内容正文:
读后续写作文中微情节设置没有头绪?学会以下几种方式,让你不再
无从下手。
1.描写对象的切换
(1)独角戏和唱双簧
唱双簧是指两个人的配合情节,需要不断地切换描写对象,避免因冷
落其中一方而造成描写失衡。同时,两个对象的描写交替出现,可以
有效地推动情节发展。由于独角戏只涉及一个人,所有无法进行描
写对象的切换。
例:买铃寻亲
【Pappy】“And how can I help you,little lady?Pappy's voice was
joyful.
【Girl】“Hello,sit.”The little girl spoke almost in a whisper.She looked
at Pappy with her big brown eyes,and then slowly scanned the room in
search of something special.Shyly she told him,"I'd like to buy a
present,sir."
(2)群戏
例:戒指是真的哦【2020山东烟台高三一模】
[Crowd IA crowd gathered,excitedly watching the two divers searching
in the strong current.[PoliceI Nearby,two policemen were also waiting
[Ring I More than an hour passed but there was no sign of ring
[Crowd The crowd gradually got impatient,staring to talk noisily
【Gilleece】Gilleece grew increasingly worried,.【Police,.Prather】
especially when the policemen began questioning Prather,attempting to
get him admit keeping the ring.
2.描写细节切换
除了切换描写对象,我们还需要切换描写细节,避免出现“我说你说
他说*“我做你做这样单调的语言。这一点和编织动作面的思路一
致,可以架设多台摄像机”,从动作、语言、环境等不同角度进行拍
摄,从而把丰富的素材连贯地衔接在一起,形成流畅而生动的画面。
例1:“妈妈罢工”【2020山东省济南市高三第一次模拟考试】
【环境】Mom's spot was nice and clean..【心理】Arthur didn't like
the crumbs very much.After diner,Arthur's feet felt cold.【动作】He
went to his room and opened his drawer,【环t境】but the drawer was
empty.【语言】Mom,where are my socks?”Arthur called.
例2:“上门老人”【2020福建省高三毕业班质量检查测试】
【语言】“oh,helo.Would you like to come in for tea?【心理】Without
a second thought,.【(大)动作】the old man stepped inside and【(小)动
作】held out a broken basket with several bruised(擦伤的)apples.【语言】
“From my tree,“hesaid,【动作】removing a worn cap【语言】“You
mightlike to makeapie”
3.长短句的切换
同学们在初学写作时,往往句子都写不长,这使得文章读起来非常细
碎。但是在有了一定的语法基础之后,又容易走到另一个极端一通篇
都是长句。其实这两种情况都不可取:我们应该在长句中适当添加短
句,以增加句式长短的丰富性。长短句的交替会增加文章的可读性,
让长句变得更华丽,让短句变得更有力量。
例:【长】Holdimg the tnmpetfimly,he semed to seLous’seyes
sparkling with happiness【短】Hemade it
译:他紧紧地握着小号,似乎看到Louis的眼睛里闪烁着幸福的光芒。
他成功了!
例2:【长】Evey night,asIlay there,Istared at the window and the
cutains Ma made fromempty flour sacks【长】Sometimes t