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专题03 阅读理解之议论文
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1.(2023上·江苏连云港·高二统考期末)I am an Africa wildlife filmmaker. But wildlife filmmakers from Africa are rarer than mountain gorillas(大猩猩). To understand why there are so few, we need to remember our recent history.
When the colonialists(殖民者) ruled Africa, they seized control of the continent’s wildlife and other natural resources. They saw African wildlife as “big game” and the continent’s first protected natural areas were game reserves created by driving away locals for the benefit of white hunters. Later, game reserves were renamed national parks and big game hunting gave way to wildlife tourism. But African wildlife was still there for White people’s enjoyment and benefits.
That locals could have an interest in preserving wildlife for its own sake was rarely considered. Africans -like me who tried to get involved in wildlife conservation were made to feel out of place. When I was first interviewed by a British film crew, my interview was cut at the editing stage and replaced by a white man, just because I was an African.
Africa was the setting for some of the most popular films about wildlife, but these films were made by western-owned production companies for Western audiences, and most Africans never even got to see them. What Africa needed was to see themselves and their view points in the films. We urgently needed wildlife films made by Africans, about Africans and for Africans. As producer of the documentary TV series “Wildlife Warriors”, I set out to find African conservation heroes who could play a role in the documentary. I soon discovered that we had some talented African filmmakers across the continent.
Today things are changing fast. Companies like National Geographic and the BBC are leading the way with new approaches to global storytelling that deliver diversity and equality. Our African wildlife filmmakers’ mission is to draw on the power of local storytelling to inspire our people to save our continent’s rich wildlife.
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