Unit 4 Unforgettable Films单元练习卷-2026-2027学年高中英语重大版必修第一册

Unit 4 Unforgettable Films单元练习卷-2026-2027学年 高中英语重大版必修第一册答案及解析 （试卷满分：150分 考试时间：120分钟） 第一部分 单词练习（共两节，满分 30 分） 第一节 单句语法填空（共 10小题；每小题 1.5分，满分 15分） 1.exploring  2.touched  3.adaptation  4.portraying  5.featuring 6.reflection  7.dramatic  8.analysing  9.to awaken  10.combination 第二节单词拼写（共10小题；每小题1.5分，满分15分） 11.theme  12.critics  13.scene  14.maturity  15.comedy 16.producer  17.sufferings  18.appreciation  19.outstandingness  20.appeal 第二部分阅读（共两节，满分50分） 第一节阅读理解（共15小题；每小题2.5分，满分37.5分） 21.B 22.C 23.C 24.B 25.B 26.A 27.A 28.B 29.A 30.C 31.B 32.B 33.C 34.B 35.A 第二节七选五（共5小题；每小题2.5分，满分12.5分） 36.C 37.G 38.A 39.D 40.E 第三部分语言运用（共两节，满分30分） 第一节完形填空（共15小题；每小题1分，满分15分） 41.A 42.B 43.A 44.B 45.C 46.C 47.A 48.D 49.A 50.D 51.B 52.C 53.A 54.B 55.C 第二节语篇语法填空（共10小题；每小题1.5分，满分15分） 56.a  57.targeted  58.which  59.has published  60.finding 61.deeper  62.is  63.backgrounds  64.to recognize  65.Inspired 第四部分写作（共两节，满分40分） 第一节应用文写作（满分15分） 66.范文 My Favourite Film Of numerous impressive films,my favourite is Still Walking directed by Hirokazu Kore-eda,a distinguished Japanese director famous for exploring subtle human relationships. Centred on a one-day family reunion,this movie depicts grown‑up children returning to their ageing parents’ house.Without thrilling conflicts or eye-catching special effects,it records those trivial daily moments,where hidden conflicts,gentle warmth and long‑buried regret gradually unfold.Every small detail reflects real-life family conditions,making audiences feel as if they are part of this ordinary household. What this film conveys strikes me most:precious family affection often hides in unnoticeable daily incidents.It inspires me to cherish people around me and value those quiet but sincere moments in daily life. 第二节读后续写（满分25分） 67.范文 Paragraph 1： When Amelia looked up,the man showed his business card to her politely.It turned out that he was a sponsor from a local cultural foundation,who had watched Amelia’s award-winning short film at the forum and was deeply impressed by her sincere concern for ordinary people.Having learned about her tough situation of lacking shooting equipment,funds and assistants,he intended to offer practical support for her new project.Nevertheless,he put forward one requirement that she ought to stick to her original creative style and faithfully document street artists’ real lives.Overjoyed at this unexpected opportunity,Amelia nodded firmly with tears sparkling in her eyes. Paragraph 2： With practical support,Amelia devoted herself fully to her new shooting project.She spent most of her spare time staying together with street artists,patiently listening to their ups and downs as well as their endless passion for art instead of simply pointing cameras at them.She carefully recorded their performances,inner pains and bright hopes.Several months later,her second short film was completed.When it was exhibited,it won widespread favourable comments.For Amelia,it was convincing evidence that genuine film art originates from real-life ordinary individuals rather than huge investment. 详细解析 第一部分单词练习（共两节，满分30分） 第一节单句语法填空（共10小题；每小题1.5分，满分15分） 1.答案：exploring 考点：固定搭配be worth doing，主动形式表达被动含义 句意：这部由贾樟柯执导的获奖短片因其跨文化价值值得探究。 解析：be worth后面只能接动名词，不可接不定式to do。sth be worth doing本身表达被动含义，不需要使用being done形式。 2.答案：touched 考点：‑ed/‑ing形容词辨析，‑ed形容词修饰人作表语 句意：许多影评人被这部2026年纪录片展现的真实故事深深打动。 解析：touched表示“（人）感到感动的”；touching表示“（事物）令人感动的”。本句主语是人critics，be deeply touched by为固定短语，意为“被……深深打动”。 3.答案：adaptation 考点：词性转换，不定冠词a后接名词 句意：这部电影是基于一部世界著名科幻小说的精彩改编作品。 解析：adapt是动词，意为“改编”；冠词后必须使用名词，adaptation意为“改编作品”。 4.答案：portraying 考点：固定结构devote…to doing，to为介词，后接动名词 句意：这位崭露头角的演员花了数月时间在这部历史影片中塑造一位意志坚定的女性形象。 解析：devote sth to doing sth短语中的to不是不定式符号，是介词，介词后的动词要改为动名词形式。 5.答案：featuring 考点：现在分词作后置定语，逻辑主语主动关系 句意：这部以人工智能生成视觉效果为特色的电影在2026戛纳电影节上获得广泛关注。 解析：本句谓语动词为drew，空格处为非谓语；film和feature“以……为特色”是主动关系，所以用现在分词featuring作后置定语修饰the film。 6.答案：reflection 考点：词性转换，形容词性物主代词后接名词 句意：让这部作品脱颖而出的是它对普通人内心世界的反映。 解析：its是形容词性物主代词，后面接名词；reflect动词“反映”，reflection名词“反映”。 7.答案：dramatic 考点：词性转换，形容词修饰名词 句意：电影中富有戏剧性的最后一幕赢得电影节评委长久的掌声。 解析：空格修饰名词final scene，需要使用形容词；drama名词“戏剧”，dramatic形容词“戏剧性的”。 8.答案：analysing 考点：固定搭配recommend doing sth建议做某事 句意：电影学者大卫·波德维尔建议分析经典影片，以此提升文化意识。 解析：recommend后面接动名词作宾语，固定用法recommend doing sth；不能写to analyse。 9.答案：to awaken 考点：固定结构be intended to do sth，旨在做某事 句意：这部纪录片旨在唤醒全球观众对于文化身份的思考。 解析：be intended to do为固定句型，表示“目的是、旨在”，后面接动词不定式。 10.答案：combination 考点：词性转换，形容词perfect后接名词 句意：实景拍摄与虚拟技术的完美结合，创造出一个真实可信的电影世界。 解析：perfect形容词修饰名词；combine动词“结合”，combination名词“结合”。 第二节单词拼写（共10小题；每小题1.5分，满分15分） 11.答案：theme 考点：名词，core后接名词作主语 句意：这部获奖影片的核心主题是尊重多元文明。 解析：theme意为“主题”；core theme固定表达“核心主题”。 12.答案：critics 考点：名词复数，some后接可数名词复数 句意：一些电影评论者指出独立创作者应当获得更多国际曝光机会。 解析：critic“评论家，评论者”；some后面可数名词要变复数critics。 13.答案：scene 考点：名词，final修饰名词 句意：那令人难忘的最后一幕几十年来一直留在许多影评人的脑海中。 解析：scene名词“场景，一幕”；final scene“最后一幕”。 14.答案：maturity 考点：名词，形容词great后接名词 句意：这位演员在最新作品演绎复杂角色时展现出极大的成熟。 解析：mature形容词“成熟的”；maturity名词“成熟”；great后面接名词。 15.答案：comedy 考点：名词，this后接单数名词 句意：这部喜剧将轻松幽默与深刻的哲学思考融为一体。 解析：comedy名词“喜剧”。 16.答案：producer 考点：名词，film修饰职业名词 句意：作为一名知名电影制片人，她为全球新兴导演提供资金支持。 解析：producer名词“制片人”。 17.答案：sufferings 考点：名词复数，and并列结构 句意：这部电影记录社会转型背景下边缘群体的欢乐与苦难。 解析：suffering表示“种种苦难”时可数；and前面joy为名词，前后并列，用复数sufferings。 18.答案：appreciation 考点：名词，high后接名词 句意：特里西娅·塔特尔的公开演讲体现出她对低成本艺术电影高度的欣赏。 解析：appreciation名词“欣赏”；high appreciation for“对……高度欣赏”。 19.答案：outstandingness 考点：词性转换，the后接名词作主语 句意：正是其以人为本故事的杰出之处，让这部经典电影经久不衰。 解析：the后面需要名词；outstanding形容词“杰出的”；outstandingness名词“杰出”。 20.答案：appeal 考点：名词，artistic修饰名词 句意：这部影片拥有强大的艺术感染力，跨越国界打动观众。 解析：appeal名词“感染力，吸引力”；artistic appeal“艺术感染力”。 第二部分阅读（共两节，满分50分） 第一节阅读理解（共15小题；每小题2.5分，满分37.5分） A篇 语篇解读：这是一篇应用文，是2026全球青年电影论坛官方指南。文章分别介绍全球展映单元、嘉宾对话环节、创作工作坊、档案展厅，同时给出参会提示，面向注册参与者提供实用信息。 21.答案：B 考点：细节理解题 定位：A篇Global Screening Section段落 原文：Registered participants can enjoy 40%discount for all screenings with official participant ID.（注册参会者出示官方参会证件，所有展映可享受4折优惠。） 解析：A选项工作坊申请、C选项参加每一场对话活动文中无提及；D“放映结束三天后订票”与原文“建议提前线上预定”矛盾；原文说明享受折扣需要出示official participant identification官方参会证件，因此B选项正确。 22.答案：C 考点：细节理解题 定位：A篇Creation Workshop段落 原文：Under the guidance of senior screenwriters and cinematographers,attendees can practise script‑drafting and simple camera shooting.（在资深编剧与摄影师指导下，参会者可以练习剧本撰写和简单的摄像拍摄。） 解析：A拍摄大成本商业大片、B获得高端设备、D和巨星私下访谈，文中均没有信息支撑；practise script‑drafting对应选项practise script‑writing；simple camera shooting对应选项basic short‑film shooting，因此C选项正确。 23.答案：C 考点：细节理解题 定位：A篇Archive Exhibition Hall段落 原文：Personal photography is permitted,while professional video recording is banned without written official approval.（允许个人拍照，但是没有官方书面许可禁止专业录像。） 解析：A“禁止个人拍照”与原文permitted相悖；B展厅内停放私家车属于无中生有；D Oct.8是工作坊申请截止日期，不是展厅参观截止时间；原文说明专业录像必须要有官方书面许可，因此C选项正确。 B篇 语篇解读：记叙文，自由影评人Elara原本只看好莱坞商业大片；一次观影贾樟柯短片改变她的电影观念，她开设线上专栏推介被低估的非商业短片，克服读者负面反馈，传播多元非主流电影，见证电影连接不同文化的力量。 24.答案：B 考点：细节理解题 定位：B篇第一段 原文：When freelance film critic Elara first browsed news about the 2026 Cannes Film Festival online,she paid little attention to non‑Hollywood productions.（自由影评人Elara最初浏览2026戛纳电影节新闻时，几乎不关注非好莱坞作品。） 解析：A高度重视、C致力于评论、D很早就搜集素材，和原文paid little attention（几乎不关注）语义相反；选项show little interest和原文paid little attention表达含义一致，因此B选项正确。 25.答案：B 考点：细节理解题 定位：B篇第四段 原文：In the initial months,feedback remained divided.Some online readers considered these slow‑rhythm works dull and refused to follow her column.（最初几个月，读者反馈褒贬不一。部分线上读者认为慢节奏作品枯燥，拒绝关注专栏。） 解析：A缺少写作设备、C找不到短片资源、D收到官方处罚，文中完全没有提到；选项divided feedback对应原文feedback remained divided，因此B选项正确。 26.答案：A 考点：推理判断题 定位：B篇第五段 原文：Elara studied essays published by French sinologist Luisa Prudentino,whose academic research focuses on East-Asian cinema.（Elara研读法国汉学家Luisa Prudentino发表的论文，她的学术研究聚焦东亚电影。） 解析：B导演商业大片、C拿戛纳最高奖、D资助专栏全部无原文依据；原文research focuses on East‑Asian cinema可以推断出她是研究东亚电影的专家，因此A选项正确。 27.答案：A 考点：主旨大意题 定位：B篇全文 原文：With the senior critic’s encouragement,Elara launched an independent film column online.Every two weeks,she selected one under-rated non-commercial short film and published analytical reviews.More global film lovers got access to diverse non‑mainstream cinematic works through her writings.（在资深影评人鼓励下，Elara开设线上独立电影专栏。每两周，她挑选一部被低估的非商业短片发布分析评论。更多全球电影爱好者通过她的文章接触多元非主流电影。） 解析：B是A篇出现的人物，不属于本篇；C贾樟柯赚巨额利润，原文没有相关表述；D社交媒体彻底改变票房规则，属于过度推断；全文围绕影评人Elara通过线上专栏推广非主流电影展开，因此A选项正确。 C篇 语篇解读：议论文，文章介绍AI辅助电影创作引发行业激烈争论；学者David Bordwell认为AI降低创作门槛；从业者担忧版权问题；AI局限在于无法复刻人类真实情感；欧洲行业组织提出AI素材标注要求；文章最后点明观点：AI只是工具，好坏取决于人类如何使用。 28.答案：B 考点：细节理解题 定位：C篇第一段 原文：He holds the view that AI lowers the creation threshold,allowing amateur creators to turn their inner imagination into visual content.（他认为AI降低创作门槛，让业余创作者可以把内心想象转化成视觉内容。） 解析：A AI创造超越人类的完美杰作，与后文观点相反；C彻底解决版权，文中没有相关内容；D精准复刻人类真实情感，第三段明确说明机器算法做不到；lowers the creation threshold等同于选项reduces creation barriers，因此B选项正确。 29.答案：A 考点：词义猜测题 定位：C篇第三段 原文：AI can assist creative workflows,but it can never replace human sensibility behind each frame.（AI可以协助创作流程，但永远不能取代每一帧背后人类的情感。） 解析：assist含义为“协助，帮助”；A帮助某人完成工作；B阻止创作；C全权接管项目；D故意毁坏艺术资源；只有A和assist词义匹配，因此A选项正确。 30.答案：C 考点：细节理解题 定位：C篇第四段 原文：Some professional associations put forward new requirements:all finished movies adopting AI‑generated materials ought to mark relevant parts clearly for audiences.（部分专业协会提出新要求：所有使用AI生成素材的成片，应当向观众清晰标记相关片段。） 解析：A停止研发AI电影技术、B向老导演经济赔偿文中不存在；D提供免费工程师培训无原文；mark relevant parts clearly等同于选项clearly label parts which are produced with AI technology，因此C选项正确。 31.答案：B 考点：细节理解题 定位：C篇最后一段 原文：Many insiders share one common standpoint.AI remains nothing more than a tool.Whether it brings benefits or harms to film culture depends entirely on how human beings make use of it.（业内很多人达成共识：AI仅仅是工具；对电影文化带来益处还是危害完全取决于人类如何使用它。） 解析：A AI很快彻底取代人类电影创作者，与原文相反；C政府禁止所有AI电影创作，原文没有；D AI作品与人类作品艺术价值同等，文章未表述；因此B选项正确。 D篇 语篇解读：议论文，大众总把难忘电影等同于大制作大片；但是电影最持久力量常常存在于朴素安静瞬间；电影可以调节人的情绪；文章举苏格兰社区公益放映项目例子；论证低成本独立作品同样可以给予普通人精神慰藉。 32.答案：B 考点：细节理解题 定位：D篇第二段 原文：Research papers from film theorist David Bordwell prove that well-selected film scenes can regulate people’s inner emotional states.Such influences take effect not only during grand theatre screenings.They also work when people watch movies alone at home or enjoy clips on mobile devices.（电影理论家David Bordwell的论文证明，精心挑选的电影片段可以调节人内心情绪；这种影响不只在影院有效，在家独自看电影、手机看片段同样有效。） 解析：A只有影院观影可以感受电影力量，和原文not only相悖；C高成本决定艺术价值，全文否定该观点；D老电影只适合老年居民，曲解文意；regulate people’s inner emotional states对应选项adjust audiences’ emotions，in various situations对应影院、家里、手机多种场景，因此B选项正确。 33.答案：C 考点：细节理解题 定位：D篇第三段 原文：Many elderly participants seldom communicate actively in daily life.Familiar plots awaken their buried memories and inspire gentle conversations among them.（很多老年参与者平时很少主动交流；熟悉的情节唤醒埋藏记忆，促使老人互相温和交谈。） 解析：A训练老人成为演员；B为独立电影筹款；D收集老电影拷贝，文中都没有；awaken their buried memories and inspire gentle conversations对应选项awaken memories and encourage communication among the elderly，因此C选项正确。 34.答案：B 考点：推理判断题 定位：D篇最后一段 原文：A touching short story within a low-budget picture carries equal spiritual weight as world‑famous big-budget masterpieces.（低成本影片中感人的小故事和举世闻名的大片拥有同等精神分量。） 解析：A只有大片才有电影力量，是作者反驳的观点；C欣赏电影必须专业训练，原文否定；D低成本独立电影不值得关注，与文章立场相反；这句话可以推断普通观众可以从小成本电影获得精神力量，因此B选项正确。 35.答案：A 考点：主旨大意题 定位：D篇全文 原文：Nevertheless,film critics and scholars’ research shows that cinema’s most lasting power frequently lies in simple,quiet moments.（然而影评人和学者研究表明，电影最持久的力量往往蕴藏在朴素安静的瞬间。） 解析：B大片如何赢得票房；C知名导演代表作；D如何成为影评人，均不是文章中心；全文围绕电影力量蕴藏在平凡瞬间展开，因此A选项正确。 第二节七选五（共5小题；每小题2.5分，满分12.5分） 语篇解读：说明文。本文介绍如何提升电影鉴赏水平：放慢观看节奏；了解影片背景知识；欣赏不同文化背景电影；同爱好者交流观影感受。 全部选项原文+中文翻译 A.Learn basic background information of a film work 学习一部电影作品的基础背景信息 B.Never watch artistic films when you feel physically tired 身体疲惫的时候千万不要看艺术电影 C.Film appreciation goes far beyond passive background amusement 电影鉴赏远不只是被动的背景式消遣 D.Do not reject films coming from unfamiliar cultural backgrounds 不要拒绝来自陌生文化背景的电影 E.Such exchanges allow you to observe films from completely new angles 这样的交流可以让你从全新的角度看待电影 F.You have to memorize every detail of the director’s whole life story 你必须记住导演一生经历的每一处细节 G.Under such conditions,delicate cinematic details are easy to escape notice 在这样的情况下，细腻的电影细节很容易被忽略 36.答案：C 考点：上下文逻辑衔接 解析：前文原文：Many film lovers spend hours watching movies every year,yet few figure out how to raise their level of film appreciation.Simply playing films as background noise differs greatly from active cinematic appreciation.（许多影迷每年花数小时看电影，却很少懂得如何提升电影鉴赏水平。仅仅把电影当做背景噪音播放和主动的电影鉴赏有很大区别。） 前文提出“被动播放电影”和“主动鉴赏电影”两个概念。C选项承接上文，对两种观影方式进一步阐释，起到承上启下，引出下文四条建议的作用。B、F内容在本段没有任何信息可以支撑，直接排除。 37.答案：G 考点：代词指代逻辑 解析：前文原文：Lots of audiences watch films while dealing with messages or browsing social platforms,with their attention split among different tasks.（很多观众一边看电影一边处理消息或者浏览社交平台，注意力被多项任务分割。） G选项中Under such conditions（在这种情况下）指代上文中一心多用、注意力分散的观影状态；本句讲分心观影带来的后果，与后一句Set aside undisturbed time and focus fully on one single work（留出不受打扰的时间，全身心专注一部作品）构成因果逻辑。其余选项没有代词可以承接上文状态，排除。 38.答案：A 考点：段落主题句 解析：本段原文：Background knowledge opens new dimensions for understanding cinema.Before watching,read brief introductions:under what social background was this picture created?What ideas did its director intend to express?Publications such as Sight and Sound provide accessible articles for global film enthusiasts.（背景知识为理解电影打开全新维度。观影前阅读简介：这部影片创作于怎样的社会背景？导演想要表达什么思想？《视与听》这类刊物为全球电影爱好者提供通俗易懂的文章。） 空格位于段首，为本段主旨句。整段围绕“了解电影背景知识”展开，A选项概括段落主旨。F选项“记住导演一生全部细节”表述过于极端，原文只要求读简介，不需要记忆全部生平，F错误排除。 39.答案：D 考点：段落内部衔接 解析：前文原文：Most audiences stick to films produced within their familiar cultural circle.Global film resources contain rich independent productions from Africa,Latin America and Eastern Europe.（大多数观众只看自己熟悉文化圈产出的电影；全球电影资源包含大量来自非洲、拉美、东欧的独立作品。）后文原文：Even without thorough knowledge of local culture,emotions carried by plots and images can cross cultural barriers.（即便不精通当地文化，情节画面承载的情感依旧可以跨越文化壁垒。） 本段主题是建议大家接触陌生文化背景电影。D选项顺承前文，呼吁不要拒绝陌生文化的影片，和前后句逻辑紧密。B选项谈论疲惫时不要看艺术片，本段没有提到身体疲劳，属于无关选项，排除。 40.答案：E 考点：代词指代，段尾总结 解析：前文原文：Share your viewing feelings with other film enthusiasts.Appreciation becomes richer through communication.Exchange your thoughts about one film with critics or online film communities.You may come across totally different viewpoints.（和其他电影爱好者分享观影感受；交流会让鉴赏更加丰富。和影评人、线上社群交换对电影的看法，你会遇到完全不一样的观点。）后文原文：It creates mental links between individuals,where cinema’s true value reveals itself.（它在人与人之间建立精神联结，电影真正的价值在此显现。） E选项中Such exchanges指代上文“互相交换观影想法”这件事；后一句代词It同样指代这种交流行为。E放在段尾，总结交流带来的好处。其余选项无法承接“exchange your thoughts”，予以排除。 第三部分语言运用（共两节，满分30分） 第一节完形填空（共15小题；每小题1分，满分15分） 语篇解读：记叙文。年轻意大利电影人Amelia热爱是枝裕和作品，想要拍摄独立短片。资金匮乏，二手相机零件损坏，但她没有放弃。退休摄影师邻居Romano先生帮助她修好相机。她不断练习，短片在全球青年电影论坛获奖。她认为电影价值不在于投入，而在于帧帧画面中真诚人类情感，电影是记录普通人真实故事的渠道。 41.答案：A 考点：形容词词义辨析 解析：temporary：临时的；fancy：华丽的；public：公共的；foreign：外国的。结合原文Short of money,she had no professional shooting equipment,and her small apartment served as her___studio.（缺钱，她没有专业拍摄设备，小小的公寓充当她____工作室）。经济拮据，公寓只能充当临时工作室，因此选A。 42.答案：B 考点：名词词义辨析 解析：tools：工具；parts：零件；tapes：磁带；screens：屏幕。结合原文Sadly,several key inner___were broken,and she could not afford new replacements.以及后文He brought spare camera parts。后文邻居拿来备用相机零件维修，对应本句相机内部关键零件损坏，因此选B。 43.答案：A 考点：动词短语辨析 解析：give up：放弃；cheer up：振作；show off：炫耀；turn up：出现。结合原文Refusing to___,she learned shooting skills from online articles and practised every night after finishing part‑time work.（拒绝____，她网上学习拍摄技巧，兼职结束每晚练习）。语境体现她不肯放弃梦想，因此选A。 44.答案：B 考点：动词词义辨析 解析：value：珍视；abandon：放弃；select：挑选；realize：实现。结合原文Often her shots came out shaky and unclear.Many times disappointment beat her,and she intended to___her dream.（拍摄画面经常抖动模糊，多次失望打击她，她打算____梦想）。多次受挫，想要放弃梦想，因此选B。 45.答案：C 考点：副词词义辨析 解析：aside：到一边；backward：向后；forward：向前；outward：向外。结合原文Yet her love for film‑making pushed her___.（但是对电影的热爱推动她____）。push sb forward为固定搭配，表示推动某人继续向前，因此选C。 46.答案：C 考点：名词词义辨析 解析：fortune：财富；permission：许可；advice：建议；praise：表扬。结合原文He brought spare camera parts and offered useful___,encouraging her to keep going.（他拿来备用相机零件，给出有用____，鼓励她继续前行）。退休摄影师，除零件之外提供拍摄相关建议，因此选C。 47.答案：A 考点：副词词义辨析 解析：perfectly：完好地；hardly：几乎不；rarely：很少；partly：部分地。结合原文Repaired with the new parts,the camera worked___.（换上新零件修理完成，相机运转____）。修好之后相机可以完好运转，因此选A。 48.答案：D 考点：动词词义辨析 解析：copying：复制；wasting：浪费；preventing：阻止；improving：提升。结合原文Amelia spent all spare time___her skills.（Amelia把所有空余时间用来____技艺）。修好相机之后，她抓紧时间提升拍摄水平，因此选D。 49.答案：A 考点：动词词义辨析 解析：submitted：提交；returned：归还；donated：捐赠；compared：对比。结合原文Months later,she completed her first short film and___it to the 2026 Global Young Filmmaker Forum.（数月之后完成第一部短片，把作品____2026全球青年电影论坛）。submit…to…表示向电影节提交参赛作品，为行业固定表达，因此选A。 50.答案：D 考点：名词词义辨析 解析：doubt：怀疑；blame：责备；pity：同情；praise：赞扬。结合原文Unexpectedly,it won high___from judges including Tricia Tuttle.（出乎意料，短片收获包括Tricia Tuttle在内评委的高度____）。win high praise“赢得高度赞扬”固定搭配，因此选D。 51.答案：B 考点：动词词义辨析 解析：connect：联系；compete：竞争；cooperate：合作；communicate：交流。结合原文Some fellows argued low‑budget works could hardly___against big‑budget blockbusters.（一些同行认为低成本作品很难和大制作大片____）。compete against“与……竞争”固定短语，同行认为小成本难以和大片竞争，因此选B。 52.答案：C 考点：动词短语辨析 解析：calls on：号召；carries on：继续；depends on：取决于；turns on：打开。结合原文Amelia replied that a movie’s real value never___its investment.（Amelia回应，一部电影真正的价值从来不____资金投入）。表达电影价值不依靠投入多少，depends on“取决于”符合语境，因此选C。 53.答案：A 考点：动词词义辨析 解析：regretted：后悔；understood：理解；expected：期待；admitted：承认。结合原文She never___her choice of independent creation.（她从来没有____自己选择独立创作这条路）。全文Amelia坚持独立创作，不后悔自己的选择，因此选A。 54.答案：B 考点：名词词义辨析 解析：signal：信号；channel：渠道；symbol：象征；system：系统。结合原文To her,film‑making was more than a job.It was a precious___to…（对她来说，电影制作不只是一份工作，更是珍贵的____去……）。电影是记录普通人故事的一种途径、渠道，channel符合语境，因此选B。 55.答案：C 考点：动词词义辨析 解析：hide：隐藏；change：改变；record：记录；forget：忘记。结合原文It was a precious channel to___ordinary people’s real-life stories.（这是珍贵的渠道，用来____普通人真实的生活故事）。通读全文，Amelia的创作目标就是记录普通人真实生活，因此选C。 第二节语篇语法填空（共10小题；每小题1.5分，满分15分） 语篇解读：本篇为议论文。文章选自《视与听》的相关报道，讲述电影可以作为跨文化交流强有力的载体；如今各大国际电影节设立单元扶持全球独立创作者；引用电影学者David Bordwell的研究，说明优秀独立电影可以加深不同文化观众之间的理解；同时客观提醒，电影无法解决全部社会矛盾，但依旧有大批年轻创作者被跨文化电影魅力感召投身独立电影创作。 56.答案：a 考点：不定冠词 句意：据《视与听》报道，电影可以充当跨文化交流的有力载体。 解析：carrier是可数名词单数，powerful辅音音素开头，此处表泛指，填不定冠词a；serve as表示“充当，作为”。 57.答案：targeted 考点：过去分词作后置定语 句意：2026年，多个国际电影节开设专门单元，面向全球独立创作者，这件事在电影圈获得广泛关注。 解析：units和target at（旨在，面向）是被动关系，用过去分词targeted作后置定语修饰units。 58.答案：which 考点：非限制性定语从句 句意：2026年，多个国际电影节开设专门单元，面向全球独立创作者，这件事在电影圈获得广泛关注。 解析：which指代前面整件事，引导非限制性定语从句，逗号后面不能用that。 59.答案：has published 考点：现在完成时 句意：电影理论家大卫·波德维尔的研究小组自2024年以来发表了大量关于跨文化电影的分析论文。 解析：since 2024（自2024年起）是现在完成时标志，主语group视为单数，助动词用has。 60.答案：finding 考点：名词词性转换 句意：他最新的研究发现表明，优秀的独立电影能够在不同文化的观众之间建立更深的理解。 解析：latest形容词后面接名词；finding名词，表示“研究发现”。 61.答案：deeper 考点：形容词比较级 句意：他最新的研究发现表明，优秀的独立电影能够在不同文化的观众之间建立更深的理解。 解析：结合语境，表达“更加深刻的理解”，用deep的比较级deeper。 62.答案：is 考点：强调句型 It is…that… 句意：正是真实的人文故事让这些低成本作品拥有吸引力。 解析：强调句型结构为 It is+被强调部分+that；be动词由形式主语It决定，与被强调部分的单复数无关，本句用一般现在时，故填is。 63.答案：backgrounds 考点：可数名词复数 句意：来自各种社会背景的创作者递交他们的短片参赛作品。 解析：various表示“各种各样的”，后面可数名词background变为复数backgrounds。 64.答案：to recognize 考点：非谓语动词，remind sb to do sth 句意：大多数学者提醒我们要意识到电影不能够解决全部社会冲突。 解析：固定搭配remind sb to do sth“提醒某人去做某事”，不定式作宾语补足语。 65.答案：Inspired 考点：过去分词作状语 句意：受到跨文化电影魅力的鼓舞，大量年轻创作者投身独立电影创作。 解析：主语quantities of young creators和inspire是被动关系，“创作者被鼓舞”，用过去分词Inspired作句首状语。 第四部分写作（共两节，满分40分） 第一节应用文写作（满分15分） 66.【思路点拨】 本篇是向专栏投稿的短文，主题My Favourite Film。 写作任务包含三个要点：①点明最喜欢的电影及导演；②简要概括影片情节；③写出观影感悟。 写作基调：真诚抒情，用词贴合电影主题；篇幅控制在100词左右；不用书信格式，直接正文，可加标题；优先使用定语从句、分词结构提升文采，避免简单句堆砌；题干要求分为三段，第一段介绍影片导演，第二段重点介绍影片内容，第三段写个人感悟。 写作顺序：点明影片导演→详细简介故事内容→抒发个人感悟。 【亮点词汇】 1.numerous adj.许许多多的 2.distinguished adj.著名的，杰出的 3.explore v.探寻，探究 4.subtle adj.细腻的 5.trivial adj.琐碎的 6.genuine adj.真实的，真挚的 7.depict v.描绘 8.affection n.温情，喜爱 【高分句式】 1.Of numerous impressive films,my favourite is Still Walking directed by Hirokazu Kore-eda,a distinguished Japanese director famous for exploring subtle human relationships. （过去分词作后置定语+同位语，介绍导演，句式高级） 2.Without thrilling conflicts or eye-catching special effects,it records those trivial daily moments,where hidden conflicts,gentle warmth and long‑buried regret gradually unfold. （without介词短语作状语+where引导定语从句） 3.What this film conveys strikes me most:precious family affection often hides in unnoticeable daily incidents. （what引导主语从句） 【范文】 My Favourite Film Of numerous impressive films,my favourite is Still Walking directed by Hirokazu Kore-eda,a distinguished Japanese director famous for exploring subtle human relationships. Centred on a one-day family reunion,this movie depicts grown‑up children returning to their ageing parents’ house.Without thrilling conflicts or eye-catching special effects,it records those trivial daily moments,where hidden conflicts,gentle warmth and long-buried regret gradually unfold.Every small detail reflects real-life family conditions,making audiences feel as if they are part of this ordinary household. What this film conveys strikes me most:precious family affection often hides in unnoticeable daily incidents.It inspires me to cherish people around me and value those quiet but sincere moments in daily life. 【评分要点】 1.格式：投稿短文，不需要书信格式，直接写标题与正文。 2.要点齐全：覆盖影片名称、导演、故事梗概、个人感悟。 3.语法句式：运用分词、定语从句、主语从句等高级表达，减少简单句堆砌。 第二节读后续写（满分25分） 67.【思路点拨】 故事背景：意大利年轻电影人Amelia在退休摄影师Mr.Romano帮助之下完成第一部低成本短片，并且在2026全球青年电影论坛收获好评。她计划拍摄记录街头艺术家的新短片，但是遭遇资金、设备、助手多重困难，坐在人行道记笔记时，一位中年男士朝她走来。两段给出段首句。 第一段：男士出示名片，交代身份，说明看过她的短片，了解她的困境，愿意提供支持，附带创作要求，Amelia内心激动。 第二段：获得支持后，Amelia投入拍摄，和街头艺术家深入相处，记录他们的生活，影片完成并收获好评，升华电影来源于普通人真实生活的主题。 时态：全文以一般过去时为主；多使用非谓语、定语从句、分词状语提升文采。 【亮点词汇】 1.sponsor n.赞助商 2.foundation n.基金会 3.tough adj.艰难的 4.faithfully adv.忠实地 5.overjoyed adj.欣喜若狂的 6.devote oneself to全身心投入 7.ups and downs悲欢沉浮 8.originate from源自于 【高分句式】 1.It turned out that he was a sponsor from a local cultural foundation,who had watched Amelia’s award‑winning short film at the forum and was deeply impressed by her sincere concern for ordinary people.（it作形式主语+who引导非限制性定语从句） 2.Having learned about her tough situation of lacking shooting equipment,funds and assistants,he intended to offer practical support for her new project.（现在分词完成式作状语） 3.She spent most of her spare time staying together with street artists,patiently listening to their ups and downs as well as their endless passion for art instead of simply pointing cameras at them.（现在分词作伴随状语） 【范文】 Paragraph 1： When Amelia looked up,the man showed his business card to her politely.It turned out that he was a sponsor from a local cultural foundation,who had watched Amelia’s award-winning short film at the forum and was deeply impressed by her sincere concern for ordinary people.Having learned about her tough situation of lacking shooting equipment,funds and assistants,he intended to offer practical support for her new project.Nevertheless,he put forward one requirement that she ought to stick to her original creative style and faithfully document street artists’ real lives.Overjoyed at this unexpected opportunity,Amelia nodded firmly with tears sparkling in her eyes. Paragraph 2： With practical support,Amelia devoted herself fully to her new shooting project.She spent most of her spare time staying together with street artists,patiently listening to their ups and downs as well as their endless passion for art instead of simply pointing cameras at them.She carefully recorded their performances,inner pains and bright hopes.Several months later,her second short film was completed.When it was exhibited,it won widespread favourable comments.For Amelia,it was convincing evidence that genuine film art originates from real‑life ordinary individuals rather than huge investment. 【评分要点】 1.逻辑连贯：第一段交代男士身份、来意与附加条件；第二段写拍摄过程、影片成果，升华主题，和原文情节逻辑闭环。 2.人物性格：保持Amelia谦虚、热爱记录普通人故事的人物设定，人物行为符合前文铺垫。 3.语言：时态以一般过去时为主，适当使用非谓语、从句，动作、心理描写丰富。 学科网（北京）股份有限公司 $ Unit 4 Unforgettable Films单元练习卷-2026-2027学年 高中英语重大版必修第一册 （试卷满分：150分 考试时间：120分钟） 第一部分 单词练习（共两节，满分 30 分） 第一节 单句语法填空（共 10小题；每小题 1.5分，满分 15分） 在空白处填入1个适当的单词或括号内单词的正确形式。 1.The award-winning short film directed by Jia Zhang-ke is worth______(explore)for its cross‑cultural value. 2.Many critics were deeply______(touch)by the real-life stories shown in this 2026 documentary. 3.This movie is a wonderful______(adapt)based on a world-famous science-fiction novel. 4.The rising performer devoted months to______(portray)a strong-willed female figure in the historical film. 5.The film______(feature)AI-generated visual effects drew wide attention at the 2026 Cannes Film Festival. 6.What makes this work outstanding is its______(reflect)of ordinary people’s inner world. 7.The______(drama)final scene in the movie earned long applause from festival judges. 8.Film scholar David Bordwell recommended______(analyse)classic films to improve cultural awareness. 9.This documentary is intended______(awaken)global audiences’ thinking about cultural identity. 10.The perfect______(combine)of on-location shooting and virtual technology creates a believable movie world. 第二节单词拼写（共10小题；每小题1.5分，满分15分） 根据汉语提示写出单词 11.The core______（主题）of this prize-winning movie is respect for diverse civilizations. 12.Some film______（评论者）point out that independent creators deserve more international exposure. 13.That unforgettable final______（场景）has remained in many critics’ minds for decades. 14.The actor showed great______（成熟）when interpreting complex roles in his latest work. 15.This______（喜剧）mixes light-hearted humour with deep philosophical thinking. 16.As a famous film______（制片人）,she offers financial support for global emerging directors. 17.The film records the joy and______（苦难）of marginal groups amid social transformation. 18.Tricia Tuttle’s public speech showed her high______（欣赏）for low-budget artistic films. 19.It is the______（杰出）of its human-centred stories that keeps the classic film alive. 20.This picture possesses powerful artistic______（感染力）and strikes audiences across borders. 第二部分 阅读（共两节，满分 50 分） 第一节 阅读理解（共 15 小题；每小题 2.5 分，满分 37.5 分） 阅读下列短文，从每题所给的 A、B、C、D 四个选项中选出最佳选项。 A 2026 Global Young Filmmaker Forum Official Guide Hosted by the Cannes Film Festival organizing committee,Global Young Filmmaker Forum runs from Oct.12 to Oct.20,2026.It is designed for global emerging creators,film researchers and critics,offering access to international screenings and professional exchanges.Below is practical information for registered participants. Global Screening Section Over forty works from Asia,Europe,Africa and Latin America will be exhibited.The collection includes restored masterpieces by Hirokazu Kore-eda and newly-completed short productions.Registered participants can enjoy 40%discount for all screenings with official participant ID.Popular shows sell out three to five days ahead.Online reservation via the official platform is strongly recommended. Guest Dialogue Sessions Public dialogue events will be held in downtown theatre halls.Tricia Tuttle,chair of Berlin International Film Festival,will deliver an open speech about supporting artistic creation among new‑generation filmmakers.Several celebrated directors will also share their creative experiences.All dialogue activities are free for registered guests,yet advance electronic tickets are required. Creation Workshop This professional workshop targets amateur creators eager to produce short films.Under the guidance of senior screenwriters and cinematographers,attendees can practise script‑drafting and simple camera shooting.Each group limits eight seats.Application closes on Oct.8. Archive Exhibition Hall The hall displays original posters,hand-drawn storyboards and interview transcripts of world‑renowned directors.Personal photography is permitted,while professional video recording is banned without written official approval. Practical Reminder Visitors ought to check official websites for real‑time schedule adjustments.Public transport is highly advised,since nearby parking resources are extremely limited. 21.What is required for participants to get discounted screening tickets? A.Finish workshop application ahead of time B.Present official participant identification C.Take part in every guest dialogue session D.Reserve tickets three days after screenings 22.What activity can attendees join in the Creation Workshop? A.Direct large-budget commercial feature films B.Receive free high-end cinematographic equipment C.Practise script-writing and basic short-film shooting D.Conduct private face-to-face interviews with superstars 23.Which rule should visitors obey in Archive Exhibition Hall? A.No personal photographs are allowed inside B.Private cars must be parked inside the exhibition hall C.Professional video recording needs official written permission D.All visiting activities must be finished before Oct.8 B When freelance film critic Elara first browsed news about the 2026 Cannes Film Festival online,she paid little attention to non-Hollywood productions.Most of her spare viewing time was occupied by mainstream commercial blockbusters and short‑form video clips.One Sunday afternoon in May,an experienced senior critic invited Elara to a public screening of Jia Zhang‑ke’s short work at a city art cinema,and this viewing completely reshaped her understanding of cinema art. This short piece unfolded a gentle narrative about overseas Chinese-origin communities.It contained no dazzling special visual effects nor thrilling action sequences.At the very beginning,Elara watched passively,longing for fast-moving plots.Little by little,the quiet,authentic life details seized her full attention. After the screening,Elara took part in the post‑film panel discussion.From the host’s introduction,she learned quantities of outstanding Asian short films gain scarce exposure on mainstream social-media platforms.Many casual online viewers tend to judge cinematic works merely by box-office data.Deeply inspired,Elara formed a practical plan. With the senior critic’s encouragement,Elara launched an independent film column online.Every two weeks,she selected one under-rated non-commercial short film and published analytical reviews.In the initial months,feedback remained divided.Some online readers considered these slow-rhythm works dull and refused to follow her column.Faced with mixed criticism,Elara refused to abandon her project. Throughout the summer of 2026,Elara studied essays published by French sinologist Luisa Prudentino,whose academic research focuses on East-Asian cinema.She realized outstanding films value genuine human emotions far more than fancy technological tricks.She added background notes about cultural contexts for each reviewed work. Step by step,her column attracted thousands of followers by September.More global film lovers got access to diverse non-mainstream cinematic works through her writings.Elara never became a film‑maker herself.Nevertheless,she witnessed cinema’s hidden power:it preserves precious cultural memory and builds bridges between different cultural communities. 24.What was Elara’s original attitude towards non‑Hollywood films? A.She attached great importance to them B.She showed little interest in them C.She devoted herself to reviewing them D.She collected materials for them long before 25.What difficulty did Elara meet when running her online column? A.She lacked basic writing equipment B.She got divided feedback from readers C.She could not find any short‑film resources D.She received official punishment for her reviews 26.What can we infer about Luisa Prudentino from the text? A.She is an expert researching East-Asian cinema B.She directed many famous commercial blockbusters C.She once won top prize at the Cannes Film Festival D.She funded Elara’s whole online column project 27.What is the main idea of this passage? A.A film critic promotes non-mainstream films through her online column B.Tricia Tuttle gives speeches to support young global film-makers C.Jia Zhang‑ke earns large profits from his worldwide commercial films D.Modern social media completely change the box-office rules of global cinema C Since early 2026,AI-assisted film production has aroused heated debates among directors,scholars and technical specialists,according to articles from The Guardian.Advanced AI tools are capable of generating complete scene images,draft scripts and partial soundtracks within a short period.People without professional cinematic training can produce preliminary creative materials via simple operations.Famous film scholar David Bordwell has spoken positively about such new tools.He holds the view that AI lowers the creation threshold,allowing amateur creators to turn their inner imagination into visual content. Even so,numbers of professional film-makers express deep-rooted worries.The central controversy centres on training datasets.Most AI film-making models absorb materials from millions of existing human-produced films without gaining full copyright approval from original directors and screenwriters.Many creative practitioners warn such practice may damage the legal interests of human creators. In one 2026 research paper,David Bordwell further analysed the limits of AI-assisted cinema.He points out that AI can successfully copy various visual styles,yet genuine film works carry creators’real-life experiences,sorrow,hope and personal memory.Such inner emotional experiences cannot be copied by machine algorithms.AI can assist creative workflows,but it can never replace human sensibility behind each frame. Several European film-industry organizations are exploring feasible regulatory guidelines.Some professional associations put forward new requirements:all finished movies adopting AI-generated materials ought to mark relevant parts clearly for audiences.Such measures help viewers distinguish AI-produced fragments from human-created footage. Debates between supporters and opponents keep going,and no universal global standards have come into force.Many insiders share one common standpoint.AI remains nothing more than a tool.Whether it brings benefits or harms to film culture depends entirely on how human beings make use of it. 28.What positive influence does David Bordwell think AI brings to film creation? A.AI can create perfect masterpieces totally superior to human works B.AI reduces creation barriers for amateur film-making lovers C.AI thoroughly solves all copyright troubles within film industry D.AI reproduces creators’ real inner emotional experiences accurately 29.What does the underlined word“assist”mean? A.to help somebody finish certain work B.to prevent people from creative attempts C.to completely take charge of a whole project D.to destroy existing artistic resources on purpose 30.What requirement do some European film-industry associations set? A.Stop developing all AI-aided film-making technology B.Pay economic compensation to all former directors C.Clearly label parts which are produced with AI technology D.Offer free professional training courses for AI film engineers 31.Which of the following statements would most insiders agree with? A.AI will soon completely replace human film-makers in the near future B.AI itself is merely a tool,its effects rely on human application C.Governments should forbid every form of AI-related film creation D.AI-generated materials own equal high artistic value as human works D Ordinary audiences often connect unforgettable films with huge-budget blockbusters,grand visual effects and famous superstars.Nevertheless,film critics and scholars’ research shows that cinema’s most lasting power frequently lies in simple,quiet moments.Great films can soothe lonely souls,comfort depressed spirits and build emotional bonds between strangers.Such magic does not always demand expensive investment or star casts. Research papers from film theorist David Bordwell prove that well‑selected film scenes can regulate people’s inner emotional states.Warm human‑themed stories ease anxiety;lively rhythm can cheer up depressed audiences.Such influences take effect not only during grand theatre screenings.They also work when people watch movies alone at home or enjoy clips on mobile devices. Around the globe,many non-profit cultural projects make good use of such cinematic power.In some parts of Scotland,volunteers organize free film-viewing activities for elderly residents in community centres.They choose old classic films full of life memories.Many elderly participants seldom communicate actively in daily life.Familiar plots awaken their buried memories and inspire gentle conversations among them.Similar public film projects have appeared in multiple European cities throughout 2026. Still,a number of people doubt the real value of low-budget artistic films.They argue that only big‑budget commercial blockbusters deserve wide public attention,and small-scale independent works cannot deliver real spiritual comfort.Such opinion ignores one basic truth:cinematic power exists on different levels.Super blockbusters shine on global festival stages.Meanwhile,small‑budget independent films also deliver sincere warmth for ordinary viewers. The power of memorable films is not exclusive to famous directors or well-paid movie stars.Every ordinary viewer can receive and pass on such spiritual power.People do not require professional film-making knowledge to feel comfort and connection brought by good stories.A touching short story within a low‑budget picture carries equal spiritual weight as world‑famous big-budget masterpieces. 32.What conclusion can we draw from David Bordwell’s research? A.Grand theatre screenings are the only way to feel film’s power B.Suitable film contents can adjust audiences’ emotions in various situations C.High‑cost investment decides the real artistic value of a movie D.Classic old films should only be enjoyed by elderly community residents 33.What is the purpose of Scotland’s non‑profit film-viewing projects for the elderly? A.To train old residents into professional amateur actors B.To raise money for local independent film production C.To awaken memories and encourage communication among the elderly D.To collect old movie copies for international film archive museums 34.What will the author of this passage most probably support? A.Only big-budget blockbusters possess real cinematic power B.Ordinary audiences can gain spiritual power from small-budget films C.Professional film-making training is necessary for enjoying movies D.Independent low-budget films ought to get little public attention 35.Which is the best title for the text? A.Cinematic Power Lies in Ordinary Moments B.How Big-budget Blockbusters Win Box-office Success C.World-famous Directors and Their Greatest Masterpieces D.Practical Advice for Becoming Professional Film Critics 第二节 七选五(共5小题；每小题2.5分，满分12.5分) 根据短文内容，从短文后的选项中选出能填入空白处的最佳选项。 Many film lovers spend hours watching movies every year,yet few figure out how to raise their level of film appreciation.Simply playing films as background noise differs greatly from active cinematic appreciation.36.________ Slow down your viewing rhythm.Lots of audiences watch films while dealing with messages or browsing social platforms,with their attention split among different tasks.37.________Set aside undisturbed time and focus fully on one single work.You will catch subtle details,such as special camera movements or hidden symbolic meanings you have ignored before. 38.________Background knowledge opens new dimensions for understanding cinema.Before watching,read brief introductions:under what social background was this picture created?What ideas did its director intend to express?Publications such as Sight and Sound provide accessible articles for global film enthusiasts. Try cinematic works from unfamiliar cultural backgrounds.Most audiences stick to films produced within their familiar cultural circle.Global film resources contain rich independent productions from Africa,Latin America and Eastern Europe.39.________Even without thorough knowledge of local culture,emotions carried by plots and images can cross cultural barriers. Share your viewing feelings with other film enthusiasts.Appreciation becomes richer through communication.Exchange your thoughts about one film with critics or online film communities.You may come across totally different viewpoints.40.________It creates mental links between individuals,where cinema’s true value reveals itself. A.Learn basic background information of a film work B.Never watch artistic films when you feel physically tired C.Film appreciation goes far beyond passive background amusement D.Do not reject films coming from unfamiliar cultural backgrounds E.Such exchanges allow you to observe films from completely new angles F.You have to memorize every detail of the director’s whole life story G.Under such conditions,delicate cinematic details are easy to escape notice 第三部分：语言运用(共两节，满分30分) 第一节：完形填空(共15小题;每小题1分，满分15分) 阅读下面短文，从短文后各题所给的A、B、C和D四个选项中，选出可以填入空白处的最佳选项。 Amelia was a young Italian filmmaker,who admired Hirokazu Kore-eda’s works and longed to make independent short films.Short of money,she had no professional shooting equipment,and her small apartment served as her 41.________studio.Early in 2026,she bought a second-hand worn‑out camera from a flea‑market with all her savings.Sadly,several key inner 42.________were broken,and she could not afford new replacements. Refusing to 43.______,she learned shooting skills from online articles and practised every night after finishing part-time work.Often her shots came out shaky and unclear.Many times disappointment beat her,and she intended to 44.______her dream.Yet her love for film‑making pushed her 45.________. One evening,her next-door neighbour Mr.Romano,a retired cinematographer,knocked at her door.He had noticed her long-time efforts.He brought spare camera parts and offered useful 46.________,encouraging her to keep going. Repaired with the new parts,the camera worked 47.______.Amelia spent all spare time 48.______her skills.Months later,she completed her first short film and 49.________it to the 2026 Global Young Filmmaker Forum.Unexpectedly,it won high 50.________from judges including Tricia Tuttle. Some fellows argued low-budget works could hardly 51.________against big-budget blockbusters.Amelia replied that a movie’s real value never 52.________its investment.It lay in sincere human feelings stored in every frame.She never 53.________her choice of independent creation.To her,film-making was more than a job.It was a precious 54.________to 55.________ordinary people’s real-life stories. 41.A.temporary B.fancy C.public D.foreign 42.A.tools B.parts C.tapes D.screens 43.A.give up B.cheer up C.show off D.turn up 44.A.value B.abandon C.select D.realize 45.A.aside B.backward C.forward D.outward 46.A.fortune B.permission C.advice D.praise 47.A.perfectly B.hardly C.rarely D.partly 48.A.copying B.wasting C.preventing D.improving 49.A.submitted B.returned C.donated D.compared 50.A.doubt B.blame C.pity D.praise 51.A.connect B.compete C.cooperate D.communicate 52.A.calls on B.carries on C.depends on D.turns on 53.A.regretted B.understood C.expected D.admitted 54.A.signal B.channel C.symbol D.system 55.A.hide B.change C.record D.forget 第二节：语篇语法填空(10个小题；每小题1.5分，满分15分) 阅读下面短文，在空白处填入1个适当的单词或括号内单词的正确形式。 Based on reports from Sight and Sound,film can serve as 56____powerful carrier for cross-cultural communication.In 2026,several international film festivals held special units 57____(target)at global independent creators,58____has attracted widespread attention in cinema circles. Film theorist David Bordwell’s research group 59____(publish)many analytical papers about cross-cultural cinema since 2024.His latest 60____(find)shows good independent films create 61____(deep)understanding among audiences of different cultures. A Paris-based film festival holds exchange activities every two months.It 62____(be)true human stories that make those low-budget works attractive.Creators from various social 63____(background)hand in their short-film entries. Most scholars remind us 64____(recognize)that film cannot settle all social conflicts.65____(inspire)by cross-cultural cinema’s charm,quantities of young creators devote themselves to independent film-making. 第四部分写作(共两节，满分40分) 第一节应用文写作(满分15分) 66.假定国际青年电影节官网开辟“My Favourite Film”专栏，请你投稿。要点： 1.介绍你最喜欢的一部电影； 2.简要介绍影片内容与导演； 3.谈谈这部电影带给你的感悟。 注意：词数100词左右；可适当增加细节，行文连贯。 第二节 读后续写 (满分 25 分) 67.阅读下面短文，根据所给情节进行续写，使之构成一个完整的故事。词数150左右，续写部分分为两段，每段开头已为你写好。 Amelia,the young Italian filmmaker,had finished her first low-budget short-film work with the help of her neighbour Mr.Romano,a retired cinematographer.Her work received positive feedback at the Global Young Filmmaker Forum in 2026.Though she won wide praise from judges including Tricia Tuttle,she still kept modest and clear-headed.She was fully aware that she still had a great deal of professional knowledge and practical skills to learn before she could produce more satisfying pieces. Her next creative idea came into her mind soon.She planned to shoot another short film focusing on ordinary street artists living in her city.She wished to record their true lives,their ups and downs as well as their endless passion for art.However,new difficulties appeared one after another.She needed more shooting devices,proper shooting locations and enough daily funds for the whole project.Worse still,she could not afford to hire any assistant to share heavy shooting work. Day after day,she wandered across city streets in her spare time.She observed street painters,street musicians and other performers carefully,taking detailed notes about their real‑life experiences.She collected plenty of original creative materials,yet practical financial and technical support was still out of her reach.She thought over different solutions many times,but none of them worked well.One cool autumn afternoon,when she was sitting on the sidewalk and writing observation notes beside a street performer,a middle-aged man walked slowly toward her. Paragraph 1： When Amelia looked up,the man showed his business card to her politely. Paragraph 2： With practical support,Amelia devoted herself fully to her new shooting project. 学科网（北京）股份有限公司 $