Unit 6 Period 1 Starting out & Understanding ideas(分层作业)英语外研版选择性必修第三册

2026-03-12
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学段 高中
学科 英语
教材版本 高中英语外研版选择性必修第三册
年级 高二
章节 Starting out,Understanding ideas
类型 作业-同步练
知识点 -
使用场景 同步教学-新授课
学年 2026-2027
地区(省份) 全国
地区(市) -
地区(区县) -
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文件大小 230 KB
发布时间 2026-03-12
更新时间 2026-03-12
作者 showmeshowme
品牌系列 上好课·上好课
审核时间 2026-03-12
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Unit 6 Period 1 Starting out & Understanding ideas分层练习 基础达标 01 能力提升 02 拓展培优 03 一、将下列短语翻译为英文。 1.run the risk of 2.look through 3.talk on and on 4.come about 5.come into view 6.by the time 7.not at all 8.separate from 二、根据句意及汉语提示写出单词。 1.weekly 2.inspector 3.bend 4.innocent 5.strengthen 三、单句语法填空。 1.inspecting 2.bent 3.innocence 4.on 5.glaring 四、根据汉语意思完成句子 1. Only if; can you realize 2. Whatever difficulties he meets with, the scientist is determined to continue his research. 3. Yuan Longping devoted himself to getting rid of hunger all over the world. 4. Influenced by his story 5. since we got to know each other 五、语法填空 1. was written 2.how 3.introduces 4.and 5.raising 6.to support 7.themselves 8.familiarity 9.with 10.valuable 六、阅读理解 1.C 2.B 3.A 4.B 【导语】这是一篇说明文。本文聚焦儿童出版领域的变革及父母创作者如何填补市场空白。 1.细节理解题。根据第一段中“Because of this economic reality, many publishers lean heavily into “sure things”—like celebrity books, series, and popular IP projects.(正因为这一经济现实,许多出版商在很大程度上倾向于选择 “稳妥项目”—— 比如名人著作、系列丛书以及热门 IP 项目)”可知,许多出版商大幅倚重“稳妥项目”是为了解决经济压力。故选C项。 2.细节理解题。根据第三段中“In the past, they might make up their own stories, tell them to their child at bedtime, and leave it at that. But now, easy access to print-on-demand companies like Amazon KDP and Ingram Spark has given parents a way to create the books they want...(过去,他们或许会自己编些故事,在睡前讲给孩子听,事情也就到此为止了。但如今,通过亚马逊 KDP、英格拉姆・斯帕克等按需印刷公司获取服务变得十分便捷,这为父母们提供了一种创作自己想要的书籍的途径……)”可知,像亚马逊KDP和英格拉姆这样的按需印刷公司让家长们可以轻松接触到出版渠道,从而能够创作自己想要的书籍。故选B项。 3.推理判断题。根据第四段“Ben’s books have been already sold almost $60,000 in preorders. Nicole sold thousands of copies, and has become an influencer in SPD with 350,000 followers across multiple platforms.(Ben的书籍预售额已接近6万美元。Nicole售出了数千册书,并成为感觉处理障碍领域的影响力人物,在多个平台拥有35万粉丝)”推知,本段通过举例子的方式证明了自出版书籍的受欢迎程度。故选A项。 4.主旨大意题。通读文章可知,本文主要介绍了家长们自出版书籍的原因、影响。结合最后一段“The explosion of self-publishing has opened the door for unknown authors to create books that fill those gaps in the market that traditional publishers can’t or won’t fill. And parent authors are the very people who discovered those gaps in the first place. There are always more stories to be told.(自出版的蓬勃发展,为不知名作者打开了一扇门 —— 他们得以创作书籍,填补那些传统出版商无力或不愿填补的市场空白。而家长作者正是最早发现这些空白的人。值得讲述的故事还有很多)”可知,B项“家长作者有助于填补书架上的空白”包含文章中心话题,可以作为最佳标题。故选B项。 七、七选五 5.D 6.A 7.G 8.F 9.E 【导语】本文是一篇议论文。文章主要探讨了在数字媒体时代文学的持久价值和意义。文章通过引用多位著名作家和评论家的观点,阐述了文学作为记录人类经验、反映社会现实、探索人性复杂性的独特作用。 5.前文“In an age dominated by digital media, the question of literature’s relevance has never been more pressing.(在数字媒体主导的时代,文学的相关性问题从未如此紧迫)”提到数字媒体时代下文学价值的质疑,后文“As a novelist and literary critic, I often turn to the insights of great writers who have delved into this question before me.(作为小说家和文学评论家,我经常求助于那些在我之前探讨过这个问题的伟大作家的见解)”转向作者个人视角。由此可知,空处应承接前文对文学价值的质疑。D项“Some even argue that literature has lost its place in modern society.(有些人甚至认为文学在现代社会中已经失去了地位)”符合语境,故选D。 6.前文“For Morrison, literature was not merely a form of entertainment.(对莫里森来说,文学不仅仅是娱乐形式)”否定文学的单一功能,后文“Through language, we preserve our experiences, our emotions, and our very essence.(通过语言,我们保存了我们的经历、情感和本质)”说明文学的深层作用。空处需体现文学的反遗忘特性。A项“It is an act of resistance against being forgotten.(它是一种抵抗被遗忘的行为)”与莫里森“语言是生命尺度”的观点高度契合,故选A。 7.前文“James Baldwin, in his essay “The Creative Process”, argued that literature serves as a mirror and a map.(詹姆斯·鲍德温在他的文章《创造性过程》中认为,文学就像一面镜子,一张地图)”提及鲍德温认为文学是“镜与图”,后文“Baldwin believed that literature had the power to confront uncomfortable truths and inspire social change. (奥尔登认为,文学有力量面对令人不安的真相,并激发社会变革)”举例说明其作品如何反映现实并指引道德进步。空处应为鲍德温原话,需同时包含“mirror”和“map”的隐喻。G项“It was through literature that we could see ourselves clearly and chart a course for our future.(正是通过文学,我们才能清晰地认识自己并为未来规划路线)”完美呼应“镜子与地图”的双重功能,故选G。 8.前文“‘The novel’s wisdom,’ he claimed, ‘is different from the wisdom of philosophy.’(昆德拉认为小说智慧不同于哲学智慧)”,后文“For Kundera, literature’s value lies in its capacity to embrace life's contradictions without seeking simplistic resolutions.(对于昆德拉来说,文学的价值在于它能够拥抱生活的矛盾,而不寻求简单的解决方案)”强调文学包容矛盾的特性。空处需体现文学智慧的独特性。F项“It is the wisdom of uncertainty, of ambiguity and of questioning rather than answering.(它是一种关于不确定性、模糊性,以及提问而非回答的智慧)”准确对应昆德拉对文学“复杂存在探索”的论述,故选F。 9.前文“As I reflect on these perspectives, I am reminded of literature’s unique role in our lives.(当我反思这些观点时,我想起了文学在我们生活中的独特作用)”总结前文,后文“By revealing unseen possibilities, it acts as both a time capsule of collective memory and a blueprint for unwritten futures.(通过揭示未知的可能性,它既是集体记忆的时间胶囊,也是未写成的未来的蓝图)”说明文学的双重功能。空处需承上启下。E项“It is not just a reflection of who we are but also a vision of who we might become.(它不仅反映我们是谁,还预示我们可能成为什么)”既呼应前文各家观点,又引出下文的“时间胶囊与未来蓝图”比喻,故选E。 八、完形填空 1.D 2.A 3.A 4.C 5.B 6.D 7.C 8.D 9.A 10.B 11.B 12.A 13.C 14.B 15.D 【导语】这是一篇说明文。文章主要讲述了在创作基于现实生活的故事时,决定故事内容和重写故事的相关要点,包括避免偏离叙事路径、删减无关内容、以积极心态重写、处理结构问题、突出主题以及舍弃不适合的部分等。 1.考查名词词义辨析。句意:然而,当你讲述来自现实生活的故事——创造性的非虚构作品时——这项任务变得更加困难,因为你的素材广阔而复杂。A. thinking思考;B. sci-fi科幻小说;C. draft草稿;D. non-fiction非虚构作品。根据上文“telling stories from real life”可知,上文提到了讲述的是基于现实生活的故事,也就是非虚构作品,故选D项。 2.考查形容词词义辨析。句意:当你决定了你想讲述的故事后,很容易偏离叙事路径,或者通过添加过多的细节和描述来放慢节奏,这样你就有可能失去读者。A. easy容易的;B. complicated复杂的;C. appropriate合适的;D. late晚的。根据下文“drift from the narrative path or to slow the pace by adding too much detail and description, so that you risk losing the reader”可知,添加过多细节和描述导致可能失去读者,说明偏离叙事路径是很容易发生的,故选A项。 3.考查介词短语辨析。句意:出于这些原因,当涉及到重写时,你可能不得不直截了当地删掉你心爱的内容。A. For these reasons出于这些原因;B. In spite of that尽管那样;C. By contrast相比之下;D. For example例如。根据上文“it’s all too… to drift from the narrative path or to slow the pace by adding too much detail and description, so that you risk losing the reader”以及下文“when it comes to redrafting, you may have to be particularly brutal (直截了当的) in killing your darlings”可知,上文说的是添加过多细节和描述导致可能失去读者,下文说的是当涉及到重写时,你可能不得不直截了当地删掉你心爱的内容,上下文之间为因果关系,上文为原因,下文为结果,故选A项。 4.考查形容词词义辨析。句意:“杀掉你心爱的内容”意味着删除任何无关的素材,从单词和句子到完整的场景,这很难,因为这些往往是你投入了大量时间、思考和精力去构思的部分。A. beloved心爱的;B. delicate精致的;C. irrelevant无关的;D. offensive冒犯的。根据下文“from words and sentences to complete scenes, and it’s hard because these will often be parts you have put great time, thought and care into crafting”可知,下文提到了从单词和句子到完整的场景,还提到了做这件事很难,因为这些往往是你投入了大量时间、思考和精力去构思的部分,可推理出这里说的是删除与故事无关的内容,故选C项。 5.考查动词词义辨析。句意:亚瑟・奎勒 - 库奇在他1916年的《写作的艺术》一书中创造了这个短语:如果你在这里需要我给出一个实用的规则,我会告诉你这个:“每当你有冲动创作出一段特别精彩的文字时,全心全意地听从你的冲动 —— 并且在将手稿付印之前删掉它。杀掉你心爱的内容。”A. simplified简化;B. coined创造;C. abandoned放弃;D. trialed试验。根据下文“the phrase”以及“in his 1916 book On the Art of Writing”可知,下文提到了短语,还提到了1916年的《写作的艺术》这本书,可推理出此处说的是亚瑟・奎勒 - 库奇在他1916年的《写作的艺术》一书中创造了这个短语,故选B项。 6.考查名词词义辨析。句意:同第5题。A. phrase短语;B. sample样本;C. lifestyle生活方式;D. rule规则。根据“Whenever you feel an impulse to perpetrate (作) a piece of exceptionally fine writing, obey your impulse — whole-heartedly — and...it before sending your manuscript to press. Murder your darlings.”可知,这是亚瑟・奎勒 - 库奇给出的一个实用的规则,故选D项。 7.考查动词词义辨析。句意:同第5题。A. revise修改;B. conduct实施;C. delete删除;D. expose暴露。根据上文“‘Killing your darlings’ means cutting any…material”以及“before sending your manuscript to press. Murder your darlings”可知,上文提到了“Killing your darlings”的意思是删掉材料,下文说的是在把手稿送印之前,而且又一次提到了“Killing your darlings”,可推理出这里说的是在付印之前删掉一些内容,故选C项。 8.考查形容词词义辨析。句意:如果你以积极的心态进行重写,把它看作是创作过程中持续的一部分,而不是一次用红笔批改的练习,这会很有帮助。A. contradictory矛盾的;B. neutral中立的;C. rebellious叛逆的;D. positive积极的。根据“regarding it as an ongoing part of the creative process rather than a red-pen exercise”可知,把重写看作创作过程的一部分,这种心态是积极的,故选D项。 9.考查动词短语辨析。句意:另一件有帮助的事情是,在你开始润色之前,总是保存一份当前版本的副本,这样就没有什么会不可挽回地丢失,这让你能够以创作的精神尝试重大改变。A. experiment with尝试;B. substitute for代替;C. impose on强加于;D. conflict with与……冲突。根据下文“big changes in the creative spirit of play”可知,下文提到了重大改变,还提到了以创作的精神,可推理出此处说的是保存副本后可以自由地尝试一些重大改变,故选A项。 10.考查形容词词义辨析。句意:对于任何一种故事,总是存在结构问题需要重写,因为当你开始时,你并不确切知道这个故事将会是什么样的。A. unceasing不断的;B. structural结构的;C. literate有读写能力的;D. grammatical语法的。根据“because when you set out you don’t know exactly what the story will be. Fresh ideas come in along the way, and unexpected possibilities”可知,开始时不确定故事内容,过程中有新想法和可能性,所以会存在结构问题需要重写,故选B项。 11.考查名词词义辨析。句意:除了收紧情节外,有时在写作过程中会出现一个主题,所以你会逐渐明白,“啊——所以这就是我正在写的内容”,并且你会想要突出这个主题,删掉那些对其发展没有贡献的部分。A. peak顶峰;B. theme主题;C. motivation动机;D. issue问题。根据下文“so you gradually understand, ‘Ah — so this is what I’m writing about,’ and you will want to foreground that theme”可知,下文提到了你在写作过程中会逐渐发现你真正想要写的东西,且想要突出这个主题,可推理出此处说的是有时在写作过程中会出现一个主题,故选B项。 12.考查动词短语辨析。句意:同第11题。A. contribute to有助于;B. result from由……引起;C. dispose of处理;D. slow down放慢速度。根据上文“cut parts”以及下文“its development”可知,上文说的是删除部分,下文说的是主体发展,可推理出此处说的是要删掉对主题发展没有帮助的部分,故选A项。 13.考查名词短语辨析。句意:当涉及到细节时,故事的风格也会在写作过程中发展并变得更强,所以在重写时,你会关注单词和句子层面的变化,尤其是在早期章节中。A. literary fame文学声誉;B. text structure文本结构;C. fine detail细节;D. book review书评。根据下文“you will be looking at word and sentence level changes, especially in the early chapters”可知,下文说的是你会关注单词和句子层面的变化,尤其是在早期章节中,可推理出这里说的是关注单词和句子层面的变化,也就是细节方面,故选C项。 14.考查动词词义辨析。句意:你也许能够将它们回收利用到一个新的书籍项目中,或者在博客平台上发表它们,但无论它们的命运如何,它们都为你作为一名作家的经验和发展做出了贡献。A. reverse颠倒;B. recycle回收利用;C. ease减轻;D. divide划分。根据上文“At the redrafting stage, you will have whole scenes that don’t develop the themes or don’t fit with voice of your story”以及下文“into a new book project or publish them on blogging platforms”可知,上文说的是在重写阶段,你会有一些完整的场景,这些场景既无法推动主题发展,也与你故事的风格不相符,下文说的是新的书籍项目中,或者在博客平台上发表它们,可推理出此处说的是你也许能够将它们回收利用到一个新的书籍项目中,或者在博客平台上发表它们,故选B项。 15.考查代词词义辨析。句意:让它们去吧。A. yourself你自己;B. him他;C. everything一切;D. them它们。根据上文“At the redrafting stage, you will have whole scenes that don’t develop the themes or don’t fit with voice of your story”可知,上文说的是在重写阶段,你会有一些完整的场景,这些场景既无法推动主题发展,也与你故事的风格不相符。再根据上文“but whatever happens to them, they have contributed to your experience and development as a writer.”可知,上文提到无论他们遭遇了什么,他们都为你的写作经验积累和个人发展做出了贡献,可推理出这里说的是让那些既无法推动主题发展,也与你故事的风格不相符的场景过去,故选D项。 1 / 9 学科网(北京)股份有限公司 $ Unit 6 Period 1 Starting out & Understanding ideas分层练习 基础达标 01 能力提升 02 拓展培优 03 一、将下列短语翻译为英文。 1. 冒…的风险 ____________ 2. 穿过/透过…看 ___________ 3. 说个不停 ____________ 4. 发生,降临 ____________ 5. 出现,露出 ____________ 6. 到…的时候 ____________ 7. 一点都没有 ____________ 8. 与…分开 ____________ 【答案】 1.run the risk of 2.look through 3.talk on and on 4.come about 5.come into view 6.by the time 7.not at all 8.separate from 二、根据句意及汉语提示写出单词。 1. The ________ (每周的) schedule may make you more aware of how you spend your time. 2. In performing his duties, an ________ (检查员) should show his law enforcement certificate. 3. One of the main characters of this plastic is its ability to ________ (变弯曲) without breaking. 4. I went near the ________ (无辜的) dog and held it in my hand. 5. Both sides wish to further ________ (增强) and deepen their cooperation. 【答案】 1.weekly 2.inspector 3.bend 4.innocent 5.strengthen 三、单句语法填空。 1.He recommends wearing safety equipment while      (inspect) the construction site. 2.Eyes raised,I see the moon so bright; Head      (bend),in homesickness I am drowned. 3.He claims he has evidence which could prove his      (innocent). 4.My friend insisted       finding a taxi for me even though I told him I lived nearby. 5.With the sunlight       (glare),the children were having so much fun. 【答案】 1.inspecting 2.bent 3.innocence 4.on 5.glaring 四、根据汉语意思完成句子 1.只有努力学习,你才能实现上重点大学的梦想。(only+状语从句) _____ _____ you study hard _____ _____ _____ your dream of going to a key university. 2.无论遇到什么困难,这位科学家都决心继续他的研究。(疑问词+-ever;be determined to do sth) _________________________________________________________________________________. 3. 袁隆平致力于消除全世界的饥饿。(devote oneself to;get rid of) _________________________________________________________________________________. 4. 受他的故事的影响,许多年轻人开始做志愿工作。 _____ _____ _____ _____,many young people began to do voluntary work. 5. 自从我们认识以来,我们已经是多年的搭档了。(since从句) We have been partners for many years _____ _____ _____ _____ _____. 【答案】 1. Only if; can you realize 2. Whatever difficulties he meets with, the scientist is determined to continue his research. 3. Yuan Longping devoted himself to getting rid of hunger all over the world. 4. Influenced by his story 5. since we got to know each other 五、语法填空 The master of translation—Yan Fu Yan Fu played a key role in connecting Western and classical Chinese ideas. He was eager to study from a young age. Later, he was aware that most of the advanced (先进的) scientific knowledge at the time 1 (write) in Western languages, so he worked hard to learn them to be able to read Western newspapers and journals. Before deciding what should be translated, Yan carefully selected titles from his mind. He understood that the works he chose would shape 2 his readers viewed Western thought. One of his best-known translations is of British naturalist Thomas Henry Huxley’s Evolution and Ethics and Other Essays, which 3 (introduce) Darwin’s theory of evolution (进化论). He translated the first two parts 4 published them in 1898 as Tianyanlun. Yan avoided translating word by word but focused on 5 (raise) public awareness of the country’s challenges. In his translation notes for Tianyanlun, Yan referred to British sociologist Herbert Spencer’s thinking 6 (support) Huxley’s views. And he commented that weak countries should struggle to develop 7 (they). Over a decade, more than 30 editions (版本) were published, leading to the gradual 8 (familiar) with the idea among readers. Yan’s translation, 9 its beautiful language and unique expressions, reflected his creativity and excellence. In addition, it left 10 (value) resources for future generations to draw upon. 【答案】 1. was written 2.how 3.introduces 4.and 5.raising 6.to support 7.themselves 8.familiarity 9.with 10.valuable 六、阅读理解 (24-25高二下·辽宁·期末)The world of children’s publishing is tough. Print sales are struggling, and profits are thin. Because of this economic reality, many publishers lean heavily into “sure things”—like celebrity books, series, and popular IP projects. Parents seek suitable books for their kids. Ben Okon, while enjoying reading with his son, found most books underestimated young readers. Instead of ABCs, he desired books on concepts like personal finance for kids. Nicole Filippone, whose daughter had sensory processing disorder (SPD), searched for books to make her feel accepted but couldn’t find any. In the past, they might make up their own stories, tell them to their child at bedtime, and leave it at that. But now, easy access to print-on-demand companies like Amazon KDP and Ingram Spark has given parents a way to create the books they want. If they can’t buy it... they can write it! Traditional publishers claim there’s low demand for such books. Are these parents losing money? The answer is absolutely “No!” Ben’s books have been already sold almost $60,000 in preorders. Nicole sold thousands of copies, and has become an influencer in SPD with 350,000 followers across multiple platforms. Parents need these children’s books for just a few short years—when their kids are at the right age to learn from them! Traditional publishing moves so slowly that if the authors above had tried to go that route, their own kids would likely have been too old for picture books before they hit the shelves. When you’re a parent out to solve problems, you don’t have the luxury of being patient! The explosion of self-publishing has opened the door for unknown authors to create books that fill those gaps in the market that traditional publishers can’t or won’t fill. And parent authors are the very people who discovered those gaps in the first place. There are always more stories to be told. 1.Why do many publishers focus on “sure things” according to the passage? A.To meet public demands. B.To attract renowned authors. C.To handle the financial stress. D.To advocate popular IP projects. 2.Which factor may motivate parents to start out on the path of self-publishing? A.The lack of bedtime books. B.The easy access to Amazon KDP. C.The deep affection for writing. D.The handsome profits of publishing. 3.How does the writer illustrate the popularity of self-publishing books? A.By giving examples. B.By defining concepts. C.By making comparisons. D.By presenting studies. 4.Which of the following can be a suitable title for the text? A.New publishing hits the Markets. B.Parent authors help fill shelf Gaps. C.Traditional publishing is in a Dilemma. D.More children stories need to be Told. 【答案】1.C 2.B 3.A 4.B 【导语】这是一篇说明文。本文聚焦儿童出版领域的变革及父母创作者如何填补市场空白。 1.细节理解题。根据第一段中“Because of this economic reality, many publishers lean heavily into “sure things”—like celebrity books, series, and popular IP projects.(正因为这一经济现实,许多出版商在很大程度上倾向于选择 “稳妥项目”—— 比如名人著作、系列丛书以及热门 IP 项目)”可知,许多出版商大幅倚重“稳妥项目”是为了解决经济压力。故选C项。 2.细节理解题。根据第三段中“In the past, they might make up their own stories, tell them to their child at bedtime, and leave it at that. But now, easy access to print-on-demand companies like Amazon KDP and Ingram Spark has given parents a way to create the books they want...(过去,他们或许会自己编些故事,在睡前讲给孩子听,事情也就到此为止了。但如今,通过亚马逊 KDP、英格拉姆・斯帕克等按需印刷公司获取服务变得十分便捷,这为父母们提供了一种创作自己想要的书籍的途径……)”可知,像亚马逊KDP和英格拉姆这样的按需印刷公司让家长们可以轻松接触到出版渠道,从而能够创作自己想要的书籍。故选B项。 3.推理判断题。根据第四段“Ben’s books have been already sold almost $60,000 in preorders. Nicole sold thousands of copies, and has become an influencer in SPD with 350,000 followers across multiple platforms.(Ben的书籍预售额已接近6万美元。Nicole售出了数千册书,并成为感觉处理障碍领域的影响力人物,在多个平台拥有35万粉丝)”推知,本段通过举例子的方式证明了自出版书籍的受欢迎程度。故选A项。 4.主旨大意题。通读文章可知,本文主要介绍了家长们自出版书籍的原因、影响。结合最后一段“The explosion of self-publishing has opened the door for unknown authors to create books that fill those gaps in the market that traditional publishers can’t or won’t fill. And parent authors are the very people who discovered those gaps in the first place. There are always more stories to be told.(自出版的蓬勃发展,为不知名作者打开了一扇门 —— 他们得以创作书籍,填补那些传统出版商无力或不愿填补的市场空白。而家长作者正是最早发现这些空白的人。值得讲述的故事还有很多)”可知,B项“家长作者有助于填补书架上的空白”包含文章中心话题,可以作为最佳标题。故选B项。 七、七选五 (2025·浙江·二模)The Enduring Power of Literature In an age dominated by digital media, the question of literature’s relevance has never been more pressing. 5 As a novelist and literary critic, I often turn to the insights of great writers who have delved into this question before me. Toni Morrison once said, “We die. That may be the meaning of life. But we do language. That may be the measure of our lives.” For Morrison, literature was not merely a form of entertainment. 6 Through language, we preserve our experiences, our emotions, and our very essence. James Baldwin, in his essay “The Creative Process”, argued that literature serves as a mirror and a map. He wrote, “ 7 ” Baldwin believed that literature had the power to confront uncomfortable truths and inspire social change. His works demonstrate how stories can simultaneously reflect reality and chart moral progress. The novel Go Tell It on the Mountain, for instance, not only exposed racial injustice in 1950s America but also envisioned paths toward empathy and reconciliation (和解). Milan Kundera, in “The Art of the Novel”, emphasized literature’s ability to explore the complexity of human existence. “The novel’s wisdom,” he claimed, “is different from the wisdom of philosophy. 8 ” For Kundera, literature’s value lies in its capacity to embrace life's contradictions without seeking simplistic resolutions. As I reflect on these perspectives, I am reminded of literature’s unique role in our lives. 9 By revealing unseen possibilities, it acts as both a time capsule of collective memory and a blueprint for unwritten futures. In a world increasingly driven by binary (二进制) thinking, literature offers a space for subtle difference, empathy, and profound understanding. A.It is an act of resistance against being forgotten. B.Literature's ability to entertain is its most important function. C.Literature provides clear answers to life's most difficult questions. D.Some even argue that literature has lost its place in modern society. E.It is not just a reflection of who we are but also a vision of who we might become. F.It is the wisdom of uncertainty, of ambiguity and of questioning rather than answering. G.It was through literature that we could see ourselves clearly and chart a course for our future. 【答案】5.D 6.A 7.G 8.F 9.E 【导语】本文是一篇议论文。文章主要探讨了在数字媒体时代文学的持久价值和意义。文章通过引用多位著名作家和评论家的观点,阐述了文学作为记录人类经验、反映社会现实、探索人性复杂性的独特作用。 5.前文“In an age dominated by digital media, the question of literature’s relevance has never been more pressing.(在数字媒体主导的时代,文学的相关性问题从未如此紧迫)”提到数字媒体时代下文学价值的质疑,后文“As a novelist and literary critic, I often turn to the insights of great writers who have delved into this question before me.(作为小说家和文学评论家,我经常求助于那些在我之前探讨过这个问题的伟大作家的见解)”转向作者个人视角。由此可知,空处应承接前文对文学价值的质疑。D项“Some even argue that literature has lost its place in modern society.(有些人甚至认为文学在现代社会中已经失去了地位)”符合语境,故选D。 6.前文“For Morrison, literature was not merely a form of entertainment.(对莫里森来说,文学不仅仅是娱乐形式)”否定文学的单一功能,后文“Through language, we preserve our experiences, our emotions, and our very essence.(通过语言,我们保存了我们的经历、情感和本质)”说明文学的深层作用。空处需体现文学的反遗忘特性。A项“It is an act of resistance against being forgotten.(它是一种抵抗被遗忘的行为)”与莫里森“语言是生命尺度”的观点高度契合,故选A。 7.前文“James Baldwin, in his essay “The Creative Process”, argued that literature serves as a mirror and a map.(詹姆斯·鲍德温在他的文章《创造性过程》中认为,文学就像一面镜子,一张地图)”提及鲍德温认为文学是“镜与图”,后文“Baldwin believed that literature had the power to confront uncomfortable truths and inspire social change. (奥尔登认为,文学有力量面对令人不安的真相,并激发社会变革)”举例说明其作品如何反映现实并指引道德进步。空处应为鲍德温原话,需同时包含“mirror”和“map”的隐喻。G项“It was through literature that we could see ourselves clearly and chart a course for our future.(正是通过文学,我们才能清晰地认识自己并为未来规划路线)”完美呼应“镜子与地图”的双重功能,故选G。 8.前文“‘The novel’s wisdom,’ he claimed, ‘is different from the wisdom of philosophy.’(昆德拉认为小说智慧不同于哲学智慧)”,后文“For Kundera, literature’s value lies in its capacity to embrace life's contradictions without seeking simplistic resolutions.(对于昆德拉来说,文学的价值在于它能够拥抱生活的矛盾,而不寻求简单的解决方案)”强调文学包容矛盾的特性。空处需体现文学智慧的独特性。F项“It is the wisdom of uncertainty, of ambiguity and of questioning rather than answering.(它是一种关于不确定性、模糊性,以及提问而非回答的智慧)”准确对应昆德拉对文学“复杂存在探索”的论述,故选F。 9.前文“As I reflect on these perspectives, I am reminded of literature’s unique role in our lives.(当我反思这些观点时,我想起了文学在我们生活中的独特作用)”总结前文,后文“By revealing unseen possibilities, it acts as both a time capsule of collective memory and a blueprint for unwritten futures.(通过揭示未知的可能性,它既是集体记忆的时间胶囊,也是未写成的未来的蓝图)”说明文学的双重功能。空处需承上启下。E项“It is not just a reflection of who we are but also a vision of who we might become.(它不仅反映我们是谁,还预示我们可能成为什么)”既呼应前文各家观点,又引出下文的“时间胶囊与未来蓝图”比喻,故选E。 八、完形填空 (24-25高二下·上海·期中)Real Life, Great Stories With any kind of writing, it can be difficult to decide what should go in and what should be left out. However, when you are telling stories from real life — creative 1 — that task becomes even harder because your source material is vast and complicated. Having decided the story you want to tell, it’s all too 2 to drift from the narrative path or to slow the pace by adding too much detail and description, so that you risk losing the reader. 3 , when it comes to redrafting, you may have to be particularly brutal (直截了当的) in killing your darlings. “Killing your darlings” means cutting any 4 material, from words and sentences to complete scenes, and it’s hard because these will often be parts you have put great time, thought and care into crafting. Arthur Quiller-Couch 5 the phrase in his 1916 book On the Art of Writing: If you here require a practical 6 of me, I will present you with this: “Whenever you feel an impulse to perpetrate (作) a piece of exceptionally fine writing, obey your impulse — whole-heartedly — and 7 it before sending your manuscript to press. Murder your darlings.” It helps if you come to redrafting with a 8 mindset, regarding it as an ongoing part of the creative process rather than a red-pen exercise. The other thing that helps is if you always save a copy of your current version before you start polishing it, then nothing is irrevocably (无法改变地) lost, and that frees you to 9 big changes in the creative spirit of play. With any kind of story, there are always 10 issues that need redrafting, because when you set out you don’t know exactly what the story will be. Fresh ideas come in along the way, and unexpected possibilities. As well as tightening the plot, sometimes a(n) 11 will emerge through the writing, so you gradually understand, ‘Ah — so this is what I’m writing about,’ and you will want to foreground that theme and cut parts that don’t 12 its development. When it comes to the 13 , the voice of the story develops and becomes stronger through the writing too, so on redrafting you will be looking at word and sentence level changes, especially in the early chapters. At the redrafting stage, you will have whole scenes that don’t develop the themes or don’t fit with voice of your story. You might be able to 14 them into a new book project or publish them on blogging platforms, but whatever happens to them, they have contributed to your experience and development as a writer. Let 15 go. 1.A.thinking B.sci-fi C.draft D.non-fiction 2.A.easy B.complicated C.appropriate D.late 3.A.For these reasonsB.In spite of that C.By contrast D.For example 4.A.beloved B.delicate C.irrelevant D.offensive 5.A.simplified B.coined C.abandoned D.trialed 6.A.phrase B.sample C.lifestyle D.rule 7.A.revise B.conduct C.delete D.expose 8.A.contradictory B.neutral C.rebellious D.positive 9.A.experiment with B.substitute for C.impose on D.conflict with 10.A.unceasing B.structural C.literate D.grammatical 11.A.peak B.theme C.motivation. D.issue 12.A.contribute to B.result from C.dispose of D.slow down 13.A.literary fame B.text structure C.fine detail D.book review 14.A.reverse B.recycle C.ease D.divide 15.A.yourself B.him C.everything D.them 【答案】 1.D 2.A 3.A 4.C 5.B 6.D 7.C 8.D 9.A 10.B 11.B 12.A 13.C 14.B 15.D 【导语】这是一篇说明文。文章主要讲述了在创作基于现实生活的故事时,决定故事内容和重写故事的相关要点,包括避免偏离叙事路径、删减无关内容、以积极心态重写、处理结构问题、突出主题以及舍弃不适合的部分等。 1.考查名词词义辨析。句意:然而,当你讲述来自现实生活的故事——创造性的非虚构作品时——这项任务变得更加困难,因为你的素材广阔而复杂。A. thinking思考;B. sci-fi科幻小说;C. draft草稿;D. non-fiction非虚构作品。根据上文“telling stories from real life”可知,上文提到了讲述的是基于现实生活的故事,也就是非虚构作品,故选D项。 2.考查形容词词义辨析。句意:当你决定了你想讲述的故事后,很容易偏离叙事路径,或者通过添加过多的细节和描述来放慢节奏,这样你就有可能失去读者。A. easy容易的;B. complicated复杂的;C. appropriate合适的;D. late晚的。根据下文“drift from the narrative path or to slow the pace by adding too much detail and description, so that you risk losing the reader”可知,添加过多细节和描述导致可能失去读者,说明偏离叙事路径是很容易发生的,故选A项。 3.考查介词短语辨析。句意:出于这些原因,当涉及到重写时,你可能不得不直截了当地删掉你心爱的内容。A. For these reasons出于这些原因;B. In spite of that尽管那样;C. By contrast相比之下;D. For example例如。根据上文“it’s all too… to drift from the narrative path or to slow the pace by adding too much detail and description, so that you risk losing the reader”以及下文“when it comes to redrafting, you may have to be particularly brutal (直截了当的) in killing your darlings”可知,上文说的是添加过多细节和描述导致可能失去读者,下文说的是当涉及到重写时,你可能不得不直截了当地删掉你心爱的内容,上下文之间为因果关系,上文为原因,下文为结果,故选A项。 4.考查形容词词义辨析。句意:“杀掉你心爱的内容”意味着删除任何无关的素材,从单词和句子到完整的场景,这很难,因为这些往往是你投入了大量时间、思考和精力去构思的部分。A. beloved心爱的;B. delicate精致的;C. irrelevant无关的;D. offensive冒犯的。根据下文“from words and sentences to complete scenes, and it’s hard because these will often be parts you have put great time, thought and care into crafting”可知,下文提到了从单词和句子到完整的场景,还提到了做这件事很难,因为这些往往是你投入了大量时间、思考和精力去构思的部分,可推理出这里说的是删除与故事无关的内容,故选C项。 5.考查动词词义辨析。句意:亚瑟・奎勒 - 库奇在他1916年的《写作的艺术》一书中创造了这个短语:如果你在这里需要我给出一个实用的规则,我会告诉你这个:“每当你有冲动创作出一段特别精彩的文字时,全心全意地听从你的冲动 —— 并且在将手稿付印之前删掉它。杀掉你心爱的内容。”A. simplified简化;B. coined创造;C. abandoned放弃;D. trialed试验。根据下文“the phrase”以及“in his 1916 book On the Art of Writing”可知,下文提到了短语,还提到了1916年的《写作的艺术》这本书,可推理出此处说的是亚瑟・奎勒 - 库奇在他1916年的《写作的艺术》一书中创造了这个短语,故选B项。 6.考查名词词义辨析。句意:同第5题。A. phrase短语;B. sample样本;C. lifestyle生活方式;D. rule规则。根据“Whenever you feel an impulse to perpetrate (作) a piece of exceptionally fine writing, obey your impulse — whole-heartedly — and...it before sending your manuscript to press. Murder your darlings.”可知,这是亚瑟・奎勒 - 库奇给出的一个实用的规则,故选D项。 7.考查动词词义辨析。句意:同第5题。A. revise修改;B. conduct实施;C. delete删除;D. expose暴露。根据上文“‘Killing your darlings’ means cutting any…material”以及“before sending your manuscript to press. Murder your darlings”可知,上文提到了“Killing your darlings”的意思是删掉材料,下文说的是在把手稿送印之前,而且又一次提到了“Killing your darlings”,可推理出这里说的是在付印之前删掉一些内容,故选C项。 8.考查形容词词义辨析。句意:如果你以积极的心态进行重写,把它看作是创作过程中持续的一部分,而不是一次用红笔批改的练习,这会很有帮助。A. contradictory矛盾的;B. neutral中立的;C. rebellious叛逆的;D. positive积极的。根据“regarding it as an ongoing part of the creative process rather than a red-pen exercise”可知,把重写看作创作过程的一部分,这种心态是积极的,故选D项。 9.考查动词短语辨析。句意:另一件有帮助的事情是,在你开始润色之前,总是保存一份当前版本的副本,这样就没有什么会不可挽回地丢失,这让你能够以创作的精神尝试重大改变。A. experiment with尝试;B. substitute for代替;C. impose on强加于;D. conflict with与……冲突。根据下文“big changes in the creative spirit of play”可知,下文提到了重大改变,还提到了以创作的精神,可推理出此处说的是保存副本后可以自由地尝试一些重大改变,故选A项。 10.考查形容词词义辨析。句意:对于任何一种故事,总是存在结构问题需要重写,因为当你开始时,你并不确切知道这个故事将会是什么样的。A. unceasing不断的;B. structural结构的;C. literate有读写能力的;D. grammatical语法的。根据“because when you set out you don’t know exactly what the story will be. Fresh ideas come in along the way, and unexpected possibilities”可知,开始时不确定故事内容,过程中有新想法和可能性,所以会存在结构问题需要重写,故选B项。 11.考查名词词义辨析。句意:除了收紧情节外,有时在写作过程中会出现一个主题,所以你会逐渐明白,“啊——所以这就是我正在写的内容”,并且你会想要突出这个主题,删掉那些对其发展没有贡献的部分。A. peak顶峰;B. theme主题;C. motivation动机;D. issue问题。根据下文“so you gradually understand, ‘Ah — so this is what I’m writing about,’ and you will want to foreground that theme”可知,下文提到了你在写作过程中会逐渐发现你真正想要写的东西,且想要突出这个主题,可推理出此处说的是有时在写作过程中会出现一个主题,故选B项。 12.考查动词短语辨析。句意:同第11题。A. contribute to有助于;B. result from由……引起;C. dispose of处理;D. slow down放慢速度。根据上文“cut parts”以及下文“its development”可知,上文说的是删除部分,下文说的是主体发展,可推理出此处说的是要删掉对主题发展没有帮助的部分,故选A项。 13.考查名词短语辨析。句意:当涉及到细节时,故事的风格也会在写作过程中发展并变得更强,所以在重写时,你会关注单词和句子层面的变化,尤其是在早期章节中。A. literary fame文学声誉;B. text structure文本结构;C. fine detail细节;D. book review书评。根据下文“you will be looking at word and sentence level changes, especially in the early chapters”可知,下文说的是你会关注单词和句子层面的变化,尤其是在早期章节中,可推理出这里说的是关注单词和句子层面的变化,也就是细节方面,故选C项。 14.考查动词词义辨析。句意:你也许能够将它们回收利用到一个新的书籍项目中,或者在博客平台上发表它们,但无论它们的命运如何,它们都为你作为一名作家的经验和发展做出了贡献。A. reverse颠倒;B. recycle回收利用;C. ease减轻;D. divide划分。根据上文“At the redrafting stage, you will have whole scenes that don’t develop the themes or don’t fit with voice of your story”以及下文“into a new book project or publish them on blogging platforms”可知,上文说的是在重写阶段,你会有一些完整的场景,这些场景既无法推动主题发展,也与你故事的风格不相符,下文说的是新的书籍项目中,或者在博客平台上发表它们,可推理出此处说的是你也许能够将它们回收利用到一个新的书籍项目中,或者在博客平台上发表它们,故选B项。 15.考查代词词义辨析。句意:让它们去吧。A. yourself你自己;B. him他;C. everything一切;D. them它们。根据上文“At the redrafting stage, you will have whole scenes that don’t develop the themes or don’t fit with voice of your story”可知,上文说的是在重写阶段,你会有一些完整的场景,这些场景既无法推动主题发展,也与你故事的风格不相符。再根据上文“but whatever happens to them, they have contributed to your experience and development as a writer.”可知,上文提到无论他们遭遇了什么,他们都为你的写作经验积累和个人发展做出了贡献,可推理出这里说的是让那些既无法推动主题发展,也与你故事的风格不相符的场景过去,故选D项。 1 / 9 学科网(北京)股份有限公司 $ Unit 6 Period 1 Starting out & Understanding ideas分层练习 基础达标 01 能力提升 02 拓展培优 03 一、将下列短语翻译为英文。 1. 冒…的风险 ____________ 2. 穿过/透过…看 ___________ 3. 说个不停 ____________ 4. 发生,降临 ____________ 5. 出现,露出 ____________ 6. 到…的时候 ____________ 7. 一点都没有 ____________ 8. 与…分开 ____________ 二、根据句意及汉语提示写出单词。 1. The ________ (每周的) schedule may make you more aware of how you spend your time. 2. In performing his duties, an ________ (检查员) should show his law enforcement certificate. 3. One of the main characters of this plastic is its ability to ________ (变弯曲) without breaking. 4. I went near the ________ (无辜的) dog and held it in my hand. 5. Both sides wish to further ________ (增强) and deepen their cooperation. 三、单句语法填空。 1.He recommends wearing safety equipment while      (inspect) the construction site. 2.Eyes raised,I see the moon so bright; Head      (bend),in homesickness I am drowned. 3.He claims he has evidence which could prove his      (innocent). 4.My friend insisted       finding a taxi for me even though I told him I lived nearby. 5.With the sunlight       (glare),the children were having so much fun. 四、根据汉语意思完成句子 1.只有努力学习,你才能实现上重点大学的梦想。(only+状语从句) _____ _____ you study hard _____ _____ _____ your dream of going to a key university. 2.无论遇到什么困难,这位科学家都决心继续他的研究。(疑问词+-ever;be determined to do sth) _________________________________________________________________________________. 3. 袁隆平致力于消除全世界的饥饿。(devote oneself to;get rid of) _________________________________________________________________________________. 4. 受他的故事的影响,许多年轻人开始做志愿工作。 _____ _____ _____ _____,many young people began to do voluntary work. 5. 自从我们认识以来,我们已经是多年的搭档了。(since从句) We have been partners for many years _____ _____ _____ _____ _____. 五、语法填空 The master of translation—Yan Fu Yan Fu played a key role in connecting Western and classical Chinese ideas. He was eager to study from a young age. Later, he was aware that most of the advanced (先进的) scientific knowledge at the time 1 (write) in Western languages, so he worked hard to learn them to be able to read Western newspapers and journals. Before deciding what should be translated, Yan carefully selected titles from his mind. He understood that the works he chose would shape 2 his readers viewed Western thought. One of his best-known translations is of British naturalist Thomas Henry Huxley’s Evolution and Ethics and Other Essays, which 3 (introduce) Darwin’s theory of evolution (进化论). He translated the first two parts 4 published them in 1898 as Tianyanlun. Yan avoided translating word by word but focused on 5 (raise) public awareness of the country’s challenges. In his translation notes for Tianyanlun, Yan referred to British sociologist Herbert Spencer’s thinking 6 (support) Huxley’s views. And he commented that weak countries should struggle to develop 7 (they). Over a decade, more than 30 editions (版本) were published, leading to the gradual 8 (familiar) with the idea among readers. Yan’s translation, 9 its beautiful language and unique expressions, reflected his creativity and excellence. In addition, it left 10 (value) resources for future generations to draw upon. 六、阅读理解 (24-25高二下·辽宁·期末)The world of children’s publishing is tough. Print sales are struggling, and profits are thin. Because of this economic reality, many publishers lean heavily into “sure things”—like celebrity books, series, and popular IP projects. Parents seek suitable books for their kids. Ben Okon, while enjoying reading with his son, found most books underestimated young readers. Instead of ABCs, he desired books on concepts like personal finance for kids. Nicole Filippone, whose daughter had sensory processing disorder (SPD), searched for books to make her feel accepted but couldn’t find any. In the past, they might make up their own stories, tell them to their child at bedtime, and leave it at that. But now, easy access to print-on-demand companies like Amazon KDP and Ingram Spark has given parents a way to create the books they want. If they can’t buy it... they can write it! Traditional publishers claim there’s low demand for such books. Are these parents losing money? The answer is absolutely “No!” Ben’s books have been already sold almost $60,000 in preorders. Nicole sold thousands of copies, and has become an influencer in SPD with 350,000 followers across multiple platforms. Parents need these children’s books for just a few short years—when their kids are at the right age to learn from them! Traditional publishing moves so slowly that if the authors above had tried to go that route, their own kids would likely have been too old for picture books before they hit the shelves. When you’re a parent out to solve problems, you don’t have the luxury of being patient! The explosion of self-publishing has opened the door for unknown authors to create books that fill those gaps in the market that traditional publishers can’t or won’t fill. And parent authors are the very people who discovered those gaps in the first place. There are always more stories to be told. 1.Why do many publishers focus on “sure things” according to the passage? A.To meet public demands. B.To attract renowned authors. C.To handle the financial stress. D.To advocate popular IP projects. 2.Which factor may motivate parents to start out on the path of self-publishing? A.The lack of bedtime books. B.The easy access to Amazon KDP. C.The deep affection for writing. D.The handsome profits of publishing. 3.How does the writer illustrate the popularity of self-publishing books? A.By giving examples. B.By defining concepts. C.By making comparisons. D.By presenting studies. 4.Which of the following can be a suitable title for the text? A.New publishing hits the Markets. B.Parent authors help fill shelf Gaps. C.Traditional publishing is in a Dilemma. D.More children stories need to be Told. 七、七选五 (2025·浙江·二模)The Enduring Power of Literature In an age dominated by digital media, the question of literature’s relevance has never been more pressing. 5 As a novelist and literary critic, I often turn to the insights of great writers who have delved into this question before me. Toni Morrison once said, “We die. That may be the meaning of life. But we do language. That may be the measure of our lives.” For Morrison, literature was not merely a form of entertainment. 6 Through language, we preserve our experiences, our emotions, and our very essence. James Baldwin, in his essay “The Creative Process”, argued that literature serves as a mirror and a map. He wrote, “ 7 ” Baldwin believed that literature had the power to confront uncomfortable truths and inspire social change. His works demonstrate how stories can simultaneously reflect reality and chart moral progress. The novel Go Tell It on the Mountain, for instance, not only exposed racial injustice in 1950s America but also envisioned paths toward empathy and reconciliation (和解). Milan Kundera, in “The Art of the Novel”, emphasized literature’s ability to explore the complexity of human existence. “The novel’s wisdom,” he claimed, “is different from the wisdom of philosophy. 8 ” For Kundera, literature’s value lies in its capacity to embrace life's contradictions without seeking simplistic resolutions. As I reflect on these perspectives, I am reminded of literature’s unique role in our lives. 9 By revealing unseen possibilities, it acts as both a time capsule of collective memory and a blueprint for unwritten futures. In a world increasingly driven by binary (二进制) thinking, literature offers a space for subtle difference, empathy, and profound understanding. A.It is an act of resistance against being forgotten. B.Literature's ability to entertain is its most important function. C.Literature provides clear answers to life's most difficult questions. D.Some even argue that literature has lost its place in modern society. E.It is not just a reflection of who we are but also a vision of who we might become. F.It is the wisdom of uncertainty, of ambiguity and of questioning rather than answering. G.It was through literature that we could see ourselves clearly and chart a course for our future. 八、完形填空 (24-25高二下·上海·期中)Real Life, Great Stories With any kind of writing, it can be difficult to decide what should go in and what should be left out. However, when you are telling stories from real life — creative 1 — that task becomes even harder because your source material is vast and complicated. Having decided the story you want to tell, it’s all too 2 to drift from the narrative path or to slow the pace by adding too much detail and description, so that you risk losing the reader. 3 , when it comes to redrafting, you may have to be particularly brutal (直截了当的) in killing your darlings. “Killing your darlings” means cutting any 4 material, from words and sentences to complete scenes, and it’s hard because these will often be parts you have put great time, thought and care into crafting. Arthur Quiller-Couch 5 the phrase in his 1916 book On the Art of Writing: If you here require a practical 6 of me, I will present you with this: “Whenever you feel an impulse to perpetrate (作) a piece of exceptionally fine writing, obey your impulse — whole-heartedly — and 7 it before sending your manuscript to press. Murder your darlings.” It helps if you come to redrafting with a 8 mindset, regarding it as an ongoing part of the creative process rather than a red-pen exercise. The other thing that helps is if you always save a copy of your current version before you start polishing it, then nothing is irrevocably (无法改变地) lost, and that frees you to 9 big changes in the creative spirit of play. With any kind of story, there are always 10 issues that need redrafting, because when you set out you don’t know exactly what the story will be. Fresh ideas come in along the way, and unexpected possibilities. As well as tightening the plot, sometimes a(n) 11 will emerge through the writing, so you gradually understand, ‘Ah — so this is what I’m writing about,’ and you will want to foreground that theme and cut parts that don’t 12 its development. When it comes to the 13 , the voice of the story develops and becomes stronger through the writing too, so on redrafting you will be looking at word and sentence level changes, especially in the early chapters. At the redrafting stage, you will have whole scenes that don’t develop the themes or don’t fit with voice of your story. You might be able to 14 them into a new book project or publish them on blogging platforms, but whatever happens to them, they have contributed to your experience and development as a writer. Let 15 go. 1.A.thinking B.sci-fi C.draft D.non-fiction 2.A.easy B.complicated C.appropriate D.late 3.A.For these reasonsB.In spite of that C.By contrast D.For example 4.A.beloved B.delicate C.irrelevant D.offensive 5.A.simplified B.coined C.abandoned D.trialed 6.A.phrase B.sample C.lifestyle D.rule 7.A.revise B.conduct C.delete D.expose 8.A.contradictory B.neutral C.rebellious D.positive 9.A.experiment with B.substitute for C.impose on D.conflict with 10.A.unceasing B.structural C.literate D.grammatical 11.A.peak B.theme C.motivation. D.issue 12.A.contribute to B.result from C.dispose of D.slow down 13.A.literary fame B.text structure C.fine detail D.book review 14.A.reverse B.recycle C.ease D.divide 15.A.yourself B.him C.everything D.them 1 / 9 学科网(北京)股份有限公司 $

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Unit 6 Period 1 Starting out & Understanding ideas(分层作业)英语外研版选择性必修第三册
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Unit 6 Period 1 Starting out & Understanding ideas(分层作业)英语外研版选择性必修第三册
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