热点时文话题阅读 02 非遗出海与跨文化共鸣 遗产保护与可持续发展 AI赋能与内容创新—2027高考英语

2027高考英语热点时文话题阅读 02 “非遗出海与跨文化共鸣”“遗产保护与可持续发展”“AI赋能与内容创新” 篇章 主题 语篇导读 Passage A 奉贤滚灯亮相巴塞罗那 700 多年历史的上海奉贤滚灯登上巴塞罗那梅尔塞节，把上海深厚的文化根基带到这座城市的传统节庆中，被当地主办方称为"平等基础上的民间传统对话"。 Passage B 循环经济 从以旧换新到三年免费维修，产品的"后半生"正在被重新设计；可持续是重要因素，但很少能单独决定购买。 Passage C 兵马俑的保护者 秦始皇帝陵博物院一号坑修复室把考古发掘与文物保护连成一体，让沉睡两千年的色彩重新被看见。 Passage D 婺剧柏林演出 浙江婺剧团在柏林上演《三打白骨精》等经典选段，九节龙与变脸让 800 多名观众起立鼓掌，表演跨越了语言障碍。 Passage E 陕西甘泉大峡谷 黄土高原上的丹霞地貌在摄影师闫东多年探险后为人所知，景区为保护只开放其中约五条沟谷。 Passage F 微短剧研讨会 创作者探讨现实题材与 AI 微短剧，南洋机工后人的故事被搬上屏幕，AI 生成内容仍面临角色一致性等挑战。 Passage G 中国图书走进印尼 印尼出版商洽谈中国童书版权，立体书与翻翻页等互动设计受青睐，合作从版权交易走向联合研发。 Passage A A centuries-old folk tradition from Shanghai took center stage last week at La Merce Festival, one of Barcelona's biggest cultural celebrations, as performers carrying giant bamboo lanterns rolled, spun and danced through the city. The Fengxian Rolling Lantern, over 700 years old, combines dance, acrobatics and feats of strength. It quickly won over festivalgoers, many seeing it for the first time. "It brings the real Shanghai. It brings the rooted culture and history of Shanghai to the most traditional festival in Barcelona," said Esteve Carames of the Barcelona Institute of Culture, adding that it let audiences discover a side of Shanghai less familiar internationally. Barcelona resident Diana said she was struck by the performers' control. "I was amazed," she said, recalling one performer manipulating a large lantern using his mouth. Australian tourist Daniel, who plans to visit Shanghai in April, praised the costumes, choreography and fireworks, saying it had added to his excitement about the trip. The lantern originated in today's Fengxian district of Shanghai, on the northern shore of Hangzhou Bay. In ancient times, when flooding frequently struck the coastal area, locals performed with rolling lanterns in rituals seeking protection from water-related disasters. Over generations it became popular entertainment at festivals and harvest celebrations. Made primarily from bamboo, the lantern has inner and outer spherical structures that let it roll and rotate while keeping its shape. Its most challenging technique is "Spider Spinning Silk", in which a performer grips a cloth strip with the teeth to control the lantern while rotating the body in sync. The folk art entered China's national intangible cultural heritage list in 2008. "This is not a one-way cultural showcase, but a dialogue between folk traditions on an equal footing," said Wang Jing of the Fengxian culture and tourism bureau, adding that the show was specially adapted for Barcelona and shows Shanghai's identity extends beyond its image as a modern metropolis. 1．What does Carames mean by "It brings the real Shanghai"? A．It shows what Shanghai is like today. B．It shows the deep roots of Shanghai's culture. C．It shows the difficulties Shanghai has faced. D．It shows how Shanghai competes with Barcelona. 2．Why did locals perform with rolling lanterns in ancient times? A．To celebrate the harvest.　 B．To attract visitors to the region. C．To pray for protection from floods.　 D．To train performers for festivals. 3．Wang Jing's remark suggests that ______. A．Traditional festivals in different cultures should replace official ones. B．Folk traditions of different cultures deserve equal respect. C．Shanghai has a richer folk tradition than Barcelona. D．Modernization weakens the value of folk traditions. 4．Which of the following is the best title for the text? A．A Rolling Lantern Lights Up Barcelona B．How Shanghai's Modernity Grew C．The Skills Behind a 700-Year-Old Art D．Why Festivals Matter to Cities 【重难生词】 · celebration n. /ˌselɪˈbreɪʃn/ 庆祝活动；庆典 · acrobatics n. /ˌækrəˈbætɪks/ 杂技（acrobatic adj. 杂技的） · feat n. /fiːt/ 技艺；壮举（feats of strength 力量技艺） · rooted adj. /ˈruːtɪd/ 根深蒂固的（rooted culture 深厚的文化根基） · choreography n. /ˌkɒriˈɒɡrəfi/ 编舞；舞蹈设计 · originate v. /əˈrɪdʒɪneɪt/ 起源于；发源于（originate in 起源于） · ritual n. /ˈrɪtʃuəl/ 仪式；典礼 · spherical adj. /ˈsferɪkl/ 球形的（sphere n. 球体） · rotate v. /rəʊˈteɪt/ 旋转；转动（rotation n.） · showcase n. /ˈʃəʊkeɪs/ 展示；展示的场合 【长难句分析】 句 1（第 1 段）：A centuries-old folk tradition from Shanghai took center stage last week at La Merce Festival, one of Barcelona's biggest cultural celebrations, as performers carrying giant bamboo lanterns rolled, spun and danced through the city. • 翻译：上周，一项源自上海的数百年民间传统在巴塞罗那最盛大的文化庆典之一——梅尔塞节上登台亮相，表演者们扛着巨大的竹编灯笼翻滚、旋转、舞动着穿过这座城市。 • 仿写训练： • 翻译：上周，一个古老的中国戏曲剧种在英国最盛大的文化庆典之一——爱丁堡艺术节上登台亮相，演员们身着彩衣，在那座历史悠久的舞台上唱念做打。 句 2（第 5 段）：In ancient times, when flooding frequently struck the coastal area, locals performed with rolling lanterns in rituals seeking protection from water-related disasters. • 翻译：古时候，这一沿海地区常遭水患，当地人便在仪式上舞动滚灯，祈求免除水患。 • 仿写训练： • 翻译：古时候，这条河谷常遭旱灾，农民们便举着龙灯举行仪式，祈求降雨。 句 3（第 7 段）："This is not a one-way cultural showcase, but a dialogue between folk traditions on an equal footing," said Wang Jing of the Fengxian culture and tourism bureau, adding that the show was specially adapted for Barcelona and shows Shanghai's identity extends beyond its image as a modern metropolis. • 翻译："这不是单向的文化展示，而是平等基础上的民间传统对话，"奉贤区文化和旅游局的王静说。她补充说，演出专为巴塞罗那作了调整，也说明上海的身份认同不止于现代都市的形象。 • 仿写训练： • 翻译："这不是单向的展览，而是平等基础上的工艺对话，"策展人说。他补充说，这次展示专为巴黎作了调整，也说明中国的身份认同不止于制造基地的形象。 Passage B As China's circular economy moves closer to consumers, companies are exploring how to keep products in service longer. For a growing number of Chinese consumers, buying something is no longer necessarily the end of the story. An old appliance can be traded in rather than discarded. A used item can be sold through a secondhand platform. Clothing can be repaired, resold or repurposed. These changes point to a shift in how a product's life is viewed — from what happens before purchase to what happens after it leaves the store. The shift is also gaining policy support. In July, the National Development and Reform Commission issued a plan to advance the circular economy during the 15th Five-Year Plan period (2026-30), calling for greener product design, greater use of recycled materials, orderly secondhand trading and better recycling networks. Consumers appear interested, although interest does not always translate into behavior. A 2025 report by Euromonitor International found that nearly 60 percent of Chinese consumers were concerned about climate change and were acting to reduce food waste and plastic use. Sustainability plays a growing role in product choices, the report suggested, but is rarely enough on its own — consumers still expect performance, durability and value. Wen Zongguo, a professor at Tsinghua University, says extending product life is an important part of the circular economy. During the use stage, products and components should be reused as many times and in as many ways as possible. Arc'teryx, the Canadian outdoor brand, offers Chinese buyers of its new Sperro SV hardshell jacket three years of unlimited ReBIRD repair services, extending the relationship with the product beyond purchase. The jacket is designed to be repaired when parts wear out; when it can no longer be repaired, it can be taken apart so its nylon can be recovered for reuse. "Our team is taking gear apart, repairing it, and seeing firsthand where products hold up and where they don't," said Dominique Showers, vice-president of ReBIRD. "What we learn doesn't stay with ReBIRD. It goes straight back into how the next generation of products gets designed." 1．The phrase "no longer necessarily the end of the story" implies that ______. A．Consumers now buy fewer products than before. B．Products are now bought mainly through online platforms. C．A product's life continues after it is sold. D．Companies now make products that last longer. 2．What does the 2025 Euromonitor report suggest? A．Most consumers have stopped buying new products. B．Consumers care about climate change but weigh other factors. C．Sustainability alone decides what people buy. D．Chinese consumers waste less food than before. 3．What does Wen Zongguo say about the use stage? A．Products should be reused as often as possible. B．Products should be made from recycled materials. C．Products should be sold through secondhand platforms. D．Products should be repaired only by their makers. 4．What happens to the Sperro SV jacket when it can no longer be repaired? A．It is returned to the store.　 B．It is given away free of charge. C．It is sold to secondhand platforms.　 D．It is taken apart so its nylon can be reused. 5．The Arc'teryx example shows that ______. A．Repair services alone are enough to make a brand sustainable. B．Extending a product's life depends on designing it for repair from the start. C．Outdoor brands are more sustainable than food companies. D．Consumers now care more about price than durability. 【重难生词】 · circular adj. /ˈsɜːkjələ(r)/ 循环的（circular economy 循环经济） · consumer n. /kənˈsjuːmə(r)/ 消费者（consume v.） · discard v. /dɪsˈkɑːd/ 丢弃；抛弃 · secondhand adj. /ˌsekəndˈhænd/ 二手的；旧货的 · repurpose v. /ˌriːˈpɜːpəs/ 改作他用；重新利用 · adoption n. /əˈdɒpʃn/ 采用；采纳（adopt v.） · recycled adj. /riːˈsaɪkld/ 回收再生的（recycle v.） · durability n. /ˌdjʊərəˈbɪləti/ 耐用性（durable adj.） · component n. /kəmˈpəʊnənt/ 部件；组件 · recover v. /rɪˈkʌvə(r)/ 回收；恢复（recovery n.） 【长难句分析】 句 1（第 4 段）：Sustainability plays a growing role in product choices, the report suggested, but is rarely enough on its own — consumers still expect performance, durability and value. • 翻译：该报告指出，可持续性在产品选择中的作用日益增强，但单靠它通常并不足以促成购买——消费者仍然看重性能、耐用性与价值。 • 仿写训练： • 翻译：该调查指出，价格在品牌选择中的作用日益增强，但单靠它通常并不足以促成购买——购物者仍然看重设计、服务与信任。 句 2（第 6 段）：The jacket is designed to be repaired when parts wear out; when it can no longer be repaired, it can be taken apart so its nylon can be recovered for reuse. • 翻译：这件夹克按"部件磨损即可维修"的思路设计；当它再也无法修复时，可以被拆开，使尼龙材料得以回收再用。 • 仿写训练： • 翻译：这盏灯按"灯泡烧坏即可维修"的思路设计；当它再也无法修复时，可以被拆开，使铝材得以回收再用。 句 3（第 7 段）："What we learn doesn't stay with ReBIRD. It goes straight back into how the next generation of products gets designed." • 翻译："我们学到的东西不会停留在 ReBIRD 内部，而是直接进入下一代产品的设计。" • 仿写训练： • 翻译："我们听到的意见不会停留在服务中心，而是直接进入下一个版本软件的设计。" Passage C As a terracotta head is carefully fitted onto a pre-assembled body, a pile of seemingly disordered pottery fragments is transformed into a majestic Qin Dynasty (221-206 BC) Terracotta Warrior. It is a daily scene at the on-site conservation and restoration laboratory of Pit 1 at the Emperor Qinshihuang's Mausoleum Site Museum in Xi'an, Shaanxi province — and today such work is also on view to tens of thousands of visitors from China and abroad. In 2024, marking the 50th anniversary of the archaeological excavation of the Terracotta Warriors, the laboratory of Pit 1 and the excavation and conservation platform of Pit 2 were completed and put into operation. The developments have established a full-process conservation system covering everything from excavation to storage, combining an on-site emergency conservation system, an archaeological platform, specialized equipment and digital technologies. In Pit 1, the system links the excavation site directly with the restoration laboratory, allowing painted warriors to receive timely protection. In Pit 2, an excavation cabin and an experimental cabin form an integrated platform that allows precise control of environmental conditions at the site. Buried for more than 2,000 years, the warriors have suffered damage from fire, the collapse of soil layers and fluctuations in groundwater. Most of the original pigments have disappeared, leaving only scattered traces. In the early years of excavation, rapid changes in humidity after the warriors were exposed to the air caused some surviving pigments to curl, warp and flake off. Today, unearthed warriors can move directly from the excavation site to the laboratory, where conservation, restoration and research are carried out simultaneously. Each painted warrior undergoes a series of procedures, including nitrogen-filled moisture preservation, ultrasonic testing and 3D imaging, followed by systematic recording, cleaning and reinforcement. Since the discovery of the Terracotta Warriors in March 1974, generations of archaeologists and conservators have worked to protect this legacy of ancient Chinese civilization. The Mausoleum of the First Qin Emperor, which includes the warriors pits, was inscribed on the UNESCO World Heritage List in 1987. 1．What is seen daily at the Pit 1 laboratory? A．Visitors watching archaeologists excavate the pit. B．Workers fitting new heads onto excavated bodies. C．Pile after pile of fragments being restored into a warrior. D．Guides explaining the history of the Qin Dynasty. 2．What does "full-process conservation system" mean here? A．It covers every stage from excavation to storage. B．It replaces all traditional restoration methods. C．It applies only to painted warriors. D．It records the history of the entire mausoleum. 3．Why did some surviving pigments flake off in the early years of excavation? A．Because the warriors were touched by visitors. B．Because groundwater levels kept rising. C．Because soil layers collapsed above them. D．Because humidity changed sharply after air exposure. 4．What can we learn about the present process? A．Conservation work is done only in laboratories off-site. B．Warriors are repaired before they are excavated. C．Conservation, restoration and research happen at the same time. D．Only warriors with remaining color are processed. 5．What does the last paragraph mainly convey? A．The warriors were discovered by accident in 1974. B．Generations of conservators have protected this legacy. C．UNESCO listed the site in 1987. D．Ancient craftsmanship was more advanced than today. 【重难生词】 · fragment n. /ˈfræɡmənt/ 碎片；断片（fragmented adj.） · majestic adj. /məˈdʒestɪk/ 雄伟的；壮丽的（majesty n.） · archaeological adj. /ˌɑːkɪəˈlɒdʒɪkl/ 考古的（archaeology n.） · excavation n. /ˌekskəˈveɪʃn/ 挖掘；发掘（excavate v.） · storage n. /ˈstɔːrɪdʒ/ 储存；保管（store v.） · specialized adj. /ˈspeʃəlaɪzd/ 专门的；专业的（specialize v.） · pigment n. /ˈpɪɡmənt/ 颜料；色素 · collapse n. /kəˈlæps/ 倒塌；坍塌 · fluctuation n. /ˌflʌktʃuˈeɪʃn/ 波动；起伏（fluctuate v.） · humidity n. /hjuːˈmɪdəti/ 湿度；潮湿（humid adj.） 【长难句分析】 句 1（第 1 段）：As a terracotta head is carefully fitted onto a pre-assembled body, a pile of seemingly disordered pottery fragments is transformed into a majestic Qin Dynasty (221-206 BC) Terracotta Warrior. • 翻译：当一个陶俑头被小心翼翼地安到预先组装好的身体上时，一堆看似杂乱无章的陶片就变成了一尊雄伟的秦代（公元前 221—前 206 年）兵马俑。 • 仿写训练： • 翻译：当一块彩色玻璃被小心翼翼地嵌进铅条框时，一箱子看似杂乱无章的彩色碎片就变成了一扇中世纪教堂的窗户。 句 2（第 2 段）：The developments have established a full-process conservation system covering everything from excavation to storage, combining an on-site emergency conservation system, an archaeological platform, specialized equipment and digital technologies. • 翻译：这些进展建立起了一套覆盖从发掘到保管全流程的保护体系，把现场抢救性保护系统、考古平台、专用设备与数字技术整合在一起。 • 仿写训练： • 翻译：该项目建立起了一套覆盖从种植到采收全链条的监测体系，把土壤传感器、气象站、无人机与数据平台整合在一起。 句 3（第 4 段）：In the early years of excavation, rapid changes in humidity after the warriors were exposed to the air caused some surviving pigments to curl, warp and flake off. • 翻译：在发掘初期，陶俑暴露到空气中后湿度急剧变化，致使一些残存的颜料卷曲、变形并剥落。 • 仿写训练： • 翻译：在发掘初期，壁画暴露到光线中后温度急剧变化，致使一些残存的色彩褪色、开裂并剥落。 Passage D BERLIN — Petra Lehmann did not expect such a vivid glimpse of traditional Chinese culture so close to home just a month before setting off on a two-week trip to China. On the evening of Sept 30, Lehmann, chairwoman of the German-Chinese Friendship Association in Ludwigsfelde, watched intently as performers brought the centuries-old Wu Opera tradition to life on stage at Urania Berlin. "When they jumped, you could hardly hear a sound. It was as if they were flying," she said. Having previously seen only brief excerpts, Lehmann said the evening gave her a much fuller impression of the art form. She was among more than 800 spectators who packed the theater for a performance by the Zhejiang Wu Opera Troupe, which featured a range of classic pieces and drew repeated rounds of applause. The evening opened with Nine-Section Dragon, a folk performance featuring a long, brightly colored "dragon" carried by a team of performers who ran, jumped, rolled and spun across the stage, making it twist, rise and dive through the air. The program also showcased face-changing, a technique in which a performer appears to switch from one colorful mask to another in the blink of an eye. The show closed with the Monkey King Thrice Beats the White-Bone Demon, based on a well-known episode from Journey to the West. Through powerful singing, fast-paced fight scenes, acrobatics and expressive movements, the actors told the story in a way that was easy to follow even for viewers unfamiliar with Chinese opera. When the show ended, the audience gave a standing ovation. "I don't speak Chinese, but I could still follow the story and feel the emotion," said Berlin resident Sarah Keller. "I came here knowing very little about Wu Opera, but now I'd love to see more." He Wenbo, deputy director of the Chinese Cultural Center in Berlin, said the show crossed language barriers and offered a window into Chinese storytelling. 1．Why did the evening give Lehmann a much fuller impression? A．She had only seen brief excerpts before. B．She had studied Wu Opera at university. C．She had read reviews of the troupe. D．She had watched many similar performances. 2．How did the actors make the story easy for newcomers to follow? A．By using subtitles in Chinese and German. B．By telling the story without singing. C．By using vivid singing, acrobatics and movements.D．By explaining the plot before the show. 3．What does Sarah Keller's comment suggest? A．Wu Opera is easy to learn.　 B．Good performance can cross language barriers. C．German audiences prefer Chinese music.　 D．She plans to visit China soon. 4．The text mainly aims to ______. A．compare Chinese and German theatre traditions B． introduce the history of the Zhejiang Wu Opera Troupe C．recommend travel to Berlin D．report on how an ancient art form won over a foreign audience 【重难生词】 · glimpse n. /ɡlɪmps/ 一瞥；短暂的感受（a glimpse of 一瞥） · excerpt n. /ˈeksɜːpt/ 摘录；片段 · spectator n. /spekˈteɪtə(r)/ 观众（＝ audience） · troupe n. /truːp/ （演员）团；班子 · coordinated adj. /kəʊˈɔːdɪneɪtɪd/ 协调的；配合的（coordinate v.） · technique n. /tekˈniːk/ 技巧；技法 · episode n. /ˈepɪsəʊd/ 一段情节；（剧集）一集 · unfamiliar adj. /ˌʌnfəˈmɪliə(r)/ 不熟悉的（be unfamiliar with 对……不熟悉） · ovation n. /əʊˈveɪʃn/ 热烈鼓掌（a standing ovation 起立鼓掌） · barrier n. /ˈbæriə(r)/ 障碍；屏障（language barrier 语言障碍） 【长难句分析】 句 1（第 2 段）：On the evening of Sept 30, Lehmann, chairwoman of the German-Chinese Friendship Association in Ludwigsfelde, watched intently as performers brought the centuries-old Wu Opera tradition to life on stage at Urania Berlin. • 翻译：9 月 30 日晚，路德维希斯费尔德德中友好协会主席 Lehmann 凝神观看，演员们在柏林乌拉尼亚剧院的舞台上把传承数百年的婺剧演绎得栩栩如生。 • 仿写训练： • 翻译：5 月 12 日晚，里昂当地文化协会主席陈先生凝神观看，舞蹈演员们在市立剧院的舞台上把传承千年的南音演绎得栩栩如生。 句 2（第 4 段）：The evening opened with Nine-Section Dragon, a folk performance featuring a long, brightly colored "dragon" carried by a team of performers who ran, jumped, rolled and spun across the stage, making it twist, rise and dive through the air. • 翻译：晚会以《九节龙》开场，这是一项民间表演：一条色彩鲜艳的长"龙"由一组演员扛着，他们在舞台上奔跑、跳跃、翻滚、旋转，使龙身在空中扭动、升腾、俯冲。 • 仿写训练： • 翻译：游行以舞狮开场，这是一项民间表演：一只大纸狮由一组演员操控，他们在广场上蹲伏、跃起、旋转，使狮子点头、打滚、扑跃。 句 3（第 5 段）：Through powerful singing, fast-paced fight scenes, acrobatics and expressive movements, the actors told the story in a way that was easy to follow even for viewers unfamiliar with Chinese opera. • 翻译：通过高亢的唱腔、紧凑的打斗、杂技与富有表现力的身段，演员们把故事讲得即便是完全不熟悉中国戏曲的观众也能看懂。 • 仿写训练： • 翻译：通过生动的哑剧、上口的音乐与富有表现力的手势，这个剧团把故事讲得即便是完全不熟悉默剧的孩子也能看懂。 Passage E "The scenery is stunning," said Ilia Popov, 25, a Russian postgraduate student in Xianyang, Shaanxi province, when taking in the majesty of the Ganquan Canyon. "It's like a painter has drawn his brush across the stone." Located in Ganquan county, Yan'an, the canyon is a slot canyon on the Loess Plateau, nicknamed China's equivalent to the Antelope Canyon in Arizona. Carved from red sandstone over tens of millions of years through wind erosion and water scouring, it is a unique landscape known as a Danxia landform. It consists of more than 120 gorges, each with distinctive features. The best known, Huashugou Gorge, stretches about 1,100 meters and soars to over 20 meters at its highest point, with widths of one to two meters. Popov made his way through it — wide at first, then narrowing until, at its deepest point, only one visitor could pass at a time. The canyon first caught widespread attention through photographers' images shared online about a decade ago. In 2017 the scenic area opened to the public, receiving 38,000 visitors during the recent National Day holiday. No one knows its gorges better than Yan Dong, a 62-year-old photographer from Xi'an who explored the canyon between 2015 and 2021. Braving wild conditions and following elderly villagers' guidance, he visited the site over 100 times in a single year and explored more than 30 gorges previously unknown to outsiders, later publishing a photography album. "Something seemed to draw me deeper, as if I were on a mission," he said. "Every gorge has its own soul. To others they may look similar, but to me each one is different." The endeavor was not without risks — he suffered several injuries but never gave up. The most vibrant colors appear at midday, he added, and after rain the red sandstone takes on a deeper hue. For conservation, the scenic area opens only about five of the gorges to the public, two each day depending on weather. Yan'an is also known for its revolutionary heritage sites, which draw many visitors. 1．Why did Yan Dong explore the canyon for so many years? A．He wanted to make a national park of it. B．He was paid by the local government. C．He felt something drawing him deeper into it. D．He needed photos for a magazine. 2．What makes the canyon a unique landscape? A．It was carved from red sandstone by wind and water. B．It is the widest canyon in China. C．It is deeper than the Grand Canyon. D．It was formed by an ancient river. 3．Why does the scenic area open only a few gorges each day? A．To raise ticket revenue.　 B．To protect the gorges from damage. C．To guide tourists safely.　 D．To reduce visitor numbers. 4．Why does Popov compare the canyon to a painter's brush? A．To show the canyon is man-made. B．To explain how the canyon was formed. C．To warn readers about the danger. D．To express his sense of awe at its beauty. 【重难生词】 · stunning adj. /ˈstʌnɪŋ/ 令人惊叹的；绝美的（stun v.） · majesty n. /ˈmædʒəsti/ 壮丽；雄伟（majestic adj.） · equivalent n. /ɪˈkwɪvələnt/ 相等物；对应物（be equivalent to 相当于） · erosion n. /ɪˈrəʊʒn/ 侵蚀（erode v.） · distinctive adj. /dɪˈstɪŋktɪv/ 独特的；有特色的 · soar v. /sɔː(r)/ 高耸；猛增 · photographer n. /fəˈtɒɡrəfə(r)/ 摄影师（photography n.） · endeavor n. /ɪnˈdevə(r)/ 努力；尝试（＝ endeavour） · mission n. /ˈmɪʃn/ 使命；任务 · conservation n. /ˌkɒnsəˈveɪʃn/ 保护；保存（conserve v.） 【长难句分析】 句 1（第 2 段）：Located in Ganquan county, Yan'an, the canyon is a slot canyon on the Loess Plateau, nicknamed China's equivalent to the Antelope Canyon in Arizona. • 翻译：大峡谷位于延安甘泉县，是黄土高原上的一条箱状峡谷，被誉为"中国的羚羊谷"（美国亚利桑那州）。 • 仿写训练： • 翻译：丹霞公园位于甘肃张掖县，是河西走廊上的一片彩丘，被誉为"中国的彩虹山"（秘鲁）。 句 2（第 3 段）：Popov made his way through it — wide at first, then narrowing until, at its deepest point, only one visitor could pass at a time. • 翻译：波波夫徒步穿过这条沟谷——起初很宽，随后渐渐收窄，到最深的地方一次只能通过一名游客。 • 仿写训练： • 翻译：我们沿着这条通道前行——起初很宽，随后渐渐收窄，到最深的地方一次只能挤过一个人。 句 3（第 5 段）：Braving wild conditions and following elderly villagers' guidance, he visited the site over 100 times in a single year and explored more than 30 gorges previously unknown to outsiders, later publishing a photography album. • 翻译：他顶着恶劣的环境，听从老村民的指点，一年内到访这里一百多次，探明了三十多条外界此前不知的沟谷，后来还出版了一本摄影集。 • 仿写训练： • 翻译：她冒着严寒，听从当地牧人的建议，一个季度内到访高原四十多次，记录了二十多个地图上从未标注的湖泊，后来还出版了一份研究报告。 Passage F With the unprecedented expansion of micro-dramas, a seminar was recently held in Beijing by the network audiovisual program management department of the National Radio and Television Administration, gathering creators of eight live-action and four AI-generated works. Wang Zhi, producer of The First Sight of Nanyang Overseas Chinese, said the creative team traveled to Fujian, Yunnan and Zhejiang provinces, as well as Malaysia and Singapore, to collect firsthand material, interviewing the descendants of the Nanyang Volunteer Drivers and Mechanics — a 3,200-member group who transported internationally donated supplies to China during the War of Resistance Against Japanese Aggression (1931-45). Most of the volunteers were in their 20s, with comfortable lives and families in Southeast Asia. "Yet they chose to return to their homeland to support their compatriots at a time of national crisis," Wang said. "The more we dug into their stories, the more we felt that they were not just records left in historical archives, but young people who deserve to be remembered." The VI Group of Fatal Case, the latest relaunch of a classic crime franchise, endeavored to make plotlines as realistic as possible while condensing twists into 26 episodes of 20 minutes each. "Through one case after another, we see the stories behind the police profession — their daily lives of facing danger and hardship while upholding justice," said Ma Zhenzhen, the drama's producer. For AI-generated micro-drama makers, technological progress makes it easier to visualize fantastic scenarios, but there is still much room for exploration before AI can be truly integrated into official film and TV production. As AI-generated content has an element of randomness, the biggest challenges are consistently testing character consistency, performance continuity and stable camera movement, said Yang Nian, chief director of the adventure drama Northern School Notes. 1．What did the team learn from the Nanyang drivers' descendants? A．That the drivers had abandoned their overseas lives. B．That the drivers had been forced to travel. C．That their stories were already well documented. D．That they were ordinary people deserving remembrance. 2．How did The VI Group of Fatal Case handle its story? A．It used 26 episodes of 20 minutes each. B．It told the story without any crime scenes. C．It focused on one single case. D．It was longer than any previous season. 3．What challenges do AI-generated micro-dramas face? A．Limited budgets and small teams. B．Inconsistent characters and unstable camera work. C．Strict rules about the length of each episode. D．Lack of interest among audiences. 4．Why did the team travel to Southeast Asia as well as China? A．To interview the drivers themselves. B．To film the locations for the drama. C．To find descendants and first-hand material. D．To sell the rights to a foreign network. 【重难生词】 · unprecedented adj. /ʌnˈpresɪdentɪd/ 前所未有的 · expansion n. /ɪkˈspænʃn/ 扩张；迅速发展（expand v.） · seminar n. /ˈsemɪnɑː(r)/ 研讨会 · firsthand adj. /ˌfɜːstˈhænd/ 第一手的；直接的（firsthand material 一手素材） · descendant n. /dɪˈsendənt/ 后裔；后代（descend v.） · donate v. /dəʊˈneɪt/ 捐赠（donation n.） · compatriot n. /kəmˈpætriət/ 同胞；同国人 · archive n. /ˈɑːkaɪv/ 档案；档案馆（复数 archives） · revere v. /rɪˈvɪə(r)/ 尊敬；崇敬（revered adj.） · randomness n. /ˈrændəmnəs/ 随机性；不确定性（random adj.） 【长难句分析】 句 1（第 2 段）：Wang Zhi, producer of The First Sight of Nanyang Overseas Chinese, said the creative team traveled to Fujian, Yunnan and Zhejiang provinces, as well as Malaysia and Singapore, to collect firsthand material, interviewing the descendants of the Nanyang Volunteer Drivers and Mechanics — a 3,200-member group who transported internationally donated supplies to China during the War of Resistance Against Japanese Aggression (1931-45). • 翻译：王志是《南洋海外华侨初见》的制片人。他说，创作团队赴福建、云南、浙江以及马来西亚和新加坡采集一手素材，采访了南侨机工的后人——这支 3,200 人的队伍在抗日战争期间（1931—1945）把国际捐赠的物资运往中国。 • 仿写训练： • 翻译：李娜是纪录片《前线来信》的导演。她说，团队赴四川、云南、广西以及越南和缅甸采集一手素材，采访了当年沿山路运送物资的司机们的孙辈。 句 2（第 3 段）："The more we dug into their stories, the more we felt that they were not just records left in historical archives, but young people who deserve to be remembered," Wang said. • 翻译："我们越是挖掘他们的故事，就越发觉得他们不只是留在历史档案里的记录，而是值得被记住的年轻人，"王志说。 • 仿写训练： • 翻译："我们越是读他们的信件，就越发觉得他们不只是刻在石头上的名字，而是值得被接回家的兄弟，"策展人说。 句 3（第 5 段）：As AI-generated content has an element of randomness, the biggest challenges are consistently testing character consistency, performance continuity and stable camera movement, said Yang Nian, chief director of the adventure drama Northern School Notes. • 翻译：冒险微短剧《北派笔记》总导演杨念说，由于 AI 生成内容带有一定的随机性，最大的挑战在于持续检验角色一致性、表演连贯性与镜头运动的稳定性。 • 仿写训练： • 翻译：这位编辑说，由于机器翻译带有一定的歧义，最大的挑战在于持续检查术语准确性、语气一致性与语域稳定性。 Passage G Chinese publishers are finding growing opportunities in Indonesia, where local publishing companies are exploring Chinese titles, copyright partnerships and printing technologies, and Indonesian readers are showing rising interest in Mandarin-language books. At the Indonesia International Book Fair 2026, Indonesian publisher Gema Insani was in talks with Beijiao Children Joy Education and Technology from China to acquire rights to several children's science books, including titles featuring astronauts and interactive elements. Ecky, Gema Insani's marketing and copyright manager, said the two companies had met previously in Shanghai and Kuala Lumpur before continuing discussions in Jakarta. "We are currently finalizing. There are some titles that we are interested in publishing in Indonesia, particularly children's books," said Ecky. The publisher was particularly interested in interactive features that are still relatively uncommon in Indonesia, including flip-flap mechanisms, 3D elements, slides and string-based components. Ecky said Chinese printing capabilities could also offer a cost advantage. Interest in Chinese books is also emerging among Indonesian readers. Elvina, a Jakarta university student who has studied Mandarin through high school, visited the fair specifically to look for Mandarin-language fiction. "I'm very happy, actually, because I finally have access to buy and see more Mandarin books," she said. For her, Mandarin books offer more than language practice; she also collects them for their distinctive visual and literary qualities. Chinese publishers are also strengthening long-term ties with Indonesian partners. Chen Changhai, general manager of Beijiao Children Joy, said his company has operated in the Indonesian market for several years and has brought in more than 400 new children's titles. "The Indonesian publishing market, especially the publishing of children's books, has great potential," he said, adding that cooperation has evolved from copyright transactions toward joint research and development. 1．What was Gema Insani discussing with the Chinese company? A．Printing a large number of Chinese textbooks. B．Opening a new bookstore in Jakarta. C．Translating Indonesian books into Chinese. D．Buying rights to several children's science books. 2．Why was the publisher interested in the books? A．Their interactive features are unusual in Indonesia. B．They are cheaper than local ones. C．They cover Indonesian history. D．They have won international prizes. 3．What does Elvina collect Mandarin books for? A．For her Mandarin lessons at university. B．For their visual and literary qualities. C．To sell them online. D．To give them to her friends. 4．How has the cooperation changed? A．From joint production to simple sales. B．From printing to book fairs. C．From copyright deals to joint research. D．From translation to teaching. 5．The text mainly reports ______. A．why Indonesian readers prefer Chinese books B．how Indonesian publishers are engaging with Chinese titles C．how Chinese printing technology works D．how to learn Mandarin in high school 【重难生词】 · copyright n. /ˈkɒpiraɪt/ 版权；著作权 · partnership n. /ˈpɑːtnəʃɪp/ 合作关系；合伙（partner n.） · acquire v. /əˈkwaɪə(r)/ 获得；取得（acquire rights 获得版权） · interactive adj. /ˌɪntərˈæktɪv/ 互动的（interact v.） · mechanism n. /ˈmekənɪzəm/ 机械装置；机制（flip-flap mechanism 翻翻页装置） · capability n. /ˌkeɪpəˈbɪləti/ 能力（capable adj.） · potential n. /pəˈtenʃl/ 潜力；可能性 · distinctive adj. /dɪˈstɪŋktɪv/ 独特的；有特色的 · transaction n. /trænˈzækʃn/ 交易；业务（copyright transaction 版权交易） · evolve v. /ɪˈvɒlv/ 演变；发展（evolution n.） 【长难句分析】 句 1（第 2 段）：At the Indonesia International Book Fair 2026, Indonesian publisher Gema Insani was in talks with Beijiao Children Joy Education and Technology from China to acquire rights to several children's science books, including titles featuring astronauts and interactive elements. • 翻译：在 2026 年印度尼西亚国际书展上，印尼出版商 Gema Insani 正与中国北京童趣教育科技洽谈购买几本科普童书的版权，其中包括以宇航员和互动元素为特色的品种。 • 仿写训练： • 翻译：在今年的法兰克福书展上，一家德国出版商正与上海一家出版社洽谈购买几本自然指南的版权，其中包括以本地鸟类和立体弹跳元素为特色的品种。 句 2（第 4 段）：For her, Mandarin books offer more than language practice; she also collects them for their distinctive visual and literary qualities. • 翻译：对她而言，中文书不只是语言练习材料；她也收藏它们，因为它们有独特的视觉与文学品质。 • 仿写训练： • 翻译：对他而言，手写信不只是保持联系的方式；他也保存它们，因为它们有独特的纸张、墨迹与个人语气。 句 3（第 5 段）："The Indonesian publishing market, especially the publishing of children's books, has great potential," he said, adding that cooperation has evolved from copyright transactions toward joint research and development. • 翻译："印尼出版市场，尤其是童书出版，有很大潜力，"他说，并补充说双方合作已从版权交易走向联合研发。 • 仿写训练： • 翻译："越南动画市场，尤其是学龄前内容，有很大潜力，"她说，并补充说双方合作已从模式授权走向联合制作。 2 学科网（北京）股份有限公司 $ 2027高考英语热点时文话题阅读 02 “非遗出海与跨文化共鸣”“遗产保护与可持续发展”“AI赋能与内容创新” 篇章 主题 语篇导读 Passage A 奉贤滚灯亮相巴塞罗那 700 多年历史的上海奉贤滚灯登上巴塞罗那梅尔塞节，把上海深厚的文化根基带到这座城市的传统节庆中，被当地主办方称为"平等基础上的民间传统对话"。 Passage B 循环经济 从以旧换新到三年免费维修，产品的"后半生"正在被重新设计；可持续是重要因素，但很少能单独决定购买。 Passage C 兵马俑的保护者 秦始皇帝陵博物院一号坑修复室把考古发掘与文物保护连成一体，让沉睡两千年的色彩重新被看见。 Passage D 婺剧柏林演出 浙江婺剧团在柏林上演《三打白骨精》等经典选段，九节龙与变脸让 800 多名观众起立鼓掌，表演跨越了语言障碍。 Passage E 陕西甘泉大峡谷 黄土高原上的丹霞地貌在摄影师闫东多年探险后为人所知，景区为保护只开放其中约五条沟谷。 Passage F 微短剧研讨会 创作者探讨现实题材与 AI 微短剧，南洋机工后人的故事被搬上屏幕，AI 生成内容仍面临角色一致性等挑战。 Passage G 中国图书走进印尼 印尼出版商洽谈中国童书版权，立体书与翻翻页等互动设计受青睐，合作从版权交易走向联合研发。 Passage A A centuries-old folk tradition from Shanghai took center stage last week at La Merce Festival, one of Barcelona's biggest cultural celebrations, as performers carrying giant bamboo lanterns rolled, spun and danced through the city. The Fengxian Rolling Lantern, over 700 years old, combines dance, acrobatics and feats of strength. It quickly won over festivalgoers, many seeing it for the first time. "It brings the real Shanghai. It brings the rooted culture and history of Shanghai to the most traditional festival in Barcelona," said Esteve Carames of the Barcelona Institute of Culture, adding that it let audiences discover a side of Shanghai less familiar internationally. Barcelona resident Diana said she was struck by the performers' control. "I was amazed," she said, recalling one performer manipulating a large lantern using his mouth. Australian tourist Daniel, who plans to visit Shanghai in April, praised the costumes, choreography and fireworks, saying it had added to his excitement about the trip. The lantern originated in today's Fengxian district of Shanghai, on the northern shore of Hangzhou Bay. In ancient times, when flooding frequently struck the coastal area, locals performed with rolling lanterns in rituals seeking protection from water-related disasters. Over generations it became popular entertainment at festivals and harvest celebrations. Made primarily from bamboo, the lantern has inner and outer spherical structures that let it roll and rotate while keeping its shape. Its most challenging technique is "Spider Spinning Silk", in which a performer grips a cloth strip with the teeth to control the lantern while rotating the body in sync. The folk art entered China's national intangible cultural heritage list in 2008. "This is not a one-way cultural showcase, but a dialogue between folk traditions on an equal footing," said Wang Jing of the Fengxian culture and tourism bureau, adding that the show was specially adapted for Barcelona and shows Shanghai's identity extends beyond its image as a modern metropolis. 1．What does Carames mean by "It brings the real Shanghai"? A．It shows what Shanghai is like today. B．It shows the deep roots of Shanghai's culture. C．It shows the difficulties Shanghai has faced. D．It shows how Shanghai competes with Barcelona. 2．Why did locals perform with rolling lanterns in ancient times? A．To celebrate the harvest.　 B．To attract visitors to the region. C．To pray for protection from floods.　 D．To train performers for festivals. 3．Wang Jing's remark suggests that ______. A．Traditional festivals in different cultures should replace official ones. B．Folk traditions of different cultures deserve equal respect. C．Shanghai has a richer folk tradition than Barcelona. D．Modernization weakens the value of folk traditions. 4．Which of the following is the best title for the text? A．A Rolling Lantern Lights Up Barcelona B．How Shanghai's Modernity Grew C．The Skills Behind a 700-Year-Old Art D．Why Festivals Matter to Cities 【重难生词】 · celebration n. /ˌselɪˈbreɪʃn/ 庆祝活动；庆典 · acrobatics n. /ˌækrəˈbætɪks/ 杂技（acrobatic adj. 杂技的） · feat n. /fiːt/ 技艺；壮举（feats of strength 力量技艺） · rooted adj. /ˈruːtɪd/ 根深蒂固的（rooted culture 深厚的文化根基） · choreography n. /ˌkɒriˈɒɡrəfi/ 编舞；舞蹈设计 · originate v. /əˈrɪdʒɪneɪt/ 起源于；发源于（originate in 起源于） · ritual n. /ˈrɪtʃuəl/ 仪式；典礼 · spherical adj. /ˈsferɪkl/ 球形的（sphere n. 球体） · rotate v. /rəʊˈteɪt/ 旋转；转动（rotation n.） · showcase n. /ˈʃəʊkeɪs/ 展示；展示的场合 【长难句分析】 句 1（第 1 段）：A centuries-old folk tradition from Shanghai took center stage last week at La Merce Festival, one of Barcelona's biggest cultural celebrations, as performers carrying giant bamboo lanterns rolled, spun and danced through the city. • 翻译：上周，一项源自上海的数百年民间传统在巴塞罗那最盛大的文化庆典之一——梅尔塞节上登台亮相，表演者们扛着巨大的竹编灯笼翻滚、旋转、舞动着穿过这座城市。 • 仿写训练：A centuries-old Chinese opera form took center stage last week at the Edinburgh Festival, one of Britain's biggest cultural celebrations, as performers in colorful costumes sang, acted and gestured across the historic stage. • 翻译：上周，一个古老的中国戏曲剧种在英国最盛大的文化庆典之一——爱丁堡艺术节上登台亮相，演员们身着彩衣，在那座历史悠久的舞台上唱念做打。 句 2（第 5 段）：In ancient times, when flooding frequently struck the coastal area, locals performed with rolling lanterns in rituals seeking protection from water-related disasters. • 翻译：古时候，这一沿海地区常遭水患，当地人便在仪式上舞动滚灯，祈求免除水患。 • 仿写训练：In ancient times, when drought frequently struck the river valley, farmers held ceremonies with dragon lanterns in rituals praying for rainfall. • 翻译：古时候，这条河谷常遭旱灾，农民们便举着龙灯举行仪式，祈求降雨。 句 3（第 7 段）："This is not a one-way cultural showcase, but a dialogue between folk traditions on an equal footing," said Wang Jing of the Fengxian culture and tourism bureau, adding that the show was specially adapted for Barcelona and shows Shanghai's identity extends beyond its image as a modern metropolis. • 翻译："这不是单向的文化展示，而是平等基础上的民间传统对话，"奉贤区文化和旅游局的王静说。她补充说，演出专为巴塞罗那作了调整，也说明上海的身份认同不止于现代都市的形象。 • 仿写训练："This is not a one-way exhibition, but a dialogue between crafts on an equal footing," said the curator, adding that the display was specially adapted for Paris and shows Chinese identity extends beyond its image as a manufacturing base. • 翻译："这不是单向的展览，而是平等基础上的工艺对话，"策展人说。他补充说，这次展示专为巴黎作了调整，也说明中国的身份认同不止于制造基地的形象。 【答案】　1．B　2．C　3．B　4．A 【导语】本文主要介绍的是拥有 700 多年历史的上海奉贤滚灯登上西班牙巴塞罗那梅尔塞节：以"舞动灯球、口咬布条控制灯笼"的高难技艺赢得当地观众赞叹，被主办方称为"把真正的上海带到了巴塞罗那最传统的节庆"，而当地官员则强调这不是单向的文化展示，而是平等基础上的民间传统对话。 1．B　题型：推断题。Carames 说的是"the rooted culture and history of Shanghai"，其中 rooted culture 意为"根基深厚的文化"，故其所谓"真正的上海"是指这座城市深厚的文化根脉，故选 B。干扰项分析：A. what Shanghai is like today 与 rooted（根深）矛盾，且第三段已用 less familiar internationally 把"今天"这一层让给别的层面，是最强干扰；C. the difficulties Shanghai has faced 全篇无任何困难叙述，属无中生有；D. how Shanghai competes with Barcelona 属因果与目的混淆——两座城市并无竞争关系。 2．C　题型：细节理解题。根据第五段"In ancient times, when flooding frequently struck the coastal area, locals performed with rolling lanterns in rituals seeking protection from water-related disasters."（古时候沿海地区常遭水患，当地人在祈求免除水患的仪式中舞动滚灯）可知，其目的是祈雨驱灾，故选 C。干扰项分析：A. celebrate the harvest 是后文 Over generations 之后才出现的用途，属时序错置；B. attract visitors 与 rituals（仪式）的宗教性质矛盾；D. train performers 属无中生有。 3．B　题型：推断题。"a dialogue between folk traditions on an equal footing"意为"平等基础上的民间传统对话"，dialogue 与 on an equal footing 共同指向对不同文化传统的相互尊重，故选 B。干扰项分析：A. replace official ones 属过度引申，原文谈的是民间传统之间的关系，未涉及官方节庆；C. Shanghai has a richer… 属反着说——on an equal footing 恰恰否定了高下之分；D. Modernization weakens… 与末句"现代化与传统文化并存"的方向相反。 4．A　题型：标题题。根据首段"took center stage last week at La Merce Festival…in Barcelona"（上周在巴塞罗那梅尔塞节上登台亮相）可知，标题须同时点出"滚灯"与"巴塞罗那"两个要素，故选 A。干扰项分析：B. How Shanghai's Modernity Grew 属过度引申，末句只是说现代化与传统文化并存，并未论证上海如何崛起；C. The Skills Behind… 影子是第六段的口咬布条技艺，属局部细节代替整体，且"700-year-old"与原文"over 700 years old"数字口径不符；D. Why Festivals Matter to Cities 属过度引申为普遍命题，全文只谈一次节庆演出。 Passage B As China's circular economy moves closer to consumers, companies are exploring how to keep products in service longer. For a growing number of Chinese consumers, buying something is no longer necessarily the end of the story. An old appliance can be traded in rather than discarded. A used item can be sold through a secondhand platform. Clothing can be repaired, resold or repurposed. These changes point to a shift in how a product's life is viewed — from what happens before purchase to what happens after it leaves the store. The shift is also gaining policy support. In July, the National Development and Reform Commission issued a plan to advance the circular economy during the 15th Five-Year Plan period (2026-30), calling for greener product design, greater use of recycled materials, orderly secondhand trading and better recycling networks. Consumers appear interested, although interest does not always translate into behavior. A 2025 report by Euromonitor International found that nearly 60 percent of Chinese consumers were concerned about climate change and were acting to reduce food waste and plastic use. Sustainability plays a growing role in product choices, the report suggested, but is rarely enough on its own — consumers still expect performance, durability and value. Wen Zongguo, a professor at Tsinghua University, says extending product life is an important part of the circular economy. During the use stage, products and components should be reused as many times and in as many ways as possible. Arc'teryx, the Canadian outdoor brand, offers Chinese buyers of its new Sperro SV hardshell jacket three years of unlimited ReBIRD repair services, extending the relationship with the product beyond purchase. The jacket is designed to be repaired when parts wear out; when it can no longer be repaired, it can be taken apart so its nylon can be recovered for reuse. "Our team is taking gear apart, repairing it, and seeing firsthand where products hold up and where they don't," said Dominique Showers, vice-president of ReBIRD. "What we learn doesn't stay with ReBIRD. It goes straight back into how the next generation of products gets designed." 1．The phrase "no longer necessarily the end of the story" implies that ______. A．Consumers now buy fewer products than before. B．Products are now bought mainly through online platforms. C．A product's life continues after it is sold. D．Companies now make products that last longer. 2．What does the 2025 Euromonitor report suggest? A．Most consumers have stopped buying new products. B．Consumers care about climate change but weigh other factors. C．Sustainability alone decides what people buy. D．Chinese consumers waste less food than before. 3．What does Wen Zongguo say about the use stage? A．Products should be reused as often as possible. B．Products should be made from recycled materials. C．Products should be sold through secondhand platforms. D．Products should be repaired only by their makers. 4．What happens to the Sperro SV jacket when it can no longer be repaired? A．It is returned to the store.　 B．It is given away free of charge. C．It is sold to secondhand platforms.　 D．It is taken apart so its nylon can be reused. 5．The Arc'teryx example shows that ______. A．Repair services alone are enough to make a brand sustainable. B．Extending a product's life depends on designing it for repair from the start. C．Outdoor brands are more sustainable than food companies. D．Consumers now care more about price than durability. 【重难生词】 · circular adj. /ˈsɜːkjələ(r)/ 循环的（circular economy 循环经济） · consumer n. /kənˈsjuːmə(r)/ 消费者（consume v.） · discard v. /dɪsˈkɑːd/ 丢弃；抛弃 · secondhand adj. /ˌsekəndˈhænd/ 二手的；旧货的 · repurpose v. /ˌriːˈpɜːpəs/ 改作他用；重新利用 · adoption n. /əˈdɒpʃn/ 采用；采纳（adopt v.） · recycled adj. /riːˈsaɪkld/ 回收再生的（recycle v.） · durability n. /ˌdjʊərəˈbɪləti/ 耐用性（durable adj.） · component n. /kəmˈpəʊnənt/ 部件；组件 · recover v. /rɪˈkʌvə(r)/ 回收；恢复（recovery n.） 【长难句分析】 句 1（第 4 段）：Sustainability plays a growing role in product choices, the report suggested, but is rarely enough on its own — consumers still expect performance, durability and value. • 翻译：该报告指出，可持续性在产品选择中的作用日益增强，但单靠它通常并不足以促成购买——消费者仍然看重性能、耐用性与价值。 • 仿写训练：Price plays a growing role in brand choice, the survey suggested, but is rarely enough on its own — shoppers still expect design, service and trust. • 翻译：该调查指出，价格在品牌选择中的作用日益增强，但单靠它通常并不足以促成购买——购物者仍然看重设计、服务与信任。 句 2（第 6 段）：The jacket is designed to be repaired when parts wear out; when it can no longer be repaired, it can be taken apart so its nylon can be recovered for reuse. • 翻译：这件夹克按"部件磨损即可维修"的思路设计；当它再也无法修复时，可以被拆开，使尼龙材料得以回收再用。 • 仿写训练：The lamp is designed to be repaired when a bulb burns out; when it can no longer be repaired, it can be taken apart so its aluminium can be recovered for reuse. • 翻译：这盏灯按"灯泡烧坏即可维修"的思路设计；当它再也无法修复时，可以被拆开，使铝材得以回收再用。 句 3（第 7 段）："What we learn doesn't stay with ReBIRD. It goes straight back into how the next generation of products gets designed." • 翻译："我们学到的东西不会停留在 ReBIRD 内部，而是直接进入下一代产品的设计。" • 仿写训练："What we hear doesn't stay in the service centre. It goes straight back into how the next version of the software gets designed." • 翻译："我们听到的意见不会停留在服务中心，而是直接进入下一个版本软件的设计。" 【答案】1．B　2．C　3．A　4．D　5．B 【导语】本文主要介绍的是循环经济在中国离消费者越来越近：旧家电可以以旧换新、旧物可以通过二手平台转售、衣物可以修补再利用，产品的"后半生"正被重新设计；国家发改委已出台"十五五"循环经济技术路线图；但消费者关心可持续的同时仍看重性能、耐用与性价比。加拿大户外品牌始祖鸟的 Sperro SV 夹克按"可维修设计"思路提供了三年无限次维修服务。 1．C　题型：推断题。首段说"buying…is no longer necessarily the end of the story"，紧接着第二段列举以旧换新、二手转售、修补再用，故其含义是"售出之后产品仍延续其生命"，故选 C。干扰项分析：A. buy fewer products 与首句 companies are exploring how to keep products in service longer 方向相反，属过度引申；B. online platforms 影子在 secondhand platform，二手平台并非"线上购买"；D. Companies now make products that last longer 是第六、七段才出现的做法，属局部信息代替中心。 2． B　题型：细节理解题。报告结论有两层：nearly 60 percent…were concerned about climate change，以及 Sustainability plays a growing role…but is rarely enough on its own — consumers still expect performance, durability and value，故选 B（既关心环保，又会权衡其他因素）。干扰项分析：A. stopped buying new products 与首段"buying something"仍存在矛盾；C. alone decides 与 rarely enough on its own 方向相反，属反着说；D. waste less food than before 属无据比较——报告只说他们在"减少"食物浪费，未作前后对比。 3．A　题型：细节理解题。第五段"products and components should be reused as many times and in as many ways as possible"直接对应"尽可能多次、多种方式重复使用"，故选 A。干扰项分析：B. recycled materials 影子在第三段 calling for greater use of recycled materials，那是"生产阶段"的材料要求，与使用阶段的重复使用不同；C. secondhand platforms 影子在第二段，属跨段张冠李戴；D. repaired only by their makers 与第六段由官方 ReBIRD 提供维修服务矛盾。 4．D　题型：细节理解题。第六段末句"when it can no longer be repaired, it can be taken apart so its nylon can be recovered for reuse"给出两步处置：拆解、再回收尼龙，故选 D。干扰项分析：A. returned to the store 与"拆解回收"是两条不同路径；B. given away free of charge 无任何依据，属无中生有；C. sold to secondhand platforms 影子在第二段的 Clothing can be…resold，但那是服装品类，夹克不在其列，属细节拼贴。 5．B　题型：推断题。第七段"repairing it, and seeing firsthand where products hold up…What we learn…goes straight back into how the next generation of products gets designed"表明维修数据反哺下一代设计，而第六段"is designed to be repaired when parts wear out"强调"从设计之初就可维修"，二者合并即得正答，故选 B。干扰项分析：A. Repair services alone are enough 与末句"经验要进入下一代设计"矛盾，属以偏概全；C. Outdoor brands are more sustainable…属无中生有，全文未作跨行业比较；D. price than durability 影子在第四段 still expect performance, durability and value，原文并未说价格比耐用更重要。 Passage C As a terracotta head is carefully fitted onto a pre-assembled body, a pile of seemingly disordered pottery fragments is transformed into a majestic Qin Dynasty (221-206 BC) Terracotta Warrior. It is a daily scene at the on-site conservation and restoration laboratory of Pit 1 at the Emperor Qinshihuang's Mausoleum Site Museum in Xi'an, Shaanxi province — and today such work is also on view to tens of thousands of visitors from China and abroad. In 2024, marking the 50th anniversary of the archaeological excavation of the Terracotta Warriors, the laboratory of Pit 1 and the excavation and conservation platform of Pit 2 were completed and put into operation. The developments have established a full-process conservation system covering everything from excavation to storage, combining an on-site emergency conservation system, an archaeological platform, specialized equipment and digital technologies. In Pit 1, the system links the excavation site directly with the restoration laboratory, allowing painted warriors to receive timely protection. In Pit 2, an excavation cabin and an experimental cabin form an integrated platform that allows precise control of environmental conditions at the site. Buried for more than 2,000 years, the warriors have suffered damage from fire, the collapse of soil layers and fluctuations in groundwater. Most of the original pigments have disappeared, leaving only scattered traces. In the early years of excavation, rapid changes in humidity after the warriors were exposed to the air caused some surviving pigments to curl, warp and flake off. Today, unearthed warriors can move directly from the excavation site to the laboratory, where conservation, restoration and research are carried out simultaneously. Each painted warrior undergoes a series of procedures, including nitrogen-filled moisture preservation, ultrasonic testing and 3D imaging, followed by systematic recording, cleaning and reinforcement. Since the discovery of the Terracotta Warriors in March 1974, generations of archaeologists and conservators have worked to protect this legacy of ancient Chinese civilization. The Mausoleum of the First Qin Emperor, which includes the warriors pits, was inscribed on the UNESCO World Heritage List in 1987. 1．What is seen daily at the Pit 1 laboratory? A．Visitors watching archaeologists excavate the pit. B．Workers fitting new heads onto excavated bodies. C．Pile after pile of fragments being restored into a warrior. D．Guides explaining the history of the Qin Dynasty. 2．What does "full-process conservation system" mean here? A．It covers every stage from excavation to storage. B．It replaces all traditional restoration methods. C．It applies only to painted warriors. D．It records the history of the entire mausoleum. 3．Why did some surviving pigments flake off in the early years of excavation? A．Because the warriors were touched by visitors. B．Because groundwater levels kept rising. C．Because soil layers collapsed above them. D．Because humidity changed sharply after air exposure. 4．What can we learn about the present process? A．Conservation work is done only in laboratories off-site. B．Warriors are repaired before they are excavated. C．Conservation, restoration and research happen at the same time. D．Only warriors with remaining color are processed. 5．What does the last paragraph mainly convey? A．The warriors were discovered by accident in 1974. B．Generations of conservators have protected this legacy. C．UNESCO listed the site in 1987. D．Ancient craftsmanship was more advanced than today. 【重难生词】 · fragment n. /ˈfræɡmənt/ 碎片；断片（fragmented adj.） · majestic adj. /məˈdʒestɪk/ 雄伟的；壮丽的（majesty n.） · archaeological adj. /ˌɑːkɪəˈlɒdʒɪkl/ 考古的（archaeology n.） · excavation n. /ˌekskəˈveɪʃn/ 挖掘；发掘（excavate v.） · storage n. /ˈstɔːrɪdʒ/ 储存；保管（store v.） · specialized adj. /ˈspeʃəlaɪzd/ 专门的；专业的（specialize v.） · pigment n. /ˈpɪɡmənt/ 颜料；色素 · collapse n. /kəˈlæps/ 倒塌；坍塌 · fluctuation n. /ˌflʌktʃuˈeɪʃn/ 波动；起伏（fluctuate v.） · humidity n. /hjuːˈmɪdəti/ 湿度；潮湿（humid adj.） 【长难句分析】 句 1（第 1 段）：As a terracotta head is carefully fitted onto a pre-assembled body, a pile of seemingly disordered pottery fragments is transformed into a majestic Qin Dynasty (221-206 BC) Terracotta Warrior. • 翻译：当一个陶俑头被小心翼翼地安到预先组装好的身体上时，一堆看似杂乱无章的陶片就变成了一尊雄伟的秦代（公元前 221—前 206 年）兵马俑。 • 仿写训练：As a stained-glass panel is carefully fitted into a lead frame, a box of seemingly disordered coloured shards is transformed into a medieval church window. • 翻译：当一块彩色玻璃被小心翼翼地嵌进铅条框时，一箱子看似杂乱无章的彩色碎片就变成了一扇中世纪教堂的窗户。 句 2（第 2 段）：The developments have established a full-process conservation system covering everything from excavation to storage, combining an on-site emergency conservation system, an archaeological platform, specialized equipment and digital technologies. • 翻译：这些进展建立起了一套覆盖从发掘到保管全流程的保护体系，把现场抢救性保护系统、考古平台、专用设备与数字技术整合在一起。 • 仿写训练：The project has established a full-chain monitoring system covering everything from planting to harvest, combining soil sensors, a weather station, drones and a data platform. • 翻译：该项目建立起了一套覆盖从种植到采收全链条的监测体系，把土壤传感器、气象站、无人机与数据平台整合在一起。 句 3（第 4 段）：In the early years of excavation, rapid changes in humidity after the warriors were exposed to the air caused some surviving pigments to curl, warp and flake off. • 翻译：在发掘初期，陶俑暴露到空气中后湿度急剧变化，致使一些残存的颜料卷曲、变形并剥落。 • 仿写训练：In the early years of the dig, rapid changes in temperature after the murals were exposed to light caused some surviving colours to fade, crack and peel. • 翻译：在发掘初期，壁画暴露到光线中后温度急剧变化，致使一些残存的色彩褪色、开裂并剥落。 【答案】1．C　2．A　3．D　4．C　5．B 【导语】本文主要介绍的是秦始皇帝陵兵马俑的文物保护体系：2024 年一号坑修复室与二号坑考古发掘保护平台建成投用，形成了覆盖"发掘—保护—修复—研究—储藏"全流程的体系；出土陶俑可从发掘现场直接进入修复室，边保护边研究，使两千年前沉睡地下的 army 的原有色彩重新回到人们视野。 1．C　题型：细节理解题。首段说"a pile of seemingly disordered pottery fragments is transformed into a majestic…Terracotta Warrior"，即一堆杂乱陶片被复原成一尊陶俑，且"daily scene"表明这是每日重复的工作，故选 C。干扰项分析：A. watching archaeologists excavate 与 restoration laboratory（修复室）职能不符；B. fitting new heads 中的 new 暗示新制部件，原文说的是"看似杂乱无章的陶片"被复原而非新头，属细节拼贴；D. Guides explaining 属无中生有。 2．A　题型：推断题。covering everything from excavation to storage 直接点明全流程的范围，故选 A。干扰项分析：B. replaces all traditional… 与 combining an on-site emergency conservation system 等表述矛盾——新体系是整合而非取代，是最强干扰；C. applies only to painted warriors 属以偏概全，氮封恒湿、3D 成像等程序并非只对彩俑；D. records the history 属目的错置。 3．D　题型：细节理解题。第四段末句"rapid changes in humidity after the warriors were exposed to the air caused some surviving pigments to curl, warp and flake off"给出因果，故选 D。干扰项分析：A. touched by visitors 无依据；B. groundwater levels kept rising 是前文列举的**长期**损害因素，不是颜料脱落这一**突发**现象的直接原因，属因果错配；C. soil layers collapsed 同样是长期损害，属同类干扰。 4．C　题型：推断题。第五段"unearthed warriors can move directly from the excavation site to the laboratory, where conservation, restoration and research are carried out simultaneously"给出三项同步进行，故选 C。干扰项分析：A. only in laboratories off-site 与 move directly from the excavation site to the laboratory 矛盾；B. repaired before excavated 属时序倒置；D. Only warriors with remaining color 属以偏概全，"a series of procedures"是每尊彩俑的标准流程。 5．B　题型：主旨题。末段以"Since the discovery…generations of archaeologists and conservators have worked to protect this legacy of ancient Chinese civilization"为主句，落点在"几代人的持续保护"，故选 B。干扰项分析：A. discovered by accident 未提及"accidentally"，属添加修饰；C. UNESCO listed the site in 1987 是末段附带的名词信息，属局部细节；D. Ancient craftsmanship was more advanced 属过度引申，全文未作古今对比。 Passage D BERLIN — Petra Lehmann did not expect such a vivid glimpse of traditional Chinese culture so close to home just a month before setting off on a two-week trip to China. On the evening of Sept 30, Lehmann, chairwoman of the German-Chinese Friendship Association in Ludwigsfelde, watched intently as performers brought the centuries-old Wu Opera tradition to life on stage at Urania Berlin. "When they jumped, you could hardly hear a sound. It was as if they were flying," she said. Having previously seen only brief excerpts, Lehmann said the evening gave her a much fuller impression of the art form. She was among more than 800 spectators who packed the theater for a performance by the Zhejiang Wu Opera Troupe, which featured a range of classic pieces and drew repeated rounds of applause. The evening opened with Nine-Section Dragon, a folk performance featuring a long, brightly colored "dragon" carried by a team of performers who ran, jumped, rolled and spun across the stage, making it twist, rise and dive through the air. The program also showcased face-changing, a technique in which a performer appears to switch from one colorful mask to another in the blink of an eye. The show closed with the Monkey King Thrice Beats the White-Bone Demon, based on a well-known episode from Journey to the West. Through powerful singing, fast-paced fight scenes, acrobatics and expressive movements, the actors told the story in a way that was easy to follow even for viewers unfamiliar with Chinese opera. When the show ended, the audience gave a standing ovation. "I don't speak Chinese, but I could still follow the story and feel the emotion," said Berlin resident Sarah Keller. "I came here knowing very little about Wu Opera, but now I'd love to see more." He Wenbo, deputy director of the Chinese Cultural Center in Berlin, said the show crossed language barriers and offered a window into Chinese storytelling. 1．Why did the evening give Lehmann a much fuller impression? A．She had only seen brief excerpts before. B．She had studied Wu Opera at university. C．She had read reviews of the troupe. D．She had watched many similar performances. 2．How did the actors make the story easy for newcomers to follow? A．By using subtitles in Chinese and German. B．By telling the story without singing. C．By using vivid singing, acrobatics and movements. D．By explaining the plot before the show. 3．What does Sarah Keller's comment suggest? A．Wu Opera is easy to learn.　 B．Good performance can cross language barriers. C．German audiences prefer Chinese music.　 D．She plans to visit China soon. 4．The text mainly aims to ______. A．compare Chinese and German theatre traditions B． introduce the history of the Zhejiang Wu Opera Troupe C．recommend travel to Berlin D．report on how an ancient art form won over a foreign audience 【重难生词】 · glimpse n. /ɡlɪmps/ 一瞥；短暂的感受（a glimpse of 一瞥） · excerpt n. /ˈeksɜːpt/ 摘录；片段 · spectator n. /spekˈteɪtə(r)/ 观众（＝ audience） · troupe n. /truːp/ （演员）团；班子 · coordinated adj. /kəʊˈɔːdɪneɪtɪd/ 协调的；配合的（coordinate v.） · technique n. /tekˈniːk/ 技巧；技法 · episode n. /ˈepɪsəʊd/ 一段情节；（剧集）一集 · unfamiliar adj. /ˌʌnfəˈmɪliə(r)/ 不熟悉的（be unfamiliar with 对……不熟悉） · ovation n. /əʊˈveɪʃn/ 热烈鼓掌（a standing ovation 起立鼓掌） · barrier n. /ˈbæriə(r)/ 障碍；屏障（language barrier 语言障碍） 【长难句分析】 句 1（第 2 段）：On the evening of Sept 30, Lehmann, chairwoman of the German-Chinese Friendship Association in Ludwigsfelde, watched intently as performers brought the centuries-old Wu Opera tradition to life on stage at Urania Berlin. • 翻译：9 月 30 日晚，路德维希斯费尔德德中友好协会主席 Lehmann 凝神观看，演员们在柏林乌拉尼亚剧院的舞台上把传承数百年的婺剧演绎得栩栩如生。 • 仿写训练：On the evening of May 12, Chen, chairman of the local cultural society in Lyon, watched intently as dancers brought the thousand-year-old Nanyin tradition to life on stage at the city theatre. • 翻译：5 月 12 日晚，里昂当地文化协会主席陈先生凝神观看，舞蹈演员们在市立剧院的舞台上把传承千年的南音演绎得栩栩如生。 句 2（第 4 段）：The evening opened with Nine-Section Dragon, a folk performance featuring a long, brightly colored "dragon" carried by a team of performers who ran, jumped, rolled and spun across the stage, making it twist, rise and dive through the air. • 翻译：晚会以《九节龙》开场，这是一项民间表演：一条色彩鲜艳的长"龙"由一组演员扛着，他们在舞台上奔跑、跳跃、翻滚、旋转，使龙身在空中扭动、升腾、俯冲。 • 仿写训练：The parade opened with the Lion Dance, a folk performance featuring a large paper lion worked by a team of performers who crouched, leaped and spun across the square, making it nod, roll and pounce. • 翻译：游行以舞狮开场，这是一项民间表演：一只大纸狮由一组演员操控，他们在广场上蹲伏、跃起、旋转，使狮子点头、打滚、扑跃。 句 3（第 5 段）：Through powerful singing, fast-paced fight scenes, acrobatics and expressive movements, the actors told the story in a way that was easy to follow even for viewers unfamiliar with Chinese opera. • 翻译：通过高亢的唱腔、紧凑的打斗、杂技与富有表现力的身段，演员们把故事讲得即便是完全不熟悉中国戏曲的观众也能看懂。 • 仿写训练：Through vivid mime, catchy music and expressive gestures, the troupe told the story in a way that was easy to follow even for children unfamiliar with silent theatre. • 翻译：通过生动的哑剧、上口的音乐与富有表现力的手势，这个剧团把故事讲得即便是完全不熟悉默剧的孩子也能看懂。 【答案】1．A　2．C　3．B　4．D 【导语】本文主要报道的是浙江婺剧团在柏林乌拉尼亚剧院演出的三个经典选段——《九节龙》《变脸》和《三打白骨精》。原本只看过零星片段的德国观众佩特拉·莱曼说"他们跳起来时几乎听不到声音，像是在飞"，800 多名观众反复鼓掌、起立致敬；一位不会说中文的柏林居民凯勒表示，虽然听不懂台词，却完全跟得上故事、感受得到情感。 1．A　题型：细节理解题。第三段以 Having previously seen only brief excerpts 起句，随即说 the evening gave her a much fuller impression，二者构成因果，故选 A。干扰项分析：B. studied at university 与 only brief excerpts 矛盾；C. read reviews 属无中生有；D. watched many similar performances 与 only brief excerpts 矛盾，且属过度引申。 2．C　题型：细节理解题。第五段 Through powerful singing, fast-paced fight scenes, acrobatics and expressive movements 与 easy to follow even for viewers unfamiliar with Chinese opera 构成方式—结果关系，故选 C。干扰项分析：A. subtitles 全文未提字幕，是最自然却无据的猜测；B. without singing 与 powerful singing 直接矛盾，属反着说；D. explaining the plot before the show 属无中生有。 3．B　题型：推断题。凯勒说"I don't speak Chinese, but I could still follow the story and feel the emotion"，说明不懂语言也能理解，故选 B。干扰项分析：A. easy to learn 属过度引申——她说的是"看得懂"，不是"学得会"，是最强干扰；C. prefer Chinese music 属局部信息代替中心；D. plans to visit China 是首段莱曼的情节，被安到凯勒身上，属张冠李戴。 4．B　题型：主旨题。全文以一位德国观众的原话开篇、以另一位德国观众的原话收束，中间呈现演出内容与效果，落点是"古老艺术形式如何打动外国观众"，故选 D。干扰项分析：A. compare Chinese and German theatre traditions 中德戏曲并未对照呈现；C. recommend travel to Berlin 属无中生有；B. introduce the history of the troupe 文中未涉剧团沿革。 Passage E "The scenery is stunning," said Ilia Popov, 25, a Russian postgraduate student in Xianyang, Shaanxi province, when taking in the majesty of the Ganquan Canyon. "It's like a painter has drawn his brush across the stone." Located in Ganquan county, Yan'an, the canyon is a slot canyon on the Loess Plateau, nicknamed China's equivalent to the Antelope Canyon in Arizona. Carved from red sandstone over tens of millions of years through wind erosion and water scouring, it is a unique landscape known as a Danxia landform. It consists of more than 120 gorges, each with distinctive features. The best known, Huashugou Gorge, stretches about 1,100 meters and soars to over 20 meters at its highest point, with widths of one to two meters. Popov made his way through it — wide at first, then narrowing until, at its deepest point, only one visitor could pass at a time. The canyon first caught widespread attention through photographers' images shared online about a decade ago. In 2017 the scenic area opened to the public, receiving 38,000 visitors during the recent National Day holiday. No one knows its gorges better than Yan Dong, a 62-year-old photographer from Xi'an who explored the canyon between 2015 and 2021. Braving wild conditions and following elderly villagers' guidance, he visited the site over 100 times in a single year and explored more than 30 gorges previously unknown to outsiders, later publishing a photography album. "Something seemed to draw me deeper, as if I were on a mission," he said. "Every gorge has its own soul. To others they may look similar, but to me each one is different." The endeavor was not without risks — he suffered several injuries but never gave up. The most vibrant colors appear at midday, he added, and after rain the red sandstone takes on a deeper hue. For conservation, the scenic area opens only about five of the gorges to the public, two each day depending on weather. Yan'an is also known for its revolutionary heritage sites, which draw many visitors. 1．Why did Yan Dong explore the canyon for so many years? A．He wanted to make a national park of it. B．He was paid by the local government. C．He felt something drawing him deeper into it. D．He needed photos for a magazine. 2．What makes the canyon a unique landscape? A．It was carved from red sandstone by wind and water. B．It is the widest canyon in China. C．It is deeper than the Grand Canyon. D．It was formed by an ancient river. 3．Why does the scenic area open only a few gorges each day? A．To raise ticket revenue.　 B．To protect the gorges from damage. C．To guide tourists safely.　 D．To reduce visitor numbers. 4．Why does Popov compare the canyon to a painter's brush? A．To show the canyon is man-made. B．To explain how the canyon was formed. C．To warn readers about the danger. D．To express his sense of awe at its beauty. 【重难生词】 · stunning adj. /ˈstʌnɪŋ/ 令人惊叹的；绝美的（stun v.） · majesty n. /ˈmædʒəsti/ 壮丽；雄伟（majestic adj.） · equivalent n. /ɪˈkwɪvələnt/ 相等物；对应物（be equivalent to 相当于） · erosion n. /ɪˈrəʊʒn/ 侵蚀（erode v.） · distinctive adj. /dɪˈstɪŋktɪv/ 独特的；有特色的 · soar v. /sɔː(r)/ 高耸；猛增 · photographer n. /fəˈtɒɡrəfə(r)/ 摄影师（photography n.） · endeavor n. /ɪnˈdevə(r)/ 努力；尝试（＝ endeavour） · mission n. /ˈmɪʃn/ 使命；任务 · conservation n. /ˌkɒnsəˈveɪʃn/ 保护；保存（conserve v.） 【长难句分析】 句 1（第 2 段）：Located in Ganquan county, Yan'an, the canyon is a slot canyon on the Loess Plateau, nicknamed China's equivalent to the Antelope Canyon in Arizona. • 翻译：大峡谷位于延安甘泉县，是黄土高原上的一条箱状峡谷，被誉为"中国的羚羊谷"（美国亚利桑那州）。 • 仿写训练：Located in Zhangye county, Gansu, the Danxia park is a stretch of painted hills on the Hexi Corridor, nicknamed China's equivalent to the Rainbow Mountain in Peru. • 翻译：丹霞公园位于甘肃张掖县，是河西走廊上的一片彩丘，被誉为"中国的彩虹山"（秘鲁）。 句 2（第 3 段）：Popov made his way through it — wide at first, then narrowing until, at its deepest point, only one visitor could pass at a time. • 翻译：波波夫徒步穿过这条沟谷——起初很宽，随后渐渐收窄，到最深的地方一次只能通过一名游客。 • 仿写训练：We made our way along the passage — wide at first, then narrowing until, at its deepest point, only one person could squeeze through at a time. • 翻译：我们沿着这条通道前行——起初很宽，随后渐渐收窄，到最深的地方一次只能挤过一个人。 句 3（第 5 段）：Braving wild conditions and following elderly villagers' guidance, he visited the site over 100 times in a single year and explored more than 30 gorges previously unknown to outsiders, later publishing a photography album. • 翻译：他顶着恶劣的环境，听从老村民的指点，一年内到访这里一百多次，探明了三十多条外界此前不知的沟谷，后来还出版了一本摄影集。 • 仿写训练：Braving freezing temperatures and following local herders' advice, she visited the plateau over 40 times in a single season and documented more than 20 lakes previously unrecorded on maps, later publishing a research report. • 翻译：她冒着严寒，听从当地牧人的建议，一个季度内到访高原四十多次，记录了二十多个地图上从未标注的湖泊，后来还出版了一份研究报告。 【答案】1．C　2．A　3．B　4．D 【导语】本文主要介绍的是陕西延安甘泉县的大峡谷：一处由千万年风蚀水蚀在红砂岩上雕出的丹霞地貌，被誉为"中国的羚羊谷"。它十余年前因摄影师的图片在网上走红，2017 年景区开放，国庆假期接待 3.8 万人次；摄影师闫东在 2015 至 2021 年间探明三十多条此前无人知晓的沟谷并出版摄影集。为保护沟谷，景区每天仅开放约两条。 1．C　题型：细节理解题。第六段闫东自述"Something seemed to draw me deeper, as if I were on a mission"，即为答案原句，故选 C。干扰项分析：A. national park 全文无国家公园表述；B. paid by the government 无依据；D. photos for a magazine 与 later publishing a photography album（自费出摄影集）矛盾。 2．A　题型：细节理解题。第二段"Carved from red sandstone…through wind erosion and water scouring"点明成因，故选 A。干扰项分析：B. widest canyon 与长度、海拔数据无关，属无中生有；C. deeper than the Grand Canyon 无对比数据；D. formed by an ancient river 与 wind erosion and water scouring 并列，非"古河"单一成因。 3．B　题型：推断题。末段首词 For conservation 即点明开放数量的限制出于保护目的，故选 B。干扰项分析：A. raise ticket revenue 与 conservation 的字面相反，属反着说；C. guide tourists safely 属无中生有——文中未提及安全原因；D. reduce visitor numbers 是结果而非目的，属目的与结果混淆，是最强干扰。 4． D　题型：推断题。"The scenery is stunning"与"like a painter has drawn his brush across the stone"连续表达赞叹，故选 D。干扰项分析：B. explain how the canyon was formed 是成因（风蚀水蚀）的功能，与比喻无涉，属局部信息代替中心；C. warn readers about the danger 与"stunning"的方向相反；A. man-made 与 tens of millions of years 的自然成因矛盾。 Passage F With the unprecedented expansion of micro-dramas, a seminar was recently held in Beijing by the network audiovisual program management department of the National Radio and Television Administration, gathering creators of eight live-action and four AI-generated works. Wang Zhi, producer of The First Sight of Nanyang Overseas Chinese, said the creative team traveled to Fujian, Yunnan and Zhejiang provinces, as well as Malaysia and Singapore, to collect firsthand material, interviewing the descendants of the Nanyang Volunteer Drivers and Mechanics — a 3,200-member group who transported internationally donated supplies to China during the War of Resistance Against Japanese Aggression (1931-45). Most of the volunteers were in their 20s, with comfortable lives and families in Southeast Asia. "Yet they chose to return to their homeland to support their compatriots at a time of national crisis," Wang said. "The more we dug into their stories, the more we felt that they were not just records left in historical archives, but young people who deserve to be remembered." The VI Group of Fatal Case, the latest relaunch of a classic crime franchise, endeavored to make plotlines as realistic as possible while condensing twists into 26 episodes of 20 minutes each. "Through one case after another, we see the stories behind the police profession — their daily lives of facing danger and hardship while upholding justice," said Ma Zhenzhen, the drama's producer. For AI-generated micro-drama makers, technological progress makes it easier to visualize fantastic scenarios, but there is still much room for exploration before AI can be truly integrated into official film and TV production. As AI-generated content has an element of randomness, the biggest challenges are consistently testing character consistency, performance continuity and stable camera movement, said Yang Nian, chief director of the adventure drama Northern School Notes. 1．What did the team learn from the Nanyang drivers' descendants? A．That the drivers had abandoned their overseas lives. B．That the drivers had been forced to travel. C．That their stories were already well documented. D．That they were ordinary people deserving remembrance. 2．How did The VI Group of Fatal Case handle its story? A．It used 26 episodes of 20 minutes each. B．It told the story without any crime scenes. C．It focused on one single case. D．It was longer than any previous season. 3．What challenges do AI-generated micro-dramas face? A．Limited budgets and small teams. B．Inconsistent characters and unstable camera work. C．Strict rules about the length of each episode. D．Lack of interest among audiences. 4．Why did the team travel to Southeast Asia as well as China? A．To interview the drivers themselves. B．To film the locations for the drama. C．To find descendants and first-hand material. D．To sell the rights to a foreign network. 【重难生词】 · unprecedented adj. /ʌnˈpresɪdentɪd/ 前所未有的 · expansion n. /ɪkˈspænʃn/ 扩张；迅速发展（expand v.） · seminar n. /ˈsemɪnɑː(r)/ 研讨会 · firsthand adj. /ˌfɜːstˈhænd/ 第一手的；直接的（firsthand material 一手素材） · descendant n. /dɪˈsendənt/ 后裔；后代（descend v.） · donate v. /dəʊˈneɪt/ 捐赠（donation n.） · compatriot n. /kəmˈpætriət/ 同胞；同国人 · archive n. /ˈɑːkaɪv/ 档案；档案馆（复数 archives） · revere v. /rɪˈvɪə(r)/ 尊敬；崇敬（revered adj.） · randomness n. /ˈrændəmnəs/ 随机性；不确定性（random adj.） 【长难句分析】 句 1（第 2 段）：Wang Zhi, producer of The First Sight of Nanyang Overseas Chinese, said the creative team traveled to Fujian, Yunnan and Zhejiang provinces, as well as Malaysia and Singapore, to collect firsthand material, interviewing the descendants of the Nanyang Volunteer Drivers and Mechanics — a 3,200-member group who transported internationally donated supplies to China during the War of Resistance Against Japanese Aggression (1931-45). • 翻译：王志是《南洋海外华侨初见》的制片人。他说，创作团队赴福建、云南、浙江以及马来西亚和新加坡采集一手素材，采访了南侨机工的后人——这支 3,200 人的队伍在抗日战争期间（1931—1945）把国际捐赠的物资运往中国。 • 仿写训练：Li Na, director of the documentary Letters from the Front, said her team traveled to Sichuan, Yunnan and Guangxi, as well as Vietnam and Myanmar, to collect firsthand material, interviewing the grandchildren of the drivers who carried supplies along a mountain road during the war. • 翻译：李娜是纪录片《前线来信》的导演。她说，团队赴四川、云南、广西以及越南和缅甸采集一手素材，采访了当年沿山路运送物资的司机们的孙辈。 句 2（第 3 段）："The more we dug into their stories, the more we felt that they were not just records left in historical archives, but young people who deserve to be remembered," Wang said. • 翻译："我们越是挖掘他们的故事，就越发觉得他们不只是留在历史档案里的记录，而是值得被记住的年轻人，"王志说。 • 仿写训练："The more we read their letters, the more we felt that they were not just names carved on stone, but brothers who deserved to be brought home," the curator said. • 翻译："我们越是读他们的信件，就越发觉得他们不只是刻在石头上的名字，而是值得被接回家的兄弟，"策展人说。 句 3（第 5 段）：As AI-generated content has an element of randomness, the biggest challenges are consistently testing character consistency, performance continuity and stable camera movement, said Yang Nian, chief director of the adventure drama Northern School Notes. • 翻译：冒险微短剧《北派笔记》总导演杨念说，由于 AI 生成内容带有一定的随机性，最大的挑战在于持续检验角色一致性、表演连贯性与镜头运动的稳定性。 • 仿写训练：As machine translation has an element of ambiguity, the biggest challenges are consistently checking term accuracy, tone consistency and stable register, said the editor. • 翻译：这位编辑说，由于机器翻译带有一定的歧义，最大的挑战在于持续检查术语准确性、语气一致性与语域稳定性。 【答案】　1．D　2．A　3．B　4．C 【导语】本文主要报道的是国家广电总局网络视听节目管理司在北京举办的微短剧研讨会：创作方包括八部真人剧与四部 AI 生成剧。制片人王志为《南洋海外华侨初见》走访福建、云南、浙江与马来西亚、新加坡，采访南侨机工后代；刑侦剧《六案组》将 26 集剧情压缩进每集 20 分钟；AI 生成微短剧则仍受角色一致性、表演连贯性与镜头稳定性三大挑战的制约。 1．D　题型：细节理解题。王志说"they were not just records left in historical archives, but young people who deserve to be remembered"，正是"平凡却值得被记住的人"，故选 D。干扰项分析：A. abandoned their overseas lives 与原句"they chose to return"矛盾——是选择而非被迫，属反着说；B. forced to travel 与"chose"矛盾；C. already well documented 与 not just records left in historical archives 矛盾。 2．A　题型：细节理解题。第四段 condensing twists into 26 episodes of 20 minutes each 给出集数与时长，故选 A。干扰项分析：B. without any crime scenes 与 a classic crime franchise 矛盾；C. a single case 与 one case after another 矛盾；D. longer than any previous 未提及任何比较。 3．B　题型：细节理解题。末段列出 character consistency, performance continuity and stable camera movement 三项挑战，B 项覆盖前两项与镜头运动，故选 B。干扰项分析：A. budgets and teams 无依据；C. rules about the length 影子在《六案组》的每集 20 分钟，那是剧情压缩的时长，不是 AI 剧的规则，属细节拼贴；D. lack of interest 全文未涉及观众反应。 4．C　题型：推断题。第二段说团队前往五地"to collect firsthand material, interviewing the descendants of the Nanyang Volunteer Drivers"，机工后人多在东南亚居住，故选 C。干扰项分析：A. interview the drivers themselves 影子是 descendants（后代），而机工当年已不在世，属时序错置，是最强干扰；B. film the locations 与 collect firsthand material 目的不同；D. sell the rights 无依据。 Passage G Chinese publishers are finding growing opportunities in Indonesia, where local publishing companies are exploring Chinese titles, copyright partnerships and printing technologies, and Indonesian readers are showing rising interest in Mandarin-language books. At the Indonesia International Book Fair 2026, Indonesian publisher Gema Insani was in talks with Beijiao Children Joy Education and Technology from China to acquire rights to several children's science books, including titles featuring astronauts and interactive elements. Ecky, Gema Insani's marketing and copyright manager, said the two companies had met previously in Shanghai and Kuala Lumpur before continuing discussions in Jakarta. "We are currently finalizing. There are some titles that we are interested in publishing in Indonesia, particularly children's books," said Ecky. The publisher was particularly interested in interactive features that are still relatively uncommon in Indonesia, including flip-flap mechanisms, 3D elements, slides and string-based components. Ecky said Chinese printing capabilities could also offer a cost advantage. Interest in Chinese books is also emerging among Indonesian readers. Elvina, a Jakarta university student who has studied Mandarin through high school, visited the fair specifically to look for Mandarin-language fiction. "I'm very happy, actually, because I finally have access to buy and see more Mandarin books," she said. For her, Mandarin books offer more than language practice; she also collects them for their distinctive visual and literary qualities. Chinese publishers are also strengthening long-term ties with Indonesian partners. Chen Changhai, general manager of Beijiao Children Joy, said his company has operated in the Indonesian market for several years and has brought in more than 400 new children's titles. "The Indonesian publishing market, especially the publishing of children's books, has great potential," he said, adding that cooperation has evolved from copyright transactions toward joint research and development. 1．What was Gema Insani discussing with the Chinese company? A．Printing a large number of Chinese textbooks. B．Opening a new bookstore in Jakarta. C．Translating Indonesian books into Chinese. D．Buying rights to several children's science books. 2．Why was the publisher interested in the books? A．Their interactive features are unusual in Indonesia. B．They are cheaper than local ones. C．They cover Indonesian history. D．They have won international prizes. 3．What does Elvina collect Mandarin books for? A．For her Mandarin lessons at university. B．For their visual and literary qualities. C．To sell them online. D．To give them to her friends. 4．How has the cooperation changed? A．From joint production to simple sales. B．From printing to book fairs. C．From copyright deals to joint research. D．From translation to teaching. 5．The text mainly reports ______. A．why Indonesian readers prefer Chinese books B．how Indonesian publishers are engaging with Chinese titles C．how Chinese printing technology works D．how to learn Mandarin in high school 【重难生词】 · copyright n. /ˈkɒpiraɪt/ 版权；著作权 · partnership n. /ˈpɑːtnəʃɪp/ 合作关系；合伙（partner n.） · acquire v. /əˈkwaɪə(r)/ 获得；取得（acquire rights 获得版权） · interactive adj. /ˌɪntərˈæktɪv/ 互动的（interact v.） · mechanism n. /ˈmekənɪzəm/ 机械装置；机制（flip-flap mechanism 翻翻页装置） · capability n. /ˌkeɪpəˈbɪləti/ 能力（capable adj.） · potential n. /pəˈtenʃl/ 潜力；可能性 · distinctive adj. /dɪˈstɪŋktɪv/ 独特的；有特色的 · transaction n. /trænˈzækʃn/ 交易；业务（copyright transaction 版权交易） · evolve v. /ɪˈvɒlv/ 演变；发展（evolution n.） 【长难句分析】 句 1（第 2 段）：At the Indonesia International Book Fair 2026, Indonesian publisher Gema Insani was in talks with Beijiao Children Joy Education and Technology from China to acquire rights to several children's science books, including titles featuring astronauts and interactive elements. • 翻译：在 2026 年印度尼西亚国际书展上，印尼出版商 Gema Insani 正与中国北京童趣教育科技洽谈购买几本科普童书的版权，其中包括以宇航员和互动元素为特色的品种。 • 仿写训练：At the Frankfurt Book Fair this year, a German publisher was in talks with a Shanghai press to acquire rights to several nature guides, including titles featuring local birds and pop-up elements. • 翻译：在今年的法兰克福书展上，一家德国出版商正与上海一家出版社洽谈购买几本自然指南的版权，其中包括以本地鸟类和立体弹跳元素为特色的品种。 句 2（第 4 段）：For her, Mandarin books offer more than language practice; she also collects them for their distinctive visual and literary qualities. • 翻译：对她而言，中文书不只是语言练习材料；她也收藏它们，因为它们有独特的视觉与文学品质。 • 仿写训练：For him, handwritten letters offer more than a way to keep in touch; he also keeps them for their distinctive paper, ink and personal tone. • 翻译：对他而言，手写信不只是保持联系的方式；他也保存它们，因为它们有独特的纸张、墨迹与个人语气。 句 3（第 5 段）："The Indonesian publishing market, especially the publishing of children's books, has great potential," he said, adding that cooperation has evolved from copyright transactions toward joint research and development. • 翻译："印尼出版市场，尤其是童书出版，有很大潜力，"他说，并补充说双方合作已从版权交易走向联合研发。 • 仿写训练："The Vietnamese animation market, especially preschool content, has great potential," she said, adding that cooperation has evolved from format licensing toward co-production. • 翻译："越南动画市场，尤其是学龄前内容，有很大潜力，"她说，并补充说双方合作已从模式授权走向联合制作。 【答案】1．D　2．A　3．B　4．C　5．B 【导语】本文主要报道的是中国出版业在印度尼西亚的新机遇：印尼出版商 Gema Insani 与北京童趣教育科技洽谈引进多本科普童书版权，看重的是翻翻页、3D 元素、滑动件等在印尼尚不常见的互动设计，以及中国印刷的成本优势；读者艾尔维娜则因为中文书的视觉与文学品质而收藏。双方合作已从版权交易走向联合研发。 1．D　题型：细节理解题。第二段"was in talks with…to acquire rights to several children's science books"为正答原句，故选 D。干扰项分析：A. printing textbooks 中"printing"影子在第三段 Chinese printing capabilities，那是印制的成本优势，不是教科书批量印刷；B. opening a bookstore 无依据；C. Translating Indonesian books 方向相反——是印尼引进中国书。 2．A　题型：细节理解题。第三段 was particularly interested in interactive features that are still relatively uncommon in Indonesia 直接说明理由，故选 A。干扰项分析：B. cheaper 影子在同段 cost advantage，但那指的是印刷成本（供出版方），不是读者看到的书价，属张冠李戴；C. Indonesian history 无依据；D. international prizes 无依据。 3．B　题型：细节理解题。第四段 she also collects them for their distinctive visual and literary qualities 给出原句，故选 B。干扰项分析：A. Mandarin lessons 与 more than language practice 矛盾——原文正是"不只是"语言练习，是本题最强干扰；C. sell online 无依据；D. give to friends 无依据。 4．C　题型：细节理解题。末段 cooperation has evolved from copyright transactions toward joint research and development 给出原句，故选 C。干扰项分析：A. From joint production to simple sales 方向颠倒；B. From printing to book fairs 与 printing capabilities（成本）不是合作起点；D. From translation to teaching 无依据。 5．B　题型：主旨题。全文以"印尼出版商探索中国图书"为轴，串起版权洽谈、兴趣点、读者反响与长期合作，故选 B。干扰项分析：A. why Indonesian readers prefer Chinese books 只覆盖第四段 Elvina 一人，属局部信息代替中心；C. how Chinese printing technology works 属无中生有——文中只提"成本优势"，未讲技术原理；D. how to learn Mandarin 无依据。 2 学科网（北京）股份有限公司 $