内容正文:
Chapter VI Chinese Art中国艺术
Lesson 1 Peking Opera and its Facial Design
京剧和脸谱
Originally a form of local theatre, Peking Opera spread all over the country and then became the national opera of China. About 200 years ago, the Qing Emperor Qianlong toured in southern China and developed an interest in the local operas. On his 80th birthday, he let local opera troupes come to Beijing to perform for him. Some remained in Beijing after the celebration. The ones from Anhui and Hubei were combined with the palace opera - Kunqu Opera, which formed the Peking Opera. Peking Opera combines stylized acting with singing, dancing, musical dialogues, martial arts, colorful facial make-up and fantastic costumes.
Male roles are “Sheng”, and clowns are “Chou”. Each role, according to their sex, age and disposition, is characterized by different designs of facial make-up, say, Jing representing a rough, frank character and Hua Face representing a cruel or dangerous character. So the audience can easily tell what kind of character an actor is performing. Facial make-up, costumes and head - dresses are wonderful works of traditional art.
In the past, both Dan and Sheng roles were played by male actors, but now they also can be played by female. It is necessary to see Peking Opera while you are in China, just as seeing an opera while in Italy. There are also some other types of opera staged in China, such as Kunqu Opera, Pingju Opera and Hebei Bangzi as well as other operas from different places.
Chinese opera performers mainly have two methods of makeup: masks and facial painting. The frequent on-stage change of masks, without the audience noticing, is a special technique, known as changing faces. Opera facial painting falls into four main categories -- personality makeup (facial designs, painted faces or Lian Pu), decorative makeup (decorated faces), mood makeup (changing facial designs), and pictographic makeup (animal-like facial designs).
Lian Pu
Personality makeup, or Lian Pu