Unit 1 Art Reading and Thinking 课件-2025-2026学年高中英语人教版选择性必修第三册

. Unit 1 Art Reading and Thinking A Short History of Western Painting 西方绘画简史 新人教选择性必修三 Para 1 What is Western art? It is hard to give a precise definition. 【1】As there have been so many different styles of Western art, it is impossible to describe them all in a short text. Perhaps the best way to understand Western art is to look at the development of Western painting over the centuries. 什么是西方艺术？很难给出一个精确的定义。由于西方的艺术风格多种多样，在短短的一篇课文里不可能进行全面的描述。也许了解西方艺术的最好方法就是看看几个世纪以来西方绘画的发展。 it is hard to do 做某事很困难 give a precise definition  给出精确定义 it is impossible to do sth. 做某事是可能的 the way to do sth. =the way of doing 做某事的方法 over the centuries 几个世纪以来 the development of...  ...的方法 as 引导原因状语从句 to do为真正的主语 to do 作后置定语 不定式短语做表语 Para 1 【1】As there have been so many different styles of Western art, it is impossible to describe them all in a short text. 由于西方的艺术风格多种多样，在短短的一篇课文里不可能进行全面的描述 【解析】as原因状语从句, 表示因为，由于,此时as相当于since As引导的状语从句类型： 1.Everyone likes you as you are so kind. 2.When in Rome do as the Romans do. 3.As students grow up, they are likely to develope develop their good habits of learning. 4.Happy as they were, there was something missing. 5.The task is not as tough as I thought. 原因状语从句“因为，由于” 方式状语从句“照…方式，就像” 时间状语从句“当……时，随着” 让步状语从句“虽然，尽管(though)” 比较状语从句“像……一样” Para 2 The Middle Ages (from the 5th to the 15th century)中世纪（5世纪到15世纪） During the Middle Ages, the purpose of Western art was to teach people about Christianity. Thus, artists were not interested in painting realistic scenes. Their works were often primitive and two-dimensional, and the main characters were often made much larger than everyone else to show their importance. 是向人们传授基督教。因此，艺术家对写实场景不感兴趣。他们的作品通常较为粗糙且二维化，主体人物通常比其他人物大得多，以显示他们的重要性。 1. The purpose of sth /sb  is/was to do sth 某事/人的目的是…… 2. realistic scenes真实场景 3. primitive and two-dimensional 原始且二维的 4. main characters 主要人物 to do作表语 to do 作目的状语 Para 2 This began to change in the 13th century with Giotto di Bondone (1267-1337). 【2】While his paintings still had religious themes, they showed real people in a real environment. In particular, his paintings are set apart from other paintings by their realistic human faces and deep emotional impact. emotional impact 情感冲击 in particular 尤其，特别 set apart from 使与众不同 这种情况在13世纪时因乔托·迪·邦多纳（1267-1337）而开始改变。尽管他的画仍然是宗教主题，但它们展示的是真实环境中的真实人物。尤其是他的画作，因其逼真的人物面貌和深刻的情感冲击而从其他画作中脱颖而出。 While引导让步壮语从句 【2】While his paintings still had religious themes, they showed real people in a real environment. 尽管他的画仍然是宗教主题，但它们展示的是真实环境中的真实人物。 【解析】While引导让步壮语从句，“虽然，尽管” Para 2 while 作从属连词： (1)当while意为“尽管，虽然”时，引导让步状语从句； (2)当while意为“当……的时候；和……同时”时，引导时间状语从句； (3)当while意为“只要”时，引导条件状语从句； (4)当while意为“然而，可是”时，连接两个并列句子，表示对比关系。 【即学即练】写出下列句中while的含义及从句类型。 (1)While I am fond of photography, my mother doesn't support me. (2)While there is life, there is hope. (3)(全国卷Ⅰ)While you're in China, Mount Huangshan is a must to visit！ (4)Some students prefer to read electronic books while others insist on the traditional way of reading. 尽管，虽然。 让步状语从句 当……的时候 时间状语从句 然而，可是 对比关系 只要。 条件状语从句 Para 2 Para 3 The Renaissance (from the 14th to the 17th century)文艺复兴时期（14世纪到17世纪） New ideas and values gradually replaced old ones from the Middle Ages. As a result, painters concentrated less on religious themes. They began to adopt a more humanistic attitude to life. An important breakthrough during this period was the use of perspective by Masaccio (1401-1428). 新的思想和价值观逐渐取代了中世纪的思想和价值观。因此，画家较少关注宗教主题。他们开始持一种更人性化的生活态度。这一时期的一个重要突破是马萨乔（1401-1428）对透视法的运用。一些颇具影响力的画家，例如莱昂纳多·达·芬奇（1452-1519）、米开朗琪罗（1475-1564）和拉斐尔（1483-1520），在乔托和马萨乔的创新基础上继续发展，创造出欧洲前所未有的一些最伟大的艺术作品。 new ideas and values新的思想和价值观2.concentrate less on较少关注； concentrate on 集中注意力于...；关注… 3.adopt a more humanistic attitude to/towards life  对生活采取更人性化的态度 4.an important breakthrough重大进展 5.the use of perspective透视法的运用 Para 3 Influential painters such as Leonardo da Vinci (1452-1519), Michelangelo (1475-1564), and Raphael (1483-1520) built upon Giotto and Masaccio’s innovations to produce some of the greatest art that Europe had ever seen. 一些颇具影响力的画家，例如莱昂纳多·达·芬奇（1452-1519）、米开朗琪罗（1475-1564）和拉斐尔（1483-1520），在乔托和马萨乔的创新基础上继续发展，创造出欧洲前所未有的一些最伟大的艺术作品。 1.influential adj 有很大影响力的；有支配力的 be influential in 对（做）某事颇有影响 have an influence on 对---有影响 2. build on/upon... 在...的基础上发展 to do 作结果状语 关系代词that引导定语从句修饰greatest art Para 4 Another innovation was the use of oil paints. With their deep colours and realism, some of the best oil paintings look like photographs. While painters as early as Da Vinci had used oil, this technique reached its height with Rembrandt (1606-1669), who gained a reputation as a master of shadow and light. 另一个创新是油画颜料的使用。由于其深沉的色彩和现实主义风格，一些油画佳品看上去就像是照片。尽管早在达芬奇时代一些画家就使用油彩绘画，但伦勃朗使得这种技艺达到了顶峰，他拥有“光影大师”的雅称。 1.the use of oil paints 油画颜料的使用 2. deep colours and realism 浓郁的色彩与写实风格 3. look like photographs 看起来像照片 4. reach its height 达到顶峰 5. gain/earn/win a reputation as 获得…的声誉 destroy/ruin one’s reputation 毁掉某人的名誉 6. a master of shadow and light 光影大师 while引导让步状语从句 Para 5 In subject matter, the emphasis increasingly shifted from religious themes to people and the world around us. Kings, nobles, and people of high rank wanted to purchase accurate pictures of themselves and the people they loved. Others wanted paintings showing important historical events or stories from mythology. Finally, most clients wanted paintings that were beautiful and interesting to look at 在题材上，画作重点逐渐从宗教主题转移到人和我们周围的世界。国王、贵族和上流社会人士都想购买自己和所爱之人的精准画像。其他人则想要展示重要历史事件或神话故事的画作。最后，大多数客户都想要看起来美丽有趣的画作。 1. in subject matter 在题材方面 2. shift from...to... 从……转向…… 3. people of high rank 上流社会人士 4. purchase accurate pictures 购买逼真的画作 5. important historical events 重要历史事件 6. stories from mythology 神话故事 省略关系代词的定语从句 showing... 现在分词短语作后置定语，修饰paintings 关系代词that引导定语从句修饰paintings Para 6 Impressionism (late 19th to early 20th century) The development of Western art slowed until the invention of photography in the mid-19th century. After that, paintings were no longer needed to preserve what people and the world looked like. Hence, painters had to find a new way of looking at their art. From this, Impressionism emerged in France. 印象派时期（19世纪后期到20世纪初期） 直到19世纪中叶摄影术发明之前，西方艺术的发展缓慢。在那之后，不再需要绘画来保存人和世界的面貌了。因此，画家们不得不寻找一种新的方式来看待他们的艺术。由此，印象派在法国应运而生。 1. the invention of photography 摄影术的发明 2. a new way of looking at art 看待艺术的新方式 3. emerge in France 在法国兴起 Para 6 The name of this new movement came from the painting by Claude Monet (1840-1926) called Impression, Sunrise. In this work, Monet's aim was to convey the light and movement in the scene—the subjective impression the scene gave him—but not a detailed record of the scene itself. 这个新运动的名字来源于克劳德·莫奈（1840-196）的一幅名为《印象·日出》的画作。在这幅作品中，莫奈想传达场景中的光线和运动——场景给他的主观印象——而不是场景本身的详细记录。 1.convey light and movement 传达光线与动态 2. Monet’s aim was to convey... 莫奈的目的是去表达... 3. subjective impression 主观印象 4. detailed record 详细记录 V-ed作后置定语 to do 作表语 省略关系代词的定语从句 虽然许多印象派画家描绘了自然或日常生活场景，但其他画家，如雷诺阿（1841-1919年）则以人物为关注对象。雷诺阿的画作与那个时代冷淡的黑白照片不同，充满了光、影、色彩和生命。他不仅试图展示他笔下人物的外在形象，而且还展示他们内心的温暖和人性。 Para 7 While many Impressionists painted scenes of nature or daily life, others, such as Renoir (1841-1919), focused on people. Unlike the cold, black-and-white photographs of that time period, Renoir’s paintings are full of light, shadow, colour, and life. 【3】He sought to show not just the outer image of his subjects, but their inner warmth and humanity as well. 1. scenes of nature or daily life 自然或日常生活场景 2.focus on 聚焦于，集中 3. the cold, black -and- white photographs 冷淡的黑白照片 4. be full of light, shadow, colour, and life充满了光、影、色彩和生命 5. seek to do sth. (seek-sought-sought) 试图做某事 6. the outer image of his subjects 他笔下人物的外在形象 7. inner warmth and humanity 内心的温暖和人性 8.not just....but....(as well) 不仅...而且... Para 7 【3】He sought to show not just the outer image of his subjects, but their inner warmth and humanity as well. 他力求既展示主题人物的外在形象，又展现其内在的温暖和人性。 not just...but…(as well)句型： 不仅(不但)…而且… =not just...but (also)…/not only…but(also)… 注意：not A but B“不是A 而是B”，是否定 A 肯定 B 【翻译】妇女不仅被允许参与，而且发挥着非常重要的作用。 Women are not just allowed to join in but play a very important role as well. =Women are not only allowed to join in but also play a very important role. Para 8 Modern Art (from the 20th century to today) After Impressionism, subsequent artists began to ask, “What do we do next?” Painters such as Picasso (1881-1973) tried to analyse the shapes which existed in the natural world but in a new way, with Cubism. Others gave their paintings a realistic but dream-like quality. Still others turned to abstract art. 【4】What they attempted to do was no longer show reality, but instead to ask the question, “What is art?” 现代艺术（20世纪至今） 在印象派之后，后来的艺术家开始问“下一步我们该做什么？”。像毕加索（1881-1973）这样的画家试图用一种新的方法，用立体主义来分析自然界中存在的各种形状。其他人则赋予他们的画一种写实但又像梦一般的品质特征。还有一些人转向抽象艺术。他们试图做的不再是展示现实，而是提出一个问题“什么是艺术？” 1. subsequent artists 后来的艺术家 2. a dream-like quality 梦幻般的质感 3.turn to 转向... 4.abstract art 抽象艺术 5.attempt to do sth 试图做某事 6.show reality 展示现实 1. _________________ 精准的定义 2. different styles of Western art __________________ 3. ___________________ 用简短文字描述某物 4. _____________________西方绘画的发展 5. over the centuries _______________ 6. teach people about Christianity ________________ 7. ___________________艺术的目的是…… 8.____________________写实绘画 9. primitive and two-dimensional _________________ 10. _______________________ 宗教主题 11. ______________________主要人物 12. ______________________ 情感冲击 默写作业一 13. _______________________ 尤其，特别 14. ________________________ 使与众不同 15. adopt a more humanistic attitude to life _______________ 16.___________________较少关注 17.____________________ 一项重要的突破 18. the use of perspective _____________ 19. ___________________ 基于创新发展 20. ___________________ 有影响力的画家 21. _____________________ 浓郁的色彩与写实风格 22. ____________________达到顶峰 23. ____________________获得…的声誉 24. ___________________ 光影大师 1. __________________在题材方面 2. __________________从……转向…… 3. people of high rank ___________ 4. _____________________ 购买逼真的画作 5. ______________________重要历史事件 6. stories from mythology ____________ 7. a new way of looking at art _______________ 8. emerge in France _______________ 9. _____________________ 传达光线与动态 10.______________________莫奈的目的是去表达... 11. ____________________ 主观印象 默写 作业二 12. ________________________ 自然或日常生活场景 13. the cold, black -and- white photographs _______________ 14. ___________________________充满了光、影、色彩和生命 15. seek to do sth. (seek-sought-sought) ____________ 16. the outer image of his subjects ______________ 17. ________________________ 内心的温暖和人性 18subsequent artists ______________ 19. _________________________ 分析自然界中存在的形状 20. a dream-like quality ______________ 21. _____________________ 转向抽象艺术 22. show reality _______________ $