UNIT 3 The art of painting(课时跟踪检测)-【优学精研】2027年高考英语一轮总复习学用Word（译林版）

**基本信息** 聚焦绘画艺术主题，融合中外文化素材，覆盖高考核心题型，适配一轮复习基础巩固与能力提升需求。 **题型特征** |题型|题量/分值|知识覆盖|命题特色| |----|-----------|----------|----------| |阅读理解|4题|细节理解、主旨大意|以法国学者与中国水墨画的故事为载体，渗透跨文化理解| |完形填空|15题|词汇辨析、上下文逻辑|围绕绘画练习心态转变，体现学习能力培养| |语法填空|10题|语法知识、文化对比|对比中西风景画差异，强化文化意识| |应用文写作|1题|情境写作|创设“美丽家乡”画展邀请情境，注重语言实践应用|

UNIT 3　The art of painting Ⅰ. 语篇解读：本文是一篇说明文。文章介绍了法国教授Benoit Vermander（中文名魏明德）在中国水墨画找到自我表达方式的经历。 1.A　细节理解题。根据第二段第二句可知， Vermander在他早期的绘画生涯中面临的挑战是身体问题。 2.B　细节理解题。根据第三段第一句以及最后一段中的What I like most in Chinese ink painting is the freedom it allows you.可知， Vermander对中国水墨画感兴趣，是因为其本质。 3.A　细节理解题。根据最后一段中的Through the ink brush ...the movement of his heart.可知，Vermander的水墨画与他的内心感受有关。 4.C　主旨大意题。根据文章内容尤其是第一段可知，文章介绍了法国教授Benoit Vermander对中国水墨画的热爱、学习及其作品特点。由此推断，文章的主要内容是一个外国人在中国水墨画中发现了自己。 Ⅱ. 语篇解读：本文是一篇记叙文。文章通过作者从机械重复绘画到享受创作乐趣的心路历程，对比传统练习方式与自由创作的区别，揭示了重复练习的价值与艺术表达的结合。 5.D　根据下句并结合常识可知，练习需要不断重复，而重复行为会让人感到乏味，此处指重复是练习的关键。 6.A　根据空后的with boxes， parallel （平行的） lines and figures可知，作者画了许多方框、平行线和轮廓，这应该是在许多纸张上画的。此处endless意为“不计其数的”。 7.B　根据空后的 but for a long while was going nowhere可知，前后之间是转折关系，后面说作者长期没有任何成就，前面应是肯定了作者有一定的进步。 8.A　根据下句可知，作者的思想发生了转变，此处指作者内心突然明白了一件事。 9.B　根据下句可知，作者练习的方式发生了改变，所以素描让作者改变了思维。 10.B　根据上半句Rather than trying to practise可知，作者没有努力练习，而是进行了涂鸦这种练习形式。 11.C　根据空后的and moments可知，此处指在素描本中画一些场景和时刻。 12.D　根据本段首句可知，作者随身携带素描本，在本子上作画已经成为作者生活中必不可少的一部分。 13.D　根据空后的why I had become so fascinated by my new practice可知，作者想要弄清楚自己对素描着迷的原因。 14.C　根据上文提到的drawing、 sketch-booking尤其是上句可知，作者是向一位素描博主寻找关于画画问题的答案，这位博主讲述的应与画画有关。 15.B　根据下句中的filled a sketchbook可知，此处为原词复现，指画满了两本素描本。 16.A　根据空前的he filled a sketchbook with drawings of his tea cup可知，格雷戈里在一本素描本上画满了茶杯，此处指他认可重复练习的价值。 17.A　根据空后的the biggest challenges of all my drawings可知，作者将在最新的素描本上应对自己绘画中的最大挑战。 18.D　根据下文中的drawing a bunch of hands可知，此处为hands的原词复现。 19.C　根据第一段最后一句和下文可知，作者曾经觉得练习会夺走自己的快乐，但现在作者认为重复练习是乐趣，此处指作者不再害怕练习。 Ⅲ. 语篇解读：本文是一篇说明文。文章从透视、色彩、构图及创作过程等方面对比了中西方风景画的差异。 20.composition　考查名词。分析句子结构可知， perspective、the use of color和本空是并列关系，都作in的宾语，应用compose的名词形式composition，表示“构图”，为不可数名词。 21.has been　考查时态、语态和主谓一致。空处为谓语动词，主语Nature与be之间为主动关系， ever since表明该句时态要用现在完成时，Nature是第三人称单数形式。 22.to　考查介词。when it comes to ...是固定短语，意为“当谈到……”。 23.photographic　考查形容词。分析句子结构可知，这里需要一个形容词来修饰名词effect， photograph的形容词是photographic，表示“摄影的；照片般的”。 24.whatever　考查名词性从句。空处引导宾语从句，作choose的宾语，从句中缺少主语，且这里表示“任何……”，所以用连接代词whatever引导。 25.while　考查连词。前后两个句子形成对比， while有“然而”的意思，可用于对比两种情况。 26.absorbed　考查非谓语动词。分析句子结构可知，此处考查keep sb＋形容词，表示“使某人处于某种状态”， be absorbed in，是固定短语，意为“沉浸于；专注于”，此处absorbed作宾语补足语。 27.where　考查定语从句。空处引导定语从句，修饰先行词Chinese landscape paintings，并在从句中作地点状语，所以用关系副词where引导。 28.are painted　考查时态、语态和主谓一致。空处为句子的谓语动词， which引导的定语从句修饰先行词Western plain air paintings， paintings和paint之间是被动关系，且描述的是一般情况，所以用一般现在时的被动语态；paintings是复数， be动词用are。 29.an　考查冠词。此处泛指“一名副教授”，应用不定冠词，且associate的发音以元音音素开头，所以用an。 Ⅳ. Dear Eric， 　　I hope this email finds you well.I am writing to inform you that our school is going to hold an art exhibition titled “Beautiful Hometown” next month. 　　Given your exceptional talent in painting， we would be thrilled if you could participate and showcase your artwork.The exhibition will take place in the school auditorium on 15－18 November.We believe your unique perspective and skills would greatly contribute to the event.Please let us know if you are interested. 　　Looking forward to your positive response. Yours sincerely， Li Hua 学科网（北京）股份有限公司 $ UNIT 3　The art of painting Ⅰ.阅读理解 　　（2026·江苏常州期末）Benoit Vermander， a French professor at Fudan University’s School of Philosophy， has found a free mode of self-expression in Chinese ink paintings.Under the art name of Bendu， Vermander — who is also known by his Chinese name Wei Mingde — is exhibiting more than 60 Chinese ink paintings， most of which he has created over the past decade. 　　Born in France in 1960， Vermander has been fond of painting since childhood.However， damage to sight and hearing made it hard for him to advance his painting skills， and his brushwork was commented as not being “clean”. 　　The turning point came in 1987 when Vermander made his first visit to China and was fascinated both by the history and the meanings of Chinese ink painting.“In this art form， I could find my own way of expression.I also realized that I could create much more freely than in classical Western painting， as even the ‘not clean’ part of my works can be a good part of a creation with ink.So， I decided to shift my focus on Chinese ink painting，” Vermander says.Since then， he has visited many places across China to study Chinese painting. 　　“Every one of my Chinese ink paintings is also a philosophical article，” he adds.For him， a good work — of either art or philosophy — should allow diversity in meaning， as each one can have a different connection to his work.Vermander regards his paintings as integrated expressions of himself with daily life.Through the ink brush， he hopes to show his inner explorations， and the movement of his heart.“What I like most in Chinese ink painting is the freedom it allows you.I am not skilled in Western painting as I have bad eyes， and it is not my character to be cautious， careful and plan everything.With Chinese ink painting， I could liberate my inner wildness.My only future goal is to have more time for painting — that’s it，” he says， laughing. 1.What challenges did Vermander face in his early painting career？（　　） A.Physical problems. B.Nationality issues. C.Mental sufferings. D.Colleagues’ jealousy. 2.Vermander is interested in Chinese ink painting because of 　　　　.（　　） A.its wildness B.its nature C.his visits to China D.his love for China 3.Which of the following is true about Vermander’s ink paintings？（　　） A.They are connected to his inner feelings. B.They are criticized for not being clean. C.They have a single and clear meaning. D.They integrate Chinese and Western styles. 4.What is the text mainly about？（　　） A.The style and techniques of Chinese ink painting. B.The comparison between Western and Chinese art. C.A foreigner finding himself in Chinese ink painting. D.A phenomenon waiting for an art foreigner to explain. Ⅱ.完形填空 　　One of the hardest things about learning is to know how to practice or even what it means to practice.Actually 　5　 is often key.But you don’t want all the joy to be taken away. 　　I’ve been drawing for a few years， filling 　6　 pages with boxes， parallel （平行的） lines and figures.I had 　7　 a lot but for a long while was going nowhere.But something 　8　 when I started sketch-booking （素描） this year.The sketchbooks led to a 　9　 in mindset.Rather than trying to practise， I 　10　 a practice — scribbling （乱涂乱画）.Killing the hours with sketching became something in its own right. 　　I started carrying sketchbooks everywhere.The act of capturing 　11　 and moments in my sketchbook became a（n） 　12　 part of my experiences.I spoke to Gregory， a sketch-booking blogger， to try to 　13　 why I had become so fascinated by my new practice.“People think about practice in 　14　 like practice in piano， where you have to do things like playing scales （音阶），” Gregory explained.“I hate that.It feels academic.It’s not expressive.” 　　I have since 　15　 two sketchbooks with portraits， not as studies for future work， but as individual expressions.Similarly， Gregory described how he filled a sketchbook with drawings of his tea cup， emphasizing the 　16　 of repetitive practice.My latest sketchbook will 　17　 the biggest challenges of all my drawings — 　18　.This time I moved on， not in 　19　 of it as before， because drawing a bunch of hands isn’t just practice anymore； it’s the joy of practice. 5.（　）A.innovation B.intelligence C.confidence D.repetition 6.（　）A.endless B.glorious C.opposite D.front 7.（　）A.cared B.improved C.withdrawn D.quit 8.（　）A.clicked B.recovered C.struck D.stopped 9.（　）A.problem B.shift C.balance D.fall 10.（　）A.shared in B.engaged in C.succeeded in D.filled in 11.（　）A.attention B.meaning C.scenes D.qualities 12.（　）A.only B.spare C.small D.essential 13.（　）A.watch out B.give out C.take out D.figure out 14.（　）A.playing B.running C.drawing D.dancing 15.（　）A.written B.filled C.read D.ordered 16.（　）A.value B.subject C.condition D.result 17.（　）A.handle B.obtain C.oppose D.avoid 18.（　）A.legs B.arms C.faces D.hands 19.（　）A.search B.favor C.fear D.need Ⅲ.语法填空 　　（2026·江苏盐城等四校联考）When comparing traditional Chinese and Western landscape art， we can detect differences in perspective， the use of color， 20.　　　　　　 （compose）， and so forth.Nature 21.　　　　　　 （be） a source of inspiration for artists from past to present ever since. 　　When it comes 22.　　　　　　 landscape art， Western painters often strive for authenticity.They pay much attention to the perspective， proportion， light and shade of the painting in order to achieve a somewhat 23.　　　　　　 （photograph） effect.Chinese landscape paintings， on the other hand， dive more into the imagination.“You can choose 24.　　　　　　 perspective or angle appeals to you，” says Wang. 　　The use of color is an essential component of Western landscape painting 25.　　　　　　 color tends to be more restrained （克制的） and subtle in Chinese landscape paintings.The principles that guide Chinese calligraphy also play a significant role in Chinese landscape art， with artists being extremely conservative in their use of color in order to keep the viewers 26.　　　　　　 （absorb） in their works.That being said， there are some examples of Chinese landscape paintings 27.　　　　　　 rich colors are used extensively. 　　The production process of Chinese landscape paintings is rather unique.It differs significantly from the Western plain air paintings which 28.　　　　　　 （paint） outside， from start to finish.BianKai，29.　　　　　　 associate professor in the School of Chinese Painting from the Central Academy of Fine Arts， finds Chinese landscape painting is more like a “tour review”. Ⅳ.应用文写作 　　（2026·安徽合肥二十校开年考）假定你是校学生会文艺部长李华，深知你校交换生Eric极具绘画天赋，希望他能踊跃参与你校即将举办的“美丽家乡”画展活动。请你用英语给Eric写一封邮件，内容包括： 　　（1）告知他画展相关事宜； 　　（2）邀请他参加。 注意：（1）写作词数应为80个左右； （2）请按如下格式作答。 Dear Eric， 　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　 　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　 　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　 　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　 Yours sincerely， Li Hua 1 / 1 学科网（北京）股份有限公司 $