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专题04 阅读理解(记叙文)
Passage 1
(2026·安徽合肥·一模)British man David Ferguson holds more than one identity. Though better known for his translations of Chinese classics and government documents, his connection with China began around two decades ago.
He first came to China in 2004 to visit his future in-laws in Jilin. Two years later, he moved to China and soon discovered a striking contrast between the reality he witnessed and the narrative presented by certain Western media. It was then that he resolved to become a journalist and share what he truly saw in person.
During his years of reporting, one of his most memorable experiences is one in Nantong, where he encountered self-made business people in the textile (纺织) industry who built international enterprises out of nothing. “In the early 1970s, one of them travelled to Romania with a backpack of pillowcases and tablecloths. Knowing little Romanian, he penciled the pronunciation of the words in Chinese pinyin so that he could communicate,” Ferguson recalled. “They make me understand why Chinese people are successful in business, and why China has a successful economy.”
In 2010, Ferguson joined the Foreign Languages Press, and has since authored several books introducing Chinese cities. According to him, China’s remarkable achievements and prosperity (繁荣) over the past decades are also due to its stable social and economic system. Besides, as a senior editor, his job is to carefully compare and refine the translations of the Chinese texts, ensuring that they gain the broadest recognition in the English context.
In 2023, David Ferguson was awarded the Orchid Awards, a recognition to international friends for enhancing cultural exchanges between China and the rest of the world. As he stated in his acceptance speech, among the people who built the Forbidden City, there were craftsmen, and there were also those who helped them carry materials. “Translators are the wood carriers,” he said, “What we build is development, prosperity and world peace.”
1.Why did Ferguson decide to become a journalist?
A.To pursue a career in China. B.To present a true image of China.
C.To introduce Chinese culture. D.To compare China and the West.
2.What factors contributed to China’s economic success, according to Ferguson?
A.Chinese people’s drive and creativity. B.Chinese people’s vision and honesty.
C.Chinese people’s courage and integrity. D.Chinese people’s generosity and patience.
3.Why did Ferguson compare translators to “wood carriers”?
A.They play a crucial but hidden role. B.They take on minor responsibilities.
C.They do heavy and continuous work. D.They support professional exchanges.
4.What can be a suitable title for the text?
A.A True Story Behind Western Media B.A Secret of China’s Rapid Development
C.A Foreigner’s Passion for Academic Exchange D.A British Man’s Devotion to Documenting China
Passage 2
(2026·安徽蚌埠·一模)Brian Gonzalez, an Argentine graduate of Beijing International Studies University (BISU), is a noticeable figure in cultural exchange between China and Argentina. A regular guest on the Chinese TV show Informal Talks, he started his own trade company in Yiwu, Zhejiang province, in 2017. Due to his close connections with the embassies in the two countries, he was also called a “folk ambassador” between China and Argentina.
Gonzalez, who comes originally from a small town in Argentina, developed a passion for the Chinese language at the age of 14. His interest in Chinese culture led him to study Chinese in Buenos Aires, where he was taught by a BISU graduate. He won the “Chinese Bridge” competition in Argentina at 15, earning an opportunity to apply for a scholarship to study in China. Entering BISU in 2009 and majoring in Chinese, he later pursued a master’s degree in international trade at BISU’s School of Economics.
During his master’s studies, Gonzalez was selected to join the popular TV show Informal Talks, which features international participants sharing perspectives on various topics. It allowed him to showcase his fluent Chinese and deep understanding of Chinese culture. He then became a beloved figure among Chinese audiences, amassing over 2 million followers across social media platforms.
He credited BISU for much of his success, particularly the cultural knowledge and experiences he gained there, which played a crucial role in his career, both in media and in international trade.
He also fondly recalled the BISU International Culture Festival, an event that celebrates the international students’ diverse cultures.
Gonzalez’s achievements as a cultural ambassador and media personality are a shining example of the global impact of the university’s education.
5.What do we know about Gonzalez?
A.He studies abroad to win a government scholarship.
B.He once worked in the embassy of Argentina in China.
C.His major remains consistent during the academic journey.
D.His passion for the Chinese language originated in his teens.
6.What does the underlined word “amassing” in paragraph 3 mean?
A.Gathering. B.Training.
C.Targeting. D.Blocking
7.What does Gonzalez think contributes to his success?
A.The competition. B.The university.
C.The scholarship. D.The social media.
8.In which column of a newspaper can the text be found?
A.National news. B.Volunteer service.
C.International trade. D.Cultural exchange.
Passage 3
(2026·安徽滁州·一模)It had been more than 10 years since they got together like this. The three sisters’ eyes were filled with tears, hands holding tight. Rubye was 110 years of age at the time, while Ruth was 104 and Rose was 101. These three centenarians (百岁老人) were enjoying a long-awaited reunion made by a nonprofit charity — Wish of a Lifetime.
The charity is the passion project of Jeremy Bloom, a former Olympic skier who was impressed by how much other countries respected their elders. When he took a trip to North China for a skiing competition at age 15, Bloom was moved by how many passengers helped an elderly slow-walking woman onto a bus. In that moment, a seed was planted, though it took 10 years for the seed to germinate into Wish of a Lifetime.
In the summer of 2008, Bloom took the steps to form his charitable organization. He wanted to adapt the concept of the Make-A-Wish Foundation, which fulfills requests for ill children, to fit folks on the opposite end of the age range.
Today, Wish of a Lifetime has a staff of 26 full-time employees and some 25,000 volunteers nationwide, and is funded by donations and corporate sponsorship. The 3,000 wishes fulfilled so far have all been reviewed by a member of the team. A World War II veteran (老兵) returned to the beaches of Normandy for the first time since D-Day; a woman wrote and performed a play based on her life story; a former Air Force captain got the chance to meet his heroes, the Rolling Stones.
Wish of a Lifetime is not Bloom’s full-time job, but his full-time focus. “It was my 100percent all in,” Bloom says. “Let’s build a program. Let’s meet the seniors. Let’s change as many lives as we can.”
9.How does the author introduce the charity in paragraph 1?
A.With a specific example. B.With a direct quotation.
C.With an exact statement. D.With an argumentative claim.
10.What inspired Bloom to start the charity?
A.His experience in North China. B.Support from corporate sponsors.
C.His own respect toward the elders. D.Advice from the Make-A-Wish Foundation.
11.What does the underlined word “germinate” in paragraph 2 mean?
A.Dive. B.Grow. C.Burst. D.Divide.
12.What does the author think of Bloom?
A.He is truly respected. B.He is widely introduced.
C.He is largely assisted. D.He is completely committed.
Passage 4
(2026·安徽淮北·一模)Early memories have the power to shape who you are. Unfortunately, in my life, many of my formative moments centered around my struggles with body image.
For most of my life, I have been highly conscious of others’ perceptions of my appearance. Whenever I’m around someone I don’t know well, I actively use body language to make myself appear thinner. When I was in fourth grade, I remember asking my best friend, “Do you think I’m fat?” She responded, “No, of course not.” But her response didn’t comfort me. Since then, I have been vigilant of my body; I realized that the way I see myself isn’t the same as how others see me.
Hearing people talk about weight gain as a negative has affected how I feel about myself. One friend used to tell me I’m on “the good side of plus-sized.” All it does is tell me that I’m overweight. In middle school, I felt like I had to prove to my friends that I was active and healthy. And even today, I worry over normal weight changes, all to try and avoid people sharing their “concerns” with my size.
Discussing body image is difficult. What I have found is that being allowed to speak openly without judgment builds my self-confidence, because I feel that my voice is being heard. I am beginning to listen to my body and understand how it works. I hope to stop overanalyzing and build confidence — not through a number on the scale, but through self-acceptance.
13.What does the author realize after talking to her best friend?
A.Her friend truly understood her worries. B.She needed to lose weight immediately.
C.Her self-image differed from others’ views. D.Her appearance was objectively unattractive.
14.What does the underlined word vigilant mean in paragraph 2?
A.Slightly conscious. B.Extremely aware.
C.Completely confident. D.Comfortably familiar.
15.How did her friend’s words “the good side of plus-sized” affect the author?
A.It confirmed her fear of being overweight. B.It provided comfort about her appearance.
C.It motivated her to exercise more regularly. D.It helped her to understand body positivity.
16.What is the main message of the passage?
A.Social approval determines personal worth. B.Childhood experiences cannot be overcome.
C.Weight loss should be the primary health goal. D.Self-acceptance matters more than appearance.
Passage 5
(2026·安徽黄山·一模)A year after Walt Disney made history with Snow White and the Seven Dwarfs, his artists were struggling to find the right design for the woodland backgrounds of Bambi, the tale of a young deer. The film’s production team realized they needed an alternative to the style that highlighted almost all of the leaves, flowers and mushrooms in the woods of Snow White.
Soon they got their inspiration from Tyrus Wong, whose work was on display as a new exhibit at New York City’s Museum of Chinese in America. In 1938, the Walt Disney Studios hired him to draw the frames between the main drawings of the animators. After reading the story of Bambi, he saw an opportunity to break out of his dull job. He said to himself “This is all outdoor scenery. And I’m a landscape painter. This will be great!”
Inspired by Chinese landscape paintings, he used watercolour and pastel (蜡笔) to make sketches that brought the feeling of forest scenes with simple strokes of colour and special attention to light and shadow. Wong’s sketches attracted Disney and became the guide for Bambi’s background artists, who were later trained to imitate his style. “His expression was a great leap forward for the medium,” wrote John Lasseter, the chief creative officer for Walt Disney and Pixar Animation Studios. “Where other films were literal, Bambi was expressive and emotional.” In 2001, Wong was named “Disney Legend”, and he received the recognition as the true lead artist.
He pursued art all his life and still made art during his retirement, including toy animals from recycled materials and handmade kites that he regularly flew off the Santa Monica Pier in California. “People admired his work because of Bambi, but Bambi was just a really small part of his life,” said his youngest daughter. “He considered himself not a great artist but a lucky artist, who was at the right place at the right time.”
17.Why did Walt Disney’s artists notice Tyrus Wong?
A.He was good at drawing cartoon characters.
B.His works focused on Chinese animated characters.
C.His style was suitable for the woods of Bambi.
D.He won a prize at a museum in New York.
18.What can we say about Tyrus Wong’s artistic style?
A.It highlighted almost all the leaves and flowers in the woods.
B.It captured the essence of the forest through some techniques.
C.It focused on rich details and clear outlines of the forest.
D.It was inspired by the style of Snow White and the Seven Dwarfs.
19.Which words can best describe Tyrus Wong?
A.Ambitious and competitive.
B.Innovative and modest.
C.Practical and cautious.
D.Determined and conservative.
20.What is the best title for the text?
A.Tyrus Wong: The Vision Behind Bambi
B.Disney’s Best Artist: Tyrus Wong
C.The Unsung Hero of Disney’s Golden Age
D.The Chinese Art in Western Animation
Passage 6
(2026·安徽六安·一模)Andy Kong has worked very hard to get to where he is today. He credits becoming a millionaire by 20 to his strict Asian parents who tutored him at a young age by working for the family.
Kong, of Danville, Virginia, started working when he was only nine. English wasn’t a strong suit for Andy’s parents, and that’s where he was able to assist his family the most. After school and on weekends, he would help out at their family-owned restaurant and nail salons. Not only did he do the labor work, but he was also involved in creating online ads. This was his introduction to the world of online business.
Andy started his Amazon business in the eighth grade. When he learned about Amazon dropshipping (代发货模式) from a kid he saw on Instagram, he got inspired and decided to give it a try. Unfortunately, the store eventually got shut down because he was impatient with the growth. Instead of considering it a failure, he viewed this experience as a life lesson and learned from his mistakes. Meanwhile, his parents never stopped trying to talk him into focusing on school and their retail business.
“The biggest challenge when starting a business is getting someone to believe in you,” Andy says. He pushed through and did things for himself even when his loved ones discouraged it.
In 2019, Andy met his new business partners, and together, they created an Amazon management company called Project WiFi. This Project has proven to be extremely successful. They currently help over 55 clients run their online businesses, and plan to help many more in the future.
When asked about the secret to his success, Andy says, “Learning to sacrifice whether that’s family, friends, or soccer game for a single goal is the only way to succeed, rather than attempting multiple things. If it’s worth doing, then it’s worth doing well with no shortcuts.”
21.Why did Andy work in his parents’ shops at a young age?
A.Because he could earn some pocket money.
B.Because his parents weren’t fluent in English.
C.Because his parents could help with his study.
D.Because he could get access to the Internet.
22.What does paragraph 3 talk about?
A.A new online business model. B.Results of working impatiently.
C.Difficulties in Andy’s career. D.Andy’s tense family relationship.
23.What does Andy think contributes to his success?
A.His part-time job experience in retail. B.Lessons learned from his failures.
C.Gaining other people’s trust. D.Focusing on one thing at a time.
24.Which of the following can best describe Andy Kong’s personality?
A.Motivated and open-minded. B.Committed and generous.
C.Creative and faithful. D.Hard-working and sociable.
Passage 1
(2026·安徽芜湖·一模)The Unlikely Beginning
The conference room was stifling, the air thick with the scent of stale coffee and unspoken skepticism. Rob Reiner, then known to the public only as “Mike Stivic,” the liberal son-in-law from All in the Family, felt the weight of every gaze. He wasn’t an actor here; he was a first-time director pitching a movie no one believed in — a coming-of-age story set in the 1950s, adapted from a Stephen King novella, titled Stand by Me.
His mind flashed back to the initial phone call with the studio head. The voice on the line had been polite but dismissive. “Rob, it’s a small story. Boys, a dead body...where’s the market?” They saw a sitcom star dabbling in whimsy. They didn’t see the quiet obsession that had gripped Reiner for months, the clarity with which he could already visualize the misty Oregon tracks, the dynamic between the four young boys, the fragile bridge between childhood and adulthood.
The real turning point, the one that never made the press releases, happened in a cramped editing suite weeks before this meeting. Reiner was watching the raw footage of the famous campfire scene, where the boys share their deepest fears. The takes were good, but something was missing — the profound, vulnerable silence that follows a shared secret. Frustrated, he asked the editor to strip the scene of all music and stretch the pause after the last line. For five full seconds, the screen held only on the actors’ faces, flickering in the firelight, a complex tapestry of bravado melting into innocence. In that silence, Reiner found the soul of his film. It was no longer just a “kids’ adventure”; it was a meditation on memory and loss.
Leaning forward in the oppressive conference room, Reiner bypassed the box-office projections his producers loved. Instead, he described that campfire silence. He spoke of the universal ache of growing up, the friendships that define us, and the specific, unshakeable feeling of a first summer without a safety net. He wasn’t just selling a movie; he was offering an emotional truth. The room’s energy shifted, almost imperceptibly. The skepticism didn’t evaporate, but it made room for curiosity.
Years later, Stand by Me would be hailed as a classic. But its journey began not with a bang, but with a director’s fight to preserve a powerful, risky silence — a quiet moment that would echo loudly for generations.
25.What was the major obstacle Rob Reiner faced at the beginning of the project?
A.A lack of talented young actors for the main roles.
B.The industry’s prejudice against him based on his sitcom background.
C.Stephen King’s refusal to adapt the novella.
D.Extreme difficulties in finding suitable filming locations.
26.What does the underlined phrase “dabbling in whimsy” in Paragraph 2 imply about the studio’s view of Reiner?
A.They thought he was a highly innovative and serious artist.
B.They believed he was casually engaged in an unserious project.
C.They were impressed by his diverse career ambitions.
D.They considered him an expert in childhood stories.
27.What does the “turning point” in the editing suite reveal about Reiner’s directorial approach?
A.He relied heavily on test audience scores to make decisions.
B.He prioritized technical perfection over emotional resonance.
C.He understood that emotional impact could hinge on subtle, deliberate choices.
D.He was willing to let the film editor make all creative decisions.
28.Which of the following is the best interpretation of the title “The Unlikely Beginning”?
A.The film was based on an unlikely source, a horror writer’s story.
B.The director’s previous career made his success in film directing seem improbable.
C.The film’s production started during an unlikely season, winter.
D.The first day of shooting was filled with unlikely accidents.
Passage 2
(2026·安徽宣城·一模)Every morning, as the first rays of sunlight flow through the curtains of her small apartment, 72-year-old Mrs. Thompson holds her knitting (编织) needles. Her fingers, weathered but skillful, weave soft thread into bright scarves, hats, and gloves. For years, these creations have been more than just winter necessities — they are her silent language of love, sent to strangers across the city through a local charity organization.
“It started as a way to fill the empty hours after my husband passed away,” she explains, her eyes crinkling with a gentle smile. “But soon, it became something deeper. Each item carries a wish: May this keep you warm. May you feel someone cares.”
The charity, called “Threads of Warmth,” collects handmade items and distributes them to homeless shelters, hospitals, and schools in low-income neighborhoods. Mrs. Thompson devotes herself to every detail. Her contributions, often decorated with delicate patterns, have become favorites among the recipients.
One winter afternoon, while delivering a batch of knitted goods to a shelter, Mrs. Thompson met a young girl named Mia, a child in a threadbare coat. When Mrs. Thompson offered her a bright red hat with a cute ball on top, Mia’s eyes lit up. “Is it really for me?” she whispered. Mrs. Thompson nodded, her heart swelling. “Yes, sweetheart. And there’s more where that came from.” That encounter sparked a change in Mia. She began visiting Mrs. Thompson’s apartment every weekend, learning to knit under her patient guidance. “Knitting is like magic,” Mia declared one day, her needles clicking rhythmically. “You start with a string, and it turns into something beautiful.”
Over time, Mia’s skills improved, and she even designed her first scarf-a striped pattern in blue and green, her favorite colors. Mrs. Thompson framed it as a reminder of Mia’s progress. “You see?” she said. “Kindness isn’t just about giving; it’s about passing on the light.”
Today, Threads of Warmth has expanded beyond the city, with volunteers nationwide joining the cause. Mrs. Thompson, though no longer the youngest member, remains its heart. Her apartment, once quiet, now buzzes with laughter as Mia and other children gather to knit, chat, and share stories.
29.What motivated Mrs. Thompson to start knitting for charity?
A.Her need to overcome loneliness. B.Her desire to earn extra money.
C.A request from a charity organization. D.Her childhood hobby of knitting.
30.What makes Mrs. Thompson’s contributions to the charity stand out?
A.Their quantities. B.Their materials. C.Their craftsmanship. D.Their market value.
31.Why was Mia’s encounter with Mrs. Thompson a turning point in her life?
A.To get immediate warmth from a red hat. B.To create beauty with hands and share warmth.
C.To become known for scarf designs in the town. D.To find a permanent home with Mrs. Thompson.
32.Which of the following best describes the theme of the passage?
A.The growth of a nationwide charity organization.
B.The challenges faced by the elderly in urban areas.
C.The importance of traditional crafts in modern society.
D.How small acts of kindness can create lasting connections.
Passage 3
(2026·安徽芜湖·一模)Global warming is mainly driven by greenhouse gases, but nature fights back with carbon sinks, places that absorb more carbon than they release.
Forests are one of these natural carbon sinks. However, they are difficult to study thoroughly, especially in the complex landscapes of China. With so many plant types, measuring each one takes a lot of time and effort.
To solve this problem, two students from Sun Yat-sen Memorial Middle School in Zhongshan, Guangdong, built a predictive model. Their idea won the Excellent Poster Award at the 2025 International Congress of Basic Science (ICBS).
“We’ve learned that trees take in carbon dioxide and give out oxygen through photosynthesis (光合作用),” said 17-year-old Ouyang Anduo, one of the students who won the award. “But this was our first time studying a forest, a complex system with many factors to consider.”
To narrow the scope, they focused on one very important factor — forest canopy (冠层) height. This factor shows the forest’s health, helping people understand its carbon storage and adjust their strategies to maintain ecological balance, protect species diversity, regulate climate and more.
Forest canopy height directly affects the accuracy of carbon storage estimation and biodiversity assessment, but it can be influenced by many variables, which makes it difficult to determine the relationships among them. “Then we thought of machine learning. Why not let a model learn on its own?” said 17-year-old Li Xiaoyong, another award-winning student. They integrated Global Ecosystem Dynamics Investigation (GEDI) LiDAR data with multi-source environmental variables such as climate, topography (地形) and soil. The model then identified patterns and made predictions.
But teaching a model to learn was not easy. At times, the algorithm fit too closely to its training data, leaving it unable to make accurate predictions with new data. “We spent a long time finding solutions and adjusting the model,” said Ouyang. “This made me feel like a real scientist, handling each step with great rigor and patience.”
33.What’s the purpose of the two teens building a predictive model?
A.To measure plant types faster. B.To study forests more efficiently.
C.To win an international competition. D.To solve the problem of global warming.
34.Why did they focus on canopy height?
A.Because it’s vital in carbon storage.
B.Because it helps protect species diversity.
C.Because it is difficult to study thoroughly.
D.Because it reflects multiple aspects of forest health.
35.What does Ouyang imply in the last paragraph?
A.Students should try hard to be scientists.
B.Scientists should make accurate predictions.
C.Society should show respect for science.
D.Students should learn the true spirit of scientists.
36.What can be the best title for the text?
A.Why Forests Are So Important
B.The Study of Forest Canopy Height
C.Teens Win an Award for Forest Research Model
D.How to Build a Predictive Model Effectively
Passage 4
(2026·安徽合肥·一模)Zhang Peidong, a professor from the Ocean University of China, has been diving for 16 years, exploring the underwater “grasslands” covered with seagrass. These seagrass beds are essential habitats for sea life. However, human activities and changes in the environment have caused a big drop in seagrass beds around the world. In 2008, Zhang and his colleague Li Wentao found a worrying situation in Rongcheng Bay, a key area for seagrass beds in China. The number of overwintering swans had dropped sharply because of the loss of seagrass, a main food source.
Faced with this ecological crisis, Zhang and Li changed their research focus from aquaculture (水产养殖) to seagrass bed restoration, an area that had received little attention at the time. Their efforts were supported by a Weihai-based company, which provided free workshops, office space, housing, and workers for the research team. The company’s general manager noted that many employees, being children of fishermen, were eager to contribute to the restoration efforts.
After years of hard work, the research team developed a way to grow eelgrass seedlings artificially. By understanding the growth patterns and the best seed collection times, they managed to reduce the growing period from nearly three months to just 10 days. The team also created several sets of equipment with independent intellectual property rights to improve planting efficiency.
Over the past 16 years, the research team has taken part in more than 10 seagrass bed restoration projects in China, covering over 1,333 hectares in the Yellow and Bohai Seas. Their efforts have led to the recovery of more than 40% of the seagrass beds in Swan Lake, attracting more swans to the area. The restoration technology has also been used in other provinces, such as Hebei and Liaoning, significantly improving local water quality and biodiversity.
The team’s commitment to seagrass bed restoration has brought new life to underwater ecosystems and set a positive example for ecological conservation efforts globally. Their work highlights the importance of protecting marine habitats and the potential for joint efforts between academia and industry to address environmental challenges.
37.What led to the decline of the overwintering swans?
A.Loss of food sources like seagrass.
B.habitat loss due to human activities.
C.Increased hunting and lead poisoning.
D.Climate change and warmer winters.
38.How did the team help restore the underwater grassland?
A.By protecting existing seagrass beds.
B.By creating new equipment for planting.
C.By shortening the growth period of eelgrass.
D.By developing artificial cultivation technology.
39.Why are the statistics used in Paragraph 4?
A.To show the effectiveness of the restoration efforts.
B.To stress the importance of protecting seagrass beds.
C.To highlight the challenges faced by the researchers.
D.To compare the success of different restoration projects.
40.What does the last paragraph imply?
A.Seagrass restoration is the only solution.
B.The team’s efforts are globally recognized.
C.Cooperation aids environmental protection.
D.Underwater ecosystem remains vital to humans.
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学科网(北京)股份有限公司
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专题04 阅读理解(记叙文)
参考答案
1.B 2.A 3.A 4.D
5.D 6.A 7.B 8.D
9.A 10.A 11.B 12.D
13.C 14.B 15.A 16.D
17.C 18.B 19.B 20.A
21.B 22.C 23.D 24.A
25.B 26.B 27.C 28.B
29.A 30.C 31.B 32.D
33.B 34.D 35.D 36.C
37.A 38.D 39.A 40.C
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学科网(北京)股份有限公司
学科网(北京)股份有限公司
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专题04 阅读理解(记叙文)
Passage 1
(2026·安徽合肥·一模)British man David Ferguson holds more than one identity. Though better known for his translations of Chinese classics and government documents, his connection with China began around two decades ago.
He first came to China in 2004 to visit his future in-laws in Jilin. Two years later, he moved to China and soon discovered a striking contrast between the reality he witnessed and the narrative presented by certain Western media. It was then that he resolved to become a journalist and share what he truly saw in person.
During his years of reporting, one of his most memorable experiences is one in Nantong, where he encountered self-made business people in the textile (纺织) industry who built international enterprises out of nothing. “In the early 1970s, one of them travelled to Romania with a backpack of pillowcases and tablecloths. Knowing little Romanian, he penciled the pronunciation of the words in Chinese pinyin so that he could communicate,” Ferguson recalled. “They make me understand why Chinese people are successful in business, and why China has a successful economy.”
In 2010, Ferguson joined the Foreign Languages Press, and has since authored several books introducing Chinese cities. According to him, China’s remarkable achievements and prosperity (繁荣) over the past decades are also due to its stable social and economic system. Besides, as a senior editor, his job is to carefully compare and refine the translations of the Chinese texts, ensuring that they gain the broadest recognition in the English context.
In 2023, David Ferguson was awarded the Orchid Awards, a recognition to international friends for enhancing cultural exchanges between China and the rest of the world. As he stated in his acceptance speech, among the people who built the Forbidden City, there were craftsmen, and there were also those who helped them carry materials. “Translators are the wood carriers,” he said, “What we build is development, prosperity and world peace.”
1.Why did Ferguson decide to become a journalist?
A.To pursue a career in China. B.To present a true image of China.
C.To introduce Chinese culture. D.To compare China and the West.
2.What factors contributed to China’s economic success, according to Ferguson?
A.Chinese people’s drive and creativity. B.Chinese people’s vision and honesty.
C.Chinese people’s courage and integrity. D.Chinese people’s generosity and patience.
3.Why did Ferguson compare translators to “wood carriers”?
A.They play a crucial but hidden role. B.They take on minor responsibilities.
C.They do heavy and continuous work. D.They support professional exchanges.
4.What can be a suitable title for the text?
A.A True Story Behind Western Media B.A Secret of China’s Rapid Development
C.A Foreigner’s Passion for Academic Exchange D.A British Man’s Devotion to Documenting China
【答案】1.B 2.A 3.A 4.D
【导语】本文是一篇记叙文。主要讲述了英国人David Ferguson对中国的热爱、贡献及他获兰花奖一事。
1.推理判断题。根据第二段“Two years later, he moved to China and soon discovered a striking contrast between the reality he witnessed and the narrative presented by certain Western media. It was then that he resolved to become a journalist and share what he truly saw in person. (两年后,他搬到了中国,很快就发现了他所目睹的现实与某些西方媒体所呈现的叙述之间的鲜明对比。就在那时,他决定成为一名记者,分享他亲眼目睹的真实情况。)”可知,Ferguson决定成为一名记者是为了呈现一个真实的中国形象。故选B项。
2.细节理解题。根据第三段“During his years of reporting, one of his most memorable experiences is one in Nantong, where he encountered self-made business people in the textile (纺织) industry who built international enterprises out of nothing. “In the early 1970s, one of them travelled to Romania with a backpack of pillowcases and tablecloths. Knowing little Romanian, he penciled the pronunciation of the words in Chinese pinyin so that he could communicate,” Ferguson recalled. “They make me understand why Chinese people are successful in business, and why China has a successful economy.”(在多年的报道生涯中,他最难忘的经历之一是在南通,在那里他遇到了纺织业中白手起家的商人,他们白手起家建立了国际企业。“20世纪70年代初,其中一人背着装满枕套和桌布的背包前往罗马尼亚。由于不太懂罗马尼亚语,他用汉语拼音写下单词的发音,以便能够交流,”Ferguson回忆道。“他们让我明白了为什么中国人在商业上取得成功,以及为什么中国经济取得成功。”)”可知,根据Ferguson的说法,是中国人民的干劲和创造力促成了中国经济的成功。故选A项。
3.细节理解题。根据最后一段“As he stated in his acceptance speech, among the people who built the Forbidden City, there were craftsmen, and there were also those who helped them carry materials. “Translators are the wood carriers,” he said, “What we build is development, prosperity and world peace.”(正如他在获奖感言中所说,在建造紫禁城的人中,有工匠,也有帮助他们搬运材料的人。“翻译者是搬运木材的人,”他说,“我们建造的是发展、繁荣和世界和平。”)”可知,Ferguson将翻译者比作“搬运木材的人”是因为他们起着至关重要但隐藏的角色。故选A项。
4.主旨大意题。文章主要讲述了英国人David Ferguson对中国的热爱、他在中国的经历、他对中国经济的看法、他作为翻译的贡献以及他获得的兰花奖,所以“A British Man’s Devotion to Documenting China (一位英国人致力于记录中国)”适合作为本文的标题。故选D项。
Passage 2
(2026·安徽蚌埠·一模)Brian Gonzalez, an Argentine graduate of Beijing International Studies University (BISU), is a noticeable figure in cultural exchange between China and Argentina. A regular guest on the Chinese TV show Informal Talks, he started his own trade company in Yiwu, Zhejiang province, in 2017. Due to his close connections with the embassies in the two countries, he was also called a “folk ambassador” between China and Argentina.
Gonzalez, who comes originally from a small town in Argentina, developed a passion for the Chinese language at the age of 14. His interest in Chinese culture led him to study Chinese in Buenos Aires, where he was taught by a BISU graduate. He won the “Chinese Bridge” competition in Argentina at 15, earning an opportunity to apply for a scholarship to study in China. Entering BISU in 2009 and majoring in Chinese, he later pursued a master’s degree in international trade at BISU’s School of Economics.
During his master’s studies, Gonzalez was selected to join the popular TV show Informal Talks, which features international participants sharing perspectives on various topics. It allowed him to showcase his fluent Chinese and deep understanding of Chinese culture. He then became a beloved figure among Chinese audiences, amassing over 2 million followers across social media platforms.
He credited BISU for much of his success, particularly the cultural knowledge and experiences he gained there, which played a crucial role in his career, both in media and in international trade.
He also fondly recalled the BISU International Culture Festival, an event that celebrates the international students’ diverse cultures.
Gonzalez’s achievements as a cultural ambassador and media personality are a shining example of the global impact of the university’s education.
5.What do we know about Gonzalez?
A.He studies abroad to win a government scholarship.
B.He once worked in the embassy of Argentina in China.
C.His major remains consistent during the academic journey.
D.His passion for the Chinese language originated in his teens.
6.What does the underlined word “amassing” in paragraph 3 mean?
A.Gathering. B.Training.
C.Targeting. D.Blocking
7.What does Gonzalez think contributes to his success?
A.The competition. B.The university.
C.The scholarship. D.The social media.
8.In which column of a newspaper can the text be found?
A.National news. B.Volunteer service.
C.International trade. D.Cultural exchange.
【答案】5.D 6.A 7.B 8.D
【导语】这是一篇记叙文。文章讲述阿根廷青年冈萨雷斯少年时热爱中文,就读北京第二外国语学院,通过电视节目与贸易事业成为中阿民间交流大使,其成功离不开母校的培养。
5.细节理解题。根据第二段“Gonzalez, who comes originally from a small town in Argentina, developed a passion for the Chinese language at the age of 14. (冈萨雷斯来自阿根廷的一个小镇,他在14岁时就对汉语产生了热爱。)”可知,他对汉语的热爱始于青少年时期。故选D项。
6.词句猜测题。根据第三段“He then became a beloved figure among Chinese audiences, amassing over 2 million followers across social media platforms. (后来他成为中国观众喜爱的人物,在各大社交媒体平台上amassing超过200万的粉丝。)”可知,这里amassing意为“积累、聚集”,与gathering意思相近。故选A项。
7.细节理解题。根据第四段“He credited BISU for much of his success, particularly the cultural knowledge and experiences he gained there, which played a crucial role in his career, both in media and in international trade. (他将自己的成功很大程度上归功于北京第二外国语学院,尤其是在那里获得的文化知识和经历,这对他的媒体和国际贸易事业起到了至关重要的作用。)”可知,冈萨雷斯认为是这所大学促成了他的成功。故选B项。
8.推理判断题。根据第一段“Brian Gonzalez, an Argentine graduate of Beijing International Studies University (BISU), is a noticeable figure in cultural exchange between China and Argentina. (布莱恩・冈萨雷斯是北京第二外国语学院的阿根廷毕业生,也是中阿文化交流中引人注目的人物。)”以及全文围绕他在中阿文化交流中的角色与经历展开可知,这篇文章最可能出现在报纸的文化交流专栏。故选D项。
Passage 3
(2026·安徽滁州·一模)It had been more than 10 years since they got together like this. The three sisters’ eyes were filled with tears, hands holding tight. Rubye was 110 years of age at the time, while Ruth was 104 and Rose was 101. These three centenarians (百岁老人) were enjoying a long-awaited reunion made by a nonprofit charity — Wish of a Lifetime.
The charity is the passion project of Jeremy Bloom, a former Olympic skier who was impressed by how much other countries respected their elders. When he took a trip to North China for a skiing competition at age 15, Bloom was moved by how many passengers helped an elderly slow-walking woman onto a bus. In that moment, a seed was planted, though it took 10 years for the seed to germinate into Wish of a Lifetime.
In the summer of 2008, Bloom took the steps to form his charitable organization. He wanted to adapt the concept of the Make-A-Wish Foundation, which fulfills requests for ill children, to fit folks on the opposite end of the age range.
Today, Wish of a Lifetime has a staff of 26 full-time employees and some 25,000 volunteers nationwide, and is funded by donations and corporate sponsorship. The 3,000 wishes fulfilled so far have all been reviewed by a member of the team. A World War II veteran (老兵) returned to the beaches of Normandy for the first time since D-Day; a woman wrote and performed a play based on her life story; a former Air Force captain got the chance to meet his heroes, the Rolling Stones.
Wish of a Lifetime is not Bloom’s full-time job, but his full-time focus. “It was my 100percent all in,” Bloom says. “Let’s build a program. Let’s meet the seniors. Let’s change as many lives as we can.”
9.How does the author introduce the charity in paragraph 1?
A.With a specific example. B.With a direct quotation.
C.With an exact statement. D.With an argumentative claim.
10.What inspired Bloom to start the charity?
A.His experience in North China. B.Support from corporate sponsors.
C.His own respect toward the elders. D.Advice from the Make-A-Wish Foundation.
11.What does the underlined word “germinate” in paragraph 2 mean?
A.Dive. B.Grow. C.Burst. D.Divide.
12.What does the author think of Bloom?
A.He is truly respected. B.He is widely introduced.
C.He is largely assisted. D.He is completely committed.
【答案】9.A 10.A 11.B 12.D
【导语】本文是一篇记叙文。主要由三位百岁姐妹团聚的事例引出公益组织Wish of a Lifetime,介绍其创立背景、运营模式和成果,以及创始人的投入与初心。
9.推理判断题。根据第一段中的“It had been more than 10 years since they got together like this. The three sisters’ eyes were filled with tears, hands holding tight. Rubye was 110 years of age at the time, while Ruth was 104 and Rose was 101. These three centenarians (百岁老人) were enjoying a long-awaited reunion made by a nonprofit charity — Wish of a Lifetime.(她们已经十多年没有这样相聚了。三姐妹眼中噙满泪水,紧紧牵着手。当时鲁比110岁,露丝104岁,罗丝101岁。这三位百岁老人正享受着由非营利慈善机构——终生愿望组织促成的这场期待已久的团聚。)”可知,作者通过讲述三位百岁姐妹团聚的具体事例来介绍这个慈善机构。故选A项。
10.细节理解题。根据第二段中的“When he took a trip to North China for a skiing competition at age 15, Bloom was moved by how many passengers helped an elderly slow-walking woman onto a bus. In that moment, a seed was planted, though it took 10 years for the seed to germinate into Wish of a Lifetime.(15岁时,布鲁姆去中国华北参加滑雪比赛,看到众多乘客搀扶一位步履蹒跚的老年妇女上车,他深受触动。在那一刻,一颗种子被种下,尽管过了10年这颗种子才成长为终生愿望组织。)”可知,布鲁姆在中国华北的经历启发他创立了这个慈善机构。故选A项。
11.词句猜测题。根据第二段中的“In that moment, a seed was planted, though it took 10 years for the seed to germinate into Wish of a Lifetime.(在那一刻,一颗种子被种下,尽管过了10年这颗种子才germinate成终生愿望组织。)”可知,句中将创立慈善机构的想法比作种下的种子,结合种子的生长规律,此处指种子慢慢成长、发展为这个慈善组织,germinate意为“生长、萌发”,与grow意义相近。故选B项。
12.推理判断题。根据第五段中的“Wish of a Lifetime is not Bloom’s full-time job, but his full-time focus. “It was my 100percent all in,” Bloom says. “Let’s build a program. Let’s meet the seniors. Let’s change as many lives as we can.”(终生愿望组织并非布鲁姆的全职工作,却是他全身心投入的焦点。布鲁姆说:“我为它倾尽了全部心力。让我们打造这个项目,走近老年人,尽我们所能改变更多人的生活。”)”可知,作者通过描述布鲁姆的言行,体现出他对这个慈善事业是全身心投入、尽心尽力的。故选D项。
Passage 4
(2026·安徽淮北·一模)Early memories have the power to shape who you are. Unfortunately, in my life, many of my formative moments centered around my struggles with body image.
For most of my life, I have been highly conscious of others’ perceptions of my appearance. Whenever I’m around someone I don’t know well, I actively use body language to make myself appear thinner. When I was in fourth grade, I remember asking my best friend, “Do you think I’m fat?” She responded, “No, of course not.” But her response didn’t comfort me. Since then, I have been vigilant of my body; I realized that the way I see myself isn’t the same as how others see me.
Hearing people talk about weight gain as a negative has affected how I feel about myself. One friend used to tell me I’m on “the good side of plus-sized.” All it does is tell me that I’m overweight. In middle school, I felt like I had to prove to my friends that I was active and healthy. And even today, I worry over normal weight changes, all to try and avoid people sharing their “concerns” with my size.
Discussing body image is difficult. What I have found is that being allowed to speak openly without judgment builds my self-confidence, because I feel that my voice is being heard. I am beginning to listen to my body and understand how it works. I hope to stop overanalyzing and build confidence — not through a number on the scale, but through self-acceptance.
13.What does the author realize after talking to her best friend?
A.Her friend truly understood her worries. B.She needed to lose weight immediately.
C.Her self-image differed from others’ views. D.Her appearance was objectively unattractive.
14.What does the underlined word vigilant mean in paragraph 2?
A.Slightly conscious. B.Extremely aware.
C.Completely confident. D.Comfortably familiar.
15.How did her friend’s words “the good side of plus-sized” affect the author?
A.It confirmed her fear of being overweight. B.It provided comfort about her appearance.
C.It motivated her to exercise more regularly. D.It helped her to understand body positivity.
16.What is the main message of the passage?
A.Social approval determines personal worth. B.Childhood experiences cannot be overcome.
C.Weight loss should be the primary health goal. D.Self-acceptance matters more than appearance.
【答案】13.C 14.B 15.A 16.D
【导语】这是一篇记叙文。主要讲述了作者的早期记忆受身体意象困扰,长期在意他人对自己外表的看法,因他人相关言论焦虑,如今希望通过坦诚表达和自我接纳建立自信,不再过度纠结体重。
13.细节理解题。根据第二段“But her response didn’t comfort me.(但她的回答并没有让我感到宽慰)”以及“I realized that the way I see myself isn’t the same as how others see me.(我意识到自己看待自己的方式与他人对我的看法并不相同)”可知,作者看待自己的方式和别人看待自己的方式是不一样的。故选C。
14.词句猜测题。根据划线词句“Since then, I have been vigilant of my body; I realized that the way I see myself isn’t the same as how others see me.(从那以后,我开始更加vigilant自己的身体状况;我意识到自己看待自己的方式与他人对我的看法并不相同)”,再结合,前文中作者一直都很在意自己的外貌,并且也很在乎别人对自己外貌的看法。作者在与友人交流之后,发现看法的不一致而更加敏感。故划线词意思是“格外警惕,高度警觉”。故选B。
15.细节理解题。根据第三段“One friend used to tell me I’m on “the good side of plus-sized.” All it does is tell me that I’m overweight.(有位朋友曾跟我说:“你属于‘算是微胖中较好的那一边’。”但这其实只是在告诉我,我体重超标了)”可知,作者朋友所说的“大码身材的优点”证实了作者对肥胖的恐惧。故选A。
16.主旨大意题。根据最后一段“I hope to stop overanalyzing and build confidence — not through a number on the scale, but through self-acceptance.(我希望不再过度纠结于体重问题,而是建立起自信——不是依靠体重秤上的数字,而是依靠自我接纳)”以及文章首段提出作者早期关于身材的痛苦记忆,塑造了长久以来的自我认知;第二段回忆童年(四年级)的具体事件,展现“我”对外界眼光的过度敏感以及自我认知与外界认知的割裂;第三段叙述中学及成年后,社会评价和同伴言论如何持续加剧“我”的焦虑,导致“我”不断试图证明自己;最后一段通过开放的对话建立自信,并决心从“过度分析”转向“自我接纳”。可知,这篇文章的主要观点是自我接纳比外表更重要。故选D。
Passage 5
(2026·安徽黄山·一模)A year after Walt Disney made history with Snow White and the Seven Dwarfs, his artists were struggling to find the right design for the woodland backgrounds of Bambi, the tale of a young deer. The film’s production team realized they needed an alternative to the style that highlighted almost all of the leaves, flowers and mushrooms in the woods of Snow White.
Soon they got their inspiration from Tyrus Wong, whose work was on display as a new exhibit at New York City’s Museum of Chinese in America. In 1938, the Walt Disney Studios hired him to draw the frames between the main drawings of the animators. After reading the story of Bambi, he saw an opportunity to break out of his dull job. He said to himself “This is all outdoor scenery. And I’m a landscape painter. This will be great!”
Inspired by Chinese landscape paintings, he used watercolour and pastel (蜡笔) to make sketches that brought the feeling of forest scenes with simple strokes of colour and special attention to light and shadow. Wong’s sketches attracted Disney and became the guide for Bambi’s background artists, who were later trained to imitate his style. “His expression was a great leap forward for the medium,” wrote John Lasseter, the chief creative officer for Walt Disney and Pixar Animation Studios. “Where other films were literal, Bambi was expressive and emotional.” In 2001, Wong was named “Disney Legend”, and he received the recognition as the true lead artist.
He pursued art all his life and still made art during his retirement, including toy animals from recycled materials and handmade kites that he regularly flew off the Santa Monica Pier in California. “People admired his work because of Bambi, but Bambi was just a really small part of his life,” said his youngest daughter. “He considered himself not a great artist but a lucky artist, who was at the right place at the right time.”
17.Why did Walt Disney’s artists notice Tyrus Wong?
A.He was good at drawing cartoon characters.
B.His works focused on Chinese animated characters.
C.His style was suitable for the woods of Bambi.
D.He won a prize at a museum in New York.
18.What can we say about Tyrus Wong’s artistic style?
A.It highlighted almost all the leaves and flowers in the woods.
B.It captured the essence of the forest through some techniques.
C.It focused on rich details and clear outlines of the forest.
D.It was inspired by the style of Snow White and the Seven Dwarfs.
19.Which words can best describe Tyrus Wong?
A.Ambitious and competitive.
B.Innovative and modest.
C.Practical and cautious.
D.Determined and conservative.
20.What is the best title for the text?
A.Tyrus Wong: The Vision Behind Bambi
B.Disney’s Best Artist: Tyrus Wong
C.The Unsung Hero of Disney’s Golden Age
D.The Chinese Art in Western Animation
【答案】17.C 18.B 19.B 20.A
【导语】本文是一篇记叙文。文章主要讲述了黄齐耀为《小鹿斑比》设计背景,其创作获认可且他一生执着于艺术的故事。
17.推理判断题。根据第一段中“A year after Walt Disney made history with Snow White and the Seven Dwarfs, his artists were struggling to find the right design for the woodland backgrounds of Bambi, the tale of a young deer.(在华特·迪士尼凭借《白雪公主和七个小矮人》创造历史一年后,他的艺术家们正努力为《小鹿斑比》——一个关于小鹿的故事——的森林背景找到合适的设计。)”以及第三段中“Inspired by Chinese landscape paintings, he used watercolour and pastel (蜡笔) to make sketches that brought the feeling of forest scenes with simple strokes of colour and special attention to light and shadow. Wong’s sketches attracted Disney and became the guide for Bambi’s background artists, who were later trained to imitate his style. (受中国山水画的启发,黄齐耀用水彩和蜡笔创作草图,仅以简约的色彩笔触,搭配对光影的精妙把控,便勾勒出森林场景的意境。他的草图吸引了迪士尼的注意,成为《小鹿斑比》背景画师的创作蓝本,这些画师后来还接受了专门训练,模仿他的绘画风格。)”可知,华特·迪士尼的艺术家们注意到黄齐耀是因为他的风格适合《小鹿斑比》的森林背景。故选C。
18.细节理解题。根据第三段中“Inspired by Chinese landscape paintings, he used watercolour and pastel(蜡笔) to make sketches that brought the feeling of forest scenes with simple strokes of colour and special attention to light and shadow.(受中国山水画的启发,黄齐耀用水彩和蜡笔创作草图,仅以简约的色彩笔触,搭配对光影的精妙把控,便勾勒出森林场景的意境。)”可知,黄齐耀的艺术风格通过一些技巧捕捉到了森林的精髓。故选B。
19.推理判断题。根据第三段中““His expression was a great leap forward for the medium,” wrote John Lasseter, the chief creative officer for Walt Disney and Pixar Animation Studios. “Where other films were literal, Bambi was expressive and emotional.”(华特·迪士尼与皮克斯动画工作室的首席创意官约翰・拉塞特曾评价:“他的表现手法,为动画这一艺术形式实现了一次巨大的突破。其他影片的画面追求写实,而《小鹿斑比》的画面却富有表现力与情感张力。”)”以及最后一段中“He considered himself not a great artist but a lucky artist, who was at the right place at the right time.(他认为自己不是一个伟大的艺术家,而是一个幸运的艺术家,在正确的时间出现在正确的地点。)”可知,黄齐耀具有创新性和谦逊的品质。故选B。
20.主旨大意题。通读全文,尤其是根据第三段中“Inspired by Chinese landscape paintings, he used watercolour and pastel (蜡笔) to make sketches that brought the feeling of forest scenes with simple strokes of colour and special attention to light and shadow. Wong’s sketches attracted Disney and became the guide for Bambi’s background artists, who were later trained to imitate his style. (受中国山水画的启发,黄齐耀用水彩和蜡笔创作草图,仅以简约的色彩笔触,搭配对光影的精妙把控,便勾勒出森林场景的意境。他的草图吸引了迪士尼的注意,成为《小鹿斑比》背景画师的创作蓝本,这些画师后来还接受了专门训练,模仿他的绘画风格。)”可知,文章主要讲述了华特·迪士尼的艺术家因黄齐耀风格适合《小鹿斑比》森林背景而注意到他,他创新且谦逊,故A项“黄齐耀:《小鹿斑比》背后的愿景”最适合作为文章标题。故选A。
Passage 6
(2026·安徽六安·一模)Andy Kong has worked very hard to get to where he is today. He credits becoming a millionaire by 20 to his strict Asian parents who tutored him at a young age by working for the family.
Kong, of Danville, Virginia, started working when he was only nine. English wasn’t a strong suit for Andy’s parents, and that’s where he was able to assist his family the most. After school and on weekends, he would help out at their family-owned restaurant and nail salons. Not only did he do the labor work, but he was also involved in creating online ads. This was his introduction to the world of online business.
Andy started his Amazon business in the eighth grade. When he learned about Amazon dropshipping (代发货模式) from a kid he saw on Instagram, he got inspired and decided to give it a try. Unfortunately, the store eventually got shut down because he was impatient with the growth. Instead of considering it a failure, he viewed this experience as a life lesson and learned from his mistakes. Meanwhile, his parents never stopped trying to talk him into focusing on school and their retail business.
“The biggest challenge when starting a business is getting someone to believe in you,” Andy says. He pushed through and did things for himself even when his loved ones discouraged it.
In 2019, Andy met his new business partners, and together, they created an Amazon management company called Project WiFi. This Project has proven to be extremely successful. They currently help over 55 clients run their online businesses, and plan to help many more in the future.
When asked about the secret to his success, Andy says, “Learning to sacrifice whether that’s family, friends, or soccer game for a single goal is the only way to succeed, rather than attempting multiple things. If it’s worth doing, then it’s worth doing well with no shortcuts.”
21.Why did Andy work in his parents’ shops at a young age?
A.Because he could earn some pocket money.
B.Because his parents weren’t fluent in English.
C.Because his parents could help with his study.
D.Because he could get access to the Internet.
22.What does paragraph 3 talk about?
A.A new online business model. B.Results of working impatiently.
C.Difficulties in Andy’s career. D.Andy’s tense family relationship.
23.What does Andy think contributes to his success?
A.His part-time job experience in retail. B.Lessons learned from his failures.
C.Gaining other people’s trust. D.Focusing on one thing at a time.
24.Which of the following can best describe Andy Kong’s personality?
A.Motivated and open-minded. B.Committed and generous.
C.Creative and faithful. D.Hard-working and sociable.
【答案】21.B 22.C 23.D 24.A
【导语】本文是一篇记叙文。文章主要讲述了Andy Kong创业的过程。
21.细节理解题。根据第二段的“English wasn’t a strong suit for Andy’s parents, and that’s where he was able to assist his family the most.(安迪的父母并不擅长英语,而这正是他能够最大限度地帮助家人的地方)”可知,安迪很小的时候就在父母的店里工作是因为他的父母英语不流利。故选B。
22.主旨大意题。通读全段,并根据第三段的“Unfortunately, the store eventually got shut down because he was impatient with the growth.(不幸的是,由于他对增长缺乏耐心,这家店最终倒闭了)”可知,第三段主要讲的是安迪事业上的困难。故选C。
23.细节理解题。根据最后一段的“Learning to sacrifice whether that’s family, friends, or soccer game for a single goal is the only way to succeed, rather than attempting multiple things.(学会为一个目标牺牲,无论是家庭、朋友或足球比赛,才是成功的唯一途径,而不是尝试多件事)”可知,安迪认为一次只专注于一件事促成了他的成功。故选D。
24.推理判断题。根据第三段的“Instead of considering it a failure, he viewed this experience as a life lesson and learned from his mistakes.(他没有认为这是一次失败,而是把这段经历视为人生的教训,并从错误中吸取教训)”可知,他是思想开明的,即open-minded;再根据倒数第三段的“He pushed through and did things for himself even when his loved ones discouraged it.(他坚持了下来,为自己做了一些事情,即使他爱的人劝阻他别这么做)”可知,他是积极上进的,即motivated。故选A。
Passage 1
(2026·安徽芜湖·一模)The Unlikely Beginning
The conference room was stifling, the air thick with the scent of stale coffee and unspoken skepticism. Rob Reiner, then known to the public only as “Mike Stivic,” the liberal son-in-law from All in the Family, felt the weight of every gaze. He wasn’t an actor here; he was a first-time director pitching a movie no one believed in — a coming-of-age story set in the 1950s, adapted from a Stephen King novella, titled Stand by Me.
His mind flashed back to the initial phone call with the studio head. The voice on the line had been polite but dismissive. “Rob, it’s a small story. Boys, a dead body...where’s the market?” They saw a sitcom star dabbling in whimsy. They didn’t see the quiet obsession that had gripped Reiner for months, the clarity with which he could already visualize the misty Oregon tracks, the dynamic between the four young boys, the fragile bridge between childhood and adulthood.
The real turning point, the one that never made the press releases, happened in a cramped editing suite weeks before this meeting. Reiner was watching the raw footage of the famous campfire scene, where the boys share their deepest fears. The takes were good, but something was missing — the profound, vulnerable silence that follows a shared secret. Frustrated, he asked the editor to strip the scene of all music and stretch the pause after the last line. For five full seconds, the screen held only on the actors’ faces, flickering in the firelight, a complex tapestry of bravado melting into innocence. In that silence, Reiner found the soul of his film. It was no longer just a “kids’ adventure”; it was a meditation on memory and loss.
Leaning forward in the oppressive conference room, Reiner bypassed the box-office projections his producers loved. Instead, he described that campfire silence. He spoke of the universal ache of growing up, the friendships that define us, and the specific, unshakeable feeling of a first summer without a safety net. He wasn’t just selling a movie; he was offering an emotional truth. The room’s energy shifted, almost imperceptibly. The skepticism didn’t evaporate, but it made room for curiosity.
Years later, Stand by Me would be hailed as a classic. But its journey began not with a bang, but with a director’s fight to preserve a powerful, risky silence — a quiet moment that would echo loudly for generations.
25.What was the major obstacle Rob Reiner faced at the beginning of the project?
A.A lack of talented young actors for the main roles.
B.The industry’s prejudice against him based on his sitcom background.
C.Stephen King’s refusal to adapt the novella.
D.Extreme difficulties in finding suitable filming locations.
26.What does the underlined phrase “dabbling in whimsy” in Paragraph 2 imply about the studio’s view of Reiner?
A.They thought he was a highly innovative and serious artist.
B.They believed he was casually engaged in an unserious project.
C.They were impressed by his diverse career ambitions.
D.They considered him an expert in childhood stories.
27.What does the “turning point” in the editing suite reveal about Reiner’s directorial approach?
A.He relied heavily on test audience scores to make decisions.
B.He prioritized technical perfection over emotional resonance.
C.He understood that emotional impact could hinge on subtle, deliberate choices.
D.He was willing to let the film editor make all creative decisions.
28.Which of the following is the best interpretation of the title “The Unlikely Beginning”?
A.The film was based on an unlikely source, a horror writer’s story.
B.The director’s previous career made his success in film directing seem improbable.
C.The film’s production started during an unlikely season, winter.
D.The first day of shooting was filled with unlikely accidents.
【答案】25.B 26.B 27.C 28.B
【导语】本文是一篇记叙文。文章主要讲述了罗伯·莱纳执导《伴我同行》的艰难开端,以及他凭借对电影情感内核的把握突破阻碍的经历。
25.细节理解题。根据第一段中的“Rob Reiner, then known to the public only as “Mike Stivic,” the liberal son-in-law from All in the Family, felt the weight of every gaze.(罗布·里纳尔当时在公众面前的身份只是“迈克·斯蒂维克”——他是《全家福》中那位自由派的女婿,此刻他感受到了众人目光的沉重压力)”以及第二段中的“They saw a sitcom star dabbling in whimsy.(他们认为这位情景喜剧明星只是在涉足一些异想天开的事)”可知,罗伯·莱纳最初面临的主要障碍是业界因他的情景喜剧背景而对他抱有偏见,不认可他能执导好电影。故选B项。
26.推理判断题。根据第二段中的“The voice on the line had been polite but dismissive. “Rob, it’s a small story. Boys, a dead body...where’s the market?”(电话那头的声音礼貌却带着不屑:“罗伯,这只是个小故事,讲几个男孩和一具尸体……市场在哪里?”)”以及“They saw a sitcom star dabbling in whimsy.”可知,制片厂对罗伯·莱纳的项目不以为然,认为身为情景喜剧明星的他只是在随意尝试一个不严肃的项目。由此推知,“dabbling in whimsy”意为“随意涉足不严肃的事”。故选B项。
27.推理判断题。根据第三段中的“Frustrated, he asked the editor to strip the scene of all music and stretch the pause after the last line. For five full seconds, the screen held only on the actors’ faces, flickering in the firelight, a complex tapestry of bravado melting into innocence. In that silence, Reiner found the soul of his film.(失望之下,他让剪辑师删掉场景中的所有音乐,并延长最后一句台词后的停顿。整整五秒钟,屏幕上只有演员们在火光中闪烁的脸庞,一幅由虚张声势渐渐化为纯真的复杂画面。在那片寂静中,莱纳找到了他电影的灵魂)”可知,莱纳通过删减音乐、延长停顿这一细微且刻意的处理,赋予了场景情感内核,体现出他明白情感冲击力可能取决于微妙、精心的选择。故选C项。
28.推理判断题。根据全文内容,尤其是第一段中的“He wasn’t an actor here; he was a first-time director pitching a movie no one believed in(他在这里不是演员;而是一名首次执导的导演,正在推销一部无人看好的电影)”以及第二段中的“They saw a sitcom star dabbling in whimsy.(他们认为这位情景喜剧明星只是在涉足一些异想天开的事)”可知,罗伯·莱纳此前是情景喜剧演员,这一身份让他作为导演的首次尝试显得极不可能成功,这正是“看似不可能的开端”的核心含义,即这位导演的过往职业经历,曾让他在电影执导领域的成功显得几乎不可能。故选B项。
Passage 2
(2026·安徽宣城·一模)Every morning, as the first rays of sunlight flow through the curtains of her small apartment, 72-year-old Mrs. Thompson holds her knitting (编织) needles. Her fingers, weathered but skillful, weave soft thread into bright scarves, hats, and gloves. For years, these creations have been more than just winter necessities — they are her silent language of love, sent to strangers across the city through a local charity organization.
“It started as a way to fill the empty hours after my husband passed away,” she explains, her eyes crinkling with a gentle smile. “But soon, it became something deeper. Each item carries a wish: May this keep you warm. May you feel someone cares.”
The charity, called “Threads of Warmth,” collects handmade items and distributes them to homeless shelters, hospitals, and schools in low-income neighborhoods. Mrs. Thompson devotes herself to every detail. Her contributions, often decorated with delicate patterns, have become favorites among the recipients.
One winter afternoon, while delivering a batch of knitted goods to a shelter, Mrs. Thompson met a young girl named Mia, a child in a threadbare coat. When Mrs. Thompson offered her a bright red hat with a cute ball on top, Mia’s eyes lit up. “Is it really for me?” she whispered. Mrs. Thompson nodded, her heart swelling. “Yes, sweetheart. And there’s more where that came from.” That encounter sparked a change in Mia. She began visiting Mrs. Thompson’s apartment every weekend, learning to knit under her patient guidance. “Knitting is like magic,” Mia declared one day, her needles clicking rhythmically. “You start with a string, and it turns into something beautiful.”
Over time, Mia’s skills improved, and she even designed her first scarf-a striped pattern in blue and green, her favorite colors. Mrs. Thompson framed it as a reminder of Mia’s progress. “You see?” she said. “Kindness isn’t just about giving; it’s about passing on the light.”
Today, Threads of Warmth has expanded beyond the city, with volunteers nationwide joining the cause. Mrs. Thompson, though no longer the youngest member, remains its heart. Her apartment, once quiet, now buzzes with laughter as Mia and other children gather to knit, chat, and share stories.
29.What motivated Mrs. Thompson to start knitting for charity?
A.Her need to overcome loneliness. B.Her desire to earn extra money.
C.A request from a charity organization. D.Her childhood hobby of knitting.
30.What makes Mrs. Thompson’s contributions to the charity stand out?
A.Their quantities. B.Their materials. C.Their craftsmanship. D.Their market value.
31.Why was Mia’s encounter with Mrs. Thompson a turning point in her life?
A.To get immediate warmth from a red hat. B.To create beauty with hands and share warmth.
C.To become known for scarf designs in the town. D.To find a permanent home with Mrs. Thompson.
32.Which of the following best describes the theme of the passage?
A.The growth of a nationwide charity organization.
B.The challenges faced by the elderly in urban areas.
C.The importance of traditional crafts in modern society.
D.How small acts of kindness can create lasting connections.
【答案】29.A 30.C 31.B 32.D
【导语】这是一篇记叙文。文章讲述了72岁的汤普森夫人在丈夫去世后,通过编织手工艺品并捐赠给慈善机构来排解孤独,她的善举不仅温暖了城市里的陌生人,还感染了小女孩米娅,让爱心得以传递,同时也让“温暖丝线”慈善组织不断发展壮大的故事。
29.细节理解题。根据第二段“It started as a way to fill the empty hours after my husband passed away (这一开始是为了打发我丈夫去世后的空虚时光)”可知,汤普森夫人开始为慈善机构编织,最初是为了打发丈夫去世后的空虚时光,排解内心的孤独。故选A。
30.推理判断题。根据第三段“Mrs. Thompson devotes herself to every detail. Her contributions, often decorated with delicate patterns, have become favorites among the recipients (汤普森夫人专注于每一个细节。她捐赠的物品通常装饰着精美的花纹,已成为受赠者的最爱)”可知,汤普森夫人专注于每一个细节,她捐赠的物品有着精美的花纹,深受受赠者喜爱,这体现出她的编织品工艺精湛。故选C。
31.推理判断题。根据第四段“One winter afternoon, while delivering a batch of knitted goods to a shelter, Mrs. Thompson met a young girl named Mia, a child in a threadbare coat. When Mrs. Thompson offered her a bright red hat with a cute ball on top, Mia’s eyes lit up. ‘Is it really for me?’ she whispered. Mrs. Thompson nodded, her heart swelling. ‘Yes, sweetheart. And there’s more where that came from.’ That encounter sparked a change in Mia. She began visiting Mrs. Thompson’s apartment every weekend, learning to knit under her patient guidance. ‘Knitting is like magic,’ Mia declared one day, her needles clicking rhythmically. ‘You start with a string, and it turns into something beautiful.’ (一个冬日的下午,当汤普森夫人把一批编织品送到一个收容所时,她遇到了一个名叫米娅的小女孩,一个穿着破旧外套的孩子。当汤普森夫人递给她一顶顶上有个可爱小球的鲜红色帽子时,米娅的眼睛亮了起来。“这真的是给我的吗?”她小声问。汤普森夫人点了点头,心里暖暖的。“是的,亲爱的。以后还有更多呢。”那次相遇给米娅带来了改变。她开始每周都去汤普森夫人的公寓,在她耐心的指导下学习编织。“编织就像魔法,”有一天米娅说,她的织针有节奏地咔嗒作响,“你从一根线开始,它会变成一件美丽的东西。”)”可知,与汤普森夫人的相遇,让米娅感受到温暖,进而学会编织,用双手创造美好、传递温暖,这成为她人生的转折点。故选B。
32.主旨大意题。文章讲述了汤普森夫人小小的编织善举,不仅温暖了他人,还传递了爱心,建立起人与人之间长久的联结。D选项“小小的善举如何创造长久的联结”最能概括文章主旨,故选D。
Passage 3
(2026·安徽芜湖·一模)Global warming is mainly driven by greenhouse gases, but nature fights back with carbon sinks, places that absorb more carbon than they release.
Forests are one of these natural carbon sinks. However, they are difficult to study thoroughly, especially in the complex landscapes of China. With so many plant types, measuring each one takes a lot of time and effort.
To solve this problem, two students from Sun Yat-sen Memorial Middle School in Zhongshan, Guangdong, built a predictive model. Their idea won the Excellent Poster Award at the 2025 International Congress of Basic Science (ICBS).
“We’ve learned that trees take in carbon dioxide and give out oxygen through photosynthesis (光合作用),” said 17-year-old Ouyang Anduo, one of the students who won the award. “But this was our first time studying a forest, a complex system with many factors to consider.”
To narrow the scope, they focused on one very important factor — forest canopy (冠层) height. This factor shows the forest’s health, helping people understand its carbon storage and adjust their strategies to maintain ecological balance, protect species diversity, regulate climate and more.
Forest canopy height directly affects the accuracy of carbon storage estimation and biodiversity assessment, but it can be influenced by many variables, which makes it difficult to determine the relationships among them. “Then we thought of machine learning. Why not let a model learn on its own?” said 17-year-old Li Xiaoyong, another award-winning student. They integrated Global Ecosystem Dynamics Investigation (GEDI) LiDAR data with multi-source environmental variables such as climate, topography (地形) and soil. The model then identified patterns and made predictions.
But teaching a model to learn was not easy. At times, the algorithm fit too closely to its training data, leaving it unable to make accurate predictions with new data. “We spent a long time finding solutions and adjusting the model,” said Ouyang. “This made me feel like a real scientist, handling each step with great rigor and patience.”
33.What’s the purpose of the two teens building a predictive model?
A.To measure plant types faster. B.To study forests more efficiently.
C.To win an international competition. D.To solve the problem of global warming.
34.Why did they focus on canopy height?
A.Because it’s vital in carbon storage.
B.Because it helps protect species diversity.
C.Because it is difficult to study thoroughly.
D.Because it reflects multiple aspects of forest health.
35.What does Ouyang imply in the last paragraph?
A.Students should try hard to be scientists.
B.Scientists should make accurate predictions.
C.Society should show respect for science.
D.Students should learn the true spirit of scientists.
36.What can be the best title for the text?
A.Why Forests Are So Important
B.The Study of Forest Canopy Height
C.Teens Win an Award for Forest Research Model
D.How to Build a Predictive Model Effectively
【答案】33.B 34.D 35.D 36.C
【导语】本文是一篇记叙文。文章讲述了两名广东中学生为解决森林碳汇研究难题,利用机器学习和多源数据建立森林冠层高度预测模型的过程,该项目荣获国际奖项。
33.推理判断题。根据第二段“Forests are one of these natural carbon sinks. However, they are difficult to study thoroughly, especially in the complex landscapes of China. With so many plant types, measuring each one takes a lot of time and effort.(森林属于这些天然的碳储存体之一。然而,对其进行深入研究却十分困难,尤其是在中国这种复杂的地理环境中。由于植物种类繁多,对每一种植物进行测量都需要耗费大量的时间和精力。)”和第三段中“To solve this problem, two students from Sun Yat-sen Memorial Middle School in Zhongshan, Guangdong, built a predictive model.(为了解决这个问题,来自广东省中山市中山纪念中学的两名学生构建了一个预测模型。)”可知,深入研究森林非常困难,需要耗费大量时间和精力,两位青少年构建预测模型恰是为了应对这一问题。由此推知,他们的目的是更高效地研究森林。故选B项。
34.细节理解题。根据第五段中“This factor shows the forest’s health, helping people understand its carbon storage and adjust their strategies to maintain ecological balance, protect species diversity, regulate climate and more.(这一因素反映了森林的健康状况,有助于人们了解其碳储存量,并据此调整策略以维持生态平衡、保护物种多样性、调节气候等。)”可知,他们关注冠层高度是因为它反映了森林健康的多个方面。故选D项。
35.推理判断题。根据最后一段中Ouyang所说的话“We spent a long time finding solutions and adjusting the model(我们花了很长的一段时间来寻找解决方案并调整模型)”和“This made me feel like a real scientist, handling each step with great rigor and patience.(这让我感觉像一个真正的科学家,以极大的严谨和耐心处理每一步。)”可知,Ouyang强调体验科学家的精神,以严谨和耐心对待任务。由此推知,他暗示学生应该学习科学家的真正精神。故选D项。
36.主旨大意题。通读全文,尤其是第三段“To solve this problem, two students from Sun Yat-sen Memorial Middle School in Zhongshan, Guangdong, built a predictive model. Their idea won the Excellent Poster Award at the 2025 International Congress of Basic Science (ICBS).(为了解决这个问题,来自广东省中山市中山纪念中学的两名学生构建了一个预测模型。他们的这一想法在2025年国际基础科学大会(ICBS)上获得了海报优秀奖。)”可知,文章主要讲述两名中学生为解决森林研究难题,建立基于冠层高度的预测模型,并因此获奖的经历,涵盖他们的动机、方法、挑战和感悟。因此,C项“青少年因森林研究模型获奖”最契合文章主旨,适合作为文章标题。故选C项。
Passage 4
(2026·安徽合肥·一模)Zhang Peidong, a professor from the Ocean University of China, has been diving for 16 years, exploring the underwater “grasslands” covered with seagrass. These seagrass beds are essential habitats for sea life. However, human activities and changes in the environment have caused a big drop in seagrass beds around the world. In 2008, Zhang and his colleague Li Wentao found a worrying situation in Rongcheng Bay, a key area for seagrass beds in China. The number of overwintering swans had dropped sharply because of the loss of seagrass, a main food source.
Faced with this ecological crisis, Zhang and Li changed their research focus from aquaculture (水产养殖) to seagrass bed restoration, an area that had received little attention at the time. Their efforts were supported by a Weihai-based company, which provided free workshops, office space, housing, and workers for the research team. The company’s general manager noted that many employees, being children of fishermen, were eager to contribute to the restoration efforts.
After years of hard work, the research team developed a way to grow eelgrass seedlings artificially. By understanding the growth patterns and the best seed collection times, they managed to reduce the growing period from nearly three months to just 10 days. The team also created several sets of equipment with independent intellectual property rights to improve planting efficiency.
Over the past 16 years, the research team has taken part in more than 10 seagrass bed restoration projects in China, covering over 1,333 hectares in the Yellow and Bohai Seas. Their efforts have led to the recovery of more than 40% of the seagrass beds in Swan Lake, attracting more swans to the area. The restoration technology has also been used in other provinces, such as Hebei and Liaoning, significantly improving local water quality and biodiversity.
The team’s commitment to seagrass bed restoration has brought new life to underwater ecosystems and set a positive example for ecological conservation efforts globally. Their work highlights the importance of protecting marine habitats and the potential for joint efforts between academia and industry to address environmental challenges.
37.What led to the decline of the overwintering swans?
A.Loss of food sources like seagrass.
B.habitat loss due to human activities.
C.Increased hunting and lead poisoning.
D.Climate change and warmer winters.
38.How did the team help restore the underwater grassland?
A.By protecting existing seagrass beds.
B.By creating new equipment for planting.
C.By shortening the growth period of eelgrass.
D.By developing artificial cultivation technology.
39.Why are the statistics used in Paragraph 4?
A.To show the effectiveness of the restoration efforts.
B.To stress the importance of protecting seagrass beds.
C.To highlight the challenges faced by the researchers.
D.To compare the success of different restoration projects.
40.What does the last paragraph imply?
A.Seagrass restoration is the only solution.
B.The team’s efforts are globally recognized.
C.Cooperation aids environmental protection.
D.Underwater ecosystem remains vital to humans.
【答案】37.A 38.D 39.A 40.C
【导语】本文是一篇记叙文。文章主要介绍了中国海洋大学教授张培东及其团队在修复海草床方面所做的努力和取得的成效,强调了保护海洋栖息地的重要性以及学术界与产业界合作应对环境挑战的潜力。
37.细节理解题。根据第一段中“The number of overwintering swans had dropped sharply because of the loss of seagrass, a main food source.(由于主要食物来源海草的消失,越冬天鹅的数量急剧下降)”可知,海草等食物来源的减少导致了越冬天鹅数量的下降。故选A项。
38.细节理解题。根据第三段中“After years of hard work, the research team developed a way to grow eelgrass seedlings artificially.(经过多年的努力,研究小组开发出了一种人工培育鳗草幼苗的方法)”可知,研究团队通过开发人工培育技术来帮助修复水下草地。故选D项。
39.推理判断题。根据第四段“Over the past 16 years, the research team has taken part in more than 10 seagrass bed restoration projects in China, covering over 1,333 hectares in the Yellow and Bohai Seas. Their efforts have led to the recovery of more than 40% of the seagrass beds in Swan Lake, attracting more swans to the area. The restoration technology has also been used in other provinces, such as Hebei and Liaoning, significantly improving local water quality and biodiversity.(在过去的16年里,该研究团队在中国参与了10多个海草床修复项目,覆盖了黄海和渤海1333多公顷的海域。他们的努力使天鹅湖40%以上的海草床得到恢复,吸引了更多的天鹅来到该地区。该修复技术还应用于河北、辽宁等其他省份,显著改善了当地水质和生物多样性)”可知,本段通过列举数据,如参与的项目数量、覆盖的海域面积、海草床恢复的比例以及应用该技术的省份等,来展示修复工作的成效。故选A项。
40.推理判断题。根据最后一段中“Their work highlights the importance of protecting marine habitats and the potential for joint efforts between academia and industry to address environmental challenges.(他们的工作强调了保护海洋栖息地的重要性,以及学术界和产业界共同努力应对环境挑战的潜力)”可知,最后一段暗示了合作有助于环境保护。故选C项。
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