精品解析：甘肃兰州市第五十九中学2026-2027学年高三上学期10月月考英语试题

兰州市第五十九中学2027届高三月考 英语试题 考试时间：90分钟 试卷满分：120分 一、阅读 A Frostfall Culture: The English Exam Paper That Thinks Differently Tired of exam papers that feel like they were generated by a machine? Frostfall Culture’s “Prop Workshop” series offers a different kind of English test. Instead of dry, artificial passages, our papers use real news stories — from a Chinese mathematician winning the Fields Medal to the Genshin Impact 7.0 update, from China’s AI robots at CES to a controversy over AI-generated anime images. But that’s only the beginning. Our English paper also includes a “Language Phenomena Lab.” You might find yourself rewriting the famous “Police police police police police police police police” sentence using a word bank, or translating a passage about Spoonerisms — a speech error where initial sounds are swapped, creating unintentional humor. These tasks are not designed to trick you; they are designed to make you think about how English actually works. The paper is divided into two parts. Part 1 focuses on reading, with a mix of multiple-choice, matching, table completion, and short writing tasks. Part 2 focuses on language skills, including a 25-blank cloze test based on an article about eight fascinating English language phenomena, plus a paraphrasing exercise and a translation task. The difficulty is higher than a standard high school paper, but the goal is not to discourage you — it’s to show you that English can be surprising, playful, and even fun. Frostfall Culture™ is an independent testing lab founded by a group of educators who believe that exam papers can have a soul. Our English paper is not for everyone. But if you are the kind of student who enjoys a challenge, who likes discovering language quirks, and who wants to see how English is used in the real world, then this paper might be exactly what you are looking for. 1. What can be inferred about the author’s attitude toward conventional exam papers? A. They are usually too easy for most high school students. B. They often lack authentic and engaging content. C. They place too much emphasis on language phenomena. D. They are designed by educators who do not care about students. 2. Why does the author mention the “Police police…” sentence and Spoonerisms? A. To prove that English grammar is too confusing for most students. B. To show that the paper includes playful tasks that make students think. C. To suggest that students should memorize famous English sentences. D. To criticize the way English is traditionally taught in schools. 3. What does the author imply by saying “Our English paper is not for everyone”? A. The paper is only suitable for students who enjoy challenges and language exploration. B. The paper is too expensive for most students to afford. C. The paper is designed for teachers rather than students. D. The paper is not officially recognized by schools. B From Village Grandma to Pop Star If she had never become famous, Na Yina would probably have lived the life that most women of her age in her village have long accepted as natural: playing mahjong with neighbors in the afternoon, babysitting her grandchildren when their parents were busy in the fields, and joining the square dance group that gathers every evening in the small plaza beside the village committee office. That is how she once envisioned the years ahead of her — quiet, predictable, and rooted in the familiar rhythms of rural life. But today, at an age when many people are ready to retreat from public life, she is a pop star with more than a million followers, a woman whose face appears on screens in cities she had never dreamed of visiting. The first time Na Yina stood on a real stage, something entirely unanticipated happened. She had been invited to perform at a local cultural event, and although she had practiced for days, she was still nervous enough that her hands trembled slightly as she held the microphone. Before she could finish the first verse, the crowd began to chant, “Refund! Refund!” — a reaction that would have crushed many performers. For a moment, her heart skipped a beat, and she later admitted that she had no idea what to do. But then she smiled, looked directly at the audience, and joked, “You’re not even shouting together!” The audience burst into laughter, and the tension dissolved. Since then, her fans have adopted “refund” as a humorous way to support her — a private language of affection that only those who have followed her story can fully understand. “I never planned this,” she said in an interview, her voice a mixture of surprise and gratitude. “But I felt like I had found something I truly cherish — something that belongs to me, not just to the family or the village.” This year, Na Yina started her first tour. She was occupied almost every day, traveling from city to city with little time for rest, yet she rarely complained. In October, she even performed in London — a moment she described as almost unreal. To express gratitude to her fans, she began taking online singing lessons, practicing scales and breathing exercises even when she was tired. Though her singing may not be flawless, her energy and joy illuminate every stage she steps onto, and audiences respond not to technical perfection but to the sincerity that shines through her performance. From a village woman to a pop star, Na Yina radiates happiness wherever she goes. Her story is not simply about fame or fortune; it is about the courage to embrace an unexpected life and the refusal to let age define what is possible. Let’s see what other surprises this fearless grandma will bring to the world next! 4. What does the first paragraph mainly suggest about Na Yina’s original expectations for her later years? A. She was eager to leave her village and become famous. B. She expected a quiet and routine life typical of women in her village. C. She was unhappy with her life and wanted to change it. D. She planned to move to a big city with her family. 5. What can be inferred about the fans’ use of “Refund”? A. They were dissatisfied with her performance and wanted their money back. B. They were mocking her because she forgot the lyrics. C. It has become a special way for them to show support and affection. D. They wanted her to stop singing and leave the stage. 6. Why does the author mention Na Yina’s online singing lessons? A. To show that she is not a talented singer. B. To suggest that she wants to become a professional singer. C. To highlight her gratitude to fans and her willingness to improve. D. To prove that online lessons are better than traditional ones. 7. What is the main idea the author wants to convey through Na Yina’s story? A. Fame and fortune are the most important goals in life. B. Rural life is boring and should be abandoned. C. Age should not limit what a person can achieve, and embracing unexpected changes can lead to a fulfilling life. D. Only young people can become popular on social media. C Not All El Niños Are Equal: The Hidden Force Behind Monsoon Onset Every spring, a vast seasonal wind system awakens over the South China Sea. The South China Sea Summer Monsoon (SCSSM) usually begins in mid-May, bringing abundant rainfall to southern China, the Philippine Islands, and surrounding regions. The onset of this monsoon marks the start of the wet season and the establishment of large-scale atmospheric circulation over the western North Pacific. For farmers, fishermen, and policymakers, knowing exactly when the monsoon will arrive is crucial — an early onset can mean less rainfall in the Yangtze River Basin, while a late onset often brings prolonged dry conditions to South China before the rains finally arrive. But predicting the monsoon’s onset is no easy task. Many factors influence it, including land surface temperature, tropical cyclones, and intraseasonal oscillations. Among the most powerful of these factors is the El Niño–Southern Oscillation (ENSO), the dominant climate pattern on Earth. When an El Niño or La Niña event occurs, the monsoon’s onset is observed to delay or advance in the following year, as the Pacific Ocean’s sea surface temperatures shift and atmospheric circulation responds. Yet in recent years, scientists have noticed something puzzling: the relationship between ENSO and the monsoon onset has become unstable. The super El Niño of 1997–1998, for example, did not cause a significant delay in the monsoon’s arrival, while the La Niña of 2010–2011 did push the onset earlier. Why would two strong ENSO events produce such different effects? A new study published in Geoscience Letters offers a compelling answer. The research, led by Lianyi Zhang and colleagues from the South China Sea Institute of Oceanology, reveals that not all El Niños are created equal. ENSO actually comes in two distinct patterns — the Eastern-Pacific (EP) pattern and the Central-Pacific (CP) pattern — and only one of them has a strong, reliable influence on the South China Sea monsoon. Using a novel statistical method called binary combined linear regression, the researchers separated the impacts of the two ENSO patterns over an 80-year period. Their findings were striking. The CP pattern explained 74.2% of the ENSO-related variance in monsoon onset dates, while the EP pattern accounted for only 25.8%. In other words, when scientists previously treated ENSO as a single phenomenon, they were largely measuring the CP pattern’s effects — and missing the EP pattern’s much weaker, less consistent influence. The study quantified these impacts precisely. A moderate CP El Niño tends to delay the monsoon onset by about 4.7 days in its decaying year, while a CP La Niña advances it by approximately 5.1 days. By contrast, the EP pattern’s impact on monsoon onset is statistically insignificant. Why does the CP pattern matter so much more? The answer lies in the different sea surface temperature structures of the two patterns. During a CP El Niño, the warmest ocean temperatures are concentrated near the International Date Line (around 180° longitude), where the background water temperature is already high — close to the threshold needed to trigger deep atmospheric convection. This warm anomaly persists longer and drives a strong, sustained anomalous anticyclonic wind system over the western North Pacific from April to June. These winds blow against the monsoon’s southwesterly flow, suppressing local convection and delaying the monsoon’s arrival. The EP pattern behaves very differently. In an EP El Niño, the warmest water shifts much farther east toward the Peru coast, while a broad cool anomaly extends westward to 180°. Because the warm anomaly is distant from the western Pacific and the cool anomaly is weaker, the anomalous Walker Circulation — the large-scale east-west atmospheric overturning pattern — cannot be sustained. The EP pattern’s atmospheric effects, strong in April, quickly decay by May, leaving the monsoon onset largely unaffected. The researchers also found that the CP pattern’s influence extends across the entire monsoon season. From April through June, the anomalous anticyclonic winds over the western North Pacific persist, keeping pressure differences between land and sea weak and preventing the monsoon from establishing itself. The EP pattern, by contrast, fades away just as the monsoon is trying to begin. These findings help explain the puzzling instability in the ENSO–monsoon relationship observed in recent decades. When a strong EP El Niño occurs, its impact on the monsoon may be minimal, while a moderate CP event can have a much larger effect. As CP El Niño events have become more frequent since the 1990s — a trend some scientists link to global warming — the monsoon’s behavior has become harder to predict using traditional ENSO indices. The study’s implications extend beyond the South China Sea. Improved understanding of ENSO diversity could help meteorologists make more accurate seasonal forecasts, benefiting agriculture, water resource management, and disaster preparedness across East Asia. As the researchers note, “a precise prediction of the SCSSM onset date would benefit the policy-making for the local government.” By distinguishing between the two faces of El Niño, scientists may finally be able to give communities the advance warning they need — not just that a monsoon is coming, but when. 8. What does the author imply by saying that scientists previously “were largely measuring the CP pattern’s effects”? A. Earlier studies on ENSO and monsoon onset were completely invalid. B. The EP pattern had no influence on monsoon onset in the past. C. Treating ENSO as a single phenomenon hid important differences between its two patterns. D. The CP pattern is the only pattern that climate scientists have ever studied. 9. Why can the CP pattern’s anomalous anticyclonic winds persist longer than those of the EP pattern? A. Because CP events are usually stronger than EP events. B. Because the CP warm anomaly is located where the background ocean temperature is already close to the convection threshold. C. Because the EP pattern’s warm anomaly is closer to the western Pacific and therefore triggers stronger convection. D. Because the CP pattern causes the monsoon to arrive earlier, which in turn sustains the winds. 10. What can be inferred about the effect of EP El Niño on monsoon onset from the study? A. It is strong in April but becomes statistically insignificant by May. B. It is stronger than the CP pattern throughout the entire monsoon season. C. It always delays the monsoon onset by about 4.7 days. D. It has become the main reason for the unstable ENSO–monsoon relationship. 11. The author’s mention of “not just that a monsoon is coming, but when” at the end mainly serves to ______. A. criticize farmers for paying too much attention to the timing of rains. B. emphasize the practical value of distinguishing the two ENSO patterns for forecasting. C. prove that the CP pattern is more important than the EP pattern in every climate study. D. suggest that monsoon onset can now be predicted without any uncertainty. D Japan Criticizes Trump’s Use of AI-Generated Anime Images A video posted by US President Donald Trump (1st L) on his social media account portrays himself as the protagonist of Japanese anime series “Naruto”. Official Criticism and Diplomatic Response The Japanese government on Friday publicly criticized US President Donald Trump’s use of intellectual property belonging to Japanese companies, with a senior minister warning that such practices could undermine the integrity and international reputation of Japan’s creative exports. According to the New York Times, Japan has already conveyed its position to the United States through established diplomatic channels. The controversy originated from a video posted by President Trump on his digital platform Truth Social last Saturday. The apparently AI-generated footage included a brief segment in which Trump appeared dressed as the protagonist from the globally popular anime franchise “Naruto,” clasping his hands together with his index fingers pointing upward — a gesture instantly recognizable to fans worldwide as the signature pose of the ninja character. Official Statement from Japan’s Cool Japan Minister According to Japan Today, Kimi Onoda, Japan’s minister for the “Cool Japan” strategy — a government initiative dedicated to promoting Japanese cultural exports globally — addressed the issue at a press conference. Onoda emphasized that the “basic principle” of obtaining proper permission from rights holders before using copyrighted material “applies equally when the user is a public institution.” She stressed that this principle is fundamental to protecting the creative industries that form a vital part of Japan’s cultural and economic strength. Onoda further explained that even in cases where the use of copyrighted material may not clearly constitute legal copyright infringement, there remains a significant risk that a work may be used in ways that contradict the rights holder’s intentions. She revealed that Japan has “conveyed its views on such matters to the US side through diplomatic channels on multiple occasions,” indicating that this is not an isolated incident but part of a broader pattern of concern. Divided Public Reactions in Japan The issue has generated intense discussions across Japanese social media platforms and online forums. In the comments section of Japan Today, one user expressed strong discomfort, stating, “The worst thing is I saw the image and I can’t unsee it.” This sentiment reflects a broader unease among many Japanese citizens who view their country’s cultural symbols as deserving of respect and careful handling. However, not all responses have been critical. Some users sought to minimize the controversy, arguing that the offending content constituted only a small portion of a longer video. “Chill out, that video in total is 60 seconds, [the] material in question [was] only 2-3 seconds,” one commenter wrote, adding with a degree of sarcasm, “What Japan will do, ask some compensation to King? Good luck.” This dismissive response highlights the divided opinions within Japan itself regarding how seriously the incident should be taken. Broader Context of AI-Generated Political Content The White House’s social media posts have previously drawn from other popular animated franchises, including “SpongeBob SquarePants,” Marvel and DC Comics, and the video game series “Call of Duty”. However, its use of Japanese anime imagery has provoked a particularly strong backlash, suggesting that anime occupies a unique and sensitive position in global cultural discourse. According to the New York Times, the controversy has prompted broader questions about the use of AI-generated content in political communication. Critics argue that when political figures repurpose culturally significant characters for their own messaging, they risk trivializing the artistic and cultural values that these characters represent. Expert Analysis on Diplomatic and Legal Implications Wang Peng, an associate research fellow at the Beijing Academy of Social Sciences, offered his analysis to the Global Times on Saturday. Wang noted that Japan’s decision to raise the issue through diplomatic channels rather than pursuing legal action was a pragmatic choice based on both political and practical considerations. Given the complexity of cross-border legal disputes and the formidable challenges of pursuing a legal case involving a sitting US president, diplomatic communication provides Japan with an effective means to express its concerns while avoiding a direct and potentially costly legal confrontation. Wang further observed that the controversy highlights the growing challenges that artificial intelligence poses to copyright protection systems worldwide. As AI-generated content becomes increasingly sophisticated, accessible, and difficult to distinguish from human-created works, the traditional boundaries between creative inspiration, fair use, and copyright infringement are becoming progressively more difficult to define and enforce. He pointed out that existing copyright frameworks in many countries were developed long before the rapid rise of generative AI technologies and may not adequately address contemporary issues involving AI-generated images, videos, audio, and digital replicas of copyrighted characters and artworks. As a result, Wang argued, governments, technology companies, and rights holders will need to strengthen cooperation across borders to establish clearer, more effective rules for the use of copyrighted content in the AI era. Broader Implications for Global Copyright Governance This incident is not an isolated case but rather a symptom of a larger global challenge. As AI tools become more powerful and widely available, artists, creators, and copyright holders have increasingly voiced concerns about the unauthorized reproduction and repurposing of protected designs, artistic styles, and fictional characters. Many argue that current legal frameworks, which were designed for a pre-AI world, are ill-equipped to handle the scale and speed at which AI can generate content that closely resembles copyrighted works. The debate extends beyond legal technicalities to fundamental questions about cultural respect and the ethical use of creative works. For many Japanese critics, the issue is not solely about copyright law but also about cultural dignity. They argue that anime and manga represent some of Japan’s most significant and globally influential creative exports, and that their characters should not be casually repackaged for political branding or campaign purposes by foreign leaders without proper authorization. Looking Forward: The Need for International Cooperation As the controversy continues to unfold, it has become clear that the intersection of AI technology, intellectual property rights, and cultural representation will require careful attention from policymakers, industry leaders, and the international community. The Trump anime image incident may serve as a catalyst for more comprehensive discussions about how to balance technological innovation with the protection of creative rights in an increasingly interconnected world. Ultimately, the incident raises a fundamental question that will likely shape policy debates for years to come: How should societies respond when AI-generated content based on recognizable cultural symbols is used in ways that the original creators never intended or authorized? The answer will require thoughtful collaboration across national boundaries, legal systems, and cultural traditions. 12. Why did Japan choose to raise the issue through diplomatic channels rather than pursuing legal action? A. Because Japanese officials believed that copyright law does not apply to public institutions. B. Because legal action against a sitting US president would be complex and costly, making diplomacy a more practical option. C. Because the Japanese government wanted to avoid discussing the incident in public. D. Because the White House had already agreed to compensate the rights holders. 13. What can be inferred about public opinion in Japan regarding the incident? A. Most Japanese citizens believed the video was harmless and should be ignored. B. Japanese opinions were divided, with some expressing strong discomfort and others dismissing the controversy as overblown. C. The Japanese public unanimously supported the government’s diplomatic response. D. Few Japanese citizens were aware of the incident because it received little media attention. 14. The author mentions that the White House had previously used other animated franchises such as “SpongeBob SquarePants”, Marvel and DC Comics mainly to ________. A. prove that American animation is more popular than Japanese anime. B. suggest that the White House frequently violates copyright law. C. highlight that the backlash was particularly strong because Japanese anime occupies a uniquely sensitive cultural position. D. argue that political figures should be allowed to use any animated characters freely. 15. What does the author imply about existing copyright frameworks in the AI era? A. They are already sufficient to handle AI-generated content if governments cooperate. B. They were designed before generative AI emerged and may not adequately address AI-related copyright issues. C. They should be abolished because AI makes copyright protection impossible. D. They mainly protect technology companies rather than artists and creators. 七选五 If you are looking for a documentary that makes you laugh out loud while also feeling vaguely offended on behalf of the entire human race, BBC’s Cunk on Earth is probably the best choice. It wears the sober costume of a serious history documentary, ____16____. The five-part mockumentary, co-produced by the BBC and Netflix and first aired in September 2022, was created by Charlie Brooker — yes, the same mind behind the chilling Black Mirror — and comedian Diane Morgan, who also plays the host, Philomena Cunk. Cunk is a “fearless field reporter” who sets out on a global journey with a kind of glitchy self-assurance, aiming to solve nothing less than the entire mystery of human civilization. From the Big Bang to Brexit, from the Renaissance to the internet age, she asks about everything and explains nothing. ____17____. For example, she solemnly asks an art historian whether the Renaissance or Beyoncé’s “Single Ladies” was more culturally important. She wonders aloud whether the pyramids were shaped that way to stop homeless people from sleeping on them. The most ingenious design of the show is this: every expert interviewed is a genuine scholar, and they all know in advance that this is a comedy program. ____18____. That mismatch — one person daring to ask, the other daring to answer — creates a continuous, irresistible comedic tension. When a scholar is left speechless or can only offer a helpless smile, the audience is laughing not only at Cunk’s stupidity but also at the sudden, awkward vulnerability of knowledge itself when confronted with pure absurdity. If Cunk is the soul of the show, “Pump Up the Jam” is its beating heart. The 1989 Belgian Eurodance track plays a crucial role: it serves as a universal unit of time. ____19____. What began as a throwaway joke evolves into an inescapable earworm, resurfacing at the most unexpected moments and becoming one of the show’s most iconic gags. Fans of the show have even started using the song to measure their own daily routines — a meeting that lasted “three Pump Up the Jams,” for instance. Cunk on Earth succeeds far beyond simple comedy. It holds a 100% rating on Rotten Tomatoes and has been called “the funniest mockumentary” by the Chicago Tribune. ____20____. It uses the least serious possible method to deconstruct “authority” and “grand narratives.” In the end, this show “about everything” cleverly avoids giving any answers. It simply leaves you, after the laughter, re-examining the “civilization” and “progress” we hold sacred — perhaps they, like us, are just a grand and earnest act of nonsense in the universe. A. They must respond to Cunk’s most absurd questions with maximum academic sincerity. B. When Cunk needs to describe a long historical period, she says it lasted roughly 870 “Pump Up the Jam”s. C. but underneath it is a meticulously designed act of intellectual harassment D. She asks experts questions that are almost impossible to answer with a straight face. E. The show has been praised for making serious academic topics accessible to young audiences. F. Its brilliance lies in using the least serious possible method to deconstruct authority and grand narratives. G. The show was created by Charlie Brooker and comedian Diane Morgan, who also plays the host. 二、完形填空 The World Cup paradox The theme tune of the men’s World Cup exemplifies the contest’s claim to foster global unity. Nearly half the world is expected to ____21____ over the coming weeks as the tournament moves towards its final. A viewer might come away with two conclusions. First, that entertainment culture is more ____22____ than ever. Second, that America remains the soft-power superpower at the centre of it all. Both assumptions would be ____23____. Mega-events like the World Cup still seize global attention. But the bigger picture is that entertainment is ____24____. From music to television to social media and gaming, audiences are tuning out of American content and embracing ____25____ from closer to home. There is an emerging paradox: even as the world becomes more connected, people are choosing more local forms of fun. Even as billions tune in to a single show in North America, the American-led monoculture (一元文化) is fading. This local turn is the ____26____ of what many predicted. Global entertainment platforms and the mobile-app stores give people everywhere access to the same music, video and games. The biggest winners have been a lopsidedly (不平衡地) American elite of megastars and brands. The biggest sports leagues have ____27____ in value along with them. But below the top tier, entertainment is fragmenting. Sport has always been a(n) ____28____ globaliser, because people prefer to watch their local team. America’s National Football League earns 98% of its media-rights revenue at home. Every four years the world comes together for the World Cup and the Olympics. ____29____, fans are mainly obsessed with domestic contests. Other kinds of culture have long been more globalised, often thanks to America. But now this seems to be ____30____. Music charts are becoming more local: in Brazil, an extreme case, 96 of the 100 most-streamed artists last week were Brazilian. Cheaper production and distribution have caused a ____31____ in the supply of local entertainment. Today, producing and distributing new entertainment — whether songs, videos or games — is cheap enough for it to be profitable to target much smaller niches (小众). The ____32____ has also changed. A growing global middle class has made it ____33____ for Netflix to make big-budget shows tailored to Mexican subscribers, or for the developers of “Free Fire” to devise Bollywood themes for Indian gamers. Governments will need to adapt to the changing dynamics of soft power. America’s century of ____34____ over global popular culture is over. All eyes will be on America for the World Cup final next month. But it is a(n) ____35____ force in a new game of soft power that has only just kicked off. 21. A. log in B. turn up C. tune in D. check out 22. A. commercialized B. digitized C. globalised D. standardized 23. A. interpreted B. mistaken C. confirmed D. generalized 24. A. splitting up B. taking off C. wearing off D. stepping up 25. A. innovations B. conventions C. proposals D. alternatives 26. A. similarity B. orientation C. strategy D. opposite 27. A. diversified B. collapsed C. rocketed D. fluctuated 28. A. reluctant B. ideal C. aggressive D. consistent 29. A. Likewise B. Moreover C. Therefore D. Otherwise 30. A. progressing B. reversing C. deteriorating D. mounting 31. A. transition B. boom C. gap D. drop 32. A. recreation B. location C. audience D. distribution 33. A. worthwhile B. insignificant C. accountable D. impractical 34. A. argument B. dominance C. concern D. preference 35. A. dividing B. driving C. declining D. unifying 三、语法填空 阅读下面短文，在空白处填入1个适当的单词或括号内单词的正确形式。 Growing up, I would frequently visit Manhattan’s Chinatown with my family ____36____ (collect) a variety of bao, or buns — good for ____37____ on-the-go breakfast or delicious snack. One hot July afternoon, while waiting outside for my dad to finish choosing which pastries ____38____ (catch) his eye, my sister grabbed my hand and rushed down the sidewalk. Weaving through fruit sellers and leisurely tourists, I was spellbound by the passing storefronts — an array of hair salons, dessert shops, and boutiques, each ____39____ (own) by a local Chinese family. As we got lost in the bustling streets, my heart swelled with pride and contentment. Chinatown, situated at the intersection of Chinese and American culture, combined together different worlds, ____40____ (one) I grew up feeling sandwiched between as a second-generation Chinese immigrant. Today, these neighborhoods, home to generations of Chinese Americans, are known as sites of community engagement, mutual aid ____41____ heritage preservation. They are pockets of wisdom and culture ____42____ many Chinese Americans find comfort and support. Scholars Michael Liu and Kim Geron recount the familiar Chinatown origin story in their 2008 “Changing Neighborhood: Ethnic Enclaves (飞地) and the Struggle for Social Justice”: Chinatowns ____43____ “centers where new immigrants lived and worked together, shared resources, built ____44____ (society) and political organizations, and nurtured distinctive social and cultural lives.” This _____45_____ (describe) still holds true today, making these enclaves irreplaceable for both the old and the young. 四、写作 46. 假设你是李华，两周前你网购了一套丛书，昨天才到货，还存在其他问题，请就此向网店客服写邮件投诉。要点如下： 1. 陈述写信目的； 2. 投诉内容； 3. 提出你的要求。 注意: 1. 词数80词左右； 2. 可适当增加细节，使行文连贯； 3. 开头结尾已给出，不计入总词数。 Dear sir or madam, ___________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ Yours Sincerely, Li Hua 47. 阅读下面材料，根据其内容和所给段落开头语续写两段，使之构成一篇完整的短文。 In the early 1990s, I boarded a plane at JFK Airport in New York City. I was 19 years old and feeling excited about my plan to spend a year studying abroad in Nancy, a city in northeastern France. Within a few weeks of arriving in France, though, my excitement gave way to an overwhelming sense of isolation and loneliness. Navigating day-to-day life in a new country was much harder than I expected it to be, especially when it came to speaking French. I could understand the language somewhat, but I was terrible at speaking it. My accent was terrible. People could not understand me. Constantly fighting to be understood was emotionally exhausting, and I had little hope for the rest of my year. The only thing getting me through was the knowledge that a little piece of home was on the way. My mom had sent me a care package, and in that package I knew she had sent Skippy peanut butter, which, at that point, I could not find anywhere in France. So this was really exciting for me. I had these visions of myself digging my spoon in and eating my peanut butter right from the jar. I had to go to the post office to pick up the package. When I arrived, I tried to tell the attendant (职员) why I was there. But the attendant didn’t speak any English and couldn’t understand my accent when I spoke in French. The more I repeated myself, the more frustrated I got and the more hopeless I felt. I was about ready to break down in tears because I just really needed that package from home, when in walked my unsung hero. The person who came to my rescue was a French woman named Chantal Jouve. She stepped in, looked at me and said, in English, “Can I help you?” 注意： （1）续写词数应为150左右； （2）请按如下格式在答题卡的相应位置作答。 Chantal Jouve spoke to the attendant after hearing my explanation. ____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ It became a regular thing every Sunday to have dinner with her and her family. ____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ 第1页/共1页 学科网（北京）股份有限公司 $ 兰州市第五十九中学2027届高三月考 英语试题 考试时间：90分钟 试卷满分：120分 一、阅读 A Frostfall Culture: The English Exam Paper That Thinks Differently Tired of exam papers that feel like they were generated by a machine? Frostfall Culture’s “Prop Workshop” series offers a different kind of English test. Instead of dry, artificial passages, our papers use real news stories — from a Chinese mathematician winning the Fields Medal to the Genshin Impact 7.0 update, from China’s AI robots at CES to a controversy over AI-generated anime images. But that’s only the beginning. Our English paper also includes a “Language Phenomena Lab.” You might find yourself rewriting the famous “Police police police police police police police police” sentence using a word bank, or translating a passage about Spoonerisms — a speech error where initial sounds are swapped, creating unintentional humor. These tasks are not designed to trick you; they are designed to make you think about how English actually works. The paper is divided into two parts. Part 1 focuses on reading, with a mix of multiple-choice, matching, table completion, and short writing tasks. Part 2 focuses on language skills, including a 25-blank cloze test based on an article about eight fascinating English language phenomena, plus a paraphrasing exercise and a translation task. The difficulty is higher than a standard high school paper, but the goal is not to discourage you — it’s to show you that English can be surprising, playful, and even fun. Frostfall Culture™ is an independent testing lab founded by a group of educators who believe that exam papers can have a soul. Our English paper is not for everyone. But if you are the kind of student who enjoys a challenge, who likes discovering language quirks, and who wants to see how English is used in the real world, then this paper might be exactly what you are looking for. 1. What can be inferred about the author’s attitude toward conventional exam papers? A. They are usually too easy for most high school students. B. They often lack authentic and engaging content. C. They place too much emphasis on language phenomena. D. They are designed by educators who do not care about students. 2. Why does the author mention the “Police police…” sentence and Spoonerisms? A. To prove that English grammar is too confusing for most students. B. To show that the paper includes playful tasks that make students think. C. To suggest that students should memorize famous English sentences. D. To criticize the way English is traditionally taught in schools. 3. What does the author imply by saying “Our English paper is not for everyone”? A. The paper is only suitable for students who enjoy challenges and language exploration. B. The paper is too expensive for most students to afford. C. The paper is designed for teachers rather than students. D. The paper is not officially recognized by schools. 【答案】1. B 2. B 3. A 【解析】 【导语】本文介绍Frostfall Culture的特色英语试卷，选用真实素材，设置趣味语言思考题，难度高于普通高中卷，适合热爱挑战、探索语言趣味的学生。 【1题详解】 推理判断题。根据第一段“Tired of exam papers that feel like they were generated by a machine? Frostfall Culture’s “Prop Workshop” series offers a different kind of English test. Instead of dry, artificial passages, our papers use real news stories — from a Chinese mathematician winning the Fields Medal to the Genshin Impact 7.0 update, from China’s AI robots at CES to a controversy over AI-generated anime images.(厌倦了那种仿佛机器生成的试卷吗？Frostfall Culture的“道具工坊”系列带来了不一样的英语测试。我们的试卷摒弃枯燥、生硬的文章，采用真实新闻素材——从中国数学家斩获菲尔兹奖，到《原神》7.0版本更新；从亮相国际消费电子展的中国人工智能机器人，到AI生成动漫图像引发的争议)”可推断，作者认为传统试卷常常缺少真实且吸引人的内容。 【2题详解】 推理判断题。根据第二段“You might find yourself rewriting the famous “Police police police police police police police police” sentence using a word bank, or translating a passage about Spoonerisms — a speech error where initial sounds are swapped, creating unintentional humor. These tasks are not designed to trick you; they are designed to make you think about how English actually works.(你可能需要借助词库改写那句著名的“Police police police police police police police police”句子，或是翻译一段关于首音互换（斯普纳现象）的文字 —— 这是一种言语失误，单词首音被互换，从而产生无意的喜剧效果。这类题目并非为了刁难你，而是旨在让你思考英语本身的运作规律)”可知，举例子是为了展示试卷包含趣味题目，引导学生思考。 【3题详解】 推理判断题。根据最后一段“Our English paper is not for everyone. But if you are the kind of student who enjoys a challenge, who likes discovering language quirks, and who wants to see how English is used in the real world, then this paper might be exactly what you are looking for.(这份英语试卷并不适合所有人。但如果你喜欢挑战、乐于发现语言奇特之处，想了解现实中的英语用法，这份试卷就很适合你)”可知，这句话暗示该试卷只适合喜欢挑战、探索语言的学生。 B From Village Grandma to Pop Star If she had never become famous, Na Yina would probably have lived the life that most women of her age in her village have long accepted as natural: playing mahjong with neighbors in the afternoon, babysitting her grandchildren when their parents were busy in the fields, and joining the square dance group that gathers every evening in the small plaza beside the village committee office. That is how she once envisioned the years ahead of her — quiet, predictable, and rooted in the familiar rhythms of rural life. But today, at an age when many people are ready to retreat from public life, she is a pop star with more than a million followers, a woman whose face appears on screens in cities she had never dreamed of visiting. The first time Na Yina stood on a real stage, something entirely unanticipated happened. She had been invited to perform at a local cultural event, and although she had practiced for days, she was still nervous enough that her hands trembled slightly as she held the microphone. Before she could finish the first verse, the crowd began to chant, “Refund! Refund!” — a reaction that would have crushed many performers. For a moment, her heart skipped a beat, and she later admitted that she had no idea what to do. But then she smiled, looked directly at the audience, and joked, “You’re not even shouting together!” The audience burst into laughter, and the tension dissolved. Since then, her fans have adopted “refund” as a humorous way to support her — a private language of affection that only those who have followed her story can fully understand. “I never planned this,” she said in an interview, her voice a mixture of surprise and gratitude. “But I felt like I had found something I truly cherish — something that belongs to me, not just to the family or the village.” This year, Na Yina started her first tour. She was occupied almost every day, traveling from city to city with little time for rest, yet she rarely complained. In October, she even performed in London — a moment she described as almost unreal. To express gratitude to her fans, she began taking online singing lessons, practicing scales and breathing exercises even when she was tired. Though her singing may not be flawless, her energy and joy illuminate every stage she steps onto, and audiences respond not to technical perfection but to the sincerity that shines through her performance. From a village woman to a pop star, Na Yina radiates happiness wherever she goes. Her story is not simply about fame or fortune; it is about the courage to embrace an unexpected life and the refusal to let age define what is possible. Let’s see what other surprises this fearless grandma will bring to the world next! 4. What does the first paragraph mainly suggest about Na Yina’s original expectations for her later years? A. She was eager to leave her village and become famous. B. She expected a quiet and routine life typical of women in her village. C. She was unhappy with her life and wanted to change it. D. She planned to move to a big city with her family. 5. What can be inferred about the fans’ use of “Refund”? A. They were dissatisfied with her performance and wanted their money back. B. They were mocking her because she forgot the lyrics. C. It has become a special way for them to show support and affection. D. They wanted her to stop singing and leave the stage. 6. Why does the author mention Na Yina’s online singing lessons? A. To show that she is not a talented singer. B. To suggest that she wants to become a professional singer. C. To highlight her gratitude to fans and her willingness to improve. D. To prove that online lessons are better than traditional ones. 7. What is the main idea the author wants to convey through Na Yina’s story? A. Fame and fortune are the most important goals in life. B. Rural life is boring and should be abandoned. C. Age should not limit what a person can achieve, and embracing unexpected changes can lead to a fulfilling life. D. Only young people can become popular on social media. 【答案】4. B 5. C 6. C 7. C 【解析】 【导语】文章讲述了乡村奶奶那依娜意外走红成为流行明星的故事，介绍她初次登台的经历、巡演历程，告诉我们年龄不应限制人的可能性，要勇敢拥抱意外的人生。 【4题详解】 推理判断题。根据第一段“That is how she once envisioned the years ahead of her — quiet, predictable, and rooted in the familiar rhythms of rural life. (那曾经是她预想中未来的生活——安静、可预料，扎根于熟悉的乡村生活节奏。)”可知，她原本期待过上村里女性那种安静、循规蹈矩的生活。 【5题详解】 推理判断题。根据第二段“Since then, her fans have adopted ‘refund’ as a humorous way to support her — a private language of affection that only those who have followed her story can fully understand. (从那以后，粉丝把‘退票’当成一种幽默的方式来支持她，这是一种专属的喜爱暗号，只有了解她故事的人才能完全读懂。)”可知，“退票”已经成为粉丝表达支持与喜爱的特殊方式。 【6题详解】 推理判断题。根据第四段“To express gratitude to her fans, she began taking online singing lessons, practicing scales and breathing exercises even when she was tired. (为向粉丝表达感谢，她开始上线上声乐课，哪怕疲惫也坚持练习音阶与气息。)”可知，作者提及线上声乐课是为突出她对粉丝的感恩以及自我提升的意愿。 【7题详解】 主旨大意题。根据最后一段“Her story is not simply about fame or fortune; it is about the courage to embrace an unexpected life and the refusal to let age define what is possible. (她的故事不只是关于名利，而是拥有拥抱意外人生的勇气，拒绝让年龄限定人生的可能性。)”可知，作者想要传递的观点是年龄不应限制人的成就，拥抱意外变化可以收获充实的人生。 C Not All El Niños Are Equal: The Hidden Force Behind Monsoon Onset Every spring, a vast seasonal wind system awakens over the South China Sea. The South China Sea Summer Monsoon (SCSSM) usually begins in mid-May, bringing abundant rainfall to southern China, the Philippine Islands, and surrounding regions. The onset of this monsoon marks the start of the wet season and the establishment of large-scale atmospheric circulation over the western North Pacific. For farmers, fishermen, and policymakers, knowing exactly when the monsoon will arrive is crucial — an early onset can mean less rainfall in the Yangtze River Basin, while a late onset often brings prolonged dry conditions to South China before the rains finally arrive. But predicting the monsoon’s onset is no easy task. Many factors influence it, including land surface temperature, tropical cyclones, and intraseasonal oscillations. Among the most powerful of these factors is the El Niño–Southern Oscillation (ENSO), the dominant climate pattern on Earth. When an El Niño or La Niña event occurs, the monsoon’s onset is observed to delay or advance in the following year, as the Pacific Ocean’s sea surface temperatures shift and atmospheric circulation responds. Yet in recent years, scientists have noticed something puzzling: the relationship between ENSO and the monsoon onset has become unstable. The super El Niño of 1997–1998, for example, did not cause a significant delay in the monsoon’s arrival, while the La Niña of 2010–2011 did push the onset earlier. Why would two strong ENSO events produce such different effects? A new study published in Geoscience Letters offers a compelling answer. The research, led by Lianyi Zhang and colleagues from the South China Sea Institute of Oceanology, reveals that not all El Niños are created equal. ENSO actually comes in two distinct patterns — the Eastern-Pacific (EP) pattern and the Central-Pacific (CP) pattern — and only one of them has a strong, reliable influence on the South China Sea monsoon. Using a novel statistical method called binary combined linear regression, the researchers separated the impacts of the two ENSO patterns over an 80-year period. Their findings were striking. The CP pattern explained 74.2% of the ENSO-related variance in monsoon onset dates, while the EP pattern accounted for only 25.8%. In other words, when scientists previously treated ENSO as a single phenomenon, they were largely measuring the CP pattern’s effects — and missing the EP pattern’s much weaker, less consistent influence. The study quantified these impacts precisely. A moderate CP El Niño tends to delay the monsoon onset by about 4.7 days in its decaying year, while a CP La Niña advances it by approximately 5.1 days. By contrast, the EP pattern’s impact on monsoon onset is statistically insignificant. Why does the CP pattern matter so much more? The answer lies in the different sea surface temperature structures of the two patterns. During a CP El Niño, the warmest ocean temperatures are concentrated near the International Date Line (around 180° longitude), where the background water temperature is already high — close to the threshold needed to trigger deep atmospheric convection. This warm anomaly persists longer and drives a strong, sustained anomalous anticyclonic wind system over the western North Pacific from April to June. These winds blow against the monsoon’s southwesterly flow, suppressing local convection and delaying the monsoon’s arrival. The EP pattern behaves very differently. In an EP El Niño, the warmest water shifts much farther east toward the Peru coast, while a broad cool anomaly extends westward to 180°. Because the warm anomaly is distant from the western Pacific and the cool anomaly is weaker, the anomalous Walker Circulation — the large-scale east-west atmospheric overturning pattern — cannot be sustained. The EP pattern’s atmospheric effects, strong in April, quickly decay by May, leaving the monsoon onset largely unaffected. The researchers also found that the CP pattern’s influence extends across the entire monsoon season. From April through June, the anomalous anticyclonic winds over the western North Pacific persist, keeping pressure differences between land and sea weak and preventing the monsoon from establishing itself. The EP pattern, by contrast, fades away just as the monsoon is trying to begin. These findings help explain the puzzling instability in the ENSO–monsoon relationship observed in recent decades. When a strong EP El Niño occurs, its impact on the monsoon may be minimal, while a moderate CP event can have a much larger effect. As CP El Niño events have become more frequent since the 1990s — a trend some scientists link to global warming — the monsoon’s behavior has become harder to predict using traditional ENSO indices. The study’s implications extend beyond the South China Sea. Improved understanding of ENSO diversity could help meteorologists make more accurate seasonal forecasts, benefiting agriculture, water resource management, and disaster preparedness across East Asia. As the researchers note, “a precise prediction of the SCSSM onset date would benefit the policy-making for the local government.” By distinguishing between the two faces of El Niño, scientists may finally be able to give communities the advance warning they need — not just that a monsoon is coming, but when. 8. What does the author imply by saying that scientists previously “were largely measuring the CP pattern’s effects”? A. Earlier studies on ENSO and monsoon onset were completely invalid. B. The EP pattern had no influence on monsoon onset in the past. C. Treating ENSO as a single phenomenon hid important differences between its two patterns. D. The CP pattern is the only pattern that climate scientists have ever studied. 9. Why can the CP pattern’s anomalous anticyclonic winds persist longer than those of the EP pattern? A. Because CP events are usually stronger than EP events. B. Because the CP warm anomaly is located where the background ocean temperature is already close to the convection threshold. C. Because the EP pattern’s warm anomaly is closer to the western Pacific and therefore triggers stronger convection. D. Because the CP pattern causes the monsoon to arrive earlier, which in turn sustains the winds. 10. What can be inferred about the effect of EP El Niño on monsoon onset from the study? A. It is strong in April but becomes statistically insignificant by May. B. It is stronger than the CP pattern throughout the entire monsoon season. C. It always delays the monsoon onset by about 4.7 days. D. It has become the main reason for the unstable ENSO–monsoon relationship. 11. The author’s mention of “not just that a monsoon is coming, but when” at the end mainly serves to ______. A. criticize farmers for paying too much attention to the timing of rains. B. emphasize the practical value of distinguishing the two ENSO patterns for forecasting. C. prove that the CP pattern is more important than the EP pattern in every climate study. D. suggest that monsoon onset can now be predicted without any uncertainty. 【答案】8. C 9. B 10. A 11. B 【解析】 【导语】文章主要讲述厄尔尼诺分为两类，它们对南海夏季风爆发影响不同，区分二者有助于更精准预报季风。 【8题详解】 推理判断题。根据第五段中“In other words, when scientists previously treated ENSO as a single phenomenon, they were largely measuring the CP pattern’s effects — and missing the EP pattern’s much weaker, less consistent influence.(换言之，过去科学家将ENSO视作单一气候现象进行研究时，很大程度上测算的只是CP型的效应，却忽略了EP型本身影响力更弱、且不稳定这一特点。)”可知，把ENSO看作单一现象掩盖了两种模式之间的重要差异。 【9题详解】 细节理解题。根据第七段中“During a CP El Niño, the warmest ocean temperatures are concentrated near the International Date Line (around 180° longitude), where the background water temperature is already high — close to the threshold needed to trigger deep atmospheric convection. This warm anomaly persists longer and drives a strong, sustained anomalous anticyclonic wind system over the western North Pacific from April to June.(发生CP型厄尔尼诺时，最高海温集中在国际日期变更线附近（约经度180°），该区域本底水温已经很高，接近触发深层大气对流的临界阈值。这种海温暖异常持续时间更长，并在4—6月驱动西北太平洋上空形成强大且持久的异常反气旋风系统。)”可知，中太平洋暖异常所在区域本底海水温度已接近对流临界值，所以它的异常反气旋风持续更久。 【10题详解】 推理判断题。根据第八段中“The EP pattern’s atmospheric effects, strong in April, quickly decay by May, leaving the monsoon onset largely unaffected.(EP型的大气效应在4月较强，但到5月迅速衰减，因此季风爆发很大程度上不受其干扰。)”可知，EP型的大气效应在4月较强，到5月就没有统计学上显著的影响了。 【11题详解】 推理判断题。根据最后一段中“Improved understanding of ENSO diversity could help meteorologists make more accurate seasonal forecasts, benefiting agriculture, water resource management, and disaster preparedness across East Asia...By distinguishing between the two faces of El Niño, scientists may finally be able to give communities the advance warning they need — not just that a monsoon is coming, but when.(深入理解ENSO的多样性，有助于气象学家做出更精准的季节预测，惠及整个东亚地区的农业、水资源管理以及防灾减灾工作……通过区分厄尔尼诺的两种类型，科学家或许最终能够为各区提供所需的预警：不只是告知季风即将到来，还能预判它抵达的时间。)”可知，文末这句话是为了强调区分两种ENSO模式对于预报的实用价值。 D Japan Criticizes Trump’s Use of AI-Generated Anime Images A video posted by US President Donald Trump (1st L) on his social media account portrays himself as the protagonist of Japanese anime series “Naruto”. Official Criticism and Diplomatic Response The Japanese government on Friday publicly criticized US President Donald Trump’s use of intellectual property belonging to Japanese companies, with a senior minister warning that such practices could undermine the integrity and international reputation of Japan’s creative exports. According to the New York Times, Japan has already conveyed its position to the United States through established diplomatic channels. The controversy originated from a video posted by President Trump on his digital platform Truth Social last Saturday. The apparently AI-generated footage included a brief segment in which Trump appeared dressed as the protagonist from the globally popular anime franchise “Naruto,” clasping his hands together with his index fingers pointing upward — a gesture instantly recognizable to fans worldwide as the signature pose of the ninja character. Official Statement from Japan’s Cool Japan Minister According to Japan Today, Kimi Onoda, Japan’s minister for the “Cool Japan” strategy — a government initiative dedicated to promoting Japanese cultural exports globally — addressed the issue at a press conference. Onoda emphasized that the “basic principle” of obtaining proper permission from rights holders before using copyrighted material “applies equally when the user is a public institution.” She stressed that this principle is fundamental to protecting the creative industries that form a vital part of Japan’s cultural and economic strength. Onoda further explained that even in cases where the use of copyrighted material may not clearly constitute legal copyright infringement, there remains a significant risk that a work may be used in ways that contradict the rights holder’s intentions. She revealed that Japan has “conveyed its views on such matters to the US side through diplomatic channels on multiple occasions,” indicating that this is not an isolated incident but part of a broader pattern of concern. Divided Public Reactions in Japan The issue has generated intense discussions across Japanese social media platforms and online forums. In the comments section of Japan Today, one user expressed strong discomfort, stating, “The worst thing is I saw the image and I can’t unsee it.” This sentiment reflects a broader unease among many Japanese citizens who view their country’s cultural symbols as deserving of respect and careful handling. However, not all responses have been critical. Some users sought to minimize the controversy, arguing that the offending content constituted only a small portion of a longer video. “Chill out, that video in total is 60 seconds, [the] material in question [was] only 2-3 seconds,” one commenter wrote, adding with a degree of sarcasm, “What Japan will do, ask some compensation to King? Good luck.” This dismissive response highlights the divided opinions within Japan itself regarding how seriously the incident should be taken. Broader Context of AI-Generated Political Content The White House’s social media posts have previously drawn from other popular animated franchises, including “SpongeBob SquarePants,” Marvel and DC Comics, and the video game series “Call of Duty”. However, its use of Japanese anime imagery has provoked a particularly strong backlash, suggesting that anime occupies a unique and sensitive position in global cultural discourse. According to the New York Times, the controversy has prompted broader questions about the use of AI-generated content in political communication. Critics argue that when political figures repurpose culturally significant characters for their own messaging, they risk trivializing the artistic and cultural values that these characters represent. Expert Analysis on Diplomatic and Legal Implications Wang Peng, an associate research fellow at the Beijing Academy of Social Sciences, offered his analysis to the Global Times on Saturday. Wang noted that Japan’s decision to raise the issue through diplomatic channels rather than pursuing legal action was a pragmatic choice based on both political and practical considerations. Given the complexity of cross-border legal disputes and the formidable challenges of pursuing a legal case involving a sitting US president, diplomatic communication provides Japan with an effective means to express its concerns while avoiding a direct and potentially costly legal confrontation. Wang further observed that the controversy highlights the growing challenges that artificial intelligence poses to copyright protection systems worldwide. As AI-generated content becomes increasingly sophisticated, accessible, and difficult to distinguish from human-created works, the traditional boundaries between creative inspiration, fair use, and copyright infringement are becoming progressively more difficult to define and enforce. He pointed out that existing copyright frameworks in many countries were developed long before the rapid rise of generative AI technologies and may not adequately address contemporary issues involving AI-generated images, videos, audio, and digital replicas of copyrighted characters and artworks. As a result, Wang argued, governments, technology companies, and rights holders will need to strengthen cooperation across borders to establish clearer, more effective rules for the use of copyrighted content in the AI era. Broader Implications for Global Copyright Governance This incident is not an isolated case but rather a symptom of a larger global challenge. As AI tools become more powerful and widely available, artists, creators, and copyright holders have increasingly voiced concerns about the unauthorized reproduction and repurposing of protected designs, artistic styles, and fictional characters. Many argue that current legal frameworks, which were designed for a pre-AI world, are ill-equipped to handle the scale and speed at which AI can generate content that closely resembles copyrighted works. The debate extends beyond legal technicalities to fundamental questions about cultural respect and the ethical use of creative works. For many Japanese critics, the issue is not solely about copyright law but also about cultural dignity. They argue that anime and manga represent some of Japan’s most significant and globally influential creative exports, and that their characters should not be casually repackaged for political branding or campaign purposes by foreign leaders without proper authorization. Looking Forward: The Need for International Cooperation As the controversy continues to unfold, it has become clear that the intersection of AI technology, intellectual property rights, and cultural representation will require careful attention from policymakers, industry leaders, and the international community. The Trump anime image incident may serve as a catalyst for more comprehensive discussions about how to balance technological innovation with the protection of creative rights in an increasingly interconnected world. Ultimately, the incident raises a fundamental question that will likely shape policy debates for years to come: How should societies respond when AI-generated content based on recognizable cultural symbols is used in ways that the original creators never intended or authorized? The answer will require thoughtful collaboration across national boundaries, legal systems, and cultural traditions. 12. Why did Japan choose to raise the issue through diplomatic channels rather than pursuing legal action? A. Because Japanese officials believed that copyright law does not apply to public institutions. B. Because legal action against a sitting US president would be complex and costly, making diplomacy a more practical option. C. Because the Japanese government wanted to avoid discussing the incident in public. D. Because the White House had already agreed to compensate the rights holders. 13. What can be inferred about public opinion in Japan regarding the incident? A. Most Japanese citizens believed the video was harmless and should be ignored. B. Japanese opinions were divided, with some expressing strong discomfort and others dismissing the controversy as overblown. C. The Japanese public unanimously supported the government’s diplomatic response. D. Few Japanese citizens were aware of the incident because it received little media attention. 14. The author mentions that the White House had previously used other animated franchises such as “SpongeBob SquarePants”, Marvel and DC Comics mainly to ________. A. prove that American animation is more popular than Japanese anime. B. suggest that the White House frequently violates copyright law. C. highlight that the backlash was particularly strong because Japanese anime occupies a uniquely sensitive cultural position. D. argue that political figures should be allowed to use any animated characters freely. 15. What does the author imply about existing copyright frameworks in the AI era? A. They are already sufficient to handle AI-generated content if governments cooperate. B. They were designed before generative AI emerged and may not adequately address AI-related copyright issues. C. They should be abolished because AI makes copyright protection impossible. D. They mainly protect technology companies rather than artists and creators. 【答案】12. B 13. B 14. C 15. B 【解析】 【导语】文章主要讲述日本批评特朗普使用AI生成动漫图片一事，介绍各方反应，并探讨AI时代版权保护难题。 【12题详解】 细节理解题。根据Expert Analysis on Diplomatic and Legal Implications部分中“Given the complexity of cross-border legal disputes and the formidable challenges of pursuing a legal case involving a sitting US president, diplomatic communication provides Japan with an effective means to express its concerns while avoiding a direct and potentially costly legal confrontation.(考虑到跨境法律纠纷的复杂性以及处理涉及现任美国总统的法律案件的艰巨挑战，外交沟通为日本提供了表达关切的有效途径，避免直接且可能代价高昂的法律对抗。)”可知，起诉现任美国总统复杂且成本高，外交是更务实的选择。 【13题详解】 推理判断题。根据Divided Public Reactions in Japan部分中“The issue has generated intense discussions across Japanese social media platforms and online forums...one user expressed strong discomfort...(这件事在日本社交媒体和网络论坛引发激烈讨论……一位用户表达了强烈的不适……)”和“However, not all responses have been critical. Some users sought to minimize the controversy... (然而，并非所有回应都是批评的。一些用户试图尽量减少争议……)”可知，日本民众观点分化，部分人感到不适，另一些人认为争议小题大做。 【14题详解】 推理判断题。根据Broader Context of AI-Generated Political Content部分中“The White House’s social media posts have previously drawn from other popular animated franchises, including “SpongeBob SquarePants,” Marvel and DC Comics, and the video game series “Call of Duty”. However, its use of Japanese anime imagery has provoked a particularly strong backlash, suggesting that anime occupies a unique and sensitive position in global cultural discourse.(白宫此前在社交媒体发布的内容也曾取材于其他知名动画IP系列，包括《海绵宝宝》、漫威、DC漫画以及电子游戏系列《使命召唤》。但这次使用日本动漫形象引发了格外强烈的反对声浪，这表明动漫在全球文化话语体系中占据独特且敏感的地位。)”可知，作者提及白宫过往使用其他动画IP系列，是为突出本次反响强烈是因为日本动漫文化地位特殊敏感。 【15题详解】 推理判断题。根据Expert Analysis on Diplomatic and Legal Implications部分中“He pointed out that existing copyright frameworks in many countries were developed long before the rapid rise of generative AI technologies and may not adequately address contemporary issues involving AI-generated images, videos, audio, and digital replicas of copyrighted characters and artworks.(他指出，许多国家现有的版权框架早在生成式AI技术快速兴起之前就已制定，可能不足以处理涉及AI生成图像、视频、音频以及受版权保护角色和艺术品数字复制品的当代问题。)”可知，现有版权体系诞生于生成式AI出现前，难以充分应对AI相关版权问题。 七选五 If you are looking for a documentary that makes you laugh out loud while also feeling vaguely offended on behalf of the entire human race, BBC’s Cunk on Earth is probably the best choice. It wears the sober costume of a serious history documentary, ____16____. The five-part mockumentary, co-produced by the BBC and Netflix and first aired in September 2022, was created by Charlie Brooker — yes, the same mind behind the chilling Black Mirror — and comedian Diane Morgan, who also plays the host, Philomena Cunk. Cunk is a “fearless field reporter” who sets out on a global journey with a kind of glitchy self-assurance, aiming to solve nothing less than the entire mystery of human civilization. From the Big Bang to Brexit, from the Renaissance to the internet age, she asks about everything and explains nothing. ____17____. For example, she solemnly asks an art historian whether the Renaissance or Beyoncé’s “Single Ladies” was more culturally important. She wonders aloud whether the pyramids were shaped that way to stop homeless people from sleeping on them. The most ingenious design of the show is this: every expert interviewed is a genuine scholar, and they all know in advance that this is a comedy program. ____18____. That mismatch — one person daring to ask, the other daring to answer — creates a continuous, irresistible comedic tension. When a scholar is left speechless or can only offer a helpless smile, the audience is laughing not only at Cunk’s stupidity but also at the sudden, awkward vulnerability of knowledge itself when confronted with pure absurdity. If Cunk is the soul of the show, “Pump Up the Jam” is its beating heart. The 1989 Belgian Eurodance track plays a crucial role: it serves as a universal unit of time. ____19____. What began as a throwaway joke evolves into an inescapable earworm, resurfacing at the most unexpected moments and becoming one of the show’s most iconic gags. Fans of the show have even started using the song to measure their own daily routines — a meeting that lasted “three Pump Up the Jams,” for instance. Cunk on Earth succeeds far beyond simple comedy. It holds a 100% rating on Rotten Tomatoes and has been called “the funniest mockumentary” by the Chicago Tribune. ____20____. It uses the least serious possible method to deconstruct “authority” and “grand narratives.” In the end, this show “about everything” cleverly avoids giving any answers. It simply leaves you, after the laughter, re-examining the “civilization” and “progress” we hold sacred — perhaps they, like us, are just a grand and earnest act of nonsense in the universe. A. They must respond to Cunk’s most absurd questions with maximum academic sincerity. B. When Cunk needs to describe a long historical period, she says it lasted roughly 870 “Pump Up the Jam”s. C. but underneath it is a meticulously designed act of intellectual harassment D. She asks experts questions that are almost impossible to answer with a straight face. E. The show has been praised for making serious academic topics accessible to young audiences. F. Its brilliance lies in using the least serious possible method to deconstruct authority and grand narratives. G. The show was created by Charlie Brooker and comedian Diane Morgan, who also plays the host. 【答案】16. C 17. D 18. A 19. B 20. F 【解析】 【导语】本文介绍BBC伪纪录片《扯淡地球史》。主持人向真学者提出荒诞问题，用魔性歌曲计时。节目以幽默解构权威与宏大叙事，引发观众对文明与进步的思考。 【16题详解】 根据上文“If you are looking for a documentary that makes you laugh out loud while also feeling vaguely offended on behalf of the entire human race, BBC’s Cunk on Earth is probably the best choice. It wears the sober costume of a serious history documentary(如果你想找一部纪录片，既能让你放声大笑，又会让你隐隐地替全人类感到被冒犯，BBC 的《扯淡地球史》或许是最佳选择。它披着严肃历史纪录片庄重的外衣)”可知，空前提到它披着严肃历史纪录片的外衣，C项“但外衣之下是精心设计的智力骚扰行为”形成转折，契合语境，引出该伪纪录片的喜剧内核。 【17题详解】 根据后文“For example, she solemnly asks an art historian whether the Renaissance or Beyoncé’s “Single Ladies” was more culturally important. She wonders aloud whether the pyramids were shaped that way to stop homeless people from sleeping on them.(例如，她一本正经地问一位艺术史学家：文艺复兴和碧昂丝的《Single Ladies》，哪一个文化影响力更大。她还会随口发问，金字塔修成那个形状，是不是为了不让无家可归的人在上面睡觉)”可知，后文举例Cunk问艺术史学家文艺复兴和碧昂丝的作品哪个文化意义更重要这类离谱问题，D项“她问专家几乎没法绷住脸回答的问题”总领下文举例内容。 【18题详解】 根据上文“The most ingenious design of the show is this: every expert interviewed is a genuine scholar, and they all know in advance that this is a comedy program.(这个节目最巧妙的设计在于：所有受访专家都是真正的学者，并且他们事先都知道这是一档喜剧节目)”以及后文“That mismatch — one person daring to ask, the other daring to answer — creates a continuous, irresistible comedic tension. When a scholar is left speechless or can only offer a helpless smile, the audience is laughing not only at Cunk’s stupidity but also at the sudden, awkward vulnerability of knowledge itself when confronted with pure absurdity.(这种反差——一方大胆提问，一方认真作答 —— 制造出源源不断、无法抗拒的喜剧张力。当学者无言以对，或是只能无奈苦笑时，观众的笑，不只是笑坎克的憨傻，更是笑知识本身在纯粹荒诞面前，突然暴露出来的尴尬脆弱)”可知，前文说明受访专家都是真学者且提前知道这是喜剧节目，A项“他们必须用十足的学术诚意回应坎克最离谱的问题”衔接后文“提问者敢问、回答者敢答的错位制造喜剧张力”的内容。 【19题详解】 根据上文“If Cunk is the soul of the show, “Pump Up the Jam” is its beating heart. The 1989 Belgian Eurodance track plays a crucial role: it serves as a universal unit of time.(如果说坎克是节目的灵魂，那么《Pump Up the Jam》就是它跳动的心脏。这首1989年比利时欧洲舞曲起到关键作用：它被当作通用时间计量单位)”可知，前文提到《Pump Up the Jam》是通用时间单位，B项“当坎克要描述很长的历史时期时，她会说这段时间大概持续了870个《Pump Up the Jam》的时长”直接呼应时间单位的设定。 【20题详解】 根据上文“Cunk on Earth succeeds far beyond simple comedy. It holds a 100% rating on Rotten Tomatoes and has been called “the funniest mockumentary” by the Chicago Tribune.(《扯淡地球史》的成就远不止单纯的喜剧。它在烂番茄上拿到满分100%，被《芝加哥论坛报》称为 “最有趣的伪纪录片”)”以及后文“It uses the least serious possible method to deconstruct “authority” and “grand narratives.” In the end, this show “about everything” cleverly avoids giving any answers. It simply leaves you, after the laughter, re-examining the “civilization” and “progress” we hold sacred — perhaps they, like us, are just a grand and earnest act of nonsense in the universe.(它用一种最不严肃的方式解构 “权威” 与宏大叙事。归根结底，这部 “包罗万物” 的节目巧妙地回避给出任何答案。大笑过后，它只是让你重新审视我们奉为神圣的“文明”与“进步”——或许它们，就像人类自身，不过是宇宙中一场宏大而认真的无稽之谈)”可知，前文提到节目获得高评价，F项“它的出彩之处在于用最不严肃的方式解构权威和宏大叙事”衔接后文对节目内核的解读，逻辑连贯。 二、完形填空 The World Cup paradox The theme tune of the men’s World Cup exemplifies the contest’s claim to foster global unity. Nearly half the world is expected to ____21____ over the coming weeks as the tournament moves towards its final. A viewer might come away with two conclusions. First, that entertainment culture is more ____22____ than ever. Second, that America remains the soft-power superpower at the centre of it all. Both assumptions would be ____23____. Mega-events like the World Cup still seize global attention. But the bigger picture is that entertainment is ____24____. From music to television to social media and gaming, audiences are tuning out of American content and embracing ____25____ from closer to home. There is an emerging paradox: even as the world becomes more connected, people are choosing more local forms of fun. Even as billions tune in to a single show in North America, the American-led monoculture (一元文化) is fading. This local turn is the ____26____ of what many predicted. Global entertainment platforms and the mobile-app stores give people everywhere access to the same music, video and games. The biggest winners have been a lopsidedly (不平衡地) American elite of megastars and brands. The biggest sports leagues have ____27____ in value along with them. But below the top tier, entertainment is fragmenting. Sport has always been a(n) ____28____ globaliser, because people prefer to watch their local team. America’s National Football League earns 98% of its media-rights revenue at home. Every four years the world comes together for the World Cup and the Olympics. ____29____, fans are mainly obsessed with domestic contests. Other kinds of culture have long been more globalised, often thanks to America. But now this seems to be ____30____. Music charts are becoming more local: in Brazil, an extreme case, 96 of the 100 most-streamed artists last week were Brazilian. Cheaper production and distribution have caused a ____31____ in the supply of local entertainment. Today, producing and distributing new entertainment — whether songs, videos or games — is cheap enough for it to be profitable to target much smaller niches (小众). The ____32____ has also changed. A growing global middle class has made it ____33____ for Netflix to make big-budget shows tailored to Mexican subscribers, or for the developers of “Free Fire” to devise Bollywood themes for Indian gamers. Governments will need to adapt to the changing dynamics of soft power. America’s century of ____34____ over global popular culture is over. All eyes will be on America for the World Cup final next month. But it is a(n) ____35____ force in a new game of soft power that has only just kicked off. 21. A. log in B. turn up C. tune in D. check out 22. A. commercialized B. digitized C. globalised D. standardized 23. A. interpreted B. mistaken C. confirmed D. generalized 24. A. splitting up B. taking off C. wearing off D. stepping up 25. A. innovations B. conventions C. proposals D. alternatives 26. A. similarity B. orientation C. strategy D. opposite 27. A. diversified B. collapsed C. rocketed D. fluctuated 28. A. reluctant B. ideal C. aggressive D. consistent 29. A. Likewise B. Moreover C. Therefore D. Otherwise 30. A. progressing B. reversing C. deteriorating D. mounting 31. A. transition B. boom C. gap D. drop 32. A. recreation B. location C. audience D. distribution 33. A. worthwhile B. insignificant C. accountable D. impractical 34. A. argument B. dominance C. concern D. preference 35. A. dividing B. driving C. declining D. unifying 【答案】21. C 22. C 23. B 24. A 25. D 26. D 27. C 28. A 29. D 30. B 31. B 32. C 33. A 34. B 35. C 【解析】 【导语】本文提出世界杯悖论：尽管世界杯吸引全球目光，但娱乐文化正走向本土化。美国昔日流行文化霸权衰退，其他国家本土娱乐兴起，全球软实力格局正在改变。 【21题详解】 考查动词短语。句意：在接下来几周，随着赛事走向决赛，预计全球近半数人将会收看。A. log in登录；B. turn up出现；C. tune in收看收听；D. check out结账离开。根据上文“Nearly half the world is expected to”可知，世界杯吸引全球观众观看。 【22题详解】 考查形容词。句意：第一，娱乐文化比以往更加全球化。A. commercialized商业化的；B. digitized数字化的；C. globalised全球化的；D. standardized标准化的。根据上文“Nearly half the world is expected to ____ over the coming weeks as the tournament moves towards its final.”可知，世界杯吸引全球观众，娱乐文化更加全球化。 【23题详解】 考查形容词。句意：这两种设想都是错误的。A. interpreted被解读；B. mistaken错误的；C. confirmed被证实；D. generalized概括的。下文“But the bigger picture is that entertainment”转折，说明真实情况并非前面两个结论，所以设想是错误的。 【24题详解】 考查动词短语。句意：但大局是娱乐正在分化。A. splitting up分裂分化；B. taking off起飞走红；C. wearing off逐渐消退；D. stepping up加强。后文“From music to television to social media and gaming, audiences are tuning out of American content and embracing ____ from closer to home.”提到观众不再追捧美国内容，转向本土作品，说明娱乐市场分化。 【25题详解】 考查名词。句意：从音乐、电视到社交媒体和游戏，观众不再看美国内容，转而选择本土的替代作品。A. innovations创新；B. conventions惯例；C. proposals提议；D. alternatives可供选择的事物。根据上文“audiences are tuning out of American content and embracing”可知，观众放弃美国内容，选择本土别的娱乐内容。 【26题详解】 考查名词。句意：这种本土化趋势和很多人预测的恰恰相反。A. similarity相似；B. orientation方向；C. strategy策略；D. opposite对立面相反的事物。根据上文“There is an emerging paradox: even as the world becomes more connected, people are choosing more local forms of fun.”可知，大家原以为全球平台会带来统一文化，现实却是本土化，是相反的情况。 【27题详解】 考查动词。句意：顶级体育联赛的价值也随之飙升。A. diversified多样化；B. collapsed崩塌；C. rocketed猛涨飙升；D. fluctuated波动。根据上文“The biggest winners have been a lopsidedly (不平衡地) American elite of megastars and brands.”可知，顶级美国巨星和品牌大获成功，联赛价值随之暴涨。 【28题详解】 考查形容词。句意：体育一直是个不情愿的全球化载体，因为人们更喜欢看本土队伍。A. reluctant不情愿的；B. ideal理想的；C. aggressive激进的；D. consistent一致的。根据后文“because people prefer to watch their local team”可知，体育看似全球盛会，但观众偏爱本土比赛，所以体育并不愿意完全全球化。 【29题详解】 考查副词。句意：否则，粉丝们主要痴迷于国内赛事。A. Likewise同样；B. Moreover此外；C. Therefore因此；D. Otherwise否则；要不然。根据上文“Every four years the world comes together for the World Cup and the Olympics.”以及后文“fans are mainly obsessed with domestic contests”可知，暗含和前文情况对比。otherwise 衔接上下文。 【30题详解】 考查动词。句意：其他文化类型长期更加全球化，这常常归功于美国。但现在这一趋势正在逆转。A. progressing进展；B. reversing逆转；C. deteriorating恶化；D. mounting增加。根据后文“Music charts are becoming more local: in Brazil, an extreme case, 96 of the 100 most-streamed artists last week were Brazilian.”可知，从前文化受美国影响走向全球，现在转向本土化，趋势逆转。 【31题详解】 考查名词。句意：更低廉的制作与传播成本带来本土娱乐作品供应的激增。A. transition转变；B. boom激增繁荣；C. gap缺口；D. drop下降。根据后文“Today, producing and distributing new entertainment — whether songs, videos or games — is cheap enough for it to be profitable to target much smaller niches (小众).”可知，制作成本变低，本土娱乐内容大量产出。 【32题详解】 考查名词。句意：受众群体也发生了变化。A. recreation娱乐；B. location地点；C. audience受众观众；D. distribution分发。后文“A growing global middle class has made it”讲全球中产增多，平台为不同地区观众定制内容，描述受众变化。 【33题详解】 考查形容词。句意：不断壮大的全球中产群体，使得网飞值得为墨西哥订阅用户制作量身打造的大成本剧集，也让《自由之火》的开发商愿意为印度游戏玩家设计宝莱坞主题内容。A. worthwhile值得的；B. insignificant无意义的；C. accountable负有责任的；D. impractical不切实际的。根据上文“A growing global middle class”可知，中产增多，定制内容有利可图，是值得做的事。 【34题详解】 考查名词。句意：美国在全球流行文化长达一个世纪的主导地位已经结束。A. argument争论；B. dominance主导支配；C. concern担忧；D. preference偏爱。根据上文“Even as billions tune in to a single show in North America, the American-led monoculture (一元文化) is fading.”以及文章中心就是美国一元文化主导地位衰落，全球文化本土化。 【35题详解】 考查动词。句意：但在这场刚刚开启的软实力新博弈中，美国的影响力正在衰退。A. dividing分裂；B. driving推动；C. declining衰退下降；D. unifying统一。根据上文“Even as billions tune in to a single show in North America, the American-led monoculture (一元文化) is fading.”可知，美国文化主导时代结束，影响力正在衰退。 三、语法填空 阅读下面短文，在空白处填入1个适当的单词或括号内单词的正确形式。 Growing up, I would frequently visit Manhattan’s Chinatown with my family ____36____ (collect) a variety of bao, or buns — good for ____37____ on-the-go breakfast or delicious snack. One hot July afternoon, while waiting outside for my dad to finish choosing which pastries ____38____ (catch) his eye, my sister grabbed my hand and rushed down the sidewalk. Weaving through fruit sellers and leisurely tourists, I was spellbound by the passing storefronts — an array of hair salons, dessert shops, and boutiques, each ____39____ (own) by a local Chinese family. As we got lost in the bustling streets, my heart swelled with pride and contentment. Chinatown, situated at the intersection of Chinese and American culture, combined together different worlds, ____40____ (one) I grew up feeling sandwiched between as a second-generation Chinese immigrant. Today, these neighborhoods, home to generations of Chinese Americans, are known as sites of community engagement, mutual aid ____41____ heritage preservation. They are pockets of wisdom and culture ____42____ many Chinese Americans find comfort and support. Scholars Michael Liu and Kim Geron recount the familiar Chinatown origin story in their 2008 “Changing Neighborhood: Ethnic Enclaves (飞地) and the Struggle for Social Justice”: Chinatowns ____43____ “centers where new immigrants lived and worked together, shared resources, built ____44____ (society) and political organizations, and nurtured distinctive social and cultural lives.” This _____45_____ (describe) still holds true today, making these enclaves irreplaceable for both the old and the young. 【答案】36. to collect 37. an 38. caught 39. owned 40. ones 41. and 42. where 43. as 44. social 45. description 【解析】 【导语】文章讲述了作者作为第二代华裔移民在曼哈顿唐人街的成长经历，以及唐人街作为华人社区在文化传承和互助方面的重要意义。 【36题详解】 考查非谓语动词。句意：从小到大，我经常和家人去曼哈顿唐人街买各种各样的包子——适合作为边走边吃的早餐或美味的点心。collect(收集，采购)是“visit Manhattan’s Chinatown with my family”的目的，用不定式to collect作目的状语。 【37题详解】 考查冠词。句意：从小到大，我经常和家人去曼哈顿唐人街买各种各样的包子——适合作为边走边吃的早餐或美味的点心。breakfast为可数名词单数，此处表示“一顿边走边吃的早餐”，泛指，且on-the-go发音以元音音素开头，应用不定冠词an。 【38题详解】 考查时态。句意：一个炎热的七月下午，当我在外面等爸爸挑选好他看中的糕点时，妹妹抓住我的手冲过人行道。动词短语catch one’s eye意为“引起某人注意，被某人看中”，作谓语，结合语境可知，描述过去发生的事件，应用一般过去时态，catch的过去式为caught。 【39题详解】 考查非谓语动词。句意：穿梭于水果店和悠闲的游客之间，我着迷于经过的店面——一系列发廊、甜品店和精品店，每家都由一个当地华人家庭经营。此处是独立主格结构作伴随状语，own(拥有，经营)用非谓语形式，与其逻辑宾语each(指代每家店)之间是被动关系，应用过去分词形式表被动。 【40题详解】 考查代词。句意：唐人街坐落在中美文化的交汇处，将不同的世界融合在一起，而我作为一个第二代华裔移民，从小就感到被夹在这些世界之间。此处指代前文提到的复数名词different worlds，表示“那一类世界”，用代词ones，泛指，作同位语。 【41题详解】 考查连词。句意：如今，这些社区是几代华裔美国人的家园，被称为社区参与、互助和遗产保护的场所。community engagement, mutual aid和heritage preservation为三个并列的名词短语，应用并列连词and连接最后一项。 【42题详解】 考查定语从句。句意：它们是智慧和文化的聚集地，许多华裔美国人在那里找到慰藉和支持。此处引导限制性定语从句，修饰先行词pockets of wisdom and culture，关系词将其代入从句中作地点状语，应用关系副词where引导该从句。 【43题详解】 考查介词。句意：学者迈克尔·刘和金·格伦在2008年发表的《变迁的邻里：族裔飞地与争取社会正义的斗争》一文中，讲述了人们熟悉的唐人街起源故事：唐人街如同“新移民共同生活和工作、共享资源、建立社会和政治组织、培育独特社会与文化生活的中心”。此处表示“作为，如同”，用介词as。 【44题详解】 考查形容词。句意：学者迈克尔·刘和金·格伦在2008年发表的《变迁的邻里：族裔飞地与争取社会正义的斗争》一文中，讲述了人们熟悉的唐人街起源故事：唐人街如同“新移民共同生活和工作、共享资源、建立社会和政治组织、培育独特社会与文化生活的中心”。提示词society(社会)在句中修饰名词organizations，应用形容词形式social(社会的)作定语。 【45题详解】 考查名词。句意：这种描述至今仍然成立，使这些飞地对老年人和年轻人都不可替代。提示词前有指示代词This修饰，作主语，用名词形式为description，意为“描述”，不可数名词。 四、写作 46. 假设你是李华，两周前你网购了一套丛书，昨天才到货，还存在其他问题，请就此向网店客服写邮件投诉。要点如下： 1. 陈述写信目的； 2. 投诉内容； 3. 提出你的要求。 注意: 1. 词数80词左右； 2. 可适当增加细节，使行文连贯； 3. 开头结尾已给出，不计入总词数。 Dear sir or madam, ___________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ Yours Sincerely, Li Hua 【答案】Dear sir or madam, I am one of your customers. I am writing to complain about an order. I ordered a set of Bookworm Series on your website two weeks ago, but I didn’t receive them until yesterday. And much to my disappointment, the books were so poorly packed up that the cover of one book was torn. To make matters worse, it is not a complete set, as I found one book missing. I believe I have every right to ask you to deal with this problem. I hope that you either refund my money or deliver a new set of books to me. Besides, I’d like to be informed of the process of your dealing with my complaint. Looking forward to your reply. Yours sincerely, Li Hua 【解析】 【导语】本篇书面表达属于应用文，要求考生写一封邮件，就网购的一套丛书的问题表示投诉，要点如下：1. 陈述写信目的；2. 投诉内容；3. 提出你的要求。 【详解】1.词汇积累 缺损的：missing→defective 另外：besides→moreover 更糟糕的是：to make matters worse→worse still 处理：deal with→cope with 2.句式拓展 同义句转换 原句：And much to my disappointment, the books were so poorly packed up that the cover of one book was torn. 拓展句：And I was disappointed that the books were so poorly packed up that the cover of one book was torn. 【点睛】[高分句型1] And much to my disappointment, the books were so poorly packed up that the cover of one book was torn. (运用了so...that...引导的结果状语从句) [高分句型2] I hope that you either refund my money or deliver a new set of books to me. (运用了that引导的宾语从句) 47. 阅读下面材料，根据其内容和所给段落开头语续写两段，使之构成一篇完整的短文。 In the early 1990s, I boarded a plane at JFK Airport in New York City. I was 19 years old and feeling excited about my plan to spend a year studying abroad in Nancy, a city in northeastern France. Within a few weeks of arriving in France, though, my excitement gave way to an overwhelming sense of isolation and loneliness. Navigating day-to-day life in a new country was much harder than I expected it to be, especially when it came to speaking French. I could understand the language somewhat, but I was terrible at speaking it. My accent was terrible. People could not understand me. Constantly fighting to be understood was emotionally exhausting, and I had little hope for the rest of my year. The only thing getting me through was the knowledge that a little piece of home was on the way. My mom had sent me a care package, and in that package I knew she had sent Skippy peanut butter, which, at that point, I could not find anywhere in France. So this was really exciting for me. I had these visions of myself digging my spoon in and eating my peanut butter right from the jar. I had to go to the post office to pick up the package. When I arrived, I tried to tell the attendant (职员) why I was there. But the attendant didn’t speak any English and couldn’t understand my accent when I spoke in French. The more I repeated myself, the more frustrated I got and the more hopeless I felt. I was about ready to break down in tears because I just really needed that package from home, when in walked my unsung hero. The person who came to my rescue was a French woman named Chantal Jouve. She stepped in, looked at me and said, in English, “Can I help you?” 注意： （1）续写词数应为150左右； （2）请按如下格式在答题卡的相应位置作答。 Chantal Jouve spoke to the attendant after hearing my explanation. ____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ It became a regular thing every Sunday to have dinner with her and her family. ____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ 【答案】【参考范文】 Chantal Jouve spoke to the attendant after hearing my explanation. Within two minutes, the package was in my hands. I held the peanut butter jar tightly in my hand and turned to Jouve with a grateful smile. “Thank you so much for your help.” I said, my voice trembling slightly. Jouve patted my hand gently, telling me I was not alone. Then, Jouve invited me to her house for dinner the following Sunday. That dinner was warm and joyful, with her family chatting patiently with me, helping me correct my French. Their kindness melted my loneliness little by little. It became a regular thing every Sunday to have dinner with her and her family. It was a safe place for me to practice my French, free from the sadness and frustration I had felt before. I really felt like I was at home there. Decades later, Jouve and I are still in touch. We exchange cards every Christmas and have visited each other’s families. To this day, her act of kindness has influenced my life in many ways. I tend to pay attention a little bit more to people who might need help, and offer that same kindness to strangers. And I’m forever grateful that Madame Jouve did that for me. 【解析】 【导语】本文以人物为线索展开，讲述了 19 岁的作者到法国南锡留学，因为法语口语差、口音重，内心十分孤独。作者盼望着妈妈寄来的装有花生酱的包裹，去邮局取件时，邮局职员听不懂自己蹩脚的法语，作者几乎要崩溃。这时一位名叫 Chantal Jouve 的法国女士出手相助，用英语询问作者是否需要帮忙。 【详解】1. 段落续写： ①由第一段首句内容可知，第一段可描写 Chantal 帮作者顺利拿到包裹，邀请作者周日去家里吃饭，在她家吃饭时家人耐心陪伴作者、帮作者学习法语，消解作者的孤独。 ②由第二段首句内容可知，第二段可描写作者在她家练习法语的美好时光，多年之后二人依旧保持联系，这件善意的小事对作者产生深远影响，作者也学会向他人传递善意。 2. 续写线索：拿到包裹→发出晚餐邀请→周日聚餐消解孤独→坚持联络→受启发传递善意 3. 词汇激活 行为类 ①握住：hold tightly/grasp firmly ②邀请：invite/ask sb. to come 情绪类 ①感激：be grateful/show one’s gratitude ②孤独：loneliness/sense of isolation 【点睛】[高分句型 1] Jouve patted my hand gently, telling me I was not alone. (运用了现在分词telling作状语和that引导的宾语从句，省略了that) [高分句型 2] I tend to pay attention a little bit more to people who might need help, and offer that same kindness to strangers. (运用了who引导的限制性定语从句) 第1页/共1页 学科网（北京）股份有限公司 $