第2单元 第1课 观照自然（第2课时）-【艺术知侣原创课件】2024-2025学年新教材七年级下册美术同步课件PPT(人美版2024)

nullnull 授课老师：艺术知侣 第二单元第1课第2课时 人美版 第二单元 · 山水抒怀 觀 照 自 然 上节回顾 中国画简称“国画”，是我国的传统绘画形式，是用毛笔蘸水、墨、彩作画于绢或纸上。 工具材料：毛笔、墨、国画颜料、宣纸、绢等。 题材：花鸟、山水、人物。 同时了解了国画 布局章法 山水画 花鸟画 人物画 中国山水画 中国山水画简称“山水”。以山川自然景观为主要描写对象的中国画。 古代画家以自然为师，不是简单地照搬景物，而是根据需要自由地布置景物。 均衡构图法 截取构图法 对角构图法 感知发现 中国传统绘画的魅力不只在于布局巧妙，画面中每个景物的表现也都很精妙。 国画山石 01 思考古人是如何运用不同笔墨技法来表现不同山石的。 山石欣赏 山水画里的石头，用线条和墨色就可以表达丰富的造型质感和体积感。 山石画法 古人讲“石分三面”，意在表现山石的立体感和阴阳向背、凹凸起伏的变化。 亮面（阳面） 过渡面 暗面（阴面） 当一块石头具备了亮面（阳面）、过渡面、暗面（阴面）时，石头也就有了立体感。 石分三面 你能看出石头的三个面了吗？试着给下图连一连。 山石欣赏 在画多块山石的时候，也要把握好石面的虚实变化、疏密关系、大小搭配等等。 山水画 皴法 中国画技法名。 是表现山石﹑峰峦和树身纹理的画法。画时先勾出轮廓﹐再用淡干墨画出。主要有斧劈皴﹑披麻皴﹑米点皴等等。 cūn 披 麻 皴 山水画技法之 披麻皴 以柔韧中锋线的组合来表现山石的结构和纹理。表现对象多为土坡或松软的土山和石头。 富春山居图（局部）元 · 黄公望 富春山居图(局部）元·黄公望 披麻皴-山石 1. 调淡墨，用中锋勾勒出土石的轮廓。 2. 以中锋为主，略带侧锋用淡墨短弧线画暗部，注意疏密有致。 3. 待线条干后，用稍深的墨色，皴擦土石暗部，使土石浑厚、滋润。 在山水画中，运用“披麻皴”画出的山石形似左右分披的麻纤维，用以表现江南一带土层较厚的山石的特点。 披麻皴-山峰 1. 调淡墨中锋用笔勾勒出山峰的轮廓。 2. 以淡墨皴擦山峰的暗部。 3. 用稍深的墨色，皴擦山石的暗部，可适当渲染，以增加山石的质感和立体感。 斧 劈 皴 山水画技法之 斧劈皴 用笔如斧劈出，亮面用淡墨皴出，表现刚硬方锐石头的结构和纹理。 踏歌图（局部） 南宋·马远 斧劈皴 用笔如斧劈出，亮面用淡墨皴出，表现刚硬方锐石头的结构和纹理。 踏歌图（局部） 南宋·马远 斧劈皴 米 点 皴 山水画技法之 米点皴 米点皴创始者为北宋的米芾，用这种皴法画成的山水，可称之为“米氏云山”或“米家山”。 米点皴可用来描写山石的质理，但更常见是用来表现苍茫多草木、烟雾缭绕的山头，主要在描写山林的整体印象，而不在说明山石的细部结构。 探索实践 请你根据下面的步骤，自己也来动手画一画石头吧！ 1. 中锋起笔，侧锋折按。 2. 稍加变化，反复三次，画成一个石面。 3. 再如此反复几次，注意表现出长短疏密的变化。 探索实践 4. 皴法与勾线相结合，形成石头的大致轮廓。 5. 可以将大小不同、形态各异的石头组合在一起，画出大块山石的形态。 6. 将画好的大块山石与树木、远山组合，绘成一幅山水画小品（注意布局与水的留白）。 画面构图有章法； 注意石分三面； 在本节课介绍的皴法任选一种作画； 根据本节课所学的内容，与上节课学习的布局章法，完成一张简单的山水作品 创意实践 要求： 欣赏作品 欣赏作品 课堂总结 1.石分 亮面（阳面） 过渡面 暗面（阴面） 2.在画石面的时候，要把握好石面： 三面，意在表现山石的立体感和阴阳向背、凹凸起伏的变化。 虚实变化、 疏密关系、 大小搭配等等。 练一练 3.下面的山石运用了什么皴法表达？ 披麻皴 斧劈皴 米点皴 表现南方较松软的土石 表现山石块面的分明与石质的坚硬。 表现雨后云雾变幻、烟树迷茫的景象 课后拓展 - 更多皴法 皴法除了本节课提到的披麻皴、斧劈皴、米点皴，其实还有许多皴法，如乱麻皴、锤头皴、芝麻皴、卷云皴、雨点皴、荷叶皴等等，是中国山水画史中一笔宝贵的财富。 授课老师：艺术知侣 第二单元第1课第2课时 人美版 第二单元 · 山水抒怀 披麻皴—唐錦騰教授示範影片 Demonstration on Hemp-fibre Texture Stroke by Prof. Tong Kam-tang 香港中文大學文物館 Art Museum, CUHK 20230201 Lavf58.29.100 https://www.youtube.com/watch?v=ZAMisiskqcA 披麻皴，相傳為唐代王維（699-759）始創，發展於五代董源（？-約962）、巨然（十世紀後半葉），分「長披麻」與「短披麻」兩種，是傳統山水畫最普遍應用皴法之一，多用以表現南方平緩華滋之土質山巒。皴紋為線條之交錯，如麻線紛披，故名。此皴講求疏密、濃淡、起伏、輕重之變化，達至「用墨漸積，混化為妙」。此法備受推崇，視之為一切線皴之基礎。清代唐岱（1673-1752後）甚至認為卷雲、解索、荷葉等諸多線皴「皆披麻皴之變體也」，故前人學畫山石，大都從披麻皴入手。 #中大文物館 #文化 #藝術 #皴 #皴法 #披麻皴 Hemp-fibre Texture Stroke Long rumoured to have been first employed by the famous Tang artist Wang Wei (699–759), the hemp-fibre texture stroke was developed into “long hemp-fibre texture stroke” and “short hemp-fibre texture stroke” by Dong Yuan (? –ca.962) and Juran (second half of the 10th century) of the Five Dynasties. As one of the most common texture strokes in traditional Chinese landscape paintings, it is mainly used to depict the gentle bushy mountains in southern China. Named after the shape of hemp fibres intertwined with each other, the stroke stresses the importance of the space density, tonal gradations, varying tempo of lines, and contrasts in lifts and presses to reach the “state of artistic integration and annihilation with accumulative ink”. It is held in high regard as the basis for all types of linear texture strokes. The Qing painter Tang Dai (1673–after 1752) even believes that the roiling-cloud texture stroke, unravelled-rope texture stroke and lotus-leaf texture stroke are “variations of the hemp-fibre texture stroke”. Therefore, our predecessors always began with the hemp-fibre texture stroke when they learned to paint mountains and rocks. #artmuseumcuhk #culture #TextureStroke #HempFibreTextureStroke #demonstration 相關展覽 #山川巨構 詳情：https://bit.ly/3A4VuY5 開放時間及參觀資訊： https://bit.ly/37QyFga 如何前往文物館：https://bit.ly/3M5KZYR About the Exhibition “Majestic Vistas”: https://bit.ly/3K4zSjd Opening Hours & Visitor Information: https://bit.ly/3vn9VnR How to Get to the Art Museum: https://bit.ly/3xBRr5M #中大文物館 #展覽 #山川巨構 #藝術 #文化 #山水畫 #山水 #ArtMuseumCUHK #Exhibition #MajesticVistas #art #culture #LandscapePainting #ChinesePainting #landscapes 關注我們 Follow us ► Facebook | https://www.facebook.com/ArtMuseumCUHK Instagram | https://www.instagram.com/artmuseumcuhk/ 披麻皴，相傳為唐代王維（699-759）始創，發展於五代董源（？-約962）、巨然（十世紀後半葉），分「長披麻」與「短披麻」兩種，是傳統山水畫最普遍應用皴法之一，多用以表現南方平緩華滋之土質山巒。皴紋為線條之交錯，如麻線紛披，故名。此皴講求疏密、濃淡、起伏、輕重之變化，達至「用墨漸積，混化為妙」。此法備受推崇，視之為一切線皴之基礎。清代唐岱（1673-1752後）甚至認為卷雲、解索、荷葉等諸多線皴「皆披麻皴之變體也」，故前人學畫山石，大都從披麻皴入手。 #中大文物館 #文化 #藝術 #皴 #皴法 #披麻皴 Hemp-fibre Texture Stroke Long rumoured to have been first employed by the famous Tang artist Wang Wei (699–759), the hemp-fibre texture stroke was developed into “long hemp-fibre texture stroke” and “short hemp-fibre texture stroke” by Dong Yuan (? –ca.962) and Juran (second half of the 10th century) of the Five Dynasties. As one of the most common texture strokes in traditional Chinese landscape paintings, it is mainly used to depict the gentle bushy mountains in southern China. Named after the shape of hemp fibres intertwined with each other, the stroke stresses the importance of the space density, tonal gradations, varying tempo of lines, and contrasts in lifts and presses to reach the “state of artistic integration and annihilation with accumulative ink”. It is held in high regard as the basis for all types of linear texture strokes. The Qing painter Tang Dai (1673–after 1752) even believes that the roiling-cloud texture stroke, unravelled-rope texture stroke and lotus-leaf texture stroke are “variations of the hemp-fibre texture stroke”. Therefore, our predecessors always began with the hemp-fibre texture stroke when they learned to paint mountains and rocks. #artmuseumcuhk #culture #TextureStroke #HempFibreTextureStroke #demonstration 相關展覽 #山川巨構 詳情：https://bit.ly/3A4VuY5 開放時間及參觀資訊： https://bit.ly/37QyFga 如何前往文物館：https://bit.ly/3M5KZYR About the Exhibition “Majestic Vistas”: https://bit.ly/3K4zSjd Opening Hours & Visitor Information: https://bit.ly/3vn9VnR How to Get to the Art Museum: https://bit.ly/3xBRr5M #中大文物館 #展覽 #山川巨構 #藝術 #文化 #山水畫 #山水 #ArtMuseumCUHK #Exhibition #MajesticVistas #art #culture #LandscapePainting #ChinesePainting #landscapes 關注我們 Follow us ► Facebook | https://www.facebook.com/ArtMuseumCUHK Instagram | https://www.instagram.com/artmuseumcuhk/ æ�§å��ç�´â��å��é�¦é¨°æ��æ��示ç¯�å½±ç�� Demonstration on Axe-cut Texture Stroke by Prof. Tong Kam-tang é¦�港中æ��大學æ��ç�©é¤¨ Art Museum, CUHK 20230208 Lavf58.29.100 https://www.youtube.com/watch?v=qBByol3Bh1I æ�§å��ç�´ï¼�å��å��ã��大æ�§å��ç�´ã��è��ã��å°�æ�§å��ç�´ã��å�©ç¨®ï¼�並å��æ�¯æ��ã��å�®é�µç�´ã��ã��繪ç�«æ��ï¼�ç­�é��沾墨è��æ°´ï¼�以å�´é��æ��å±±ç�³å��è��çµ�æ§�è¿�é��ç�´å�·ï¼�æ��å�ºé£�ç�½ï¼�ã��å¦�é�µæ�§å��æ�¨ï¼�å��å�ºæ�§ç��ã��ï¼�æ��å��ã��æ­¤ç�´è¿½æ±�ç�½å�©æ�ºå³­ä¹�æ��ï¼�å�¸é¡¯å±±ç�³é�¡å³­ä¹�å�¢ï¼�å�©æ�¼è¡¨ç�¾é�¢å¡�å�´æ�´ä¹�ç�³è³ªå³°å·�ï¼�å°¤å�¶å��æ�¹å±±ç�³ä¹�æ�¹ç¡¬è¼ªå»�å��å¤�é�²ç­�骨ã��æ�§å��ç�´å�³ç�ºå®�代æ��å��ï¼�ç´�1049-1130 å¾�ï¼�æ��å�µï¼�å¾�æ��馬é� ï¼�æ´»å��æ�¼1190ï¼�1224ï¼�ã��å¤�å�­ï¼�æ´»å��æ�¼1180ï¼�1230å��å¾�ï¼�ç¹¼ä¹�ï¼�è�³æ��æ��è�£å�¶æ��ï¼�1555-1636ï¼�è¦�ä¹�ç�ºå��å®�å� æ°£ä¸�è��ï¼�æ�´å� å¼�å¾®ã�� #中大æ��ç�©é¤¨ #æ��å�� #è��è¡� #ç�´ #ç�´æ³� #æ�§å��ç�´ Axe-cut Texture Stroke The axe-cut texture stroke is further classified into two types, namely the â��large axe-cut texture strokeâ�� and â��small axe-cut texture strokeâ��, the latter of which may evolve into the â��scratched-iron texture strokeâ��. Dipped into water and then ink, the side-tip of the brush is swiftly rubbed against the paper to build the rocky structure and impart a three-dimensional quality to the mountains, ending the stroke in flying-white. The stroke takes its name from its appearance, as Zheng Ji described it as â��a cut mark left by an iron axe driven into a trunkâ��. Striving for crispness and steeliness, the axe-cut texture stroke is intended to highlight the steepness of the terrain and best used for portraying rugged mountains formed by slabs of rock, especially those in the north with angular contours and protruding veins. It is said that the stroke was invented by the Northern Song court painter Li Tang (ca.1049â��after 1130). It is frequently seen in the works by Ma Yuan (active 1190â��1224) and Xia Gui (active 1180â��ca.1230), who perfected the texturing technique. However, it became much less common when Dong Qichang (1555â��1636) of the late Ming dynasty criticised it for its artistic triteness, as it was often used by those whom he classified as Northern school painters. #artmuseumcuhk #culture #TextureStroke #AxeCutTextureStroke ç�¸é��å±�覽 #å±±å·�å·¨æ§� 詳æ��ï¼�https://bit.ly/3A4VuY5 é��æ�¾æ��é��å��å��è§�è³�è¨�ï¼� https://bit.ly/37QyFga å¦�ä½�å��å¾�æ��ç�©é¤¨ï¼�https://bit.ly/3M5KZYR About the Exhibition â��Majestic Vistasâ��: https://bit.ly/3K4zSjd Opening Hours & Visitor Information: https://bit.ly/3vn9VnR How to Get to the Art Museum: https://bit.ly/3xBRr5M #中大æ��ç�©é¤¨ #å±�覽 #å±±å·�å·¨æ§� #è��è¡� #æ��å�� #山水ç�« #山水 #ArtMuseumCUHK #Exhibition #MajesticVistas #art #culture #LandscapePainting #ChinesePainting #landscapes é��注æ��å�� Follow us â�º Facebook | https://www.facebook.com/ArtMuseumCUHK Instagram | https://www.instagram.com/artmuseumcuhk/ æ�§å��ç�´ï¼�å��å��ã��大æ�§å��ç�´ã��è��ã��å°�æ�§å��ç�´ã��å�©ç¨®ï¼�並å��æ�¯æ��ã��å�®é�µç�´ã��ã��繪ç�«æ��ï¼�ç­�é��沾墨è��æ°´ï¼�以å�´é��æ��å±±ç�³å��è��çµ�æ§�è¿�é��ç�´å�·ï¼�æ��å�ºé£�ç�½ï¼�ã��å¦�é�µæ�§å��æ�¨ï¼�å��å�ºæ�§ç��ã��ï¼�æ��å��ã��æ­¤ç�´è¿½æ±�ç�½å�©æ�ºå³­ä¹�æ��ï¼�å�¸é¡¯å±±ç�³é�¡å³­ä¹�å�¢ï¼�å�©æ�¼è¡¨ç�¾é�¢å¡�å�´æ�´ä¹�ç�³è³ªå³°å·�ï¼�å°¤å�¶å��æ�¹å±±ç�³ä¹�æ�¹ç¡¬è¼ªå»�å��å¤�é�²ç­�骨ã��æ�§å��ç�´å�³ç�ºå®�代æ��å��ï¼�ç´�1049-1130 å¾�ï¼�æ��å�µï¼�å¾�æ��馬é� ï¼�æ´»å��æ�¼1190ï¼�1224ï¼�ã��å¤�å�­ï¼�æ´»å��æ�¼1180ï¼�1230å��å¾�ï¼�ç¹¼ä¹�ï¼�è�³æ��æ��è�£å�¶æ��ï¼�1555-1636ï¼�è¦�ä¹�ç�ºå��å®�å� æ°£ä¸�è��ï¼�æ�´å� å¼�å¾®ã�� #中大æ��ç�©é¤¨ #æ��å�� #è��è¡� #ç�´ #ç�´æ³� #æ�§å��ç�´ Axe-cut Texture Stroke The axe-cut texture stroke is further classified into two types, namely the â��large axe-cut texture strokeâ�� and â��small axe-cut texture strokeâ��, the latter of which may evolve into the â��scratched-iron texture strokeâ��. Dipped into water and then ink, the side-tip of the brush is swiftly rubbed against the paper to build the rocky structure and impart a three-dimensional quality to the mountains, ending the stroke in flying-white. The stroke takes its name from its appearance, as Zheng Ji described it as â��a cut mark left by an iron axe driven into a trunkâ��. Striving for crispness and steeliness, the axe-cut texture stroke is intended to highlight the steepness of the terrain and best used for portraying rugged mountains formed by slabs of rock, especially those in the north with angular contours and protruding veins. It is said that the stroke was invented by the Northern Song court painter Li Tang (ca.1049â��after 1130). It is frequently seen in the works by Ma Yuan (active 1190â��1224) and Xia Gui (active 1180â��ca.1230), who perfected the texturing technique. However, it became much less common when Dong Qichang (1555â��1636) of the late Ming dynasty criticised it for its artistic triteness, as it was often used by those whom he classified as Northern school painters. #artmuseumcuhk #culture #TextureStroke #AxeCutTextureStroke ç�¸é��å±�覽 #å±±å·�å·¨æ§� 詳æ��ï¼�https://bit.ly/3A4VuY5 é��æ�¾æ��é��å��å��è§�è³�è¨�ï¼� https://bit.ly/37QyFga å¦�ä½�å��å¾�æ��ç�©é¤¨ï¼�https://bit.ly/3M5KZYR About the Exhibition â��Majestic Vistasâ��: https://bit.ly/3K4zSjd Opening Hours & Visitor Information: https://bit.ly/3vn9VnR How to Get to the Art Museum: https://bit.ly/3xBRr5M #中大æ��ç�©é¤¨ #å±�覽 #å±±å·�å·¨æ§� #è��è¡� #æ��å�� #山水ç�« #山水 #ArtMuseumCUHK #Exhibition #MajesticVistas #art #culture #LandscapePainting #ChinesePainting #landscapes é��注æ��å�� Follow us â�º Facebook | https://www.facebook.com/ArtMuseumCUHK Instagram | https://www.instagram.com/artmuseumcuhk/ 米點皴—唐錦騰教授示範影片 Demonstration on Mi-dot Texture Stroke by Prof. Tong Kam-tang 香港中文大學文物館 Art Museum, CUHK 20230201 Lavf58.29.100 https://www.youtube.com/watch?v=ZVwzv4dEjJM 米點皴，又稱「落茄皴」，分為「大米點皴」與「小米點皴」，為宋代米芾（1052-1107）、米友仁（1074-1151）父子首創。米芾因長居鎮江常見雲山變幻、煙雨迷蒙之景象而有所啟迪。此皴不在表現山石紋理，而是峰巒表面林木於煙雨中之迷幻景象。其墨點橫扁圓渾，疏密濃淡相間，展現朦朧優美之煙雨雲山。 #中大文物館 #文化 #藝術 #皴 #皴法 #米點皴 Mi-dot Texture Stroke Also known as the peeling-crust texture stroke, the Mi-dot texture stroke is divided into “large Mi-dot texture stroke” and “small Mi-dot texture stroke”, and as the names suggest, the dots were invented by the Song painter Mi Fu (1052–1107) and his son Mi Youren (1074–1151). Mi Fu lived in Zhenjiang, where the rapid changes in foggy mountains and the dreamy scenes of misty rain became the main inspiration for his art. Oval, plump and tonally diverse, the Mi-dot texture stroke is used to depict the forests in the mountains shrouded in fog and rain rather than the texture of rocks and mountains, emphasising the haziness and grace of cloudy mountains in the rain. #artmuseumcuhk #culture #TextureStroke #MiDotTextureStroke #demonstration 相關展覽 #山川巨構 詳情：https://bit.ly/3A4VuY5 開放時間及參觀資訊： https://bit.ly/37QyFga 如何前往文物館：https://bit.ly/3M5KZYR About the Exhibition “Majestic Vistas”: https://bit.ly/3K4zSjd Opening Hours & Visitor Information: https://bit.ly/3vn9VnR How to Get to the Art Museum: https://bit.ly/3xBRr5M #中大文物館 #展覽 #山川巨構 #藝術 #文化 #山水畫 #山水 #ArtMuseumCUHK #Exhibition #MajesticVistas #art #culture #LandscapePainting #ChinesePainting #landscapes 關注我們 Follow us ► Facebook | https://www.facebook.com/ArtMuseumCUHK Instagram | https://www.instagram.com/artmuseumcuhk/ 米點皴，又稱「落茄皴」，分為「大米點皴」與「小米點皴」，為宋代米芾（1052-1107）、米友仁（1074-1151）父子首創。米芾因長居鎮江常見雲山變幻、煙雨迷蒙之景象而有所啟迪。此皴不在表現山石紋理，而是峰巒表面林木於煙雨中之迷幻景象。其墨點橫扁圓渾，疏密濃淡相間，展現朦朧優美之煙雨雲山。 #中大文物館 #文化 #藝術 #皴 #皴法 #米點皴 Mi-dot Texture Stroke Also known as the peeling-crust texture stroke, the Mi-dot texture stroke is divided into “large Mi-dot texture stroke” and “small Mi-dot texture stroke”, and as the names suggest, the dots were invented by the Song painter Mi Fu (1052–1107) and his son Mi Youren (1074–1151). Mi Fu lived in Zhenjiang, where the rapid changes in foggy mountains and the dreamy scenes of misty rain became the main inspiration for his art. Oval, plump and tonally diverse, the Mi-dot texture stroke is used to depict the forests in the mountains shrouded in fog and rain rather than the texture of rocks and mountains, emphasising the haziness and grace of cloudy mountains in the rain. #artmuseumcuhk #culture #TextureStroke #MiDotTextureStroke #demonstration 相關展覽 #山川巨構 詳情：https://bit.ly/3A4VuY5 開放時間及參觀資訊： https://bit.ly/37QyFga 如何前往文物館：https://bit.ly/3M5KZYR About the Exhibition “Majestic Vistas”: https://bit.ly/3K4zSjd Opening Hours & Visitor Information: https://bit.ly/3vn9VnR How to Get to the Art Museum: https://bit.ly/3xBRr5M #中大文物館 #展覽 #山川巨構 #藝術 #文化 #山水畫 #山水 #ArtMuseumCUHK #Exhibition #MajesticVistas #art #culture #LandscapePainting #ChinesePainting #landscapes 關注我們 Follow us ► Facebook | https://www.facebook.com/ArtMuseumCUHK Instagram | https://www.instagram.com/artmuseumcuhk/ $$nullnull