内容正文:
新外研 选必一 unit 4 衡水体字帖 脱格练习
Name:___________________ Date:____________
你的灵感从哪儿来?
弗洛伦泰因·霍夫曼,视觉艺术家
Unit 4 What inspires you?
Every artist’s wish is to create something that expresses an idea. But
where do artists get their ideas from? Who or what inspires them? Here
we find out more about the influences behind the successes of three very
different artists.
Florentijn Hofman, visual artist
1 Florentijn Hofman is a Dutch artist, whose large sculptures are on
display all over the world. One way for him to find inspiration is turning
to his children’s toys. These objects have given him ideas for his animal
sculptures, such as the famousRubber Duck. A more recent work of his is
the huge Floating Fish, which was set among the beautiful landscape of
Wuzhen West Scenic Zone.
2 Hofman’s inspiration for Floating Fish came from Chinese folk tales
新外研 选必一 unit 4 衡水体字帖 脱格练习
Name:___________________ Date:____________
谭盾,作曲家
passed down through the generations. He was particularly interested in
the old story about a fish jumping through the “Dragon Gate”. This story
came to life for Hofman when he visited Wuzhen and saw how people
lived there.
3 “During the walk and my stay here in the town, I saw the fish being fed
by people. You see also some fish sculpted on the wall.” These sights set
Hofman’s idea for Floating Fish in motion.
Tan Dun, composer
4 “There is no territory in the world of music.” These are the words of
Chinese composer Tan Dun. He is most widely known for composing
music for the film Crouching Tiger, Hidden Dragon and the 2008 Beijing
Olympics.
5 To listen to Tan’s music is to experience a mix of Chinese musical
traditions and Western influences. Since his first opera,Nine Songs, Tan
新外研 选必一 unit 4 衡水体字帖 脱格练习
Name:___________________ Date:____________
杨丽萍,舞蹈家
Dun has been using a combination of Chinese music and sounds from all
over the world to tell stories. As Tan once said, Chinese music should
carry “universal expression” of the human spirit so as to be recognised by
the whole world.
Yang Liping, dancer
6 Yang Liping’s passion is dancing. After winning a national competition
in 1986 with herSpirit of the Peacock dance, she has been known as the
“Peacock Princess”. The inspiration for her famous dances has come from
the time she spent in Xishuangbanna, Yunnan Province.
7 “I feel very grateful for the years in Xishuangbanna,” says Yang. “It gave
me a chance to go deeper into the lives of various ethnic groups... Our
ethnic groups, especially the Dai people, admire the peacock. They think
the peacock represents the beauty of nature. I especially like the dance
新外研 选必一 unit 4 衡水体字帖 脱格练习
Name:___________________ Date:____________
艺术与科技
style of the Dai people and it gives me lots of inspiration. My dance comes
from their traditional belief and aims to bring out the Dai women’s
beauty.”
ART&TECHNOLOGY
1 Think “art”. What comes to your mind? Is it Greek or Roman sculptures
in the Louvre, or Chinese paintings in the Palace Museum? Or maybe, just
maybe, it’s a dancing pattern of lights?
2 The artworks by American artist Janet Echelman look like colourful
floating clouds when they are lit up at night. Visitors to one of her
artworks in Vancouver could not only enjoy looking at it, they could also
interact with it—literally. They did this by using their phones to change
its colours and patterns. Exhibits such as these are certainly new and
exciting, but are they really art?
3 Whatever your opinion, people have been expressing their thoughts and
新外研 选必一 unit 4 衡水体字帖 脱格练习
Name:___________________ Date:____________
ideas through art for thousands of years. To do this, they have used a
variety of tools and technologies. Yet Michelangelo and others have been
labelled as “artists” rather than “technicians”. This means that art and
technology have always been seen as two very separate things.
4 Today, however, technological advances have led to a combination of
art and technology. As a result, the art world is changing greatly. Now art
is more accessible to us than ever before. Take for example one of China’s
most famous paintings from the Song Dynasty,Along the River During the
Qingming Festival. As this artwork is rarely on display, people have
sometimes queued up to six hours for a chance to see it. Once in front of
the painting, they only have limited time to spend taking in its five metres
of scenes along the Bian River in Bianjing. Thanks to technology however,
millions more people have been able to experience a digital version of this
painting. Three-dimensional (3D) animation means that viewers can see
新外研 选必一 unit 4 衡水体字帖 脱格练习
Name:___________________ Date:____________
the characters move around and interact with their surroundings. They
can also watch as the different scenes change from daylight into
nighttime.
5 The art-tech combination is also changing our concepts of “art” and the
“artist”. Not only can we interact with art, but also take part in its
creation. With new technological tools at our fingertips, more and more
people are exploring their creative sides. The result has been exciting new
art forms, such as digital paintings and videos.
6 However, the increase in the amount and variety of art produced has
also raised questions over its overall quality. Can a video of someone
slicing a tomato played in slow motion really be called “art”?
7 Similarly, such developments are making the line between art and
technology less distinct. Can someone unfamiliar with traditional artists’
tools really call themselves an “artist”? And is the artist the creator of the
新外研 选必一 unit 4 衡水体字帖 脱格练习
Name:___________________ Date:____________
art itself, or the maker of the technology behind it? A recent project used
technology and data in the same way that Rembrandt used his paints
and brushes. The end result, printed in 3D, was a new “Rembrandt
painting” created 347 years after the artist’s death. These advances are
perhaps bringing us closer to a time when computers rather than humans
create art.
8 Where technology will take art next is anyone’s guess. But one thing is
for sure—with so many artists exploring new possibilities, we can
definitely expect the unexpected.