Unit 1 Cultural Heritage单元话题阅读理解练习-2025-2026学年高一英语人教版必修第二册

Unit 1 Cultural Heritage 单元话题阅读理解 Unit 1 Cultural Heritage单元话题：文化遗迹 本资料共10篇专题训练，从上到下依次按照难度分为基础语篇巩固练和重难语篇提升练 基础语篇巩固练 Over the past three years, Kang Jian has created more than 400 dough sculptures (面塑) and become a city-level inheritor (传承人) of this intangible cultural heritage in Mohe, Heilongjiang Province. “When I was a little boy, every time my parents made dumplings, they would give me a small piece of dough,” he said. “I tried to make various animals — a rabbit, a fish, or a snail. The small, simple objects brought me lots of good childhood memories and planted the seeds of fine art, especially sculpture, in my heart.” Kang’s parents were not financially able to support his desire to study fine arts while he was at school. But he didn’t give up. He spent his spare time after school studying drawing by himself. Then, in December 2018, during a visit to a museum in Beijing, Kang, for the first time, got information about the intangible cultural heritage of dough sculpting, which attracted him greatly. “I was really excited to learn about dough sculpting.” he said. “Then I had the idea of taking my childhood interest up again.” He then spent 20 days learning skills from Bai Chunyu, a provincial-level inheritor of dough sculpting. And in August 2019, he got the chance to learn from another national-level inheritor. Kang spent nearly all his spare time practicing, hoping to improve quickly. “To learn as much as possible during my 40 days there, I practiced every day from 6 am until late at night,” he said. “When I slept, I had to put my hands in hot water to relieve the pain. But all the efforts turned out to be worth it.” In April, Kang completed the dough sculptures of 108 characters from the novel Outlaws of the Marsh after 16 months of work. “Most of my dough sculptures are traditional Chinese characters. In my mind, the real value of my dough sculpture as a national intangible cultural heritage lies in its connection with traditional Chinese culture. That’s the charm and significance of the art,” he said. 1．What inspired Kang to have the dream of dough sculpting? A．His talent for drawing. B．His admiration for Bai’s skills. C．His parents’ encouragement and support. D．His childhood experiences with dough. 2．What did Kang do to learn dough sculpting? A．He sought guidance from masters. B．He paid frequent visits to museums. C．He got formal training at an art school. D．He sought help from many sculpting lovers. 3．What does Kang probably think of his learning of dough sculpting? A．Tiring but rewarding. B．Costly and stressful. C．Fruitful and smooth. D．Boring but productive. 4．Why does Kang like making dough sculptures of Chinese characters? A．To get more recognition. B．To attract more enthusiasts. C．To better express Chinese culture. D．To improve skills with familiar characters. 【答案】1．D 2．A 3．A 4．C 【导语】本文是一篇记叙文。主要讲述黑龙江漠河面塑市级传承人康健三年创作400余件面塑作品，坚守并传承这一非物质文化遗产的历程。 1．细节理解题。根据第二段中的““When I was a little boy, every time my parents made dumplings, they would give me a small piece of dough,” he said. “I tried to make various animals — a rabbit, a fish, or a snail. The small, simple objects brought me lots of good childhood memories and planted the seeds of fine art, especially sculpture, in my heart.”(“小时候，每次父母包饺子都会分给我一小块面团，”他回忆道，“我把面团捏成各种小动物——兔子、鱼儿、蜗牛。这些简单稚拙的小物件，不仅承载着美好的童年记忆，更在我心中埋下了美术的种子，特别是雕塑的种子。”)”可知，康健童年与面团相关的经历，为他埋下了面塑梦想的种子，是他面塑梦想的灵感来源。故选D项。 2．细节理解题。根据第三段中的“He then spent 20 days learning skills from Bai Chunyu, a provincial-level inheritor of dough sculpting. And in August 2019, he got the chance to learn from another national-level inheritor.(随后，他花了20天时间向省级面塑传承人白春雨学习技艺。2019年8月，他又获得了向另一位国家级传承人学习的机会。)”可知，康健通过向面塑大师（省级、国家级传承人）寻求指导来学习面塑技艺。故选A项。 3．推理判断题。根据第四段中的““To learn as much as possible during my 40 days there, I practiced every day from 6 am until late at night,” he said. “When I slept, I had to put my hands in hot water to relieve the pain. But all the efforts turned out to be worth it.”(“为了在那里的40天里尽可能多学，我每天从清晨6点练习到深夜，”他说道，“晚上睡觉时，不得不把手泡在热水里缓解疼痛。但所有的努力最终都被证明是值得的。”)”可知，康健学习面塑的过程很辛苦，但最终收获满满，觉得一切付出都值得，即过程累但有回报。故选A项。 4．细节理解题。根据最后一段中的“In my mind, the real value of my dough sculpture as a national intangible cultural heritage lies in its connection with traditional Chinese culture. That’s the charm and significance of the art.(在我看来，作为国家级非物质文化遗产，我的面塑真正的价值在于它与中国传统文化的联系。这就是这项艺术的魅力和意义。)”可知，康健喜欢制作中国人物面塑，是为了更好地展现中国传统文化。故选C项。 So far, dozens of villages in China have been recognized among the Best Tourism Villages by the United Nations World Tourism Organization. Here are four of them. Azheke in Yunnan Province Surrounded by rice terraces (梯田), over 60 “mushroom cottages” with brick walls and grass roofs are regarded as the best-preserved architecture of Hani ethnic group tradition in Yuanyang county, Yunnan Province. For more than 160 years, the tiny village has been home to the Hani ethnic group, with its name meaning “a place where bamboo forests flourish” in the Hani language. Taoping in Sichuan Province Taoping village in Lixian county, Sichuan Province, is a land of beauty that boasts the marvelous heritage of one of China’s oldest ethnic groups — the Qiang. The village has one of the best-preserved ancient Qiang architectural complexes with a history of 2,000 years. Interestingly, the village is a whole entity formed by 98 interconnected stone houses and two nine-story watchtowers. Xitou in Zhejiang Province Located in the mountainous region of Longquan, Zhejiang Province, Xitou village is a place with a long tradition of celadon porcelain (青瓷) making. Here, families have protected and handed down their techniques through generations. The village, with a history of 1,400 years, has seven ancient kilns (窑) still in use. In 2009, the traditional wood-fired technique of Longquan celadon porcelain was recognized by UNESCO as an Intangible Cultural Heritage of Humanity. Yandunjiao in Shandong Province This fishing village faces the Yellow Sea, with a 7,000-meter-long coastline. Founded during the Chongzhen era of the Ming Dynasty (1627-1644), the village has a long history. The seagrass houses are a local architectural feature and thousands of whooper swans enjoy their winter time there. 1．Which village has the longest history? A．Azheke village in Yunnan Province. B．Taoping village in Sichuan Province. C．Xitou village in Zhejiang Province. D．Yandunjiao village in Shandong Province. 2．What do Azheke village and Taoping village have in common? A．They are both big ancient villages. B．They both have unique coastal scenery. C．They protect the ethnic minority culture. D．They save many wild plants and animals. 3．What can we know about Xitou village? A．It is mainly located on the coast. B．It is home to ethnic communities. C．It develops quickly and prosperously. D．It preserves the Chinese porcelain culture. 【答案】1．B 2．C 3．D 【导语】这是一篇应用文。文章介绍中国多个村庄入选联合国世界旅游组织最佳旅游乡村，选取云南阿者科、四川桃坪等四个村庄，分别展现其独特建筑、民族文化、传统技艺及自然风貌。 1．细节理解题。根据第二段“For more than 160 years, the tiny village has been home to the Hani ethnic group, with its name meaning “a place where bamboo forests flourish” in the Hani language.(160多年来，这个小小的村庄一直是哈尼族人的聚居地，其名称在哈尼语中的意思是“竹林繁茂之地”)”；第三段“The village has one of the best-preserved ancient Qiang architectural complexes with a history of 2,000 years.(这个村庄拥有保存最为完好的古代羌族建筑群之一，其历史已有2000年之久)”；第四段“The village, with a history of 1,400 years, has seven ancient kilns (窑) still in use.(这个村庄有着1400年的历史，至今仍有七座古老的窑炉在使用)”以及最后一段“Founded during the Chongzhen era of the Ming Dynasty (1627-1644), the village has a long history.(这个村庄始建于明朝崇祯年间（1627 - 1644年），有着悠久的历史)”可知，四川省的桃坪村历史最为悠久。故选B。 2．细节理解题。根据第二段“Surrounded by rice terraces (梯田), over 60 “mushroom cottages” with brick walls and grass roofs are regarded as the best-preserved architecture of Hani ethnic group tradition in Yuanvang county, Yunnan Province.(四周环绕着稻田的60多座带有砖墙和茅草屋顶的“蘑菇式房屋”，被视为云南省元阳县哈尼族传统建筑中最完好保存的建筑)”以及第三段“The village has one of the best-preserved ancient Qiang architectural complexes with a history of 2,000 years.(这个村庄拥有保存最为完好的古代羌族建筑群之一，其历史已有2000年之久)”可知，共同之处是都保护了少数民族文化。故选C。 3．细节理解题。根据倒数第二段“In 2009, the traditional wood-fired technique of Longquan celadon porcelain was recognized by UNESCO as an Intangible Cultural Heritage of Humanity.(2009年，龙泉青瓷的传统柴烧工艺被联合国教科文组织认定为人类非物质文化遗产)”可知，溪头村保留了中国瓷器文化。故选D。 “These objects reflect people’s pursuit of beauty. They have been treasured and passed down through the centuries because they are outstanding examples of artistic excellence,”says Zhu Xiaoyun, curator and director of international relations at the museum. She says the tour takes people through different exhibition halls, introducing artifacts that showcase a range of craftsmanship and art forms, helping them understand the evolution of Chinese cultural and aesthetic traditions. Some of the objects, she says, appreciate the beauty of nature, and underline the “dao fa zi ran” principle in classic Chinese philosophy, that is, learning from nature and following its principles. Others celebrate the pinnacle of ancient craftsmanship, such as a seventh-century gold necklace inlaid with pearls and red and blue gemstones. The necklace has a poignant backstory. In 608, 9-year-old Li Jingxun, a young aristocrat and granddaughter of Yang Lihua, a daughter of Yang Jian, the founding emperor of the Sui Dynasty (581-618), was buried in an extraordinary ceremony. Archaeologists excavating her tomb more than 1,300 years later were astonished by the richness of the burial, which included the necklace now displayed in the exhibition Ancient China. Other artifacts reflect the grandeur of social rituals, such as intricately patterned bronzes from the Shang Dynasty (c. 16th century-11th century BC), used in major ceremonies. Still others convey romance and freedom, such as a Tang Dynasty (618-907) mural of a woman in a flowing red dress performing the “scarf dance”, in which the dancer wove long scarves through the air. 1．Why have the objects mentioned in the passage been treasured for centuries? A．They are expensive and rare. B．They represent excellent artistry. C．They were owned by ancient emperors. D．They tell stories of ordinary people. 2．What does the museum tour help people understand? A．How to create ancient artifacts. B．The history of the museum itself. C．The development of Chinese cultural and aesthetic traditions. D．The differences between Chinese and Western art forms. 3．What does the “dao fa zi ran” principle emphasize? A．Controlling nature through technology. B．Learning from nature and following its rules. C．Using natural materials to make artifacts. D．Decorating objects with natural patterns. 4．What do the Shang Dynasty bronzes reflect? A．The beauty of nature. B．The grandeur of social rituals. C．Romance and freedom. D．Daily life of ancient people. 【答案】1．B 2．C 3．B 4．B 【导语】本文是一篇说明文。文章主要讲述了博物馆中珍藏文物所体现的艺术价值与文化意义。 1．细节理解题。根据第一段““These objects reflect people’s pursuit of beauty. They have been treasured and passed down through the centuries because they are outstanding examples of artistic excellence,”says Zhu Xiaoyun, curator and director of international relations at the museum.(“这些物品反映了人们对美的追求。它们是艺术卓越的杰出典范，因此被珍藏并世代相传，”博物馆策展人兼国际关系主管朱晓云说道)”可知，文中提到的物品因其卓越的艺术性而被珍视数百年。故选B。 2．细节理解题。根据第二段“She says the tour takes people through different exhibition halls, introducing artifacts that showcase a range of craftsmanship and art forms, helping them understand the evolution of Chinese cultural and aesthetic traditions.(她说，这次旅程将带领人们穿越不同的展厅，介绍各种工艺和艺术形式的文物，帮助他们了解中国文化和审美传统的演变)”可知，博物馆之旅帮助人们了解中国文化和审美传统的发展。故选C。 3．细节理解题。根据第三段的“Some of the objects, she says, appreciate the beauty of nature, and underline the “dao fa zi ran” principle in classic Chinese philosophy, that is, learning from nature and following its principles.(她说，其中一些物品体现了自然之美，并强调了中国古典哲学中的“道法自然”原则，即向自然学习并遵循其规律)”可知，“道法自然”原则强调向自然学习并遵循其规律。故选B。 4．细节理解题。根据第五段“Other artifacts reflect the grandeur of social rituals, such as intricately patterned bronzes from the Shang Dynasty (c. 16th century-11th century BC), used in major ceremonies.(其他文物则彰显了社会仪式的庄重宏大，例如商代（约公元前16世纪至公元前11世纪）用于重大仪式的纹饰繁复精美的青铜器)”可知，商代青铜器反映了社会仪式的庄重宏大。故选B。 Are you fascinated by UNESCO World Heritage Sites? If so, let me take you on a journey to some iconic landmarks. Each stands as a timeless symbol of its culture’s values and ambitions. Explore these iconic landmarks and their stories. Click here for UNESCO’s official World Heritage List. Taj Mahal, India The Taj Mahal, a white marble mausoleum (陵墓), is celebrated as the finest example of Indo-Islamic architecture. Built in 1632 by Mughal Emperor Shah Jahan, it honors his beloved wife, Mumtaz Mahal. Its grand design features arches, domes (圆顶), and intricate stone inlay work (镶嵌画). Angkor Wat, Cambodia Angkor Wat, part of the ancient Khmer Empire’s capital, is the world’s largest religious structure. Originally a Hindu temple for Vishnu, this 9th-century temple complex showcases detailed carvings and remains a symbol of Southeast Asia’s rich history. Acropolis of Athens, Greece The Acropolis of Athens is an enduring symbol of Classical Greece. The crown jewel of this hilltop castle is the Parthenon, a former temple dedicated to the worship of Athena in ancient Greek religion. Built by Ictinus and Callicrates, beginning in 447 BCE, this Doric icon is regarded as the most important surviving ancient Greek monument. The Great Wall, China Stretching over 21,000 kilometres, the Great Wall is one of humanity’s most ambitious architectural feats. Initially built during the 7th century BCE and expanded by later dynasties, it served as a military defence system against invasions. The best-preserved sections near Beijing, constructed with bricks and stone, display watchtowers and strategic passes. Despite erosion and tourism pressures, it remains a proud symbol of Chinese civilization. 1．Why was the Taj Mahal built? A．To serve as a Hindu temple. B．To honor an emperor's wife. C．To protect against invasions. D．To display modern architecture. 2．Which two sites were originally religious structures? A．Taj Mahal and Acropolis of Athens. B．Angkor Wat and Acropolis of Athens. C．The Great Wall and Angkor Wat. D．Taj Mahal and The Great Wall. 3．Where is the text probably taken from? A．A travel website. B．A history textbook. C．A travel brochure. D．An academic report. 【答案】1．B 2．B 3．A 【导语】这是一篇应用文。本文介绍了几个联合国教科文组织推荐的的世界文化遗产。 1．细节理解题。根据Taj Mahal, India部分的“Built in 1632 by Mughal Emperor Shah Jahan, it honors his beloved wife, Mumtaz Mahal.(泰姬陵由莫卧儿皇帝沙贾汗于1632年建造，以纪念他深爱的妻子穆塔兹·马哈尔。)”可知，泰姬陵是为了纪念一位皇帝的妻子而建的。故选B。 2．细节理解题。根据Angkor Wat, Cambodia部分的“Angkor Wat, part of the ancient Khmer Empire’s capital, is the world's largest religious structure. Originally a Hindu temple for Vishnu.(吴哥窟是古高棉帝国首都的一部分，是世界上最大的宗教建筑。最初是一座供奉毗湿奴的印度教寺庙。)”和Acropolis of Athens, Greece部分的“The Acropolis of Athens is an enduring symbol of Classical Greece. The crown jewel of this hilltop castle is the Parthenon, a former temple dedicated to the worship of Athena in ancient Greek religion.(雅典卫城是古典希腊的永恒象征。这座山顶城堡的瑰宝是帕台农神庙，它曾是一座供奉古希腊宗教中雅典娜女神的寺庙。)”可知，吴哥窟和雅典卫城最初是宗教建筑。故选B。 3．推理判断题。根据第一段“Are you fascinated by UNESCO World Heritage Sites? If so, let me take you on a journey to some iconic landmarks. Each stands as a timeless symbol of its culture’s values and ambitions. Explore these iconic landmarks and their stories. Click here for UNESCO’s official World Heritage List.(你对联合国教科文组织的世界遗产地感兴趣吗？如果是的话，让我带你去一些标志性的地标旅行。每一个都是其文化价值观和抱负的永恒象征。探索这些标志性地标及其背后的故事。点击这里查看联合国教科文组织的官方世界遗产名录。)”可知，这篇文章可能来自一个旅游网站，因为它不仅介绍了几个世界遗产地，还鼓励读者点击链接查看更多信息。故选A。 Archaeological findings show that Chankillo, which is located in the desert of Peru near the Casma-Sechin river, may be the earliest known observatory(天文台) in the Americas. Built over 2,300 years ago, the site has a platform, thirteen towers on the nearby hill, and a temple. There are also stones and walls with confusing entrances to prevent visitors who are not welcome. New discovery has found that Chankillo was used for a short period of time between the fourth century BCE and the early first century CE. But it was later given up, and remained largely forgotten until the nineteenth century. Chankillo is unique among ancient observatory sites because of its two observation points; similar sites around the world only have one point, which does not provide the measurement to track passage of time over a full year. The thirteen towers of Chankillo, located between two observation points, mark the full year’s cycle of sunrises or sunsets, which slowly move across the skyline throughout the year. By watching the sunrise or sunset from the observation points, the people in Chankillo would have been able to determine the date within one to two days and could therefore work out the schedule of seasonal events, including planting and gathering times, as well as the festivals. Archaeological findings at Chankillo also suggest that sun admiration appeared in the Andes around 2,000 years before the well-known Inca Empire. In July 2021, the Chankillo Observatory was included in the UNESCO World Heritage List as an outstanding example of architectural and scientific heritage in human history. This choice shows that it’s very important for learning about how ancient people thought and watched the skies, ensuring this special heritage continues to benefit all people. 1．The stones and walls with confusing entrances can . A．move across the skyline B．prevent visitors who are not welcome C．help people plant D．measure time 2．What made Chankillo different from other ancient observatories? A．The oldest design. B．Its location. C．Its technology. D．Its two observation points. 3．Which of the following events was most likely to happen to people in Chankillo? A．They divided a year into 12 months. B．They celebrated the Spring Festival. C．They farmed according to the seasons. D．They got their food mainly by hunting 4．What is the best title for the text? A．Chankillo: an Ancient Observatory B．UNESCO’s World Heritage List C．The Inca Empire and Sun Admiration D．The History of Peru’s Ancient Sites 【答案】1．B 2．D 3．C 4．A 【导语】本文是一篇说明文。文章主要介绍了位于秘鲁沙漠中的Chankillo天文台，详细阐述了其历史背景、建筑特点、功能用途以及被联合国教科文组织列为世界遗产的重要性。 1．细节理解题。根据第一段中“There are also stones and walls with confusing entrances to prevent visitors who are not welcome. (还有一些石头和墙壁，有着令人困惑的入口，以阻止不受欢迎的访客。)”可知，有着令人困惑入口的石头和墙壁可以阻止不受欢迎的访客。故选B项。 2．细节理解题。根据第二段第一句“Chankillo is unique among ancient observatory sites because of its two observation points; similar sites around the world only have one point, which does not provide the measurement to track passage of time over a full year. (Chankillo 在古代天文台遗址中是独特的，因为它有两个观测点；世界各地类似的遗址只有一个观测点，这无法提供追踪一整年时间流逝的测量方法。)”可知，使Chankillo不同于其他古代天文台的是它的两个观测点。故选D项。 3．推理判断题。根据第三段第一句“By watching the sunrise or sunset from the observation points, the people in Chankillo would have been able to determine the date within one to two days and could therefore work out the schedule of seasonal events, including planting and gathering times, as well as the festivals. (通过从观测点观看日出或日落，Chankillo 的人们能够在一两天内确定日期，因此能够制定季节性活动的时间表，包括种植和收获的时间，以及节日。)”可知，Chankillo的人们能够根据观测来确定种植时间，由此推断他们可能会根据季节来耕种。故选C项。 4．主旨大意题。通读全文可知，文章开篇指出考古发现表明Chankillo可能是美洲已知最早的天文台，接着介绍了它的建造时间、结构特点、独特之处（两个观测点）、功能（确定日期和安排季节性活动等）以及它被列入联合国教科文组织世界遗产名录的情况。全文围绕 Chankillo这个古代天文台展开。所以文章最佳标题是A选项Chankillo: an Ancient Observatory (Chankillo：一个古代天文台)。故选A项。 Deep in the Gobi Desert in Northwest China’s Gansu Province, remains of the Han Dynasty Great Wall stand firm. Two thousand years of sandstorms have not been enough to destroy it, nor is the heavy wind strong enough to prevent people from recalling the glory (光荣) of the ancient Silk Road. To keep this part of history alive, every possible way has been tried. A dozen miles away from the remains of Yumen Pass, Chen Wanying’s voice breaks through the sound of the visitors’ footsteps. She reminds the visitors of the notice from a small house and watches over their behaviour, in case they accidentally or unknowingly damage some remains. Chen and her husband Zhang Jianjun have been living on this land for more than ten years. They are under the control of the weather. Surface temperatures can reach nearly 60℃ during the hottest period of the year. They rely on solar power and a wireless network, and there’s no running water. The water from the well nearby is bearable for cooking, but they need to go elsewhere to get drinking water. Yet, Zhang Jianjun says, one of the most difficult aspects of their job is to keep wild animals away from the wall in the dead of night. Oxen, particularly, like to use the wall to lighten itches (痒) brought by insects. The couple often have to drive these animals away several times a night, but they never feel discouraged. It’s nearly time for Zhang Jianjun to retire from the job he’s been enthusiastic about. He says he wants to leave the site to his successors (继任者) undamaged and pass on the lessons he has learned to do the work well. 1．What can be inferred about the Han Dynasty Great Wall? A．Natural forces have destroyed it. B．It is located in a mild climate area. C．Action has been taken to keep it safe. D．Human activities are the biggest danger. 2．What is the biggest challenge the couple faces in their work? A．Finding clean drinking water. B．Driving away wild animals at night. C．Facing extreme heat during the day. D．Surviving without stable electricity. 3．What can be used to describe the couple? A．Clever and friendly. B．Ambitious and helpful. C．Determined and devoted. D．Responsible and thankful. 4．What is the best title for the text? A．Living Conditions of the Gobi Desert. B．Kind Couple Protecting Wild Animals. C．Glorious Memory regarding Ancient Silk Road. D．Protectors of the Han Dynasty Great Wall Ruins. 【答案】1．C 2．B 3．C 4．D 【导语】本文是一篇记叙文。文章主要讲述了陈万英和丈夫张建军夫妇守护汉代长城遗址的故事。 1．细节理解题。根据文章第一段“To keep this part of history alive, every possible way has been tried.(为了让这段历史得以延续，人们尝试了各种可能的方法)”可知，人们已经采取行动来保护汉代长城的安全。故选C项。 2．细节理解题。根据文章第四段“Yet, Zhang Jianjun says, one of the most difficult aspects of their job is to keep wild animals away from the wall in the dead of night.(然而，张建军说，他们工作中最困难的一个方面是在深夜把野生动物挡在墙外)”可知，这对夫妇在工作中面临的最大挑战是在深夜赶走野生动物。故选B项。 3．推理判断题。根据文章第四段“The couple often have to drive these animals away several times a night, but they never feel discouraged. (这对夫妇经常一晚上要把这些动物赶走好几次，但他们从不气馁)”以及最后一段“He says he wants to leave the site to his successors (继任者) undamaged and pass on the lessons he has learned to do the work well. (他说，他想把遗址完好无损地留给继任者，并把学到的经验传授给他们，把工作做好)”可推知，这对夫妇意志坚定，全身心地投入到保护汉代长城遗址的工作中。故选C项。 4．主旨大意题。根据文章第一段“To keep this part of history alive, every possible way has been tried. (为了让这段历史得以延续，人们尝试了各种可能的方法)”以及全文内容可知，文章主要讲述了陈万英和丈夫张建军夫妇守护汉代长城遗址的故事。由此可知，D项：“Protectors of the Han Dynasty Great Wall Ruins (汉代长城遗址的保护者)”作为文章标题最为合适。故选D项。 Everywhere I look, there are new buildings being built. The neighbourhoods that I knew as a boy, filled with beautiful old buildings, have mostly disappeared, and in their place, modern, high-rise buildings have appeared. If we continue in this way, nothing will remain of our heritage; soon I will no longer recognize my city. What is left of the city’s traditional buildings and neighbourhoods must be preserved and it is important to begin this process now. Historic preservation has become popular all over the world in recent years, but many countries have chosen new construction over preservation. There is good reason for this. As the population has become larger, people want the usefulness of modern living. However, the built environment should be more than shiny new buildings with air conditioning and washing machines; it should also show the beauty of our culture and heritage. How can our children understand our culture if we erase so much of the physical evidence (物证) of it? The reasons for preserving historic buildings are not simply about an emotional connection to the past. There are also good economic reasons in favour of preservation. The repair and preservation of historic sites can become an economic engine, drawing tourists and small businesses to the area. There are several good examples of this in the Middle East. In Dubai, the historic AI Bastikiya district draws thousands of tourists every year from all over the world. It also attracts local people, eager to learn about their city's past. Those who are against historic preservation think that it is too expensive. But many recent projects all over the world have told us that this is not necessarily the case. In fact, renovation (翻新) of an existing building can cost about $40 per square meter less than even the most basic new building, while preserving the beauty of the original building. What is more, environmental experts believe that the greenest building is the one that is already built. New building almost always has a more serious environmental influence because it requires the use of all-new materials that must be transported, often over long distances, instead of recycled materials that are already on site. We recycle so many other things. We can and should recycle buildings, too. 1．What is the main concern of the author regarding the rapid modernization of cities? A．The difficulty in attracting tourists to new areas. B．The loss of cultural heritage and recognition of one’s city. C．The decrease in the number of washing machines. D．The economic benefits of new construction over preservation. 2．Why do many countries choose new construction over preservation? A．Because preservation is too difficult. B．Because new construction is more beautiful. C．Because new construction is more environmentally friendly. D．Because the population growth makes people desire modern living facilities. 3．What can be learned from the example of the AI Bastikiya district in Dubai? A．It is a failure in historic preservation. B．It only attracts tourists but not local people. C．Historic preservation can promote economic development. D．It costs a large amount of money to preserve. 4．What is mainly discussed in the last paragraph? A．The high cost of historic preservation. B．The environmental advantages of preserving existing buildings. C．The reasons why new construction is better for the environment. D．The emotional connection to the past in historic preservation. 【答案】1．B 2．D 3．C 4．B 【导语】这是一篇议论文。文章讨论了作者对保护遗产的看法。 1．细节理解题。根据第一段中“The neighbourhoods that I knew as a boy, filled with beautiful old buildings, have mostly disappeared, and in their place, modern, high-rise buildings have appeared. If we continue in this way, nothing will remain of our heritage; soon I will no longer recognize my city.(我小时候所熟悉的街区，到处都是美丽的老建筑，现在大部分都消失了，取而代之的是现代化的高层建筑。如果我们继续这样下去，我们的遗产将荡然无存；很快我就认不出我的城市了)”可知，作者对于城市的快速现代化的主要担心是文化遗产会消失，认不出曾经熟悉的城市，故选B。 2．细节理解题。根据第二段中“Historic preservation has become popular all over the world in recent years, but many countries have chosen new construction over preservation. There is good reason for this. As the population has become larger, people want the usefulness of modern living.(近年来，历史保护在世界各地都很流行，但许多国家都选择了新建而不是保护。这是有充分理由的。随着人口的增加，人们想要现代生活的有用性)”可知，很多国家选择新建筑而不是保护旧的建筑，是因为人口的增长使得人们渴望现代化的生活设施，故选D。 3．细节理解题。根据第三段中“In Dubai, the historic AI Bastikiya district draws thousands of tourists every year from all over the world. It also attracts local people, eager to learn about their city’s past.(在迪拜，历史悠久的AI Bastikiya区每年吸引来自世界各地的数千名游客。它也吸引了当地人，他们渴望了解自己城市的过去)”可知，AI Bastikiya区通过保护历史建筑吸引了很多游客，所以历史保护可以促进经济发展，故选C。 4．主旨大意题。根据最后一段中“What is more, environmental experts believe that the greenest building is the one that is already built. New building almost always has a more serious environmental influence because it requires the use of all-new materials that must be transported, often over long distances, instead of recycled materials that are already on site.(更重要的是，环境专家认为最环保的建筑是已经建成的建筑。新建筑几乎总是有更严重的环境影响，因为它需要使用必须长途运输的全新材料，而不是已经在现场的回收材料)”可知，最后一段主要讨论了保存现存建筑的环境优势，故选B。 When I first visited Hasankeyf, in 2012, I fell in love with it at once. There were many important historical monuments (历史古迹) there, including the ruins of the Great Palace of the Artuqid king, built in the 12th century and an important 15th century tomb of the son of a ruler. Hasankeyf was one of the best-preserved medieval sites in Türkiye, but in 2020, the town began to disappear. Fifteen years earlier, the Turkish government had begun to build the Ilisu Dam, to provide hydroelectric power for the area — and the reservoir (水库) for the dam covered many villages and small towns, including most of Hasankeyf. Thousands of people had to leave their homes and start new lives in a specially built “new town”, and Hasankeyf’s monuments were moved to an archaeological park on higher ground. Some people from Hasankeyf tried to fight the loss of their town. For a while they tried to persuade the government to have the area declared (宣告) a UNESCO world heritage site — a place that is important in history and cannot be destroyed. But no one could stop the building of the dam, and the creation of the reservoir. The dam will provide hydroelectric power — a much cleaner kind of energy than the energy from coal or gas, and better for the environment. It will also help irrigation and control flooding in the area. But many people believe that it was wrong to move the old monuments of Hasankeyf, to destroy a beautiful old town, and to force so many people to leave their homes. 1．Why did Hasankeyf begin to disappear in 2020? A．To give way to a dam. B．To better preserve its cultural heritage. C．To build an archaeological park. D．To protect its villagers from tornado. 2．What happened to Hasankeyf’s monuments when the town began to disappear? A．It fell apart at last. B．It was buried in the ground. C．It was flooded by the dam. D．It was evacuated to the upper site. 3．How did the people in Hasankeyf fight the loss of their town? A．By conducting a protest. B．By making a proposal. C．By destroying a heritage site. D．By stopping the building of the dam. 4．What does the passage mainly talk about? A．The history of Hasankeyf. B．The protection of Hasankeyf. C．The disappearance of Hasankeyf. D．The cultural value of Hasankeyf. 【答案】1．A 2．D 3．B 4．C 【导语】本文是一篇说明文。文章主要介绍的是土耳其古镇Hasankeyf因Ilisu大坝建设而逐渐消失的过程，及其对当地居民和历史遗迹的影响。 1．细节理解题。根据第二段中的“Fifteen years earlier, the Turkish government had begun to build the Ilisu Dam, to provide hydroelectric power for the area — and the reservoir (水库) for the dam covered many villages and small towns, including most of Hasankeyf.(十五年前，土耳其政府开始建造Ilisu大坝，以提供该地区的水电。而大坝的水库覆盖了许多村庄和小镇，包括大部分的Hasankeyf)”可知，Hasankeyf的消失是因为Ilisu大坝的建设。故选A项。 2．细节理解题。根据第二段中的“Thousands of people had to leave their homes and start new lives in a specially built “new town”, and Hasankeyf’s monuments were moved to an archaeological park on higher ground.( 成千上万的人不得不离开他们的家园，到一个专门为他们建造的“新城镇”开始新的生活，而哈桑凯夫的古迹则被搬迁到了位于高地的考古公园)”可知，这些历史古迹被搬迁到了高地上的考古公园。故选D项。 3．细节理解题。根据第三段中的“For a while they tried to persuade the government to have the area declared (宣告) a UNESCO world heritage site — a place that is important in history and cannot be destroyed.(有一段时间，他们试图说服政府将该地区宣布为联合国教科文组织世界遗产地——一个在历史上重要且不可被摧毁的地方)”可知，Hasankeyf的居民试图通过向政府提出将该地区宣布为联合国教科文组织世界遗产地的倡议来抵抗失去他们的城镇。由此可知，他们通过提出倡议的方式来争取保护自己的家乡。故选B项。 4．主旨大意题。通读全文，尤其是尾段中的“But many people believe that it was wrong to move the old monuments of Hasankeyf, to destroy a beautiful old town, and to force so many people to leave their homes.(但是许多人认为，搬迁Hasankeyf的古老遗迹、破坏一座美丽的古老城镇并迫使这么多人离开他们的家园是错误的)”可知，文章讲述了Hasankeyf由于Ilisu大坝的建设而导致的逐渐消失，包括对当地居民生活的影响以及对于文化古迹的迁移措施，并讨论了这种变化带来的不同观点，贯穿讨论了Hasankeyf由于大坝建设而逐渐消失的过程。故选C项。 重难语篇提升练 The road, straight and smooth like a treadmill, leads towards civilization. All around us, the flat nothingness is interrupted only by electricity pylons (输电线塔), stretching into the distance like children holding jumpropes. We pass ghost-town service stations with empty convenience stores stocked with drinks, noodles, and vacuum-packed chicken feet. Then Dunhuang comes into view. The Kumtag Desert dunes rise above it like a tidal wave, seemingly ready to take the town back at any moment. It was a sight merchants would have both feared and fallen to their knees in thanks for as Dunhuang was the last watering hole before the Taklamakan Desert. With it also being where the Silk Road divided into northern and southern routes, it became a cultural crossroads and key supply base for caravans (商队) setting out for the tough journey across the merciless dunes. One site that traders would have almost certainly visited is the Mogao Caves. These 492 caves were hand-carved into a cliff face because a Buddhist monk named Le Zun had a vision of 1,000 Buddha bathed in golden light at the site in 366 C．E. The interior walls were painted with breathtaking murals and the niche (壁龛) filled with statues of Buddha and his bodhisattvas (菩萨). Merchants would pass by to pray for protection from the warring nomads (游牧民族) and murderous thieves on the path. However, as the Silk Road trade was deserted in favor of sea routes in the 14th century, Dunhuang was abandoned and knowledge of the caves faded from memory. More than 500 years later, on May 26, 1900, a Taoist priest named Wang Yuanlu was sweeping sand from the corridor of Cave 16 when some of the walls broke off. Peeking through the crack, he discovered around 50,000 scrolls and silk paintings, including the Diamond Sutra (《金刚经》) — the world’s oldest surviving printed book. All had been well preserved thanks to the dark, dry conditions. I walk along an avenue of silver poplar (白杨) trees. To my left, the caves look similar to a row of prison blocks: squat square door frames, each numbered, and set into the concrete. But as I dip my head to enter, a colorful dreamworld of dragons, phoenixes, and petal-scattering apsaras unfolds. The hands of our guide make shadow puppets on the wall as she gestures in front of the torchlight. In Cave 96 sits a nine-story-tall Buddha statue, the third tallest in China. All I can see is the edge of his robes decorated with fierce dragons and blue lotus flowers. His long toenails are at the right height for scratching the top of my head. I crane my neck to stare at his dark red lips. They are tightly pursed (噘起), refusing to tell me the whispered secrets of travelers before me. 1．Which of the following statements about Dunhuang is true? A．It was considered the center of the Taklamakan Desert. B．It was a town of political importance in the 4th century. C．It was deserted in the 14th century for some unknown reason. D．It served as a key place to support merchants in ancient times. 2．The author mentions the Taklamakan Desert in Paragraph 2 to ______. A．contrast the northern and southern Silk Road routes B．criticize modern people’s ignorance of desert conservation C．explain Dunhuang’s geographical fragility but critical function D．highlight the significance of the geological diversity of the region 3．Paragraph 4 mainly talks about ______. A．why the items found in the Mogao Caves matter B．how the items in the Mogao Caves were discovered C．why it took so long for the Mogao Caves to be recognized D．how the items had been preserved before Mogao Caves were discovered 4．The description in the last paragraph probably aims to ______. A．highlight the technical limitations of historical craftsmen B．convey a sense of personal awe and closeness to artwork C．criticize the unrealistic decoration of religious statues D．emphasize the statue’s function as a historical record 【答案】1．D 2．C 3．B 4．B 【导语】这是一篇游记散文，文章描写前往敦煌的沿途景象，介绍其古代作为丝路补给基地的地位、莫高窟的开凿与文物发现，还描述作者参观洞窟及佛像的感受。 1．细节理解题。根据第二段“ It was a sight merchants would have both feared and fallen to their knees in thanks for as Dunhuang was the last watering hole before the Taklamakan Desert. With it also being where the Silk Road divided into northern and southern routes, it became a cultural crossroads and key supply base for caravans (商队) setting out for the tough journey across the merciless dunes. (对于商人而言，敦煌的景象既会让他们心生畏惧，又会令他们跪地感恩 —— 因为这里是踏入塔克拉玛干沙漠前的最后一处水源地。此外，敦煌也是丝绸之路南北两道的分岔点，正因如此，它成为了文化交汇之地，同时也是商队踏上穿越茫茫沙海的艰难旅程前，至关重要的补给基地。)”可知，敦煌在古代是支持商人的重要地点。故选D项。 2．推理判断题。根据第二段“The Kumtag Desert dunes rise above it like a tidal wave, seemingly ready to take the town back at any moment. It was a sight merchants would have both feared and fallen to their knees in thanks for as Dunhuang was the last watering hole before the Taklamakan Desert. (库姆塔格沙漠的沙丘如潮水般笼罩着它，仿佛随时会将这座城镇吞噬。这样的景象会让商人既恐惧又感恩跪拜，因为敦煌是进入塔克拉玛干沙漠前的最后一处水源地。)” 可知，提及塔克拉玛干沙漠，既体现了敦煌被沙漠环绕的“地理脆弱性”，又突出了其作为商人最后补给点的“关键作用”。故选C项。 3．主旨大意题。根据第四段 “More than 500 years later, on May 26, 1900, a Taoist priest named Wang Yuanlu was sweeping sand from the corridor of Cave 16 when some of the walls broke off. Peeking through the crack, he discovered around 50,000 scrolls and silk paintings, including the Diamond Sutra (《金刚经》) — the world’s oldest surviving printed book. All had been well preserved thanks to the dark, dry conditions.(五百多年后，也就是1900年5月26日，一位名叫王圆箓的道士正在清扫16号洞窟甬道的积沙，突然墙壁的一部分轰然脱落。他透过裂缝窥探，竟发现了约五万件卷轴与绢画 —— 其中就包括《金刚经》，这部现存于世的最古老雕版印刷品。得益于洞窟内阴暗干燥的环境，这些文物均保存完好。)”可知，该段核心是讲述莫高窟文物“如何被发现”的过程。故选B项。 4．推理判断题。根据最后一段“All I can see is the edge of his robes decorated with fierce dragons and blue lotus flowers. His long toesails are at the right height for scratching the top of my head. I crane my neck to stare at his dark red lips. They are tightly pursued, refusing to tell me the whispered secrets of travelers before me. (我只能看到他衣袍的边缘，上面装饰着凶猛的龙和蓝色的莲花。他长长的脚趾甲高度正好能碰到我的头顶。我伸长脖子盯着他深红色的嘴唇，它们紧紧噘着，不愿告诉我从前旅行者们的窃窃私语。)”可知，作者通过“看到衣袍装饰”、“脚趾甲触顶”、“伸长脖子看嘴唇” 等个人视角的细节描写，传递出对佛像艺术品的“敬畏感”和“亲近感”。故选B项。 Long-legged and fair-haired, the Barbie doll has become a symbol of children’s toys in the West. But more than 1,000 years ago, a doll that became popular in China was just as attractive. Beijing silk figurines (北京绢人) are made from thin silk, gauze (纱罗) and damask (锦缎) and designed with detailed facial expressions. With their delicate craftsmanship and cultural meaning, the art of making them was listed as a national intangible cultural heritage in 2021. Jiao Tianqi, 30, has spent six years learning and preserving the craft. “For many, these silk figurines are just art pieces, but to me, they are like my children,” Jiao expressed. Creating a silk figurine has complex steps, including designing, painting, making clothes and props (道具). “Each step requires the greatest patience and love,” Jiao added. Before making a figurine, the artist must design it and make sure the head-to-body ratio is correct. “According to aesthetic standards, for a standing silk figurine, the head-to-body ratio is 1:7; for a seated position, it is 1:5,” Jiao said. But since most traditional silk figurines are 80 to 100 centimeters tall, every part is small. “A slight tremor (哆嗦) means starting over,” she said. Because silk figurines often show noblewomen or characters from classic literature, artists try to express their cultural spirit. “When making Wang Xifeng from Dream of the Red Chamber , we referenced the 1987 TV adaptation for her multiple hairpin (发簪) look to show her status as an important figure in the Jia family,” Jiao explained. “For Lin Daiyu, we reflected her identity as a dependent through her gestures, such as lowering her head and frowning.” This requires reading to understand the culture behind the characters. Since making silk figurines takes time and effort, few continue the craft. “Due to expensive materials, silk figurines are costly, and we often don’t know if they will sell,” Jiao said. “Nowadays, people prefer quick money, so out of 100 people who come to learn, only one or two persist in carrying on the tradition.” To address this, Jiao and her team work with people from all walks of life to raise awareness. They’re also exploring AI technology to make design and material analysis more accurate and affordable. 1．What does paragraph 2 mainly tell us about Beijing silk figurines? A．Their special qualities and cultural importance. B．What has made them so popular in China. C．The step-by-step process of creating them. D．How they differ from Western Barbie dolls. 2．According to Jiao, what is extremely important when creating silk figurines? A．Curiosity and creativity. B．A basic sense of aesthetics. C．Patience and passion. D．A strong team spirit. 3．Why does the author mention Wang Xifeng and Lin Daiyu in paragraph 7? A．To present typical characters represented in silk figurines. B．To stress the cultural significance of silk figurines. C．To show how TV adaptations influence traditional art. D．To illustrate how silk figurines reflect cultural characteristics. 4．Why do few people continue the craft of making silk figurines? A．The materials are difficult to find. B．They lack interest in classic literature. C．They fail to recognize its cultural value. D．High costs and uncertain sales discourage them. 【答案】1．A 2．C 3．D 4．D 【导语】本文是一篇说明文。主要介绍了北京绢人这一国家级非物质文化遗产的特点、制作过程、文化意义以及传承现状，同时提到了传承人为传承这一技艺所做的努力。 1．主旨大意题。根据第二段“Beijing silk figurines (北京绢人) are made from thin silk, gauze (纱罗) and damask (锦缎) and designed with detailed facial expressions. With their delicate craftsmanship and cultural meaning, the art of making them was listed as a national intangible cultural heritage in 2021. (北京绢人以薄丝绸、纱罗和锦缎为原料制成，面部表情刻画细致。凭借精湛的工艺和文化内涵，制作北京绢人的技艺在2021年被列入国家级非物质文化遗产名录。)”可知，本段主要介绍了北京绢人的特殊品质和文化重要性。故选A项。 2．细节理解题。根据第四段“Creating a silk figurine has complex steps, including designing, painting, making clothes and props (道具). “Each step requires the greatest patience and love,” Jiao added. (制作绢人需要复杂的步骤，包括设计、绘画、制作衣服和道具。“每一步都需要极大的耐心和热爱，”焦补充道。)”可知，焦认为制作绢人时，耐心和热情是极其重要的。故选C项。 3．推理判断题。根据第七段““When making Wang Xifeng from Dream of the Red Chamber , we referenced the 1987 TV adaptation for her multiple hairpin (发簪) look to show her status as an important figure in the Jia family,” Jiao explained. “For Lin Daiyu, we reflected her identity as a dependent through her gestures, such as lowering her head and frowning.” This requires reading to understand the culture behind the characters. (焦解释说：“在制作《红楼梦》中的王熙凤时，我们参考了1987年的电视剧改编版，为她设计了多个发簪造型，以显示她在贾家的重要地位。”“对于林黛玉，我们通过她的动作，如低头皱眉，来反映她寄人篱下的身份。”这需要通过阅读来理解人物背后的文化内涵。)”可知，作者提到王熙凤和林黛玉是为了说明绢人是如何通过细节设计来体现人物的文化特征的。故选D项。 4．细节理解题。根据倒数第二段“Since making silk figurines takes time and effort, few continue the craft. “Due to expensive materials, silk figurines are costly, and we often don’t know if they will sell,” Jiao said. “Nowadays, people prefer quick money, so out of 100 people who come to learn, only one or two persist in carrying on the tradition.” (由于制作绢人耗时费力，很少有人继续从事这门手艺。“因为材料昂贵，绢人的价格不菲，而且我们常常不知道它们能否卖出去，”焦说，“如今，人们更倾向于赚快钱，所以在来学习的100人中，只有一两个人坚持传承这一传统。”）”可知，很少有人继续绢人制作工艺是因为高成本和不确定的销量让他们望而却步。故选D项。 学科网（北京）股份有限公司 $ Unit 1 Cultural Heritage 单元话题阅读理解 Unit 1 Cultural Heritage单元话题：文化遗迹 本资料共10篇专题训练，从上到下依次按照难度分为基础语篇巩固练和重难语篇提升练 基础语篇巩固练 Over the past three years, Kang Jian has created more than 400 dough sculptures (面塑) and become a city-level inheritor (传承人) of this intangible cultural heritage in Mohe, Heilongjiang Province. “When I was a little boy, every time my parents made dumplings, they would give me a small piece of dough,” he said. “I tried to make various animals — a rabbit, a fish, or a snail. The small, simple objects brought me lots of good childhood memories and planted the seeds of fine art, especially sculpture, in my heart.” Kang’s parents were not financially able to support his desire to study fine arts while he was at school. But he didn’t give up. He spent his spare time after school studying drawing by himself. Then, in December 2018, during a visit to a museum in Beijing, Kang, for the first time, got information about the intangible cultural heritage of dough sculpting, which attracted him greatly. “I was really excited to learn about dough sculpting.” he said. “Then I had the idea of taking my childhood interest up again.” He then spent 20 days learning skills from Bai Chunyu, a provincial-level inheritor of dough sculpting. And in August 2019, he got the chance to learn from another national-level inheritor. Kang spent nearly all his spare time practicing, hoping to improve quickly. “To learn as much as possible during my 40 days there, I practiced every day from 6 am until late at night,” he said. “When I slept, I had to put my hands in hot water to relieve the pain. But all the efforts turned out to be worth it.” In April, Kang completed the dough sculptures of 108 characters from the novel Outlaws of the Marsh after 16 months of work. “Most of my dough sculptures are traditional Chinese characters. In my mind, the real value of my dough sculpture as a national intangible cultural heritage lies in its connection with traditional Chinese culture. That’s the charm and significance of the art,” he said. 1．What inspired Kang to have the dream of dough sculpting? A．His talent for drawing. B．His admiration for Bai’s skills. C．His parents’ encouragement and support. D．His childhood experiences with dough. 2．What did Kang do to learn dough sculpting? A．He sought guidance from masters. B．He paid frequent visits to museums. C．He got formal training at an art school. D．He sought help from many sculpting lovers. 3．What does Kang probably think of his learning of dough sculpting? A．Tiring but rewarding. B．Costly and stressful. C．Fruitful and smooth. D．Boring but productive. 4．Why does Kang like making dough sculptures of Chinese characters? A．To get more recognition. B．To attract more enthusiasts. C．To better express Chinese culture. D．To improve skills with familiar characters. So far, dozens of villages in China have been recognized among the Best Tourism Villages by the United Nations World Tourism Organization. Here are four of them. Azheke in Yunnan Province Surrounded by rice terraces (梯田), over 60 “mushroom cottages” with brick walls and grass roofs are regarded as the best-preserved architecture of Hani ethnic group tradition in Yuanyang county, Yunnan Province. For more than 160 years, the tiny village has been home to the Hani ethnic group, with its name meaning “a place where bamboo forests flourish” in the Hani language. Taoping in Sichuan Province Taoping village in Lixian county, Sichuan Province, is a land of beauty that boasts the marvelous heritage of one of China’s oldest ethnic groups — the Qiang. The village has one of the best-preserved ancient Qiang architectural complexes with a history of 2,000 years. Interestingly, the village is a whole entity formed by 98 interconnected stone houses and two nine-story watchtowers. Xitou in Zhejiang Province Located in the mountainous region of Longquan, Zhejiang Province, Xitou village is a place with a long tradition of celadon porcelain (青瓷) making. Here, families have protected and handed down their techniques through generations. The village, with a history of 1,400 years, has seven ancient kilns (窑) still in use. In 2009, the traditional wood-fired technique of Longquan celadon porcelain was recognized by UNESCO as an Intangible Cultural Heritage of Humanity. Yandunjiao in Shandong Province This fishing village faces the Yellow Sea, with a 7,000-meter-long coastline. Founded during the Chongzhen era of the Ming Dynasty (1627-1644), the village has a long history. The seagrass houses are a local architectural feature and thousands of whooper swans enjoy their winter time there. 1．Which village has the longest history? A．Azheke village in Yunnan Province. B．Taoping village in Sichuan Province. C．Xitou village in Zhejiang Province. D．Yandunjiao village in Shandong Province. 2．What do Azheke village and Taoping village have in common? A．They are both big ancient villages. B．They both have unique coastal scenery. C．They protect the ethnic minority culture. D．They save many wild plants and animals. 3．What can we know about Xitou village? A．It is mainly located on the coast. B．It is home to ethnic communities. C．It develops quickly and prosperously. D．It preserves the Chinese porcelain culture. “These objects reflect people’s pursuit of beauty. They have been treasured and passed down through the centuries because they are outstanding examples of artistic excellence,”says Zhu Xiaoyun, curator and director of international relations at the museum. She says the tour takes people through different exhibition halls, introducing artifacts that showcase a range of craftsmanship and art forms, helping them understand the evolution of Chinese cultural and aesthetic traditions. Some of the objects, she says, appreciate the beauty of nature, and underline the “dao fa zi ran” principle in classic Chinese philosophy, that is, learning from nature and following its principles. Others celebrate the pinnacle of ancient craftsmanship, such as a seventh-century gold necklace inlaid with pearls and red and blue gemstones. The necklace has a poignant backstory. In 608, 9-year-old Li Jingxun, a young aristocrat and granddaughter of Yang Lihua, a daughter of Yang Jian, the founding emperor of the Sui Dynasty (581-618), was buried in an extraordinary ceremony. Archaeologists excavating her tomb more than 1,300 years later were astonished by the richness of the burial, which included the necklace now displayed in the exhibition Ancient China. Other artifacts reflect the grandeur of social rituals, such as intricately patterned bronzes from the Shang Dynasty (c. 16th century-11th century BC), used in major ceremonies. Still others convey romance and freedom, such as a Tang Dynasty (618-907) mural of a woman in a flowing red dress performing the “scarf dance”, in which the dancer wove long scarves through the air. 1．Why have the objects mentioned in the passage been treasured for centuries? A．They are expensive and rare. B．They represent excellent artistry. C．They were owned by ancient emperors. D．They tell stories of ordinary people. 2．What does the museum tour help people understand? A．How to create ancient artifacts. B．The history of the museum itself. C．The development of Chinese cultural and aesthetic traditions. D．The differences between Chinese and Western art forms. 3．What does the “dao fa zi ran” principle emphasize? A．Controlling nature through technology. B．Learning from nature and following its rules. C．Using natural materials to make artifacts. D．Decorating objects with natural patterns. 4．What do the Shang Dynasty bronzes reflect? A．The beauty of nature. B．The grandeur of social rituals. C．Romance and freedom. D．Daily life of ancient people. Are you fascinated by UNESCO World Heritage Sites? If so, let me take you on a journey to some iconic landmarks. Each stands as a timeless symbol of its culture’s values and ambitions. Explore these iconic landmarks and their stories. Click here for UNESCO’s official World Heritage List. Taj Mahal, India The Taj Mahal, a white marble mausoleum (陵墓), is celebrated as the finest example of Indo-Islamic architecture. Built in 1632 by Mughal Emperor Shah Jahan, it honors his beloved wife, Mumtaz Mahal. Its grand design features arches, domes (圆顶), and intricate stone inlay work (镶嵌画). Angkor Wat, Cambodia Angkor Wat, part of the ancient Khmer Empire’s capital, is the world’s largest religious structure. Originally a Hindu temple for Vishnu, this 9th-century temple complex showcases detailed carvings and remains a symbol of Southeast Asia’s rich history. Acropolis of Athens, Greece The Acropolis of Athens is an enduring symbol of Classical Greece. The crown jewel of this hilltop castle is the Parthenon, a former temple dedicated to the worship of Athena in ancient Greek religion. Built by Ictinus and Callicrates, beginning in 447 BCE, this Doric icon is regarded as the most important surviving ancient Greek monument. The Great Wall, China Stretching over 21,000 kilometres, the Great Wall is one of humanity’s most ambitious architectural feats. Initially built during the 7th century BCE and expanded by later dynasties, it served as a military defence system against invasions. The best-preserved sections near Beijing, constructed with bricks and stone, display watchtowers and strategic passes. Despite erosion and tourism pressures, it remains a proud symbol of Chinese civilization. 1．Why was the Taj Mahal built? A．To serve as a Hindu temple. B．To honor an emperor's wife. C．To protect against invasions. D．To display modern architecture. 2．Which two sites were originally religious structures? A．Taj Mahal and Acropolis of Athens. B．Angkor Wat and Acropolis of Athens. C．The Great Wall and Angkor Wat. D．Taj Mahal and The Great Wall. 3．Where is the text probably taken from? A．A travel website. B．A history textbook. C．A travel brochure. D．An academic report. Archaeological findings show that Chankillo, which is located in the desert of Peru near the Casma-Sechin river, may be the earliest known observatory(天文台) in the Americas. Built over 2,300 years ago, the site has a platform, thirteen towers on the nearby hill, and a temple. There are also stones and walls with confusing entrances to prevent visitors who are not welcome. New discovery has found that Chankillo was used for a short period of time between the fourth century BCE and the early first century CE. But it was later given up, and remained largely forgotten until the nineteenth century. Chankillo is unique among ancient observatory sites because of its two observation points; similar sites around the world only have one point, which does not provide the measurement to track passage of time over a full year. The thirteen towers of Chankillo, located between two observation points, mark the full year’s cycle of sunrises or sunsets, which slowly move across the skyline throughout the year. By watching the sunrise or sunset from the observation points, the people in Chankillo would have been able to determine the date within one to two days and could therefore work out the schedule of seasonal events, including planting and gathering times, as well as the festivals. Archaeological findings at Chankillo also suggest that sun admiration appeared in the Andes around 2,000 years before the well-known Inca Empire. In July 2021, the Chankillo Observatory was included in the UNESCO World Heritage List as an outstanding example of architectural and scientific heritage in human history. This choice shows that it’s very important for learning about how ancient people thought and watched the skies, ensuring this special heritage continues to benefit all people. 1．The stones and walls with confusing entrances can . A．move across the skyline B．prevent visitors who are not welcome C．help people plant D．measure time 2．What made Chankillo different from other ancient observatories? A．The oldest design. B．Its location. C．Its technology. D．Its two observation points. 3．Which of the following events was most likely to happen to people in Chankillo? A．They divided a year into 12 months. B．They celebrated the Spring Festival. C．They farmed according to the seasons. D．They got their food mainly by hunting 4．What is the best title for the text? A．Chankillo: an Ancient Observatory B．UNESCO’s World Heritage List C．The Inca Empire and Sun Admiration D．The History of Peru’s Ancient Sites Deep in the Gobi Desert in Northwest China’s Gansu Province, remains of the Han Dynasty Great Wall stand firm. Two thousand years of sandstorms have not been enough to destroy it, nor is the heavy wind strong enough to prevent people from recalling the glory (光荣) of the ancient Silk Road. To keep this part of history alive, every possible way has been tried. A dozen miles away from the remains of Yumen Pass, Chen Wanying’s voice breaks through the sound of the visitors’ footsteps. She reminds the visitors of the notice from a small house and watches over their behaviour, in case they accidentally or unknowingly damage some remains. Chen and her husband Zhang Jianjun have been living on this land for more than ten years. They are under the control of the weather. Surface temperatures can reach nearly 60℃ during the hottest period of the year. They rely on solar power and a wireless network, and there’s no running water. The water from the well nearby is bearable for cooking, but they need to go elsewhere to get drinking water. Yet, Zhang Jianjun says, one of the most difficult aspects of their job is to keep wild animals away from the wall in the dead of night. Oxen, particularly, like to use the wall to lighten itches (痒) brought by insects. The couple often have to drive these animals away several times a night, but they never feel discouraged. It’s nearly time for Zhang Jianjun to retire from the job he’s been enthusiastic about. He says he wants to leave the site to his successors (继任者) undamaged and pass on the lessons he has learned to do the work well. 1．What can be inferred about the Han Dynasty Great Wall? A．Natural forces have destroyed it. B．It is located in a mild climate area. C．Action has been taken to keep it safe. D．Human activities are the biggest danger. 2．What is the biggest challenge the couple faces in their work? A．Finding clean drinking water. B．Driving away wild animals at night. C．Facing extreme heat during the day. D．Surviving without stable electricity. 3．What can be used to describe the couple? A．Clever and friendly. B．Ambitious and helpful. C．Determined and devoted. D．Responsible and thankful. 4．What is the best title for the text? A．Living Conditions of the Gobi Desert. B．Kind Couple Protecting Wild Animals. C．Glorious Memory regarding Ancient Silk Road. D．Protectors of the Han Dynasty Great Wall Ruins. Everywhere I look, there are new buildings being built. The neighbourhoods that I knew as a boy, filled with beautiful old buildings, have mostly disappeared, and in their place, modern, high-rise buildings have appeared. If we continue in this way, nothing will remain of our heritage; soon I will no longer recognize my city. What is left of the city’s traditional buildings and neighbourhoods must be preserved and it is important to begin this process now. Historic preservation has become popular all over the world in recent years, but many countries have chosen new construction over preservation. There is good reason for this. As the population has become larger, people want the usefulness of modern living. However, the built environment should be more than shiny new buildings with air conditioning and washing machines; it should also show the beauty of our culture and heritage. How can our children understand our culture if we erase so much of the physical evidence (物证) of it? The reasons for preserving historic buildings are not simply about an emotional connection to the past. There are also good economic reasons in favour of preservation. The repair and preservation of historic sites can become an economic engine, drawing tourists and small businesses to the area. There are several good examples of this in the Middle East. In Dubai, the historic AI Bastikiya district draws thousands of tourists every year from all over the world. It also attracts local people, eager to learn about their city's past. Those who are against historic preservation think that it is too expensive. But many recent projects all over the world have told us that this is not necessarily the case. In fact, renovation (翻新) of an existing building can cost about $40 per square meter less than even the most basic new building, while preserving the beauty of the original building. What is more, environmental experts believe that the greenest building is the one that is already built. New building almost always has a more serious environmental influence because it requires the use of all-new materials that must be transported, often over long distances, instead of recycled materials that are already on site. We recycle so many other things. We can and should recycle buildings, too. 1．What is the main concern of the author regarding the rapid modernization of cities? A．The difficulty in attracting tourists to new areas. B．The loss of cultural heritage and recognition of one’s city. C．The decrease in the number of washing machines. D．The economic benefits of new construction over preservation. 2．Why do many countries choose new construction over preservation? A．Because preservation is too difficult. B．Because new construction is more beautiful. C．Because new construction is more environmentally friendly. D．Because the population growth makes people desire modern living facilities. 3．What can be learned from the example of the AI Bastikiya district in Dubai? A．It is a failure in historic preservation. B．It only attracts tourists but not local people. C．Historic preservation can promote economic development. D．It costs a large amount of money to preserve. 4．What is mainly discussed in the last paragraph? A．The high cost of historic preservation. B．The environmental advantages of preserving existing buildings. C．The reasons why new construction is better for the environment. D．The emotional connection to the past in historic preservation. When I first visited Hasankeyf, in 2012, I fell in love with it at once. There were many important historical monuments (历史古迹) there, including the ruins of the Great Palace of the Artuqid king, built in the 12th century and an important 15th century tomb of the son of a ruler. Hasankeyf was one of the best-preserved medieval sites in Türkiye, but in 2020, the town began to disappear. Fifteen years earlier, the Turkish government had begun to build the Ilisu Dam, to provide hydroelectric power for the area — and the reservoir (水库) for the dam covered many villages and small towns, including most of Hasankeyf. Thousands of people had to leave their homes and start new lives in a specially built “new town”, and Hasankeyf’s monuments were moved to an archaeological park on higher ground. Some people from Hasankeyf tried to fight the loss of their town. For a while they tried to persuade the government to have the area declared (宣告) a UNESCO world heritage site — a place that is important in history and cannot be destroyed. But no one could stop the building of the dam, and the creation of the reservoir. The dam will provide hydroelectric power — a much cleaner kind of energy than the energy from coal or gas, and better for the environment. It will also help irrigation and control flooding in the area. But many people believe that it was wrong to move the old monuments of Hasankeyf, to destroy a beautiful old town, and to force so many people to leave their homes. 1．Why did Hasankeyf begin to disappear in 2020? A．To give way to a dam. B．To better preserve its cultural heritage. C．To build an archaeological park. D．To protect its villagers from tornado. 2．What happened to Hasankeyf’s monuments when the town began to disappear? A．It fell apart at last. B．It was buried in the ground. C．It was flooded by the dam. D．It was evacuated to the upper site. 3．How did the people in Hasankeyf fight the loss of their town? A．By conducting a protest. B．By making a proposal. C．By destroying a heritage site. D．By stopping the building of the dam. 4．What does the passage mainly talk about? A．The history of Hasankeyf. B．The protection of Hasankeyf. C．The disappearance of Hasankeyf. D．The cultural value of Hasankeyf. 重难语篇提升练 The road, straight and smooth like a treadmill, leads towards civilization. All around us, the flat nothingness is interrupted only by electricity pylons (输电线塔), stretching into the distance like children holding jumpropes. We pass ghost-town service stations with empty convenience stores stocked with drinks, noodles, and vacuum-packed chicken feet. Then Dunhuang comes into view. The Kumtag Desert dunes rise above it like a tidal wave, seemingly ready to take the town back at any moment. It was a sight merchants would have both feared and fallen to their knees in thanks for as Dunhuang was the last watering hole before the Taklamakan Desert. With it also being where the Silk Road divided into northern and southern routes, it became a cultural crossroads and key supply base for caravans (商队) setting out for the tough journey across the merciless dunes. One site that traders would have almost certainly visited is the Mogao Caves. These 492 caves were hand-carved into a cliff face because a Buddhist monk named Le Zun had a vision of 1,000 Buddha bathed in golden light at the site in 366 C．E. The interior walls were painted with breathtaking murals and the niche (壁龛) filled with statues of Buddha and his bodhisattvas (菩萨). Merchants would pass by to pray for protection from the warring nomads (游牧民族) and murderous thieves on the path. However, as the Silk Road trade was deserted in favor of sea routes in the 14th century, Dunhuang was abandoned and knowledge of the caves faded from memory. More than 500 years later, on May 26, 1900, a Taoist priest named Wang Yuanlu was sweeping sand from the corridor of Cave 16 when some of the walls broke off. Peeking through the crack, he discovered around 50,000 scrolls and silk paintings, including the Diamond Sutra (《金刚经》) — the world’s oldest surviving printed book. All had been well preserved thanks to the dark, dry conditions. I walk along an avenue of silver poplar (白杨) trees. To my left, the caves look similar to a row of prison blocks: squat square door frames, each numbered, and set into the concrete. But as I dip my head to enter, a colorful dreamworld of dragons, phoenixes, and petal-scattering apsaras unfolds. The hands of our guide make shadow puppets on the wall as she gestures in front of the torchlight. In Cave 96 sits a nine-story-tall Buddha statue, the third tallest in China. All I can see is the edge of his robes decorated with fierce dragons and blue lotus flowers. His long toenails are at the right height for scratching the top of my head. I crane my neck to stare at his dark red lips. They are tightly pursed (噘起), refusing to tell me the whispered secrets of travelers before me. 1．Which of the following statements about Dunhuang is true? A．It was considered the center of the Taklamakan Desert. B．It was a town of political importance in the 4th century. C．It was deserted in the 14th century for some unknown reason. D．It served as a key place to support merchants in ancient times. 2．The author mentions the Taklamakan Desert in Paragraph 2 to ______. A．contrast the northern and southern Silk Road routes B．criticize modern people’s ignorance of desert conservation C．explain Dunhuang’s geographical fragility but critical function D．highlight the significance of the geological diversity of the region 3．Paragraph 4 mainly talks about ______. A．why the items found in the Mogao Caves matter B．how the items in the Mogao Caves were discovered C．why it took so long for the Mogao Caves to be recognized D．how the items had been preserved before Mogao Caves were discovered 4．The description in the last paragraph probably aims to ______. A．highlight the technical limitations of historical craftsmen B．convey a sense of personal awe and closeness to artwork C．criticize the unrealistic decoration of religious statues D．emphasize the statue’s function as a historical record Long-legged and fair-haired, the Barbie doll has become a symbol of children’s toys in the West. But more than 1,000 years ago, a doll that became popular in China was just as attractive. Beijing silk figurines (北京绢人) are made from thin silk, gauze (纱罗) and damask (锦缎) and designed with detailed facial expressions. With their delicate craftsmanship and cultural meaning, the art of making them was listed as a national intangible cultural heritage in 2021. Jiao Tianqi, 30, has spent six years learning and preserving the craft. “For many, these silk figurines are just art pieces, but to me, they are like my children,” Jiao expressed. Creating a silk figurine has complex steps, including designing, painting, making clothes and props (道具). “Each step requires the greatest patience and love,” Jiao added. Before making a figurine, the artist must design it and make sure the head-to-body ratio is correct. “According to aesthetic standards, for a standing silk figurine, the head-to-body ratio is 1:7; for a seated position, it is 1:5,” Jiao said. But since most traditional silk figurines are 80 to 100 centimeters tall, every part is small. “A slight tremor (哆嗦) means starting over,” she said. Because silk figurines often show noblewomen or characters from classic literature, artists try to express their cultural spirit. “When making Wang Xifeng from Dream of the Red Chamber , we referenced the 1987 TV adaptation for her multiple hairpin (发簪) look to show her status as an important figure in the Jia family,” Jiao explained. “For Lin Daiyu, we reflected her identity as a dependent through her gestures, such as lowering her head and frowning.” This requires reading to understand the culture behind the characters. Since making silk figurines takes time and effort, few continue the craft. “Due to expensive materials, silk figurines are costly, and we often don’t know if they will sell,” Jiao said. “Nowadays, people prefer quick money, so out of 100 people who come to learn, only one or two persist in carrying on the tradition.” To address this, Jiao and her team work with people from all walks of life to raise awareness. They’re also exploring AI technology to make design and material analysis more accurate and affordable. 1．What does paragraph 2 mainly tell us about Beijing silk figurines? A．Their special qualities and cultural importance. B．What has made them so popular in China. C．The step-by-step process of creating them. D．How they differ from Western Barbie dolls. 2．According to Jiao, what is extremely important when creating silk figurines? A．Curiosity and creativity. B．A basic sense of aesthetics. C．Patience and passion. D．A strong team spirit. 3．Why does the author mention Wang Xifeng and Lin Daiyu in paragraph 7? A．To present typical characters represented in silk figurines. B．To stress the cultural significance of silk figurines. C．To show how TV adaptations influence traditional art. D．To illustrate how silk figurines reflect cultural characteristics. 4．Why do few people continue the craft of making silk figurines? A．The materials are difficult to find. B．They lack interest in classic literature. C．They fail to recognize its cultural value. D．High costs and uncertain sales discourage them. 学科网（北京）股份有限公司 $