 【2023北京卷】Sitting in the garden for my friend’s birthday. I felt a buzz (振动) in my pocket. My heart raced when I saw the email sender’s name. The email started off: “Dear Mr Green, thank you for your interest” and “the review process took longer than expected.” It ended with “We are sorry to inform you…” and my vision blurred (模糊). The position—measuring soil quality in the Sahara Desert as part of an undergraduate research programme — had felt like the answer I had spent years looking for. I had put so much time and emotional energy into applying, and I thought the rejection meant the end of the road for my science career. So I was shocked when, not long after the email, Professor Mary Devon, who was running the programme, invited me to observe the work being done in her lab. I jumped at the chance, and a few weeks later I was equally shocked—and overjoyed—when she invited me to talk with her about potential projects I could pursue in her lab. What she proposed didn’t seem as exciting as the original project I had applied to, but I was going to give it my all. I found myself working with a robotics professor on techniques for collecting data from the desert remotely. That project, which I could complete from my sofa instead of in the burning heat of the desert, not only survived the lockdown but worked where traditional methods didn’t. In the end, I had a new scientific interest to pursue. When I applied to graduate school, I found three programmes promising to allow me to follow my desired research direction. And I applied with the same anxious excitement as before. When I was rejected from one that had seemed like a perfect fit, it was undoubtedly difficult. But this time I had the perspective (视角) to keep it from sending me into panic. It helped that in the end I was accepted into one of the other programmes I was also excited about. Rather than setting plans in stone, I’ve learned that sometimes I need to take the opportunities that are offered, even if they don’t sound perfect at the time, and make the most of them. 24．How did the author feel upon seeing the email sender’s name? A．Anxious. B．Angry. C．Surprised. D．Settled. 25．After talking with Professor Devon, the author decided to ________. A．criticise the review process B．stay longer in the Sahara Desert C．apply to the original project again D．put his heart and soul into the lab work 26．According to the author, the project with the robotics professor was ________. A．demanding B．inspiring C．misleading D．amusing 27．What can we learn from this passage? A．An invitation is a reputation. B．An innovation is a resolution. C．A rejection can be a redirection. D．A reflection can be a restriction. 【2022北京卷】 My name is Alice. Early last year, I was troubled by an anxiety that crippled ( 削弱 ) my ability to do anything. I felt like a storm cloud hung over me. For almost a year I struggled on, constantly staring at this wall that faced me. My perfectionist tendencies were the main root of this: I wanted to be perfect at whatever I did, which obviously in life is not possible, but it consumed me. One day, I attended a presentation by wildlife conservationist Grant Brown at my high school. His presentation not only awed and inspired me, but also helped emerge an inner desire to make a difference in the world. I joined a pre-presentation dinner with him and that smaller setting allowed me to slowly build up my courage to speak one-on-one with him—an idea that had seemed completely impossible. This first contact was where my story began. A month later, Brown invited me to attend the World Youth Wildlife Conference. Looking back, I now see that this would be the first in a series of timely opportunities that my old self would have let pass, but that this new and more confident Alice enthusiastically seized. Shortly after I received his invitation, applications to join the Youth for Nature and the Youth for Planet groups were sent around through my high school. I decided to commit to completing the applications, and soon I was a part of a growing global team of young people working to protect nature. Each of these new steps continued to grow my confidence. I am writing this just six months since my journey began and I’ve realised that my biggest obstacle ( 障碍 ) this whole time was myself. It was that voice in the back of my head telling me that one phrase that has stopped so many people from reaching their potential: I can’t. They say good things come to those who wait; I say: grab every opportunity with everything you have and be impatient. After all, nature does not require our patience, but our action. 24. What was the main cause for Alice’s anxiety? A. Her inability to act her age. B. Her habit of consumption. C. Her desire to be perfect. D. Her lack of inspiration. 25. How did Grant Brown’s presentation influence Alice? A. She decided to do something for nature. B. She tasted the sweetness of friendship. C. She learned about the harm of desire. D. She built up her courage to speak up. 26. The activities Alice joined in helped her to become more ________. A. intelligent B. confident C. innovative D. critical 27. What can we learn from this passage? A. Practice makes perfect. B. Patience is a cure of anxiety. C. Action is worry’s worst enemy. D. Everything comes to those who wait. 【2021北京卷】 I remember the day during our first week of class when we were informed about our semester（学期） project of volunteering at a non-profit organization．When the teacher introduced us to the different organizations that needed our help，my last choice was Operation Iraqi Children （OIC）．My first impression of the organization was that it was not going to make enough of a difference with the plans I had in mind． Then，an OIC representative gave us some details，which somewhat interested me．After doing some research， I believed that we could really do something for those kids．When I went online to the OIC website，I saw pictures of the Iraqi children．Their faces were so powerful in sending a message of their despair（绝望） and need that I joined this project without hesitation．We decided to collect as many school supplies as possible，and make them into kits——one kit，one child． The most rewarding day for our group was project day，when all the efforts we put into collecting the items finally came together．When I saw the various supplies we had collected，it hit me that every kit we were to build that day would eventually be in the hands of an Iraqi child．Over the past four months，I had never imagined how I would feel once our project was completed．While making the kits，I realized that I had lost sight of the true meaning behind it．I had only focused on the fact that it was another school project and one I wanted to get a good grade on．When the kits were completed，and ready to be sent overseas，the warm feeling I had was one I would never forget． In the beginning，I dared myself to make a difference in the life of another person．Now that our project is over，I realize that I have affected not only one life，but ten．With our efforts，ten young boys and girls will now be able to further their education． 24. How did the author feel about joining the OIC project in the beginning？ A. It would affect his/her initial plans． B. It would involve traveling overseas． C It would not bring him/her a good grade． D. It would not live up to his/her expectations． 25. What mainly helped the author change his/her attitude toward the project？ A. Images of Iraqi children． B. Research by his/her classmates． C. A teacher's introduction． D. A representative's comments． 26. The author's OIC project group would help ten Iraqi children to________．. A. become OIC volunteers B. further their education C. study in foreign countries D. influence other children 27. What can we conclude from this passage？ A. One's potential cannot always be underrated． B. First impression cannot always be trusted． C. Actions speak louder than words． D. He who hesitates is lost． 【2020北京卷】 For the past five years, Paula Smith, a historian of science, has devoted herself to re-creating long-forgotten techniques. While doing research for her new book, she came across a 16th-century French manuscript（手稿）consisting of nearly 1,000 sets of instructions, covering subjects from tool making to finding the best sand. The author's intention remains as mysterious（神秘）as his name; he may have been simply taking notes for his own records. But Smith was struck mainly by the fact that she didn't truly grasp any of the skills the author described. "You simply can't get an understanding of that handwork by reading about it," she says. Though Smith did get her hands on the best sand, doing things the old-fashioned way isn't just about playing around with French mud. Reconstructing the work of the craftsmen（工匠）who lived centuries ago can reveal how they viewed the world, what objects filled their homes, and what went on in the workshops that produced them. It can even help solve present-day problems: In 2015, scientists discovered that a 10th-century English medicine for eve problems could kill a drug-resistant virus. The work has also brought insights for museums, Smith says. One must know how on object was made in order to preserve it. What's more, reconstructions might be the only way to know what treasures looked like before time wore them down. Scholars have seen this idea in practice with ancient Greek and Roman statues. These sculptures were painted a rainbow of striking colours. We can't appreciate these kinds of details without seeing works of art as they originally appeared-something Smith believes you can do only when you have a road map. Smith has put the manuscript's ideas into practice. Her final goal is to link the worlds of art and science back together: She believes that bringing the old recipes to life can help develop a kind of learning that highlights experimentation, teamwork, and problem solving. Back when science—then called “the new philosophy”—took shape, academics looked to craftsmen for help in understanding the natural world. Microscopes and telescopes were invented by way of artistic tinkering（修补）, as craftsmen experimented with glass to better bend light. If we can rediscover the values of hands-on experience and craftwork, Smith says, we can marry the best of our modern insights with the handiness of our ancestors. 38. How did Smith, feel after reading the French manuscript? A. Confused about the technical terms. B. Impressed with its detailed instructions. C. Discouraged by its complex structure. D. Shocked for her own lack of hand skills. 39. According to Smith, the reconstruction work is done mainly to _____________. A. restore old workshops B. understand the craftsmen C. improve visual effects D. inspire the philosophers 40. Why does the author mention museums? A. To reveal the beauty of ancient objects. B. To present the findings of old science. C To highlight the importance of antiques. D. To emphasise the values of hand skills. 41. Which would be the best title for this passage? A. Craftsmen Set the Trends for Artists B. Craftsmanship Leads to New Theories C. Craftsmanship Makes Better Scientists D. Craftsmen Reshape the Future of Science Passage 01 【2024年人大附中高三三模】I write this on a spring morning, in the van I have called home for two years now. From one small window, I have a view of joggers pounding the sunny path by the Oxford Canal, and the other looks onto the busy railway line along which trains travel from Southampton Docks to Birmingham. The woods where I’ve parked my van have grown up between them. This ancient van, a vehicle designed for freedom and the open road, has proved a stable solution for surviving the current housing crisis. I became a travel writer after my studies ended, committing to brief “residencies” with museums and art centres—where temporary accommodation is often provided in exchange for producing new work about a community. Over the years that followed, living and working on location in the polar regions or Scandinavia or the Alps, not settling down for very long, meant wherever I landed was always “home”. It was necessary to adopt a more permanent engagement with locality. Oxford had often drawn me back. It’s a crossroads of reality and the imagination, the perfect city for a writer. It takes a surprising amount of work to keep a tiny home in order: buying a used van online; ensuring the smooth running of a gas cooker and car batteries; fetching water and emptying the mobile toilet. I began to enjoy taking care of my immediate surroundings. Over the summer, I worked to turn waste-ground into a wild garden, replacing weeds with wild plants. I made friends with the self-sufficient boaters living nearby, always ready to share knowledge on the low-carbon simplicity of life without electricity. I’ve learnt that comfort can be found away from the bright infrastructure of urban life: in watching the birds that nest in the tree and the foxes playing in the woods at dawn, in making a cup of coffee on a spring morning. My step away from conventional housing has been a necessary act of personal economy, but the benefits include taking nothing for granted, and unexpected delight. 24．The writer makes the van his home because ______. A．the feature of the van and that of his occupation are matching B．the van equals to a crossroads of reality and the imagination C．the views of joggers and trains outside of it can relieve his pressure D．living and working on location in the polar regions are appealing to him 25．What does “immediate surroundings” in Paragraph 6 refer to? A．a used van B．a gas cooker C．a wild garden D．a mobile toilet 26．Which of the following is the benefit of unconventional housing? A．Joining joggers to do exercise. B．Keeping a tiny home in order easily. C．Improving the economy of Oxford. D．Embracing delightful surprises. Passage 02 【2024年北京市朝阳区高三一模】My birth was a little more dramatic than the standard way a baby enters the world. I was born missing my left hand. Indeed, my limb (手臂) difference could have been a disaster if it hadn’t been for what happened next. A nurse placed me in my mother’s arms and instructed, “You will take her home. You will love her and treat her as normal.” That is exactly what happened. I played sports, acted in theater, excelled in school and had playdates with friends. While I did get some stares and “polite” questions about my disability, I was lucky because I wasn’t made fun of for it. However, that fact that I was different hit me hard my first day of high school. I was 13, an age when kids are already very self-conscious and the need to fit in is intensified. I remember one of the other kids on the school bus stared just a little too long at my left arm. I felt a sudden urge to hide my hand, so I slipped it into my pocket. I told myself that I’d just hide it that one day, while I was trying to make friends. But one day of hiding turned into a week, a month, and years — 25 of them to be exact. When I was 38 years old, tired of hiding and lonely, I met someone special and invited him in. The combination of me finally feeling ready to unhide and his willingness to go through the unhiding process with me was exactly what I needed. For the first time in my life, I allowed someone to really hold my limb, look at it, touch it, love it — love me. I saw my limb difference as something unique about me, something that should be shown, not hidden. It was a transformational experience, and I learned to love me too. It changed how I lived my entire life and made me happier. I also discovered and joined the Lucky Fin Project, an organisation devoted to people with all types of disabilities. Hiding things, especially from loved ones, is tiring and lonely, and it prevents us from getting help and support. It’s time to change that. 24．What was the author’s childhood like? A．She had no social interactions with friends. B．She was raised with care and treated normally. C．She faced some challenges in school activities. D．She was upset about the attention to her difference. 25．What happened to the author when she was 13 years old? A．She began to ignore her disability. B．She suffered prejudice from some kids. C．She started hiding herself away from friends. D．She became sensitive due to her self-awareness. 26．How did the author change when she stopped hiding? A．She started to open up and be herself. B．She met someone who cured her disability. C．She was fed up with the company of others. D．She reduced involvement in the disability group. 27．What can we learn from this passage? A．Misfortune is a good teacher. B．Disability is not a barrier to success. C．Self-acceptance can lead to self-love. D．Nothing beats the feeling of being loved. Passage 03 【2024年北京市房山区高三一模】That day when Ludwig van Beethoven died was one of the saddest of my life. I had stayed with him for more than twenty years and lived through many of his happiest moments and his triumphs as well as his most unhappy times. He wasn’t, however, the easiest of men to work for. His moods were changeable so that he could be reasonable at one moment but most impatient and intolerant at the next. All these problems began in 1802 when he discovered his loss of hearing was not temporary. The loss of hearing brought him to a crossroads in his life. It was then that he realized that his future lay in composing music. Luckily, although his deafness brought him fear and anxiety, he was able to use these emotions to inspire his work. Dealing with his inner problems and worries, his music was obviously subjective, which was not the most popular type of its time. But people recognized his greatness. They did so even when they knew he could not acknowledge it. When he was conducting his ninth and last symphony on its first performance he was totally deaf. So he just didn’t realize that the music had finished and continued to conduct the orchestra. One of the singers had to turn him round so he could receive the cheers of the audience. From one angle it was a sad moment but from another it was an even greater triumph. That a man with such a condition could have written such dynamic music was overwhelming! It brought tears to my eyes to think that I had contributed in some small way by looking after him. He dressed rather like a wild man himself. His hair was always untidy, his skin marked with spots and his mouth set in a downward curve. He took no care of his appearance and walked around our city with his clothes carelessly arranged. This was because he was concentrating on his next composition. Helping him move house many times, preparing his meals and looking after his everyday comforts were my reward for a life living so close to such a musical genius. I consider myself a lucky man! 24．The author was most likely to be Beethoven’s _______. A．student B．doctor C．servant D．relative 25．What can be learned from this passage? A．Beethoven’s music was underestimated at that time. B．Beethoven’s work was inspired by his fear and anger. C．Beethoven’s music stayed in step with the mainstream music of the time. D．Beethoven lost his ability to hear when first conducting his ninth symphony. 26．Why did the author tear in Paragraph 4? A．Because the performance was a complete success. B．Because he played a part in Beethoven’s success. C．Because Beethoven was completely deaf then. D．Because the audience cheered for Beethoven. 27．According to the author, Beethoven could be described as ________. A．intolerant but cheerful B．stubborn but reasonable C．changeable but dedicated D．unsociable but easy-going Passage 04 【2024年北京市东城区高三一模】An Art Class When Kelly was twelve, she started taking classes at Miss Grace’s School for Art. She didn’t like it at first: the “novice artists”—the kids who hadn’t really done art before-worked mostly with clay, and Kelly was a terrible sculptor. It wasn’t until her third year that Kelly found something she was really good at-charcoal drawing (素描). She loved watching the lines spread unevenly across the page as she moved the bits of charcoal back and forth over the paper. One day, Sophia, the best artist in her class, sat down and set up her easel (画架) next to Kelly. Kelly felt a sinking feeling in her stomach. She’d actually found an art form that she enjoyed and was good at-and now Sophia was going to outshine her again? Kelly fought back tears when Miss Grace entered the room. “Hello class, Miss Grace said.” We’ll continue to work on the project today. What masterpiece would Sophia have come up with? Kelly looked at Sophia’s easel and she couldn’t believe it-it was a mess! For a brief moment, Kelly couldn’t actually believe her drawing was better than Sophia’s. But then she looked at Sophia, who was watching Kelly with an anxious expression. “I…. I couldn’t decide what to do,” Sophia said. “And you’re so good. Sometimes I feel like my stuff is just so bad in comparison.” Kelly looked to see if Sophia was joking, but she seemed completely serious. Now Kelly was shocked. “I’m not talented ... Miss Grace seldom praises me. You’re the best one in our class!” Sophia raised her eyebrows. “I might be a really good copier of the stuff, but I have no idea what to do when it comes to making up my own images. You are so great at making new things out of the old stuff. I’ve loved your works.” “I’ve loved yours, too,” Kelly said. “Well, definitely not this one,” Sophia said. Kelly smiled. “Maybe not right now. But if you move these lines up...” she said, pointing her finger on Sophia’s paper. Sophia was quiet for a moment. “That’s a great idea!” she said finally. Kelly smiled and turned back to her drawing, looking every so often at Sophia’s work to see that she was taking her advice, down to the last line. 24．When Kelly started classes at the art school, she _____. A．was not good at the course B．lacked confidence in drawing C．was often pushed by Miss Grace D．did not get along with the other kids 25．How did Kelly feel when Sophia sat beside her? A．Thrilled. B．Confused. C．Frustrated. D．Relieved. 26．What did Kelly do in the art class? A．She inspired Sophia. B．She praised Sophia’s creativity. C．She decided to outshine Sophia. D．She finished the drawing for Sophia. 27．What can we learn from the passage? A．Interest is the best teacher. B．You are what you believe to be. C．Everyone has their own strengths. D．Hard work will eventually pay off. Passage 05 【2024年北京市海淀区高三一模】At my first lesson in Chinese calligraphy, my teacher told me plainly: “Now I will teach you how to write your name. And to make it beautiful.” I felt my breath catch. I was curious. Growing up in Singapore, I had an unusual relationship with my Chinese name. My parents are ethnically Chinese, so they asked fortune tellers to decide my name, aiming for maximum luck. As a result, I ended up with a nonsense and embarrassing name: Chen Yiwen, meaning, roughly, “old”, “barley (薏米)” and “warm”. When I arrived in America for college at 18, I put on an American accent and abandoned my Chinese name. When I moved to Hong Kong in 2021, after 14 years in the States, I decided to learn calligraphy. Why not get back in touch with my heritage? I thought. In calligraphy, the idea is to copy the old masters’ techniques, thereby refining your own. Every week, though, my teacher would give uncomfortably on-the-nose assessments of my person. “You need to be braver,” he once observed. “Have confidence. Try to produce a bold stroke(笔画).” For years, I had prided myself on presenting an image of confidence, but my writing betrayed me. I was trying to make sense of this practice. You must visualize the word as it is to be written and leave a trace of yourself in it. As a bodily practice, calligraphy could go beyond its own cultural restrictions. Could it help me go beyond mine? My teacher once said to me, “When you look at the word, you see the body. Though a word on the page is two-dimensional, it contains multitudes, conveying the force you’ve applied, the energy of your grip, the arch of your spine.” I had been learning calligraphy to get in touch with my cultural roots, but what I was really seeking was a return to myself. Now I have sensed that the pleasure out of calligraphy allows me to know myself more fully. During a recent lesson, my teacher pointed at the word I had just finished, telling me: “This word is much better. I can see the choices you made, your calculations, your flow. Trust yourself. This word is yours.” He might as well have said, “This word is you.” 24．What did the author initially think of her name “Chen Yiwen”? A．It was lucky so she gladly accepted it. B．She felt proud of its symbolic meaning. C．She understood the intention but still disliked it. D．Its strange pronunciation made her embarrassed. 25．The author decided to learn calligraphy to ______. A．pick up a new hobby B．reconnect with her origin C．gain insights into a new culture D．fit in with local community 26．From the teacher’s words, the author learns that calligraphy ______. A．reflects the creator’s spirits B．comes from creative energy C．highlights the design of strokes D．depends on continuous practice 27．What does the author intend to tell us? A．Appreciate what our culture offers. B．Find beauty from your inner self. C．A great teacher leads you to truth. D．We are the sum of what we create. Passage 06 （2024·北京东城·二模）Mark Brown, 57, had been making films for 30 years, but he found himself feeling tired of it. “I thought, things can only go downhill.” Brown knew he needed to do something else — but what? A few years earlier, he had bought his childhood house and moved in. While Brown wondered about a second care er in gardening, he heard a different internal voice. “That child who used to love drawing whispered to me down the years,” he said. Some unacknowledged longing in him was brought out. There was a great oak tree near his home. It had stood out to his young self as a “fantastical giant — a treasure home to birds, insects and animals. There was a cave inside. We used to squeeze in through this hole.” He decided to lock himself away for two months to draw it in all its glorious detail. “While I was drawing,” he said, “there came moments when it was as though the tree was drawing itself. I had spent so much time playing in it. I could feel it. It was deep inside me.” His finished oak held “a real power”, he said. “As you walk towards it, it just grows.” Brown became a tree portraitist. Over the next few years, he travelled across Britain and spent days with the trees selected with the help of the Ancient Tree Forum, the Tree Council and the Woodland Trust. Brown has started work on a 20-drawing series of Britain’s most important ash trees. “These beautiful old ash trees are going to be lost to us,” he says. “They are 350 years old and they are dying because of a disease that we’ve spread.” Drawing is not only an act of care and a demand for preservation, but it “gives me that interface between my passion for the natural world and my creativity,” Brown says. It has also given him a different perspective on the passage of time. “I’m an old man yet I’m only 71, and some of the trees I’ve drawn are 1,000 years old. When I’m with them and when I draw them, I think about the end of my life and the brief nature of human life that passes momentarily beneath them.” 24．At the age of 57, Brown ______. A．moved into his old house B．awakened a childhood interest C．reached the peak of his life D．developed a passion for gardening 25．What can we learn about the oak tree and Brown? A．It helped him start a new career. B．It linked him with the world. C．He built a tree house in it. D．He studied creatures in it. 26．What is Brown working on? A．Setting up tree organizations. B．Looking for cures for tree diseases. C．Drawing to call for protection for trees. D．Travelling to select important trees in Britain. 27．When Brown is with trees, he feels that ______. A．time is endless B．human life is temporary C．nature is dynamic D．life-long learning is crucial ( 6 )原创精品资源学科网独家享有版权，侵权必究！ 学科网（北京）股份有限公司 学科网（北京）股份有限公司 $$ 【好题汇编】五年（2020-2024）高考英语 真题分类汇编（北京专用）解析版 专题10 阅读理解记叙文 年份 主题 语境 词数 话题 考点分布 细节理解 推理 判断 主旨大意 词义猜测 2024 人与自我 354 作者重拾画油画的信心并接受了自身局限性 1 3 0 0 2023 人与自我 386 被拒绝也不是坏事，这意味着你能重新确定自己的方向。 1 3 0 0 2022 人与自然 348 参加保护自然活动治愈好了焦虑 3 1 0 0 2021 人与自我 379 第一印象不总是可信的 3 0 0 0 2020 人与自我 403 重视手工技能，将手工技能和科学结合在一起（夹叙夹议文） 2 1 1 0 【2024北京卷】 When I was a little girl, I liked drawing, freely and joyously making marks on the walls at home. In primary school, I learned to write using chalks. Writing seemed to be another form of drawing. I shaped individual letters into repeating lines, which were abstract forms, delightful but meaningless patterns. In secondary school, art was my favourite subject. Since. I loved it so much I thought I was good at it. For the art O-level exam I had to present an oil painting. I found it difficult, but still hoped to pass. I failed, with a low grade. I’d been over-confident. Now I’d been declared talentless. But other channels of creativity stayed open: I went on writing poems and stories. Still, I went to exhibitions often. I continued my habitual drawing, which I now characterised as childish doodling (乱画). In my 30s, I made painter friends and learned new ways of looking at art. However, I couldn’t let myself have a go at actually doing it. Though these new friends were abstract painters using oil paints, or were printmakers or sculptors, I took oil painting as the taboo (禁忌) high form I wasn’t allowed to practice. One night, in my early 40s, I dreamed that a big woman in red approached me, handed me a bag of paints, and told me to start painting. The dream felt so authoritative that it shook me. It was a form of energy, giving me back something I’d lost. Accordingly, I started by experimenting with water colours. Finally, I bought some oil paints. Although I have enjoyed breaking my decades-long taboo about working with oil paints, I have discovered I now prefer chalks and ink. I let my line drawings turn into cartoons I send to friends. It all feels free and easy. Un-anxious. This time around, I can accept my limitations but keep going. Becoming a successful painter calls for being resolute. I realised I was always afraid of wanting too much. That dream reminded me that those fears and desires could encourage me to take risks and make experiments. 24. How did the author feel about the result of the art exam? A. Scared. B. Worried. C. Discouraged. D. Wronged. 25. In her 30s, the author _________. A. avoided oil painting practice B. sought for a painting career C. fancied abstract painting D. exhibited child paintings 26. Which word would best describe the author’s dream? A. Confusing. B. Empowering. C. Disturbing. D. Entertaining. 27. What can we learn from this passage? A. Actions speak louder than words. B. Hard work is the mother of success. C. Dreams are the reflections of realities. D. Creative activities involve being confident. 【答案】24. C 25. A 26. B 27. D 【解析】 【导语】本文是一篇记叙文。文章主要讲述了作者一直喜欢绘画，但中学时由于油画测试成绩较低，作者对绘画失去了信心。在40岁出头时，一个梦让作者重拾画油画的信心并接受了自身局限性的故事。 【24题详解】 推理判断题。根据第二段“I found it difficult, but still hoped to pass. I failed, with a low grade. I’d been over-confident. Now I’d been declared talentless.(我觉得很难，但仍希望能通过测试。我没有通过，而且成绩很低。我过于自信了。现在，我被宣布为毫无(油画)天赋的人了)”并结合下文中作者多年不碰油画的经历可推知，作者对美术考试的结果感到气馁。故选C。 【25题详解】 细节理解题。根据第三段“In my 30s, I made painter friends and learned new ways of looking at art.(在我30多岁时，我结交了画家朋友们，学到了看待艺术的新方法)”和“Though these new friends were abstract painters using oil paints, or were printmakers or sculptors, I took oil painting as the taboo (禁忌) high form I wasn’t allowed to practice. (虽然这些新朋友是使用油画颜料的抽象画师，或者是版画家或雕塑家，但我把油画作为禁忌的高级形式，不允许我练习)”可知，作者在30多岁时回避练习油画。故选A。 【26题详解】 推理判断题。根据第四段“The dream felt so authoritative that it shook me. It was a form of energy, giving me back something I’d lost. (这个梦给我的感觉是如此的权威，它震撼了我。它是能量的一种形式，让我回我失去了的东西)”可知，作者的梦赋予作者练习油画的力量。故选B。 【27题详解】 推理判断题。根据第六段“Becoming a successful painter calls for being resolute. I realised I was always afraid of wanting too much. (成为一名成功的画家需要有决心。我意识到我总是害怕想要得太多)”及文章内容可知，本文主要讲述了作者一直喜欢绘画，但中学时由于油画测试成绩较低，作者对绘画失去了信心。在40岁出头时，一个梦让作者重拾画油画的信心并接受了自身局限性的故事。由此可推知，我们能从文章中学到创作活动需要自信，故选D。 【2023北京卷】 【2023北京卷】Sitting in the garden for my friend’s birthday. I felt a buzz (振动) in my pocket. My heart raced when I saw the email sender’s name. The email started off: “Dear Mr Green, thank you for your interest” and “the review process took longer than expected.” It ended with “We are sorry to inform you…” and my vision blurred (模糊). The position—measuring soil quality in the Sahara Desert as part of an undergraduate research programme — had felt like the answer I had spent years looking for. I had put so much time and emotional energy into applying, and I thought the rejection meant the end of the road for my science career. So I was shocked when, not long after the email, Professor Mary Devon, who was running the programme, invited me to observe the work being done in her lab. I jumped at the chance, and a few weeks later I was equally shocked—and overjoyed—when she invited me to talk with her about potential projects I could pursue in her lab. What she proposed didn’t seem as exciting as the original project I had applied to, but I was going to give it my all. I found myself working with a robotics professor on techniques for collecting data from the desert remotely. That project, which I could complete from my sofa instead of in the burning heat of the desert, not only survived the lockdown but worked where traditional methods didn’t. In the end, I had a new scientific interest to pursue. When I applied to graduate school, I found three programmes promising to allow me to follow my desired research direction. And I applied with the same anxious excitement as before. When I was rejected from one that had seemed like a perfect fit, it was undoubtedly difficult. But this time I had the perspective (视角) to keep it from sending me into panic. It helped that in the end I was accepted into one of the other programmes I was also excited about. Rather than setting plans in stone, I’ve learned that sometimes I need to take the opportunities that are offered, even if they don’t sound perfect at the time, and make the most of them. 24．How did the author feel upon seeing the email sender’s name? A．Anxious. B．Angry. C．Surprised. D．Settled. 25．After talking with Professor Devon, the author decided to ________. A．criticise the review process B．stay longer in the Sahara Desert C．apply to the original project again D．put his heart and soul into the lab work 26．According to the author, the project with the robotics professor was ________. A．demanding B．inspiring C．misleading D．amusing 27．What can we learn from this passage? A．An invitation is a reputation. B．An innovation is a resolution. C．A rejection can be a redirection. D．A reflection can be a restriction. 【答案】24．A 25．D 26．B 27．C 【导语】本文是一篇记叙文。文章中作者结合自己被拒绝后得到了更好的职业发展机会，告诉我们最初的拒绝给予了更好的方向。 24．推理判断题。根据第一段“My heart raced when I saw the email sender’s name. The email started off: “Dear Mr Green, thank you for your interest” and “the review process took longer than expected.” It ended with “We are sorry to inform you…”and my vision blurred (模糊). (当我看到邮件发件人的名字时，我的心跳加速了。这封邮件是这样开头的：“亲爱的格林先生，感谢您的关注”，“审核过程比预期的要长。”信的结尾是“我们很抱歉地通知你……”，我的视线模糊了)”可知，收到的是被拒绝的邮件，所以推测作者在看到电子邮件发件人的名字时感到焦虑。故选A。 25．细节理解题。根据第三段“So I was shocked when, not long after the email, Professor Mary Devon, who was running the programme, invited me to observe the work being done in her lab. I jumped at the chance, and a few weeks later I was equally shocked—and overjoyed—when she invited me to talk with her about potential projects I could pursue in her lab. What she proposed didn’t seem as exciting as the original project I had applied to, but I was going to give it my all. (因此，当我收到这封邮件后不久，负责这个项目的玛丽·德文教授邀请我去她的实验室观察正在进行的工作时，我感到非常震惊。我欣然接受了这个机会，几周后，当她邀请我和她谈谈我可以在她的实验室里从事的潜在项目时，我同样感到震惊——同时也是欣喜若狂。她提出的建议似乎没有我最初申请的项目那么令人兴奋，但我打算全力以赴)”可知，与德文教授交谈后，作者决定全心全意地投入实验室工作。故选D。 26．推理判断题。根据第四段“I found myself working with a robotics professor on techniques for collecting data from the desert remotely. That project, which I could complete from my sofa instead of in the burning heat of the desert, not only survived the lockdown but worked where traditional methods didn’t. In the end, I had a new scientific interest to pursue. (我发现自己和一个机器人教授一起研究从沙漠中远程收集数据的技术。我可以在沙发上完成这个项目，而不是在沙漠的酷热中完成，它不仅在封锁期间幸存下来，而且在传统方法不奏效的地方也奏效了。最后，我有了新的科学兴趣去追求)”可推知，机器人学教授的项目很鼓舞人心。故选B。 27．推理判断题。根据最后一段“Rather than setting plans in stone, I’ve learned that sometimes I need to take the opportunities that are offered, even if they don’t sound perfect at the time, and make the most of them. (我明白了有时候我需要抓住提供的机会，即使这些机会在当时听起来并不完美，也要充分利用，而不是一成不变地制定计划)”结合文章中作者结合自己被拒绝后得到了更好的职业发展机会，告诉我们最初的拒绝给予了更好的方向。故C选项“拒绝可以是重定向”最符合文章的主旨。故选C。 【2022北京卷】 My name is Alice. Early last year, I was troubled by an anxiety that crippled ( 削弱 ) my ability to do anything. I felt like a storm cloud hung over me. For almost a year I struggled on, constantly staring at this wall that faced me. My perfectionist tendencies were the main root of this: I wanted to be perfect at whatever I did, which obviously in life is not possible, but it consumed me. One day, I attended a presentation by wildlife conservationist Grant Brown at my high school. His presentation not only awed and inspired me, but also helped emerge an inner desire to make a difference in the world. I joined a pre-presentation dinner with him and that smaller setting allowed me to slowly build up my courage to speak one-on-one with him—an idea that had seemed completely impossible. This first contact was where my story began. A month later, Brown invited me to attend the World Youth Wildlife Conference. Looking back, I now see that this would be the first in a series of timely opportunities that my old self would have let pass, but that this new and more confident Alice enthusiastically seized. Shortly after I received his invitation, applications to join the Youth for Nature and the Youth for Planet groups were sent around through my high school. I decided to commit to completing the applications, and soon I was a part of a growing global team of young people working to protect nature. Each of these new steps continued to grow my confidence. I am writing this just six months since my journey began and I’ve realised that my biggest obstacle ( 障碍 ) this whole time was myself. It was that voice in the back of my head telling me that one phrase that has stopped so many people from reaching their potential: I can’t. They say good things come to those who wait; I say: grab every opportunity with everything you have and be impatient. After all, nature does not require our patience, but our action. 24. What was the main cause for Alice’s anxiety? A. Her inability to act her age. B. Her habit of consumption. C. Her desire to be perfect. D. Her lack of inspiration. 25. How did Grant Brown’s presentation influence Alice? A. She decided to do something for nature. B. She tasted the sweetness of friendship. C. She learned about the harm of desire. D. She built up her courage to speak up. 26. The activities Alice joined in helped her to become more ________. A. intelligent B. confident C. innovative D. critical 27. What can we learn from this passage? A. Practice makes perfect. B. Patience is a cure of anxiety. C. Action is worry’s worst enemy. D. Everything comes to those who wait. 【答案】24. C 25. A 26. B 27. C 【解题导语】这是一篇记叙文。文章主要讲述作者通过参加保护自然活动治愈好了自己的焦虑。 24.【解析】 细节理解题。由文章第一段“My perfectionist tendencies were the main root of this: I wanted to be perfect at whatever I did, which obviously in life is not possible, but it consumed me.(我的完美主义倾向是这一点的主要根源：无论我做什么，我都想做到完美，这在生活中显然是不可能的，但它消耗了我。)”可知，是要求完美导致了焦虑。故选C项。 25.【解析】 细节理解题。由文章第二段“One day, I attended a presentation by wildlife conservationist Grant Brown at my high school. His presentation not only awed and inspired me, but also helped emerge an inner desire to make a difference in the world. (一天，我在高中参加了野生动物保护主义者Grant Brown的演讲。他的演讲不仅让我感到敬畏和鼓舞，还帮助我产生了一种内在的愿望，希望在世界上有所作为。)”和文章第三段“ Shortly after I received his invitation, applications to join the Youth for Nature and the Youth for Planet groups were sent around through my high school. I decided to commit to completing the applications, and soon I was a part of a growing global team of young people working to protect nature. (在我收到他的邀请后不久，我的高中就收到了加入“Youth for Nature”和“Youth for Plane”组织的申请。我决定致力于完成这些申请，很快我就成为了一个日益壮大的全球年轻人保护自然团队的一员。)”可知，是Grant Brown让作者开始为从事保护自然地活动中。故选A项。 26.【解析】 细节理解题。由文章第三段“I decided to commit to completing the applications, and soon I was a part of a growing global team of young people working to protect nature. Each of these new steps continued to grow my confidence.(我决定完成申请，很快我就成为了一个不断壮大的全球年轻人保护自然团队的一员。每一步都让我更加自信。)”可知，Alice 加入这些活动让她变得更自信了。故选B项。 27.【解析】 推理判断题。由第一段“ Early last year, I was troubled by an anxiety that crippled ( 削弱 ) my ability to do anything. I felt like a storm cloud hung over me.”（去年年初，我被一种焦虑困扰，它削弱了我做任何事情的能力。）由文章第三段“I decided to commit to completing the applications, and soon I was a part of a growing global team of young people working to protect nature. Each of these new steps continued to grow my confidence.(我决定完成申请，很快我就成为了一个不断壮大的全球年轻人保护自然团队的一员。每一步都让我更加自信。)可知，文章主要讲述作者通过参加保护自然活动治愈好了自己的焦虑。所以从文章中我们能学到行动是忧虑最大的敌人。故选C项。 【2021北京卷】 I remember the day during our first week of class when we were informed about our semester（学期） project of volunteering at a non-profit organization．When the teacher introduced us to the different organizations that needed our help，my last choice was Operation Iraqi Children （OIC）．My first impression of the organization was that it was not going to make enough of a difference with the plans I had in mind． Then，an OIC representative gave us some details，which somewhat interested me．After doing some research， I believed that we could really do something for those kids．When I went online to the OIC website，I saw pictures of the Iraqi children．Their faces were so powerful in sending a message of their despair（绝望） and need that I joined this project without hesitation．We decided to collect as many school supplies as possible，and make them into kits——one kit，one child． The most rewarding day for our group was project day，when all the efforts we put into collecting the items finally came together．When I saw the various supplies we had collected，it hit me that every kit we were to build that day would eventually be in the hands of an Iraqi child．Over the past four months，I had never imagined how I would feel once our project was completed．While making the kits，I realized that I had lost sight of the true meaning behind it．I had only focused on the fact that it was another school project and one I wanted to get a good grade on．When the kits were completed，and ready to be sent overseas，the warm feeling I had was one I would never forget． In the beginning，I dared myself to make a difference in the life of another person．Now that our project is over，I realize that I have affected not only one life，but ten．With our efforts，ten young boys and girls will now be able to further their education． 24. How did the author feel about joining the OIC project in the beginning？ A. It would affect his/her initial plans． B. It would involve traveling overseas． C It would not bring him/her a good grade． D. It would not live up to his/her expectations． 25. What mainly helped the author change his/her attitude toward the project？ A. Images of Iraqi children． B. Research by his/her classmates． C. A teacher's introduction． D. A representative's comments． 26. The author's OIC project group would help ten Iraqi children to________．. A. become OIC volunteers B. further their education C. study in foreign countries D. influence other children 27. What can we conclude from this passage？ A. One's potential cannot always be underrated． B. First impression cannot always be trusted． C. Actions speak louder than words． D. He who hesitates is lost． 【答案】24. D 25. A 26. B 27. B 【解析】 【分析】本文是记叙文。讲述了作者一开始认为加入伊拉克儿童行动项目不会达到他的期望，但是最后通过努力对自己和他人带来影响，说明第一印象不总是可信的。 【24题详解】 细节理解题。根据第一段“When the teacher introduced us to the different organizations that needed our help，my last choice was Operation Iraqi Children （OIC）．My first impression of the organization was that it was not going to make enough of a difference with the plans I had in mind．”（当老师向我们介绍了需要我们帮助的不同组织时，我最后的选择是伊拉克儿童行动(OIC)。我对这个组织的第一印象是，它不会对我心中的计划产生足够的影响。）可知，一开始作者认为加入伊拉克儿童行动项目不会达到他的期望。故选D。 【25题详解】 细节理解题。根据第二段“When I went online to the OIC website，I saw pictures of the Iraqi children．Their faces were so powerful in sending a message of their despair（绝望） and need that I joined this project without hesitation．”（当我上网访问OIC 网站时，我看到了伊拉克儿童的照片。他们的脸上传递的信息是绝望和需要帮助，我毫不犹豫地加入了这个项目。）可知，伊拉克儿童图片帮助作者改变了他对这个项目的态度。故选A。 【26题详解】 细节理解题。根据最后一段“Now that our project is over，I realize that I have affected not only one life，but ten．With our efforts，ten young boys and girls will now be able to further their education．”（现在我们的项目结束了，我意识到我不仅影响了一个人的生活，而且影响了十个人的生活。在我们的努力下，10名男孩和女孩现在将能够继续接受教育。）可知，作者的伊拉克儿童行动组织帮助十个伊拉克儿童继续接受教育。故选B。 【27题详解】 推理判断题。根据第一段“My first impression of the organization was that it was not going to make enough of a difference with the plans I had in mind．”（我对这个组织的第一印象是，它不会对我心中的计划产生足够的影响。）和最后一段“In the beginning，I dared myself to make a difference in the life of another person．Now that our project is over，I realize that I have affected not only one life，but ten．With our efforts，ten young boys and girls will now be able to further their education．”（一开始，我鼓励自己去改变另一个人的生活。现在我们的项目结束了，我意识到我不仅影响了一个人的生活，而且影响了十个人的生活。在我们的努力下，十名男孩和女孩现在将能够继续接受教育。）可知，一开始作者认为加入伊拉克儿童行动不会达到他的期望，但是最后通过努力对自己和他人带来影响，说明第一印象不总是可信的。故选B。 【2020北京卷】 For the past five years, Paula Smith, a historian of science, has devoted herself to re-creating long-forgotten techniques. While doing research for her new book, she came across a 16th-century French manuscript（手稿）consisting of nearly 1,000 sets of instructions, covering subjects from tool making to finding the best sand. The author's intention remains as mysterious（神秘）as his name; he may have been simply taking notes for his own records. But Smith was struck mainly by the fact that she didn't truly grasp any of the skills the author described. "You simply can't get an understanding of that handwork by reading about it," she says. Though Smith did get her hands on the best sand, doing things the old-fashioned way isn't just about playing around with French mud. Reconstructing the work of the craftsmen（工匠）who lived centuries ago can reveal how they viewed the world, what objects filled their homes, and what went on in the workshops that produced them. It can even help solve present-day problems: In 2015, scientists discovered that a 10th-century English medicine for eve problems could kill a drug-resistant virus. The work has also brought insights for museums, Smith says. One must know how on object was made in order to preserve it. What's more, reconstructions might be the only way to know what treasures looked like before time wore them down. Scholars have seen this idea in practice with ancient Greek and Roman statues. These sculptures were painted a rainbow of striking colours. We can't appreciate these kinds of details without seeing works of art as they originally appeared-something Smith believes you can do only when you have a road map. Smith has put the manuscript's ideas into practice. Her final goal is to link the worlds of art and science back together: She believes that bringing the old recipes to life can help develop a kind of learning that highlights experimentation, teamwork, and problem solving. Back when science—then called “the new philosophy”—took shape, academics looked to craftsmen for help in understanding the natural world. Microscopes and telescopes were invented by way of artistic tinkering（修补）, as craftsmen experimented with glass to better bend light. If we can rediscover the values of hands-on experience and craftwork, Smith says, we can marry the best of our modern insights with the handiness of our ancestors. 38. How did Smith, feel after reading the French manuscript? A. Confused about the technical terms. B. Impressed with its detailed instructions. C. Discouraged by its complex structure. D. Shocked for her own lack of hand skills. 39. According to Smith, the reconstruction work is done mainly to _____________. A. restore old workshops B. understand the craftsmen C. improve visual effects D. inspire the philosophers 40. Why does the author mention museums? A. To reveal the beauty of ancient objects. B. To present the findings of old science. C To highlight the importance of antiques. D. To emphasise the values of hand skills. 41. Which would be the best title for this passage? A. Craftsmen Set the Trends for Artists B. Craftsmanship Leads to New Theories C. Craftsmanship Makes Better Scientists D. Craftsmen Reshape the Future of Science 【答案】38. D 39. B 40. D 41. C 【解析】 【分析】本文是一篇记叙文。主要讲述科学家Paula Smith致力于对古代手工技能的研究，认为科学家如果能够把古代的手工技能和现代的科学方法结合起来，就能够创造更大成就。 【38题详解】 细节理解题。根据文章第二段“But Smith was struck mainly by the fact that she didn't truly grasp any of the skills the author described. "You simply can't get an understanding of that handwork by reading about it," she says.” 让史密斯震惊的主要是，她并没有真正掌握作者所描述的任何技能。她说:“你根本无法通过阅读来了解这些手工作品。” 由此可知读完这份法国手稿，这种手工技能让史密斯感到震惊，故选D。 【39题详解】 细节理解题。根据文章第三段“Reconstructing the work of the craftsmen（工匠）who lived centuries ago can reveal how they viewed the world, what objects filled their homes, ” 重建几个世纪前工匠的作品，可以揭示他们如何看待世界，他们的家里有什么物件。由此可知，重建工作主要是为了了解工匠。故选B。 【40题详解】 推理判断题。根据文章第四段“The work has also brought insights for museums, Smith says. One must know how on object was made in order to preserve it. What's more, reconstructions might be the only way to know what treasures looked like before time wore them down.” 史密斯说，这项工作也给博物馆带来了深刻的见解。为了保存它，一个人必须知道一件物品是如何制成的。更重要的是，重建可能是唯一的方法，以了解宝藏磨损之前的样子。因此可知，博物馆要想很好保存物品，必须要知道这件物品是如何制成的，也是在强调手工技能的价值，故选D。 【41题详解】 主旨大意题。根据文章最后一段“If we can rediscover the values of hands-on experience and craftwork, Smith says, we can marry the best of our modern insights with the handiness of our ancestors. ”史密斯说，如果我们能重新发现实践经验和工艺的价值，我们就能将现代的最好见解与我们祖先的灵巧结合起来。由此可知本文的中心思想就在于如果科学家能把古代的手工技巧同现代的理论结合起来，就能够获得更多的成就。C选项Craftsmanship Makes Better Scientists工艺造就了更好的科学家，符合文章主题，适合做标题，故选C。 【点睛】标题猜测题。属于主旨大意题的一种，标题应位于文章之首，概括文章内容，点明文章主题。它可以是单词，短语，或句子。确定文章标题，第一，标题要与主题密切相关；其次，看标题是否能概括全文内容，不能只概括短文中的某些事实或细节；第三，标题范围不应太大或太小；最后，标题应新颖，概括性强并且精炼。小题4中C选项概括文中主旨大意，与主题密切相关，故选C。 Passage 01 【2024年人大附中高三三模】I write this on a spring morning, in the van I have called home for two years now. From one small window, I have a view of joggers pounding the sunny path by the Oxford Canal, and the other looks onto the busy railway line along which trains travel from Southampton Docks to Birmingham. The woods where I’ve parked my van have grown up between them. This ancient van, a vehicle designed for freedom and the open road, has proved a stable solution for surviving the current housing crisis. I became a travel writer after my studies ended, committing to brief “residencies” with museums and art centres—where temporary accommodation is often provided in exchange for producing new work about a community. Over the years that followed, living and working on location in the polar regions or Scandinavia or the Alps, not settling down for very long, meant wherever I landed was always “home”. It was necessary to adopt a more permanent engagement with locality. Oxford had often drawn me back. It’s a crossroads of reality and the imagination, the perfect city for a writer. It takes a surprising amount of work to keep a tiny home in order: buying a used van online; ensuring the smooth running of a gas cooker and car batteries; fetching water and emptying the mobile toilet. I began to enjoy taking care of my immediate surroundings. Over the summer, I worked to turn waste-ground into a wild garden, replacing weeds with wild plants. I made friends with the self-sufficient boaters living nearby, always ready to share knowledge on the low-carbon simplicity of life without electricity. I’ve learnt that comfort can be found away from the bright infrastructure of urban life: in watching the birds that nest in the tree and the foxes playing in the woods at dawn, in making a cup of coffee on a spring morning. My step away from conventional housing has been a necessary act of personal economy, but the benefits include taking nothing for granted, and unexpected delight. 24．The writer makes the van his home because ______. A．the feature of the van and that of his occupation are matching B．the van equals to a crossroads of reality and the imagination C．the views of joggers and trains outside of it can relieve his pressure D．living and working on location in the polar regions are appealing to him 25．What does “immediate surroundings” in Paragraph 6 refer to? A．a used van B．a gas cooker C．a wild garden D．a mobile toilet 26．Which of the following is the benefit of unconventional housing? A．Joining joggers to do exercise. B．Keeping a tiny home in order easily. C．Improving the economy of Oxford. D．Embracing delightful surprises. 【答案】24．A 25．C 26．D 【导语】这是一篇记叙文。讲述了作者作为旅行作家以面包车为家的体验和感受。 24．细节理解题。由文章第三段第二句“This ancient van, a vehicle designed for freedom and the open road, has proved a stable solution for surviving the current housing crisis.”(这辆古老的面包车是为自由和开放道路而设计的，事实证明它是度过当前住房危机的稳定的解决方案。）和第四段“I became a travel writer after my studies ended, committing to brief “residencies” with museums and art centres — where temporary accommodation is often provided in exchange for producing new work about a community.”(学业结束后，我成为了一名旅行作家，致力于在博物馆和艺术中心进行短暂的“驻留”——在那里，通常会提供临时住宿，以换取创作关于社区的新作品。) 可知，面包车自由和开放的特征和作者作为旅行作家的职业是相匹配的。故选A项。 25．词句猜测题。由文章第六段最后一句“Over the summer, I worked to turn waste-ground into a wild garden, replacing weeds with wild plants. ”(整个夏天，我努力把荒地变成野生花园，用野生植物代替杂草。）可知，我开始喜欢照顾我的野生花园，“immediate surroundings”指的是野生花园。故选C项。 26．细节理解题。由文章最后一段“My step away from conventional housing has been a necessary act of personal economy, but the benefits include taking nothing for granted, and unexpected delight.”(我远离传统住房是个人经济状况的必要行为，但好处包括从不想当然，以及意想不到的快乐。)可知，住在面包车这种非传统住房里可以随时拥抱令人愉快的惊喜。故选D项。 Passage 02 【2024年北京市朝阳区高三一模】My birth was a little more dramatic than the standard way a baby enters the world. I was born missing my left hand. Indeed, my limb (手臂) difference could have been a disaster if it hadn’t been for what happened next. A nurse placed me in my mother’s arms and instructed, “You will take her home. You will love her and treat her as normal.” That is exactly what happened. I played sports, acted in theater, excelled in school and had playdates with friends. While I did get some stares and “polite” questions about my disability, I was lucky because I wasn’t made fun of for it. However, that fact that I was different hit me hard my first day of high school. I was 13, an age when kids are already very self-conscious and the need to fit in is intensified. I remember one of the other kids on the school bus stared just a little too long at my left arm. I felt a sudden urge to hide my hand, so I slipped it into my pocket. I told myself that I’d just hide it that one day, while I was trying to make friends. But one day of hiding turned into a week, a month, and years — 25 of them to be exact. When I was 38 years old, tired of hiding and lonely, I met someone special and invited him in. The combination of me finally feeling ready to unhide and his willingness to go through the unhiding process with me was exactly what I needed. For the first time in my life, I allowed someone to really hold my limb, look at it, touch it, love it — love me. I saw my limb difference as something unique about me, something that should be shown, not hidden. It was a transformational experience, and I learned to love me too. It changed how I lived my entire life and made me happier. I also discovered and joined the Lucky Fin Project, an organisation devoted to people with all types of disabilities. Hiding things, especially from loved ones, is tiring and lonely, and it prevents us from getting help and support. It’s time to change that. 24．What was the author’s childhood like? A．She had no social interactions with friends. B．She was raised with care and treated normally. C．She faced some challenges in school activities. D．She was upset about the attention to her difference. 25．What happened to the author when she was 13 years old? A．She began to ignore her disability. B．She suffered prejudice from some kids. C．She started hiding herself away from friends. D．She became sensitive due to her self-awareness. 26．How did the author change when she stopped hiding? A．She started to open up and be herself. B．She met someone who cured her disability. C．She was fed up with the company of others. D．She reduced involvement in the disability group. 27．What can we learn from this passage? A．Misfortune is a good teacher. B．Disability is not a barrier to success. C．Self-acceptance can lead to self-love. D．Nothing beats the feeling of being loved. 【答案】24．B 25．D 26．A 27．C 【导语】本文为一篇记叙文。文章讲述了作者生来残疾，小时候被好好照顾，直到中学时自我意识觉醒对周围的目光变得敏感，将自己隐藏起来，到38岁时决定敞开做自己，不再隐藏，接收自己的不完美。作者意识到只有自我接纳，才能好好爱自己。 24．细节理解题。根据文章第一段“Indeed, my limb difference could have been a disaster if it hadn’t been for what happened next. A nurse placed me in my mother’s arms and instructed, “You will take her home. You will love her and treat her as normal.”(事实上，如果没有接下来发生的事情，我的肢体差异可能是一场灾难。一位护士把我放在母亲的怀里，嘱咐我说:“你带她回家。你会爱她，像对待正常人一样对待她。”)”及第二段“That is exactly what happened. I played sports, acted in theater, excelled in school and had playdates with friends. While I did get some stares and “polite” questions about my disability, I was lucky because I wasn’t made fun of for it.(事实正是如此。我参加体育运动，在剧院表演，在学校表现优异，和朋友一起玩。虽然我确实得到了一些关于我的残疾的凝视和“礼貌”的问题，但我很幸运，因为我没有因此而被取笑)”可知，作者虽然天生残疾，但是在童年时代受到了精心照料，受到正常的对待。故选B。 25．细节理解题。根据文章第三段“I was 13, an age when kids are already very self-conscious and the need to fit in is intensified. I remember one of the other kids on the school bus stared just a little too long at my left arm. I felt a sudden urge to hide my hand, so I slipped it into my pocket.(我13岁，这个年纪的孩子已经很有自我意识了，融入社会的需求也越来越强烈。我记得校车上的一个孩子盯着我的左臂看了太久。我突然有一种想把手藏起来的冲动，于是我把它塞进了口袋)”可知，当作者13岁的时候，由于有了自我意识，作者对于周围的目光十分敏感。故选D。 26．细节理解题。根据文章倒数第三段“The combination of me finally feeling ready to unhide and his willingness to go through the unhiding process with me was exactly what I needed. For the first time in my life, I allowed someone to really hold my limb, look at it, touch it, love it—love me. I saw my limb difference as something unique about me, something that should be shown, not hidden.(我终于觉得自己准备好了袒露自己，而他愿意和我一起经历袒露的过程，这正是我所需要的。这是我人生中第一次，我允许别人真正地握住我的胳膊，看它，摸它，爱它——爱我。我认为我的肢体差异是我的独特之处，应该被展示出来，而不是被隐藏起来)”可知，当作者停止隐藏时，她开始敞开心扉，做自己。故选A。 27．推理判断题。根据全文内容，作者生来残疾，小时候被好好照顾，直到中学时自我意识觉醒对周围的目光变得敏感，将自己隐藏起来，到38岁时决定敞开做自己，不再隐藏，接收自己的不完美，结合倒数第二段“It was a transformational experience, and I learned to love me too.(这是一次转变的经历，我也学会了爱自己)”及最后一段“Hiding things, especially from loved ones, is tiring and lonely, and it prevents us from getting help and support.(隐藏事情，尤其是对所爱的人，是很累和孤独的，它阻止我们得到帮助和支持)”可推知，作者在成长过程中感悟到了，接收自己才能爱自己。由此推知，从文章中我们知道了“自我接纳会导致自爱”。故选C。 Passage 03 【2024年北京市房山区高三一模】That day when Ludwig van Beethoven died was one of the saddest of my life. I had stayed with him for more than twenty years and lived through many of his happiest moments and his triumphs as well as his most unhappy times. He wasn’t, however, the easiest of men to work for. His moods were changeable so that he could be reasonable at one moment but most impatient and intolerant at the next. All these problems began in 1802 when he discovered his loss of hearing was not temporary. The loss of hearing brought him to a crossroads in his life. It was then that he realized that his future lay in composing music. Luckily, although his deafness brought him fear and anxiety, he was able to use these emotions to inspire his work. Dealing with his inner problems and worries, his music was obviously subjective, which was not the most popular type of its time. But people recognized his greatness. They did so even when they knew he could not acknowledge it. When he was conducting his ninth and last symphony on its first performance he was totally deaf. So he just didn’t realize that the music had finished and continued to conduct the orchestra. One of the singers had to turn him round so he could receive the cheers of the audience. From one angle it was a sad moment but from another it was an even greater triumph. That a man with such a condition could have written such dynamic music was overwhelming! It brought tears to my eyes to think that I had contributed in some small way by looking after him. He dressed rather like a wild man himself. His hair was always untidy, his skin marked with spots and his mouth set in a downward curve. He took no care of his appearance and walked around our city with his clothes carelessly arranged. This was because he was concentrating on his next composition. Helping him move house many times, preparing his meals and looking after his everyday comforts were my reward for a life living so close to such a musical genius. I consider myself a lucky man! 24．The author was most likely to be Beethoven’s _______. A．student B．doctor C．servant D．relative 25．What can be learned from this passage? A．Beethoven’s music was underestimated at that time. B．Beethoven’s work was inspired by his fear and anger. C．Beethoven’s music stayed in step with the mainstream music of the time. D．Beethoven lost his ability to hear when first conducting his ninth symphony. 26．Why did the author tear in Paragraph 4? A．Because the performance was a complete success. B．Because he played a part in Beethoven’s success. C．Because Beethoven was completely deaf then. D．Because the audience cheered for Beethoven. 27．According to the author, Beethoven could be described as ________. A．intolerant but cheerful B．stubborn but reasonable C．changeable but dedicated D．unsociable but easy-going 【答案】24．C 25．D 26．B 27．C 【导语】本文是一篇记叙文，主要讲的是Ludwig van Beethoven虽然失聪，但是仍然坚持作曲和指挥的故事。 24．推理判断题。根据最后一段“Helping him move house many times, preparing his meals and looking after his everyday comforts were my reward for a life living so close to such a musical genius.(我曾多次帮他搬家，为他做饭，照顾他的日常生活，这些都是我与这样一位音乐天才如此亲近的回报。)”可知，作者最有可能是Beethoven的仆人，故选C。 25．细节理解题。根据第四段“When he was conducting his ninth and last symphony on its first performance he was totally deaf.(当他指挥他的第九部也是最后一部交响曲的第一次演出时，他完全失聪了。)”可知，贝多芬在第一次指挥他的第九交响曲时失去了听力。故选D。 26．推理判断题。根据第四段“That a man with such a condition could have written such dynamic music was overwhelming! It brought tears to my eyes to think that I had contributed in some small way by looking after him.(一个有这种状况的人能写出如此充满活力的音乐，真是令人难以置信！一想到我照顾他也尽了绵薄之力，我就热泪盈眶。)”可知，作者流泪是因为他对贝多芬的成功起了作用。故选B。 27．推理判断题。根据第二段“His moods were changeable so that he could be reasonable at one moment but most impatient and intolerant at the next.(他的情绪变化无常，有时还通情达理，有时又不耐烦、偏执。)”可知，Beethoven是多变的，再根据倒数第二段“He took no care of his appearance and walked around our city with his clothes carelessly arranged.  This was because he was concentrating on his next composition.(他不注意自己的外表，在我们的城市里随意地走来走去。这是因为他在专心作下一首曲子。)”可知，Beethoven是专心致志的。故选C。 Passage 04 【2024年北京市东城区高三一模】An Art Class When Kelly was twelve, she started taking classes at Miss Grace’s School for Art. She didn’t like it at first: the “novice artists”—the kids who hadn’t really done art before-worked mostly with clay, and Kelly was a terrible sculptor. It wasn’t until her third year that Kelly found something she was really good at-charcoal drawing (素描). She loved watching the lines spread unevenly across the page as she moved the bits of charcoal back and forth over the paper. One day, Sophia, the best artist in her class, sat down and set up her easel (画架) next to Kelly. Kelly felt a sinking feeling in her stomach. She’d actually found an art form that she enjoyed and was good at-and now Sophia was going to outshine her again? Kelly fought back tears when Miss Grace entered the room. “Hello class, Miss Grace said.” We’ll continue to work on the project today. What masterpiece would Sophia have come up with? Kelly looked at Sophia’s easel and she couldn’t believe it-it was a mess! For a brief moment, Kelly couldn’t actually believe her drawing was better than Sophia’s. But then she looked at Sophia, who was watching Kelly with an anxious expression. “I…. I couldn’t decide what to do,” Sophia said. “And you’re so good. Sometimes I feel like my stuff is just so bad in comparison.” Kelly looked to see if Sophia was joking, but she seemed completely serious. Now Kelly was shocked. “I’m not talented ... Miss Grace seldom praises me. You’re the best one in our class!” Sophia raised her eyebrows. “I might be a really good copier of the stuff, but I have no idea what to do when it comes to making up my own images. You are so great at making new things out of the old stuff. I’ve loved your works.” “I’ve loved yours, too,” Kelly said. “Well, definitely not this one,” Sophia said. Kelly smiled. “Maybe not right now. But if you move these lines up...” she said, pointing her finger on Sophia’s paper. Sophia was quiet for a moment. “That’s a great idea!” she said finally. Kelly smiled and turned back to her drawing, looking every so often at Sophia’s work to see that she was taking her advice, down to the last line. 24．When Kelly started classes at the art school, she _____. A．was not good at the course B．lacked confidence in drawing C．was often pushed by Miss Grace D．did not get along with the other kids 25．How did Kelly feel when Sophia sat beside her? A．Thrilled. B．Confused. C．Frustrated. D．Relieved. 26．What did Kelly do in the art class? A．She inspired Sophia. B．She praised Sophia’s creativity. C．She decided to outshine Sophia. D．She finished the drawing for Sophia. 27．What can we learn from the passage? A．Interest is the best teacher. B．You are what you believe to be. C．Everyone has their own strengths. D．Hard work will eventually pay off. 【答案】24．A 25．C 26．A 27．C 【导语】本文是一篇记叙文，主要讲的是Kelly在一节艺术课上所发生的事情。 24．细节理解题。根据第一段“She didn’t like it at first: the “novice artists”—the kids who hadn’t really done art before-worked mostly with clay, and Kelly was a terrible sculptor.(她一开始并不喜欢：那些“新手艺术家”——那些以前没有真正做过艺术的孩子——主要是用粘土创作的，而凯利是个糟糕的雕塑家。)”可知，当Kelly开始在艺术学校上课时，她不擅长这门课。故选A。 25．推理判断题。根据第三段“Kelly felt a sinking feeling in her stomach. She’d actually found an art form that she enjoyed and was good at-and now Sophia was going to outshine her again?(Kelly感到胃里有一种下沉的感觉。她真的找到了一种自己喜欢并擅长的艺术形式，而现在索菲亚又要比她更耀眼了？)”可知，当索菲亚坐在凯莉身边时，她感觉到沮丧。故选C。 26．细节理解题。根据倒数第三段“Kelly smiled. “Maybe not right now. But if you move these lines up...” she said, pointing her finger on Sophia’s paper.(Kelly笑了。“也许不是现在。但是如果你把这些线往上移动……她用手指着索菲亚的纸说。)”和倒数第二段“That’s a great idea!(好主意！)”可知，Kelly在美术课上启发了索菲亚。故选A。 27．推理判断题。根据倒数第六段“You are so great at making new things out of the old stuff.(你很擅长从旧事物中创造出新事物。)”可知，我们能从文章中了解到每个人都有自己的长处。故选C。 Passage 05 【2024年北京市海淀区高三一模】At my first lesson in Chinese calligraphy, my teacher told me plainly: “Now I will teach you how to write your name. And to make it beautiful.” I felt my breath catch. I was curious. Growing up in Singapore, I had an unusual relationship with my Chinese name. My parents are ethnically Chinese, so they asked fortune tellers to decide my name, aiming for maximum luck. As a result, I ended up with a nonsense and embarrassing name: Chen Yiwen, meaning, roughly, “old”, “barley (薏米)” and “warm”. When I arrived in America for college at 18, I put on an American accent and abandoned my Chinese name. When I moved to Hong Kong in 2021, after 14 years in the States, I decided to learn calligraphy. Why not get back in touch with my heritage? I thought. In calligraphy, the idea is to copy the old masters’ techniques, thereby refining your own. Every week, though, my teacher would give uncomfortably on-the-nose assessments of my person. “You need to be braver,” he once observed. “Have confidence. Try to produce a bold stroke(笔画).” For years, I had prided myself on presenting an image of confidence, but my writing betrayed me. I was trying to make sense of this practice. You must visualize the word as it is to be written and leave a trace of yourself in it. As a bodily practice, calligraphy could go beyond its own cultural restrictions. Could it help me go beyond mine? My teacher once said to me, “When you look at the word, you see the body. Though a word on the page is two-dimensional, it contains multitudes, conveying the force you’ve applied, the energy of your grip, the arch of your spine.” I had been learning calligraphy to get in touch with my cultural roots, but what I was really seeking was a return to myself. Now I have sensed that the pleasure out of calligraphy allows me to know myself more fully. During a recent lesson, my teacher pointed at the word I had just finished, telling me: “This word is much better. I can see the choices you made, your calculations, your flow. Trust yourself. This word is yours.” He might as well have said, “This word is you.” 24．What did the author initially think of her name “Chen Yiwen”? A．It was lucky so she gladly accepted it. B．She felt proud of its symbolic meaning. C．She understood the intention but still disliked it. D．Its strange pronunciation made her embarrassed. 25．The author decided to learn calligraphy to ______. A．pick up a new hobby B．reconnect with her origin C．gain insights into a new culture D．fit in with local community 26．From the teacher’s words, the author learns that calligraphy ______. A．reflects the creator’s spirits B．comes from creative energy C．highlights the design of strokes D．depends on continuous practice 27．What does the author intend to tell us? A．Appreciate what our culture offers. B．Find beauty from your inner self. C．A great teacher leads you to truth. D．We are the sum of what we create. 【答案】24．C 25．B 26．A 27．D 【导语】这是一篇记叙文。这篇文章主要讲述了作者学习中国书法的经历和感悟，包括初次接触书法时的情景，名字的由来，在美国放弃中文名，回到香港学习书法的原因，老师对自己的评价，以及通过书法对自身的思考和认识等。 24．细节理解题。根据第二段“My parents are ethnically Chinese, so they asked fortune tellers to decide my name, aiming for maximum luck. As a result, I ended up with a nonsense and embarrassing name: Chen Yiwen, meaning, roughly, “old”, “barley (薏米)” and “warm”.( 我的父母是华裔，所以他们请算命先生给我取名字，希望能给我带来最大的好运。于是，我给自己取了一个毫无意义又尴尬的名字：陈薏温，意思大致是“陈旧”、“薏米”、“温暖”)”可知， 作者认为自己的名字“Chen Yi wen”是无意义且令人尴尬的，虽然父母是为了追求最大的运气才取这个名字，但她还是不喜欢。故选C。 25．细节理解题。根据第三段“When I moved to Hong Kong in 2021, after 14 years in the States, I decided to learn calligraphy. Why not get back in touch with my heritage? I thought.(当我在美国生活了14年后，于2021年搬到香港时，我决定学习书法。为什么不跟我的传统联系一下呢？我想)”可知，作者决定学习书法是为了重新接触自己的文化根源。故选B。 26．推理判断题。根据最后一段“During a recent lesson, my teacher pointed at the word I had just finished, telling me: “This word is much better. I can see the choices you made, your calculations, your flow. Trust yourself. This word is yours.” He might as well have said, “This word is you.”(在最近的一次课上，老师指着我刚完成的字对我说：“这个字好多了。我能看到你所做的选择，你的计算，你的心流。相信自己。这个词是你的。”他还不如说：“这个字就是你。”)”可推知，从老师的话中，作者了解到书法反映了创作者的精神。故选A。 27．推理判断题。推理判断题。根据最后一段“During a recent lesson, my teacher pointed at the word I had just finished, telling me: “This word is much better. I can see the choices you made, your calculations, your flow. Trust yourself. This word is yours.” He might as well have said, “This word is you.”(在最近的一次课上，老师指着我刚完成的字对我说：“这个字好多了。我能看到你所做的选择，你的计算，你的心流。相信自己。这个词是你的。”他还不如说：“这个字就是你。”)”可知，书法反映了创作者的精神。由此推知，作者想告诉我们，我们就是我们所创造的一切的总和。故选D。 Passage 06 （2024·北京东城·二模）Mark Brown, 57, had been making films for 30 years, but he found himself feeling tired of it. “I thought, things can only go downhill.” Brown knew he needed to do something else — but what? A few years earlier, he had bought his childhood house and moved in. While Brown wondered about a second care er in gardening, he heard a different internal voice. “That child who used to love drawing whispered to me down the years,” he said. Some unacknowledged longing in him was brought out. There was a great oak tree near his home. It had stood out to his young self as a “fantastical giant — a treasure home to birds, insects and animals. There was a cave inside. We used to squeeze in through this hole.” He decided to lock himself away for two months to draw it in all its glorious detail. “While I was drawing,” he said, “there came moments when it was as though the tree was drawing itself. I had spent so much time playing in it. I could feel it. It was deep inside me.” His finished oak held “a real power”, he said. “As you walk towards it, it just grows.” Brown became a tree portraitist. Over the next few years, he travelled across Britain and spent days with the trees selected with the help of the Ancient Tree Forum, the Tree Council and the Woodland Trust. Brown has started work on a 20-drawing series of Britain’s most important ash trees. “These beautiful old ash trees are going to be lost to us,” he says. “They are 350 years old and they are dying because of a disease that we’ve spread.” Drawing is not only an act of care and a demand for preservation, but it “gives me that interface between my passion for the natural world and my creativity,” Brown says. It has also given him a different perspective on the passage of time. “I’m an old man yet I’m only 71, and some of the trees I’ve drawn are 1,000 years old. When I’m with them and when I draw them, I think about the end of my life and the brief nature of human life that passes momentarily beneath them.” 24．At the age of 57, Brown ______. A．moved into his old house B．awakened a childhood interest C．reached the peak of his life D．developed a passion for gardening 25．What can we learn about the oak tree and Brown? A．It helped him start a new career. B．It linked him with the world. C．He built a tree house in it. D．He studied creatures in it. 26．What is Brown working on? A．Setting up tree organizations. B．Looking for cures for tree diseases. C．Drawing to call for protection for trees. D．Travelling to select important trees in Britain. 27．When Brown is with trees, he feels that ______. A．time is endless B．human life is temporary C．nature is dynamic D．life-long learning is crucial 【答案】24．B 25．A 26．C 27．B 【导语】这是一篇记叙文。文章主要讲述了57岁的马克·布朗唤醒了儿时的兴趣，成为了一名树木肖像画家。 24．细节理解题。根据第一段““That child who used to love drawing whispered to me down the years,” he said. Some unacknowledged longing in him was brought out.(“那个喜欢画画的孩子多年来一直对我耳语，”他说。他心中某种未被承认的渴望被激发出来了)”可知，57岁时，布朗唤醒了儿时的兴趣。故选B。 25．推理判断题。根据第三段“His finished oak held “a real power”, he said. “As you walk towards it, it just grows.” Brown became a tree portraitist.(他说，他的成品橡木拥有“真正的力量”。“当你走向它的时候，它就会越来越大。”布朗成为了一名树木肖像画家)”可知，橡树让布朗开始了新的职业生涯。故选A。 26．推理判断题。根据倒数第二段““These beautiful old ash trees are going to be lost to us,” he says. “They are 350 years old and they are dying because of a disease that we’ve spread.”(“这些美丽的老白蜡树对我们来说将会失去，”他说。“它们已经350岁了，由于我们传播的疾病，它们正在死去。”)”可知，布朗呼吁保护树木。故选C。 27．细节理解题。根据最后一段“When I’m with them and when I draw them, I think about the end of my life and the brief nature of human life that passes momentarily beneath them.(当我和他们在一起，当我画他们的时候，我想到了我生命的终结，以及人类生命的短暂本质，在他们下面转瞬即逝)”可知，当布朗和树在一起时，他觉得人的生命是短暂的。故选B。 ( 6 )原创精品资源学科网独家享有版权，侵权必究！ 学科网（北京）股份有限公司 学科网（北京）股份有限公司 $$